INTONATION

Let’s consider the following example first:

Question: What is the difference in the way the following two sentences
sound?

A. He is going tomorrow.
B. He is going tomorrow?

Answer: The ‘melodies’ of the two sentences are different:

• The melody of sentence A drops at the end, making it a statement.

• The melody of sentence B rises at the end, making it a question.
• In languages like English, we call these sentence melodies intonations.
• All spoken languages have intonations.
?What is intonation
•Intonation is a term used to refer to the distinctive use of different
patterns of pitch that carry meaningful information.

Pitch is the rate of vibration of the vocal folds. When we speak,

normally the pitch of our voice is constantly changing. We
describe pitch in terms of high and low.

Show me the money

H L H L

0 0.892948
Time (s)
 One-syllable utterance:
• Two common examples of one-syllable utterances are ‘yes’ and

‘no’. We have a number of choices for saying these words using

different pitch patterns.
•The two words can be said with the pitch remaining at a constant
level (level intonation) which is not common, or with the pitch
changing from one level to another (moving intonation) which is
more natural.
•Moving Intonation:
Rising intonation means the pitch of the voice increases over time;
falling intonation means that the pitch decreases with time.
 Syntactic Function
•If the same utterance is produced with different intonation, the
meaning conveyed will be different. This difference is signaled by
intonation patterns.
•In English, such different intonation patterns have different
syntactic functions. One sentence can be a question, a declarative
statement, an expression of surprise, or an expression of doubt.
Compare:
‘right?’ with a rising tone
and
‘right.’ with a falling tone
•In English, the utterance ‘It is a cat’ will be regarded as a statement
when there is a fall in pitch, and the same utterance will be regarded
as a question if the pitch rises.
 Suprasegmental phonology
 Stress : applied to units larger than phonemes
(-> segmental phonology), i.e. syllables
 Intonation : pitch of voice plays an important
part; it is constantly changing during speech;
analysing intonation refers to listening to the
speaker´s pitch and recognising what it is doing
Pitch  Defined in terms of high and low
(arbitrary choices for end-points of the
pitch scale)
 Auditory sensation experienced by the
hearer
 We are not interested in all aspects of a
speaker´s pitch, but in those that carry
some linguistic information
 Speakers have control over their own
pitch of voice, and the possibility of
choice (this may have linguistic
significance)
 Necessary conditions for pitch
differences to be linguistically relevant

 Being under speaker´s control

 Pitch differences must be perceptible (great
enough to be heard by a listener as differences
in pitch)
 Significance in linguistics lies in contrasts (a set
of items a unit contrasts with)
 Form and function of intonation

 In the shortest piece of speech – single syllable

 A continuous piece of speech beginning and
ending with a pause – utterance
 One syllable utterances like “yes” and “no”
 Even in one syllable words we can either remain
at a constant pitch level or change it
Important definitions (Crombie,
1987)
 Intonation: variation in pitch
 Tonality: "dividing the flow of speech into
tone groups or tone units"
 Tonicity:"locating the syllables on which
major movements of pitch occur "
 Tone: "identifying the direction of pitch
movements "
 Tone
 It is the term used for the overall behaviour
of the pitch
 It can be level or moving
 The latter is more common
 Level tone does not sound natural
 When saying yes or no in a final manner,
falling tone is usually used
 Whereas for questioning rising tone is used
(compare yes/no and yes/no?)
 Tone and tone languages
Tone is marked before the syllable:

level _yes
falling yes
rising yes
In this way we can also mark the high tone level and
low tone level
This is not always the case for all languages i.e
Chinese, where the tone can determine the meaning of
the word in question _ma ma ma
http://www.youtube.com/watch?v=g2bHdXcszJ4
Speech may be divided into tone units (Tonality).
Each tone unit is composed of:

A tonic syllable (obligatory): the syllable that

carries the tone. those
The part of a tone unit that extends from the first
stressed syllable up to (but not including) the tonic
syllable is called the head: give me those
Bill called to give me those
If there is no stressed syllable before the tonic
syllable there cannot be a head: in an hour (pre-
head)
The pre-head is composed of all the
unstressed syllables in a tone unit preceeding
the first stressed syllable. They are found in
two main environments:
a)When there is no head (i.e. no stressed
syllable preceding the tonic syllable): in an
hour
b)When there is a head, as in the following
example: in a little less than an hour
pre-head head tonic
syllable
 Any syllables between the tonic syllable and
the end of the tone unit are called the tail:
look at it what did you say
both of them were here
When it is necessary to mark a stress in a tail
we use a dot (•):
what did you • say both of them were •here
 In synthesis:

(pre-head) (head) tonic syllable (tail)

OR

(PH) (H) TS (T)

Tonicity: locating the syllables on which
major movements of pitch occur (tonic
syllables)
A tonic syllable is:

 The most prominent syllable

 The anchor point for tone
 Not necessarily highest pitch
 Pitch movement in the tail

 tonic syllable: where pitch movement begins

 tail: syllables after the tonic syllable

-my \hampster likes Britney Spears

-my /hampster likes Britney Spears
-my vhampster likes Britney Spears
 Complex tones and pitch height
Each of these tones may express particular attitudes:

Fall:neutral statement
Rise: neutral question, doubt
Fall-Rise: scepticism
Rise-Fall: emphatic statement
Level: boredom, disinterest

In ordinary speech intonation tends to take place within the

lower part of the speaker´s pitch range. Only with strong
feelings we use extra pitch height.
 Fall: neutral statement, conclusion

 E.g. Have you

seen Ann?
 Yes. (Falling
intonation
indicates
‘I have answered
your question and
do not intend to
add anything else’)
Rise: questioning, doubt, desire to continue
conversation

 E.g. Have you

seen Ann lately?
 Yes… (Rising
intonation
indicates ‘I want
to continue the
conversation, I
am curious’)
Rise-Fall: emphatic statement, irritation, command

 Do I really have
to clean my
room?
 Yes!
 Fall-Rise: surprise, scepticism

 Ann and Peter

were on good
terms at the
party?
 Yes!
 Level: boredom, lack of interest
 Can you
remember Peter
Jackson, the cost
consultant for our
company in
Taiwan? The
other day in the
office I invited
him for dinner,
he’ll be coming
tomorrow.
 Yes.
We shall begin by considering the fall:
here is a tone unit solely composed of a tonic
syllable
Things become more complicated when we add
syllables
In this case there are no stressed syllables
before the tonic: ‘I said’ is the pre-head
Here we have added a stressed syllable, ‘told’, before
the tonic, which is called the head. Notice how the
intonation rises from the pre-head
Here we have added syllables after the tonic, this is
called the tail. Note how it tends to follow the
intonation pattern of the tonic.
This is obviously not the only possible realisation of
this sentence. If we put the main stress on ‘told’, it
changes the pattern completely
In a similar way a rising tonic syllable will condition
its tail: here ‘when’ is the tonic syllable
Again when we come to complex tone we find the tail
following the tonic syllable: for a fall-rise the fall
occurs on the tonic and the rise at the end of the tail
No matter how many syllables there are in the
tail, the rise finishes on the last
While diagrams are immediate and clear, a
more practical system of symbols has been
developed to denote innotation
Stressed syllables in the head are noted with a
vertical tick
 I want to go to the  dentist´s.
Stressed syllables in the tail are noted with a
dot

 I want to go to the dentists to•morrow

•morning
 Double vertical lines divide tone units

 I want to go to the dentists to•morrow

•morning Ive got a terrible toothache
 Exercises
 Divide the following utterances into tone units
and decide where the tonic or nucleus might
fall in each tone unit:
1. The first student to finish can go early
2. Sadly, Maurice has gone away
3. The person who was watching me left a
ticket behind
4. Alan couldn't make it so Ken took his place
 Answers
1. //The first student to finish// can go early//
2. //Sadly// Maurice has gone away//
3. // The person who was watching me //left a
ticket behind//
4. //Alan couldn't make it //so Ken took his
place//
 More exercises

 http://www.englishmedialab.com/
pronunciation/upper-intermediate
%20intonation%20exercise.htm
 http://www.tolearnenglish.com/exercises/
exercise-english-1/exercise-english-674.php
 http://eolf.univ-fcomte.fr/index.php?page=92
 Intonation practice
Intonation 1, 2, 3 & 4.
 http://www.youtube.com/watch?v=g2bHdXcszJ4
 http://www.youtube.com/watch?v=Qh6kUsJcu3k
 http://www.youtube.com/watch?
v=k80wiT0t2rc&feature=related
 http://www.youtube.com/watch?
v=qLGJb63mkyA&feature=channel
Intonation (a bit strong!)
 http://cornwalltube.com/view.php?
video=XfwpgMdWkUE&feature=youtube_gdata&title=In
tonation
 Practice pitch curves
http://www.llas.ac.uk/materialsbank/mb081/
page_21.htm
 Benjamin Zander, director de la Royal
Philarmonic orquesta :
 http://video.google.es/videoplay?docid=-
6200291961635473004&hl=es#