Visual Analytics: Networks and Trees - Heat Map - Map Color and Other Channels - Manipulate View - Visual Attributes

Module 3
Visual Analytics
Networks and Trees – Heat Map - Map Color and Other
Channels - Manipulate View – Visual Attributes
Reference Book
Data Visualization: Principles and Practice – Alexandru C. Telea, 2nd
Edition
Map Color and Other
Channels
• There are two main aspects to the importance of color:
• (a) Color lets you set the mood
• (b) you can use color to guide the viewer’s eye and draw
attention to particular features. Color enables you to tell a
story.
• grey is the most important color in data vis
• In data vis, the way you chose your colors depends on your
data.
• Two options: For continuous data you use color gradients,
• Categorical data you use distinctive colors.
Introduction

Color
The color is best understood in terms of three separate
channels: luminance, hue, and saturation.
The major design choice for colormap construction
is whether the intent is to distinguish between
categorical attributes or to encode ordered attributes.
Sequential ordered colormaps show a progression of an
attribute from a minimum to a maximum value, while
diverging ordered colormaps have a visual indication
of a zero point in the center where the attribute
values diverge to negative on one side and positive
on the other.
Introduction

Color
Bivariate colormaps are designed to show two attributes
simultaneously using carefully designed combinations
of luminance, hue, and saturation.
The characteristics of several more channels are also

covered: the magnitude channels of size, angle, and
curvature and identity channels of shape and
the motion.
Color Vision
• The retina of the eye has 2 different kinds of receptors.
• The rods actively contribute to vision only in low-light.
• The main sensors in normal lighting conditions are the
cones.
• There are 3 types of cones, each with peak sensitivities
at a different wavelength within the spectrum of visible
light.
• The visual system immediately processes these signals
into three opponent color channels: one from red to
green, one from blue to yellow, and one from black and
white encoding luminance information.
Color Spaces
 The color space of what colors the human
visual system can detect is three dimensional; that is, it
can be adequately described using three separate
axes.
 There are many ways to mathematically describe
color as a space and to transform colors from one
such space into another.
 Some of these are extremely convenient for
computer manipulation, while others are a better
match with the characteristics of human vision.
RGB System
• The most common color space in computer graphics

is the system where colors are specified as triples of
red, green, and blue values.
• Although this system is computationally convenient, it is
a very poor match for the mechanics of how we see.
• The red, green, and blue axes of the RGB color space
are not useful as separable channels; they give rise to
the integral perception of a color.
HSL System
• The hue–saturation–lightness or HSL system is

more intuitive and is heavily used by artists and
designers.
• The hue axis captures what we normally think of
as pure colors that are not mixed with white or black:
red, blue, green, yellow, purple, and so on.
• The saturation axis is the amount of white mixed with
that pure color. For instance, pink is a partially
desaturated red.
• The lightness axis is the amount of black mixed with a
color.
Luminance, Saturation and Hue
• Color can be confusing in visual analysis because it
is sometimes used as a magnitude channel
and sometimes as an identity channel.
• Luminance and saturation are magnitude
channels, while hue is a identity channel.
Transparency
• A fourth channel strongly related to the other three
color channels is transparency: information can be
encoded by decreasing the opacity of a mark from fully
opaque to completely see-through.
• Transparency cannot be used independently of
the other color channels because of its strong
interaction effects with them.
• Transparency is used most often with superimposed
layers, to create a foreground layer that
is distinguishable from the background layer.
• It is frequently used redundantly, where the
same information is encoded with another channel as
well.
Colormaps
• A colormap specifies a mapping between colors
and data values; that is, a visual encoding with color.
Using color to encode data is a powerful and
flexible design choice, but colormap design has
many pitfalls for the unwary.
• Colormaps can categorical ordered, and
be or
ordered
diverging. can be either sequential or
colormaps
Categorical colormap
• A categorical colormap uses color to encode
categories and groupings.
• Categorical colormaps are normally segmented.
They
are are also known as qualitative colormaps.
• Very effective when used appropriately; for
categorical data, they are the next best channel
after spatial position.
• Categorical colormaps are typically designed by
using color as an integral identity channel to encode a
single attribute, rather than to encode three
completely separate attributes with the three
channels of hue, saturation, and luminance.
Categorical colormap
• The number of discriminable colors for coding small
separated regions is limited to between six and
twelve bins.
• You should remember to include background color and
any default object colors in your total count: some or all
of the most basic choices of black, white, and gray are
often devoted to those uses.
• Easily nameable colors are desirable, both for
memorability and ability to discuss them using words.
• A good resource for creating colormaps is ColorBrewer
at http://www.colorbrewer2.org
Ordered Colormaps
• An ordered colormap is appropriate for encoding
ordinal or quantitative attributes.
• A sequential colormap ranges from a minimum
value
to a maximum value.
• A diverging colormap has two hues at the
endpoints and a neutral color as a midpoint, such as
white, gray, or black, or a high-luminance color such as
yellow.
Other Channels
Size Channels
• Size is a magnitude channel suitable for ordered data.
• Length is one-dimensional (1D) size; more specifically,
height is vertical size and width is horizontal size. Area
is two-dimensional (2D) size, and volume is
three- dimensional (3D) size.
• Our judgements of length are extremely accurate.
• Our judgement of area is significantly less accurate.
• The volume channel is quite inaccurate.
Other Channels
Angle Channels
• The angle encodes magnitude information
based on the orientation of a mark: the direction that it
channel
points.
• There are two slightly different ways to consider
orientation that are essentially the same channel.
With angle, the orientation of one line is judged with
respect to another line. With tilt, an orientation is judged
against the global frame of the display.
• This channel is somewhat less accurate than length and
position, it is more accurate than area.
Other Channels
Curvature Channel
• The curvature channel is not very accurate, and it can
only be used with line marks.
• It cannot be used with point marks that have no length,
or area marks because their shape is fully constrained.
• The number of distinguishable bins for this channel
is low, probably around two or three; it is in
an equivalence class with volume (3D size) at the
bottom of the magnitude channel ranking.
Other Channels
Shape Channels
• Shape as a identity channel that can be used with point
and line marks.
• Applying the shape channel to line marks
results in stipple patterns such as dotted and
dashed lines.
Motion Channels
• Several kinds of motion are also visual
channels, including direction of motion, velocity of
motion, and flicker frequency.
• Motion is less studied than other channels.
How to Pick the Perfect Color Combination
for Your Data Visualization with example

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Module 3

The characteristics of several more channels are also

• The most common color space in computer graphics

• The hue–saturation–lightness or HSL system is

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