Robert Allen Zimmerman (Bob Dylan)
Robert Allen Zimmerman (Bob Dylan)
Robert Allen Zimmerman (Bob Dylan)
(BOB DYLAN)
BOB DYLAN
In 1960, Dylan dropped out of college and moved to New York, where his idol, the legendary folk singer
Woody Guthrie, was hospitalized with a rare hereditary disease of the nervous system. He visited with
Guthrie regularly in his hospital room; became a regular in the folk clubs and coffeehouses of Greenwich
Village; met a host of other musicians; and began writing songs at an astonishing pace, including "Song to
Woody," a tribute to his ailing hero.
In the fall of 1961, after one of his performances received a rave review in The New York Times, he signed a
recording contract with Columbia Records, at which point he legally changed his surname to Dylan. Released
early in 1962, Bob Dylan contained only two original songs, but showcased Dylan's gravel-voiced singing
style in a number of traditional folk.
FOLK SINGING
The 1963 release of The Freewheelin' Bob Dylan marked Dylan's
emergence as one of the most original and poetic voices in the history of
American popular music. The album included two of the most memorable
1960s folk songs, "Blowin' in the Wind" (which later became a huge hit for
the folk trio Peter, Paul and Mary) and "A Hard Rain's A-Gonna Fall." His
next album, The Times They Are A-Changin', firmly established Dylan as
the definitive songwriter of the '60s protest movement, a reputation that
only increased after he became involved with one of the movement's
established icon Joana Baezs, in 1963.
While his romantic relationship with Baez lasted only two years, it
benefited both performers immensely in terms of their music careers—
Dylan wrote some of Baez's best-known material, and Baez introduced him
to thousands of fans through her concerts. By 1964 Dylan was playing 200
concerts annually, but had become tired of his role as "the" folk singer-
songwriter of the protest movement. Another Side of Bob Dylan, recorded
in 1964, was a much more personal, introspective collection of songs, far
less politically charged than Dylan's previous efforts.
Reinventing his Image:
In 1965, Dylan scandalized many of his folkie fans by recording the half-acoustic, half-electric
album Bringing It All Back Home, backed by a nine-piece band. On July 25, 1965, he was
famously booed at the Newport Folk Festival when he performed electrically for the first time.
The albums that followed, Highway 61 Revisited (1965) — which included the seminal rock
song "Like a Rolling Stone" — and the two-record set Blonde on Blonde (1966) represented
Dylan at his most innovative. With his unmistakable voice and unforgettable lyrics, Dylan
brought the worlds of music and literature together as no one else had.
Over the course of the next three decades, Dylan continued to reinvent himself. Following a
near-fatal motorcycle accident in July 1966, Dylan spent almost a year recovering in seclusion.
REINVENTING HIS IMAGE