The document discusses various folk dances from the three main ethnic communities in Sikkim - Lepcha, Bhutia, and Nepalis. It describes some popular dances like the Maruni dance performed by Nepali communities, the Chu-Faat ritualistic dance honoring Mount Khangchendzonga, and the Kagyed Chham ritualistic New Year dance of Bhutia communities. It also mentions dances that celebrate harvest seasons and involve traditional instruments like the Chyap-Brung drum. Overall, the folk dances depict local culture and nature, and are performed during festivals and celebrations.
The document discusses various folk dances from the three main ethnic communities in Sikkim - Lepcha, Bhutia, and Nepalis. It describes some popular dances like the Maruni dance performed by Nepali communities, the Chu-Faat ritualistic dance honoring Mount Khangchendzonga, and the Kagyed Chham ritualistic New Year dance of Bhutia communities. It also mentions dances that celebrate harvest seasons and involve traditional instruments like the Chyap-Brung drum. Overall, the folk dances depict local culture and nature, and are performed during festivals and celebrations.
The document discusses various folk dances from the three main ethnic communities in Sikkim - Lepcha, Bhutia, and Nepalis. It describes some popular dances like the Maruni dance performed by Nepali communities, the Chu-Faat ritualistic dance honoring Mount Khangchendzonga, and the Kagyed Chham ritualistic New Year dance of Bhutia communities. It also mentions dances that celebrate harvest seasons and involve traditional instruments like the Chyap-Brung drum. Overall, the folk dances depict local culture and nature, and are performed during festivals and celebrations.
The document discusses various folk dances from the three main ethnic communities in Sikkim - Lepcha, Bhutia, and Nepalis. It describes some popular dances like the Maruni dance performed by Nepali communities, the Chu-Faat ritualistic dance honoring Mount Khangchendzonga, and the Kagyed Chham ritualistic New Year dance of Bhutia communities. It also mentions dances that celebrate harvest seasons and involve traditional instruments like the Chyap-Brung drum. Overall, the folk dances depict local culture and nature, and are performed during festivals and celebrations.
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FOLK DANCES IN SIKKIM
•THE THREE ETHNIC COMMUNITIES, LEPCHA, BHUTIA AND
NEPALIS CONSTITUTE THE FOLK DANCES AND SONGS WHICH ARE AN INGRAINED PART OF SIKKIMESE CULTURE. THIS MUSIC AND FOLK DANCES RELATE TO THE BEAUTY OF THE NATURAL SURROUNDINGS, DEPICTING THE HARVEST SEASON AND ARE PERFORMED FOR GOOD LUCK AND PROSPERITY. SOME OF THE POPULAR MUSIC AND FOLK DANCES ARE DESCRIBED BELOW. •NEPALI FOLK DANCE “MARUNI” – IT IS ONE OF THE OLDEST AND POPULAR GROUP DANCE FORM OF THE NEPALI COMMUNITY, USUALLY PERFORMED BY THREE MALE DANCERS AND THE THREE FEMALE DANCERS. THE DANCERS ARE USUALLY ACCOMPANIED BY A CLOWN CALLED “DHATU WARAY”. SOMETIMES MARUNI DANCES ARE PERFORMED TO THE ACCOMPANIMENT OF THE NINE INSTRUMENT ORCHESTRA KNOWN AS “NAU-MATI BAJA”. Literal meaning of Chu is Snowy Range, while that of Faat is Worship.This group folk dance is performed in the honour of Mount Khangchendzonga, the guardian deity of the Sikkimese people. The dancers while carrying butter lamps and green bamboo leaves perform a ritualistic dance by singing devotional songs.
Through this romantic group dance,
performed by a group of male and female dancers, joys of life and feeling of happiness is shared during the harvesting season and on some other happy occasions. Chyap-Brung is the traditional musical instrument of the Limboo community. It is like a Dholak in shape but much bigger in size. During the course of group dance, male dancers hang the instrument around their necks with the help of a rope and beat the drum with an open palm on one side and a stick on the other. Such a manoeuvre produces two different sounds which echo boldly in valleys and mountains.
This group dance comprising of
boys and girls is performed to pay homage to the past saints such as Guru Rimpoche and present saints in order to get their belssings.the musical instruments which support the graceful steps of the dancers are:Flute ,Yangjey ,Drum, and Yarka. Kagyed actually means the oral transmission of the eight Tantric Gods found in Tantric Buddhism. Kagyed Chham is a word of Bhutia origin. ‘Ka’ means ‘oral transmission’, ‘Gyed’ means ‘eight’ and ‘Chham’ means ritualistic dance. This ritualistic dance is held every year in various Sikkimese Monastery. It is a time of celebration for the Bhutias as they welcome the New Year. They visit the monasteries and offer prayers by lighting butter lamps and offering cash and kinds to the monasteries.
In this beautiful group dance of Damai
community nine kinds of musical instruments are used to perfection. These are two types of Senai ( Shehnai), Turhi, small and big, Damaha (Nagara) of two types, Tuyamko (Small Dhol) of two types, Dholki and Jhyamta (cymbal). The Naumati Baja is a regular feature during the wedding and other auspicious occasions. -Name-Arjun Gupta Class-XE Subject-English Roll no.-04 Adm. no.-9209