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    7 Music of Mindanao

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    JenevaRosePerez
    The document summarizes the different musical traditions of ethnic groups in the Southern Philippines. It describes the kulintang ensemble, which uses gong instruments and is important for celebrations and rituals. It also mentions bamboo aerophone, idiophone, and chordophone instruments like the kudyapi lute and suling bamboo flute. The uniqueness of each culture's musical practices and traditions are part of the larger society in Mindanao and Sulu.

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    7 Music of Mindanao

    Uploaded by

    JenevaRosePerez
    255 views17 pages
    The document summarizes the different musical traditions of ethnic groups in the Southern Philippines. It describes the kulintang ensemble, which uses gong instruments and is important for celebrations and rituals. It also mentions bamboo aerophone, idiophone, and chordophone instruments like the kudyapi lute and suling bamboo flute. The uniqueness of each culture's musical practices and traditions are part of the larger society in Mindanao and Sulu.

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    The document summarizes the different musical traditions of ethnic groups in the Southern Philippines. It describes the kulintang ensemble, which uses gong instruments and is important for celebrations and rituals. It also mentions bamboo aerophone, idiophone, and chordophone instruments like the kudyapi lute and suling bamboo flute. The uniqueness of each culture's musical practices and traditions are part of the larger society in Mindanao and Sulu.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    255 views17 pages

    7 Music of Mindanao

    Uploaded by

    JenevaRosePerez
    The document summarizes the different musical traditions of ethnic groups in the Southern Philippines. It describes the kulintang ensemble, which uses gong instruments and is important for celebrations and rituals. It also mentions bamboo aerophone, idiophone, and chordophone instruments like the kudyapi lute and suling bamboo flute. The uniqueness of each culture's musical practices and traditions are part of the larger society in Mindanao and Sulu.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 17

    Quarter III Music

    The Islamic community in the Philippines


    consists of ethno-linguistic groups:
    • The Maguindanao of Cotabato
    • The Maranao of Lanao and Cotabato
    • The Samal and Jama Mapun of the Sulu Islands of Sibutu and Cagayan De Sulu
    • The Tausug of the Sulu Islands of Jolo, Siasi, and Tawi-tawi
    • The Yakan of Basilan and Zamboanga

    • The uniqueness of the cultures and his/her musical practices that make up the larger
    society in Mindanao and Sulu belongs to one single tradition.
    • Similarities fo exist in some vocal styles within the large society, but theoretical
    concepts, functions, aesthetics, and repertoires differ from culture to culture, and even
    from village belonging to one language group.
    1. Chants- a lyrical rendition of different
    improvised text
    • Yakands do their chantings through solo and counter or group singing.
    Their famous everyday style chants are:
    a) Lugu- chants they use in reading the Qur’an and other books they use
    in Islam religion.
    b) Kalangan- songs that they use for serenading loved ones
    c) Sa-il/Lunsey- an important chant to be sung by the wife-to-be during
    the ceremony that talks about married life.
    • Maranaos have an extensive vocal repertoire such as:
    a) Dikker- Sacred songs highlighted by quotations from the Qur’an
    b) Bayok- semi-generic term for a lyrical rendition of different improvised
    text.
    2. Lullaby- a chant-style or chant formula
    use in rocking a baby to sleep.
    • Ya-ya- is a song of the Yakans to put the baby to sleep, sung in a
    relax/slow manner, soft and soothing while rocking the baby.
    • Bayok- is also a Maranao term for lullaby
    1. Kulintang Ensemble
    •Gong-based ensemble used by the
    Maguindanao and Maranao of western
    Mindanao, the Tausug, the Yakan, and the
    Sama-Bajao of the Sulu Archipelago. They
    have varied functions but are mostly used for
    celebrations/rituals and are mainly divided
    into two types:
    1. Kulintang Ensemble
    a) Kulintangan (Manobo Cotabato)/Kwintangan- ensembles of 6-8
    hanging melody gongs in a row, hung on ropes in pyramidal order, with
    the smaller and higher-pitched gongs near the top.
    1. Kulintang Ensemble
    b) Tahunggo, Agung, Salmagi, Blowon Semagi- suspended gong
    ensembles (9-11 gongs, played a melody and drone player) in various
    names according to each trive; ensemble maybe completed with 1 or 2
    drums.
    Kulintang
    • An important social property. This instrument of the ensemble is highly valued
    priceless heirloom that can command a high price as dowries. The ownership of
    these instruments indicates high social status and cultivated taste.
    Agung
    • A large, deep-rimmed gong, vertically suspended, hanged in wooden frames.
    Bamboo Ensemble
    • According to Philippine legends, the first man and woman are born out of
    bamboo. Bamboo is also considered among early Filipinos as a spiritual
    connection from our physical world to the spiritual. Many bamboo instruments
    were made for this purpose while some were also used for entertainment and
    personal expression. The different manner in playing bamboo instruments include:
    blowing (aerophones), shaking or hitting (idiophones), and plucking
    (chordophones)
    Kudyapi
    • A 2-string plucked lute instrument made of wood which resembles and elongated
    guitar usually having 2 strings.
    Suling
    • (Maguindanao and Yakan’s) is made mainly of “tamiang” bamboo, a long, thin-
    walled bamboo tube. The mouthpiece of the suling is circled with a thin band
    made of rattan near a small hole.

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