Choreography is the art of creating and arranging dance movements and patterns. It can be improvised, with the choreographer providing general guidelines, or planned in detail. Effective choreography considers the routine, music, specific movements, and whether props or costumes are needed. Modern dance focuses on self-expression through creative choreography and performance using minimal additional elements. Common modern dance movements include laterals, spirals, leaps, turns, squats, and contractions and releases that articulate the spine.
Choreography is the art of creating and arranging dance movements and patterns. It can be improvised, with the choreographer providing general guidelines, or planned in detail. Effective choreography considers the routine, music, specific movements, and whether props or costumes are needed. Modern dance focuses on self-expression through creative choreography and performance using minimal additional elements. Common modern dance movements include laterals, spirals, leaps, turns, squats, and contractions and releases that articulate the spine.
Choreography is the art of creating and arranging dance movements and patterns. It can be improvised, with the choreographer providing general guidelines, or planned in detail. Effective choreography considers the routine, music, specific movements, and whether props or costumes are needed. Modern dance focuses on self-expression through creative choreography and performance using minimal additional elements. Common modern dance movements include laterals, spirals, leaps, turns, squats, and contractions and releases that articulate the spine.
Choreography is the art of creating and arranging dance movements and patterns. It can be improvised, with the choreographer providing general guidelines, or planned in detail. Effective choreography considers the routine, music, specific movements, and whether props or costumes are needed. Modern dance focuses on self-expression through creative choreography and performance using minimal additional elements. Common modern dance movements include laterals, spirals, leaps, turns, squats, and contractions and releases that articulate the spine.
Download as PPTX, PDF, TXT or read online from Scribd
Download as pptx, pdf, or txt
You are on page 1of 25
Choreography
- Literally means “dance-writing”, derived
from the Greek words for “dance” and “writing” - It is an art of creating and arranging movements for dances with specific motion and form. - Known as “dance composition” 1.Improvised Choreography - unplanned or unrehearsed - Choreographer simply gives guidelines for improvised movement and form. 2. Planned Choreography - Choreographer dictates movement and form in detail, which dancers must follow completely. 1.Routine and Content - A sequence of planned and organized steps and movements to make the overall choreography. - Routine is normally longer than a dance combination but shorter than a full dance. a. Think of the routine b. Track your thoughts and ideas by recording them c. Know your audience 2. Music and Genre a.) Select and listen to a song to the creation of process. b.) After becoming intimately acquainted with music, start analyzing it. 3. Movement Creation a.) Explore different steps, moves, and sequences b.) Feel free to give codes to the steps and moves to easily remember the dance sequence c.) Be imaginative d.) Practice the routine over and over again. 4. Props and Costumes a.) Decide carefully if it is necessary to use props. b.) Plan carefully the design and size. Modern Dance Rejects strict rules of classical ballet, focusing instead on the expression of inner feelings. Emphasizing creativity in choreography and performance. Uses minimal prop designs and costumes. 1. Laterals - Stand with head and spine in alignment and the supporting foot turned out. The arm over the supporting leg comes straight up next to the ears as the torso tilts, unbroken to the side and over the supporting leg. The opposite leg lifts pointed through the toes. The other arm swings up as the leg rises and parallels the straight arm next to the head. The body continues to tilt sideways from the pelvis in one unbroken line. • Lateral T – shows the line of the torso and extended leg at a right angle to the supporting leg. • Low Lateral- tilts the torso downward and the extended leg up in the air. 2. Spiral - A torso twist that begins in the pelvis. - The head remains in alignment with the spine. The spiral releases in the same order: pelvis up to shoulders, neck, and then head. Each movement is the start of a smooth progression with the spine as its center. 3. Stag Leap - A very high jump in a split, but although both legs are parallel to the floor, the front leg is bent from the knee inward. - The arms are either thrust up in a V with palms facing out and down, or one- forward, one-to-the-side in a ninety- degree angle and palms down. 4. Stag Turn - The supporting knee is slightly bent; the other leg is up in the air and bent behind the body. The arm on the supporting side is thrust straight back with the palm down. The opposite arm is thrust cleanly forward with the palms down as the dancer turns around. 5. Primitive Squat - A hop that lands in a deep second-position plie-the feet are turned out heel-to-heel and the knees are bent. 6. Flat Back - Makes a “tabletop” of the body. - Forming the extension of the flat back. 7. Hinge - The dancer balances on the balls of the feet, keeps a straight back and head, and sends the knees forward as the torso tilts back and the arms are held straight out in front. 8. Contraction - The action begins in the pelvis, and articulates up the spine as the breath is exhaled. The dancer aims to lengthen the space between each vertebra as the move progresses to the neck and the head, which are always in alignment with the spine. 9. Release - Occurs upon inhalation and also begins in the pelvis. The move travels up the spine in the same order as the contraction, restoring the torso to a straight alignment. Typically counters the contraction. 10. High Release - Tilts the breastbone up rather than ending with the spine and upper body in an upright neutral position. The shoulder blades appear to rest on a bar or shelf. The head remains aligned with the spine and the rib cage remains over the hips. The lower back is not bent.
The Dumb-Bell and Indian Club: Explaining the Uses to Which They Must Be Put, with Numerous Illustrations of the Various Movements; Also A Treatise on the Muscular Advantages Derived from these Exercises
The Dumb-Bell and Indian Club, Explaining the Uses to Which they May be Put, with Numerous Illustrations of the Various Movements - Also a Treatise on the Muscular Advantages Derived from These Exercises