Achyut Purushottam Kanvinde was an Indian architect who graduated from Sir J.J. School of Arts in 1942. He further studied at Harvard under Walter Gropius and was influenced by the Bauhaus movement. Kanvinde designed the National Science Centre in Delhi using a functionalist approach with elements of Brutalism. The building rises in vertical volumes around a landscaped courtyard and features large exhibition spaces lit by natural light. Kanvinde emphasized understanding local climate and culture and used vernacular styles and materials appropriately in his designs.
Achyut Purushottam Kanvinde was an Indian architect who graduated from Sir J.J. School of Arts in 1942. He further studied at Harvard under Walter Gropius and was influenced by the Bauhaus movement. Kanvinde designed the National Science Centre in Delhi using a functionalist approach with elements of Brutalism. The building rises in vertical volumes around a landscaped courtyard and features large exhibition spaces lit by natural light. Kanvinde emphasized understanding local climate and culture and used vernacular styles and materials appropriately in his designs.
Achyut Purushottam Kanvinde was an Indian architect who graduated from Sir J.J. School of Arts in 1942. He further studied at Harvard under Walter Gropius and was influenced by the Bauhaus movement. Kanvinde designed the National Science Centre in Delhi using a functionalist approach with elements of Brutalism. The building rises in vertical volumes around a landscaped courtyard and features large exhibition spaces lit by natural light. Kanvinde emphasized understanding local climate and culture and used vernacular styles and materials appropriately in his designs.
Achyut Purushottam Kanvinde was an Indian architect who graduated from Sir J.J. School of Arts in 1942. He further studied at Harvard under Walter Gropius and was influenced by the Bauhaus movement. Kanvinde designed the National Science Centre in Delhi using a functionalist approach with elements of Brutalism. The building rises in vertical volumes around a landscaped courtyard and features large exhibition spaces lit by natural light. Kanvinde emphasized understanding local climate and culture and used vernacular styles and materials appropriately in his designs.
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NATIONAL SCIENCE CENTRE,DELHI
Architect A P Kanvinde
By, Pramati Kulkarni EDUCATION
Kanvinde graduated in architecture from Sir J.J.
School of Arts, Mumbai in 1942. He was then sent by the Government of India to study at Harvard where he worked under Walter Gropius and was influenced by his thinking and teaching . The European masters of the Bauhaus – Albert Bayer, Moholy Nagy, Marcel Breuer, and the Swiss-American architectural historian Siegfried Giedion also had a great impact. PHILOSOPHY of architect
Achyut Purushottam Kanvinde was an Indian
architect who worked in functionalist approaches with elements of Brutalist architecture. Kanvinde played with space and forms. He realized that no meaningful architecture could ever be built without understanding the climate & geography of the region as well as the pattern of society. He championed the cause of vernacular architecture. He believed that values and historical influences contributed towards good architecture. His designs are slender , balanced , proportionate , neat and well crafted. He gave great importance to natural light. The form of the building is such that the problem of ventilation as well as excessive heat is beautifully solved. He believed in vernacular architecture. According to him architecture is not a museum of materials. He used bricks, stones, concrete & aggregate plaster with equal finess and was always on the look out for different materials where demanded by the climatic context. He carried out consistently good buildings on small scale budgets all around the country. HIS DESIGN CONCEPTS
He believed that a grid of columns forming
a matrix giving structural and spatial aspect would turn a design more sophisticated and faceted. He believed in the science of Vaastushastra. An art can be to nourish the senses. Art is purely an aesthetic exercise. National science centre ,Delhi This project is located in the heart of the Delhi city. The building is standing on a piece of land measuring about 7000sq.m with a total built up area 14000 sq.m. A set of vertical volumes rise gradually.This building is visually appealing, and unimposing. It has a large grand flight of steps on its entrance. The entry plaza to the Centre welcomes its visitors with a huge exhibit spanning four floors, one of the largest exhibits in the world. The building consisted of A. Auditorium B. Seminar hall C. Lecture hall D. Cafeteria In addition to it laboratories,depositories work,etc. The shape of the site is in the form of trapezium. The building is multilevelled one,need for indoor and outdoor exhibits created a systemmatic terraces and vertical shafts for services. PLAN The visitors first enter the main atrium at the second storey level through landscaping. Then escalator takes them to fourth storey atrium. The exhibits are exhibited here ; the observer now slowly descends to lower storey. The ground level consists of lecture hall , conference hall, and common facilities like cafeteria. This is the last stage from there the visitors can depart. Site location and view was kept in mind during the designing of project. The site is surrounded by historical surroundings. The purana kila is in the vicinity of the building. Terraces have been introduced at different levels. It has done in order to get relief from movement within closed places and see outdoor exhibits. Since the site has an association with historical surroundings of the city,an element form of heritage plaza at the point of entry has been proposed depicting certain outstanding elements associated with past,from where people could enter the building inorder to help them orient to the past with present. Terrace garden also became a part of design philosophy and form. They tend to present cascading green planters supported by vertical tower shaft system in the form,expression and design. His other works…