Artforms Modern Art

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IMPRESSIONISM, MODERN

ART
AND POSTMODERN ART

1873
In the United States, Susan B. Anthony was fined
$100 for attempting to vote for president and the
first cable car began service in San Francisco. Also
the P. T. Barnums circus debuted in New York and
slavery was abolished in Puerto Rico.* In Paris, a
group of painters organized an independent exhibit
of their work. These artists were called the
Impressionists.

Source:
http://www.brainyhistory.com/years/1873.html

IMPRESSIONISM
What is it?
Its been called the most
revolutionary art movement in the
history of art. The Impressionists
rejected traditional ideas about what
painting should be about and what it
should look like.

e Salon was a prestigious art competition in Paris during the late 19 th century.
e type of paintings that made it into the show had important subject matter from
tory, religion, or myth, they were extremely realistic with no signs of brush mark

THE IMPRESSIONISTS:
They wanted to capture the effect of
light falling on objects.

Unlike the Old Masters, they used bright


high-key colors
They let their brushstrokes show.
They painted a lot of landscapes and
so often worked out of doors.
They painted ordinary people doing
everyday things.

The leader of the movement was Claude


Monet.

Pierre-Auguste Renoir

Cassatt

Camille Pissarro

Alfred Sisley

Edgar Degas

Impression: Sunrise by Claude Monet, 1872, oil on canvas

Mary Cassatt

Many Impressionists and


Post-Impressionists were
influenced by Japanese
woodblock prints.

An example of a pastel drawing by Mary Cassatt

A pastel drawing by
Edgar Degas

Pierre-Auguste Renoir
*Play Video

Post-Impressionism

Mont Sainte-Victoire
by Paul Cezanne, 1902-04

A Sunday on La Grande Jatte by Georges Seurat, 1884-86, oil on canvas

ead of mixing, Seurat placed two colors next to each other and left it up to the v
mix the colors optically. This technique is called divisionism or pointillism.

Mahanaa no Atua (Day of the God) by Paul Gauguin, 1894, oil on canvas

El Greco is one of the


few precedents for
Gauguin and Van Goghs
expressionistic approach
to painting. Pictured to the
left is El Grecos View
of Toledo.

Self-Portrait by
Vincent Van Gogh

Pastel drawing of Van Gogh


by Toulouse-Lautrec

Henri de Toulouse-Lautrec

Edvard Munch

MODERN ART
Approximately 1900 1960
Realism is largely abandoned in favor of abstraction,
which many artists felt better
fit the times.
Movements: Fauvism, German Expressionism,
Cubism, Modernism in America, Futurism, Bauhaus,
Dada, Surrealism, Organic Abstraction, Abstract
Expressionism

Girl with a Pearl Earring


by Johannes Vermeer

Wing of a Blue
Roller by Albrecht
Durer, 1512

Young Hare by
Albrecht Durer, 1502

FAUVISM
Wild Beasts
Fauvism is an early 20th century
expressionist
movement inspired by Van Gogh and
Gauguin.
Expressionists exaggerate elements
such as

M
A
T
I
S
S
E

tisses Chapelle Du Rosaire de Venice

CUBISM
The most important artistic
movement of the 20th century.
Cubism was invented by Pablo
Picasso and Georges Braque
It changed the way people
saw the world.

Since the discovery of linear perspective during the Renaissance, most


painters had
painted the world in the same way. When a viewer looks at a painting he or
she sees
it as though looking through a window standing in the same position the
painter had been.

View of the Piazza San Marco by Giovanni Antonio Canaletto

Georges Braque

Pablo Picasso

PICASSOS BIOGRAPHY

German
Expressionism

Street, Berlin by Ernst Ludwig


Kirchner, 1913

Max Beckmann

Storm and Sea by Emil Nolde, watercolor on paper

THE BLUE RIDER GROUP

Der blaue Berg


(Blue
Mountain) by
Wassily
Kandinsky, 1908-

Composition IV by Wassily Kandinsky, 1911, oil on canvas

Modernism in America

Evening Star No. VI by Georgia OKeeffe, 1917, watercolor on paper

The Steerage by
Alfred Stieglitz, 1907,
photogravure

Futurism

Dinamismo di un Cane al Guinzaglio (Dynamism of a Dog on a Leash) by

Unique Forms of Continuity in Space by


Umbreto Boccioni, 1913, bronze

The Bauhaus
Bauhaus was an art school that
operated in Germany from 1919 to
1933.
It was highly influential in art,
architecture, and design. Artists
associated with it strove for
simplicity in design that fit the
function of the product (form follows
function).

BAUHAUS
Unlike Art Nouveau and Art Deco,
Bauhaus-inspired designed eschewed
ornamentation for functionality.

rt Nouveau

Art Deco

Bauhaus

The Chrysler Building (Art Deco) and the Seagram Building (Bauhaus)

DADA
The tragedy of World War I lead a group of
artists known as the Dadaist to want to reject
most moral, social, political, and aesthetic
values.
They thought that war was insane and
evidence that Europe had lost its way
Source: The textbook

Marcel Duchamp
A leader of the Dada movement.
He invented readymades (mass produced
objects, such as snow shovels and urinals
that he labeled art)
Duchamp and the Dadaists expanded on the
cubists invention of collage by making
photomontages (parts of photographs are
combined in thought-provoking ways).

Cut with the Kitchen Knife


through the Beer Belly of the
Weimar Republic by Hannah Hoch
1919, photomontage

SURREALISM
Surrealists also thought Europe was
out of
balance in the mid-1920s. They
turned for
inspiration in the world of the
unconscious
mind, of dreams, fantasies, and
hallucinations.

The Persistence of Memory by Salvador Dali, 1931, oil on canvas

Ceci Nest Pas Une Pipe (This is Not a Pipe) by Rene Magritte

CONSTELLATION SERIES
BY JOAN MIRO

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