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    History of Philippine Music

    Uploaded by

    Kristine Maglupay
    This document provides an overview of the history of Philippine music. It describes the indigenous musical traditions of the Philippines, including instruments such as bamboo flutes, nose flutes, zithers, and gongs. It then discusses the influence of Spanish and European music, including liturgical forms like Gregorian chant and secular styles like harana and kundiman. It also outlines the impact of American pop music and subsequent development of Filipino rock, hip hop, and contemporary styles in the post-independence era.

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    © All Rights Reserved
    Download as PPT, PDF, TXT or read online from Scribd

    History of Philippine Music

    Uploaded by

    Kristine Maglupay
    226 views34 pages
    This document provides an overview of the history of Philippine music. It describes the indigenous musical traditions of the Philippines, including instruments such as bamboo flutes, nose flutes, zithers, and gongs. It then discusses the influence of Spanish and European music, including liturgical forms like Gregorian chant and secular styles like harana and kundiman. It also outlines the impact of American pop music and subsequent development of Filipino rock, hip hop, and contemporary styles in the post-independence era.

    Original Description:

    Philippine History

    Original Title

    History of Philippine Music (1)

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    This document provides an overview of the history of Philippine music. It describes the indigenous musical traditions of the Philippines, including instruments such as bamboo flutes, nose flutes, zithers, and gongs. It then discusses the influence of Spanish and European music, including liturgical forms like Gregorian chant and secular styles like harana and kundiman. It also outlines the impact of American pop music and subsequent development of Filipino rock, hip hop, and contemporary styles in the post-independence era.

    Copyright:

    © All Rights Reserved
    Download as PPT, PDF, TXT or read online from Scribd
    Download as ppt, pdf, or txt
    226 views34 pages

    History of Philippine Music

    Uploaded by

    Kristine Maglupay
    This document provides an overview of the history of Philippine music. It describes the indigenous musical traditions of the Philippines, including instruments such as bamboo flutes, nose flutes, zithers, and gongs. It then discusses the influence of Spanish and European music, including liturgical forms like Gregorian chant and secular styles like harana and kundiman. It also outlines the impact of American pop music and subsequent development of Filipino rock, hip hop, and contemporary styles in the post-independence era.

    Copyright:

    © All Rights Reserved
    Download as PPT, PDF, TXT or read online from Scribd
    Download as ppt, pdf, or txt
    of 34

    HISTORY

    of
    PHILIPPI
    NE
    MUSIC

    I. Indigenous Music
    Largely
    functional
    Expressed
    either
    instrumentally
    , vocally, or a
    combination
    of both

    Indigenous Musical
    Instruments

    Aerophones
    Chordophones
    Idiophones
    Membranophones

    Aerophones
    anymusical instrumentwhich
    producessoundprimarily by
    causing a body of air to vibrate,
    without the use of strings or
    membranes, and without the
    vibration of the instrument itself
    adding considerably to the sound
    best represented by the many
    types of bamboo flutes that
    are found all over the country

    Lip Valley Flute

    paldong, orkaldongof the


    Kalinga
    palendag of South Maguindanao
    pulalu of Manobo

    Lip Valley Flute

    Two by two fingerholes. Protruding


    mouthpiece with a hole. The
    instrument is decorated with
    carvings blackened by burning.

    Nose Flute

    Nose Flute
    The northern tribes call
    thiskalleleng(Bontoc and
    Kankanai),tongali(Ifugao and
    Kalinga) andbaliing(Isneg). In the
    Central Philippines, it is known
    aslantuyamong the
    Cuyunin,babarek among the
    Tagbanua and plawta among the
    Mangyan.

    Nose Flute
    Long bamboo tube,
    closed at one end by
    the node in which
    the blowing hole is
    burnt. The flute has
    three finger holes.
    The blowing hole is
    placed under an
    angle against the
    nose and the player
    gently blows into
    the tube.

    Ring Flute
    Suling of
    Maguindanao
    so called
    because the
    blowing end is
    encircled with
    a rattan ring
    to create
    mouthpiece

    Pipe with Reed

    Pipe with Reed


    Sahunay of the Taosug
    Tube with six fingerholes; mouth
    piece of bamboo with cut out reed;
    mouth shield made of coconut shell;
    bell made of leaf (probably bamboo)
    and blue plastic ribbon.

    Chordophones
    anymusical instrumentwhich makes
    sound by way of a vibratingstringor
    strings stretched between two points
    Include bamboo zithers, guitars,
    violins, and lutes

    Zither
    a stringed instrument made from a
    single bamboo section, around three
    to four inches in diameter, with a
    node at each end. Serving as strings
    are raised narrow strips of the outer
    skin fibers of the bamboo itself, with
    the ends still attached to the body of
    the instrument.

    Kolitong

    Kudlung

    (Central Mindanao)

    Kudyapi

    (Bukidnon)

    Kudyapi/Kudlung
    Two stringed lute made of wood, one
    string for the melody, one for the
    drone. Eight frets originally held in
    place placed on the neck of the lute
    by a sticky rubbery substance.The
    lute is decorated with floral motives;
    the tail is carved to represent a
    stylised crocodile head.

    Idiophones
    anymusical instrumentwhich
    creates sound primarily by way of
    the instrument vibrating itself,
    without the use of strings or
    membranes
    Include bamboo buzzers, percussion
    sticks and gongs

    Jaw harp

    kubing of Maranao
    kolibauTingguian, arudingTagbanua,
    kolibauTingguian,
    a very thin slit of bamboo or brass
    with a narrow vibrating tongue in the
    middle longitudinal section
    considered a speaking intrument

    Bamboo Buzzer
    balingbing, or
    bunkaka Kalinga;
    batiwtiw (Central Philippines)
    a bamboo tube which is
    open or split at one end
    This instrument is played
    alone or in groups as a
    form and diversion or to
    drive away evil spirits
    along a forest trail.

    Kulintang (Maguindanao and Maranao)

    consists of eight gongs placed


    horizontally in a frame and tuned to
    a flexible pentatonic or five-tone
    scale

    Agung

    (Bagobo)

    Bangibang

    Membranophones
    anymusical instrumentwhich
    producessound primarily by way of a
    vibrating stretched membrane

    Dadabuan

    (Maranao)

    Vocal Forms
    Lullabies

    (owiwi, dagdagay, oppia, lagan batabata, bua, and kawayanna)

    didactic/figurative
    Occupational dinaweg (boar), the kellangan
    (shark-fishing), and the didayu (wine-making)

    Occasional

    appros, nan-sob-oy, sarongkawit,

    dikir

    War
    love

    ading, sindil

    Patterns and Characteristics

    Improvisation
    Low and limited range of notes
    Melodic ornamentations
    Greater variety of voice quality
    Chant-like monotone singing in most
    groups
    Rhythmic freedom
    large number of reiterated and marked
    accents on one vowel

    II. Spanish-European
    Influenced
    Liturgical music
    Gregorian chant
    Pasyon

    Secular music
    Harana
    Kundiman
    Rondalla
    Sarswela

    Harana
    traditional form of courtship music in
    which a man woos a woman by
    singing underneath her window at
    night
    Structure based on the plosa
    Pananapatan, pasasalamat,
    pagtumbok, paghilig, pamamaalam

    Kundiman
    a lyrical song made popular in the
    Philippines in the early 19th century
    Almost all traditional Filipino love
    songs in this genre are heavy with
    poetic emotion

    Rondalla
    patterned after estudiantina and
    comparasa
    plucked string ensemble
    bandurria, laud, octavina, guitar, and
    bajo de uas

    III. American influenced


    Neo-classicism
    Conservatory of
    Music
    popularity of
    American
    rocknroll, pop
    music, dance, and
    disco
    tunog-lata

    IV. Post liberation


    Filipino Rock
    Killer Joe by Rocky
    Fellers
    Manila Sound
    Folk rock

    Original Pinoy Music


    Filipino Hip Hop and
    RnB
    Contemporary
    Philippine Music

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