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Respiratory System

PERCUSSION

PERCUSSION
Percussion of the chest sets the chest wall and
underlying tissues into motion, producing audible
sound and palpable vibrations.
Percussion helps you establish whether the
underlying tissues are air-filled, fluid-filled, or
solid.
It penetrates only about 5 cm to 7 cm into the
chest, however, and therefore will not help you
to detect deep-seated lesions.

Anterior Thorax: Sequence of


Percussion

Posterior Thorax: Sequence of


Percussion

Left and Right Lateral: Percussion


Sequence

Techniques for Percussion


STEP 1
Hyperextend the middle finger of
your left hand, known as the
pleximeter finger.
Press its distal interphalangeal
joint firmly on the surface to be
percussed.
Avoid surface contact by any
other part of the hand, because
this dampens out vibrations.

Techniques for Percussion


Step 1
Position
your
right
forearm quite close to the
surface, with the hand
cocked upward.
The middle finger should
be
partially
flexed,
relaxed, and poised to
strike.

Techniques for Percussion


Step 2
With a quick sharp but relaxed
wrist motion, strike the
pleximeter finger with the right
middle finger, or plexor finger.
Aim at your distal
interphalangeal joint. You are
trying to transmit vibrations
through the bones of this joint
to the underlying chest wall.

Techniques for Percussion


Step 3
Strike using the tip of the
plexor finger, not the finger
pad.
Your finger should be almost
at right angles to
the
pleximeter.

A
short
fingernail
is
recommended to avoid selfinjury.

Techniques for Percussion


Step 4
Withdraw your striking finger quickly to avoid damping
the vibrations you have created.
In summary, the movement is at the wrist. It is directed,
brisk yet relaxed, and a bit bouncy.

Percussion Notes
With your plexor or tapping finger, use the lightest
percussion that produces a clear note.
A thick chest wall requires heavier percussion than a
thin one.
if a louder note is needed, apply more pressure with the
pleximeter finger
(this is more effective for increasing percussion note
volume than tapping harder with the plexor finger).

Percussion Notes
When percussing the lower posterior chest, stand
somewhat to the side rather than directly behind the
patient.
This allows you to place your pleximeter finger more
firmly on the chest and your plexor is more effective,
making a better percussion note.
When comparing two areas, use the same percussion
technique in both areas.
Percuss or strike twice in each location.
It is easier to detect differences in percussion notes
by comparing one area with another than by striking

Percussion Notes
Learn to identify five percussion notes.
These notes differ in their basic qualities of sound:
intensity, pitch, and duration.
Train your ear to distinguish these differences by
concentrating on one quality at a time as you percuss
first in one location, then in another.
Normal lungs are resonant.

Pathologic Examples
Dullness- fluid or solid tissue replaces air-containing lung or
occupies the pleural space beneath your percussing fingers.
Examples include: lobar pneumonia, in which the alveoli are
filled with fluid and blood cells; and pleural accumulations of
serous fluid (pleural effusion), blood (hemothorax), pus
(empyema), fibrous tissue, or tumor.
Generalized hyperresonance may be heard over the
hyperinflated lungs of emphysema or asthma, but it is not a
reliable sign.
Unilateral hyperresonance suggests a large pneumothorax or
possibly a large air-filled bulla in the lung.

Percussion Notes
Identify the descent of the diaphragms, or diaphragmatic
excursion.
First, determine the level of diaphragmatic dullness
during quiet respiration.
Holding the pleximeter finger above and parallel to the
expected level of dullness, percuss downward in
progressive steps until dullness clearly replaces
resonance.
Confirm this level of change by percussion near the
middle of the hemothorax and also more laterally.

Percussion Notes
Note that with this technique you are identifying the
boundary between the resonant lung tissue and the duller
structures below the diaphragm.
You are not percussing the diaphragm itself. You can infer the
probable location of the diaphragm from the level of dullness.
Now, estimate the extent of diaphragmatic excursion by
determining the distance between the level of dullness on full
expiration and the level of dullness on full inspiration,
normally about 5 cm or 6 cm.
This estimate does not correlate well, however, with
radiologic assessment of diaphragmatic movement.

Pathologic Example
An abnormally high
level suggests pleural
effusion, or a high
diaphragm as in
atelectasis or
diaphragmatic
paralysis.
Level of ics per organ

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