Cirque Du Soleil
Cirque Du Soleil
Cirque Du Soleil
3/10/13
Team 2 - Synergy
11
Cirque du soleil
Reinventing Circus
1212057 : Sreeharsha Rangarajan 1212058 : Sridhar R 1212059 : Sriharsha Chunduru 1212060 : Sudheer Dhurjati 1212061 : Sudhir T S
Team 2 - Synergy 22
3/10/13
Major part of circus was dominated by Ringling Bros. and Barnum & Bailey Three-ring circus Shows were only tweaked versions of previous acts with little/no new content Slow and declining industry growth
Rising labor costs (cost of hiring performers & animal trainers) Shortage of open spaces (open spaces taken up for sports/civic events)
3/10/13
33
Competition for popular acts increased supplier (animal trainers, famous performers) power, costs
Supplier Power
Competitive Rivalry
Two Big American families had more than a century of circus tradition (Cost of exit, Equal size, similar strategies) Most of the circuses offered more or less the same content with little innovation and competed in a red ocean
Buyer Power
Audience had a wide range of entertainment to choose from. Audience faced little switching cost.
Audience had a variety of substitutes to choose from like: 1. Movies 2. Theatre 3. Opera 4. Video games etc
Substitutes
3/10/13
Team 2 - Synergy
44
Thrilling and dangerous stunts Equestrian/Animal acts Some moved from tents to permanent arenas to cut costs and so that show can run in winter Dislikes
Likes
No innovation 3-Ring Circus Unethical use of animals Death defying stunts that people did not really appreciate Lack of theme Ordinary venues
Increased value
Eliminate
Reduced costs by eliminating unwanted elements Higher customer satisfaction leading to greater revenue Delivery of creativity/innovation through a scalable model
Create
Raise
3/10/13
Team 2 - Synergy
66
Value Curve
3/10/13
Team 2 - Synergy
77
Strategy : Products
Colorful big tops & arena shows Lifecycle strategy with tours in various continents for many years
Other products
Pursue dual goals of artistry and profit Exclusivity (Clowns, yes. Clones, no) Organization as the heart of Cirques creative process - not a particular group of individuals.
3/10/13
Team 2 - Synergy
99
Increase buyer value by offering Theme Based shows More importance on innovation and creativity Blue ocean strategy of creating new market by partnering with resorts and 3/10/13 theme parksSynergy Team 2 1010
Sharing production costs with partners Rotation of stage directors Re-investing in business to support innovation Organization Structure based on independent creative cells ensuring increased accountability and scalability
3/10/13
Team 2 - Synergy
1111
Cannibalization of its shows due to increased no. of shows (e.g. 8 shows at Vegas) Brand dilution by moving away from big tops to arenas and theatres Risks in choosing the right partner Diversification beyond gambling or existing destination cities
3/10/13
Ability to garner larger market share (Blue Ocean strategy) Advent of newer technologies could act as formidable substitutes. E.g. 3D movies usage of materials used for the shows
1313
Environment policies
3/10/13
?
3/10/13 Team 2 - Synergy 1414
References
The Evolution of circus industry, INSEAD, W. Chan Kim Even a clown can do it: Cirque du Soleil recreates live entertainment, INSEAD, W. Chan Kim Cirque du Soleil The high-wire act of building sustainable partnerships, Harvard business school, Ramon & Maxime From the Streets to the Stars, Da Yi and Ebube Anizor The big top that wasnt big enough, JournalOfInternationalManagement.com www.cirquedusoleil.com Blue Ocean Strategy, The Wharton School, Roch Parayre
Thank You!
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