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Playing with Dynamite A Personal Approach to the
Psychoanalytic Understanding of Perversions Violence
and Criminality 1st Edition Estela V. Welldon Digital
Instant Download
Author(s): Estela V. Welldon
ISBN(s): 9781855757424, 1855757427
Edition: 1
File Details: PDF, 2.03 MB
Year: 2011
Language: english
PLAYING WITH DYNAMITE
Other titles in the
Forensic Psychotherapy Monograph Series
Estela V. Welldon
Forewords by
R. Horacio Etchegoyen, Brett Kahr,
& Baroness Helena Kennedy, QC
Introduction by
James Gilligan
Notice:
Product or corporate names may be trademarks or registered trademarks,
and are used only for identification and explanation without intent to infringe.
ACKNOWLEDGEMENTS ix
SERIES FOREWORD
Brett Kahr xiii
FOREWORDS
R. Horacio Etchegoyen xvii
Brett Kahr xx
Baroness Helena Kennedy, QC xxiii
INTRODUCTION
James Gilligan xxv
CHAPTER ONE
The true nature of perversions 25
CHAPTER TWO
Perverse transference and the malignant bonding 50
CHAPTER THREE
Babies as transitional objects:
another manifestation of perverted motherhood 60
vii
viii CONTENTS
CHAPTER FOUR
Is Munchausen Syndrome by Proxy
another case of female perversion? 67
CHAPTER FIVE
Bodies across generations and cycles of abuse 71
CHAPTER SIX
Children who witness domestic violence: what future? 84
CHAPTER SEVEN
The unique contribution of group analytic psychotherapy
for victims and perpetrators of incest 108
CHAPTER EIGHT
Introduction to forensic psychotherapy 139
CHAPTER NINE
From the court to the couch 191
CHAPTER TEN
The Portman Clinic and the IAFP 240
REFERENCES 263
INDEX 275
ACKNOWLEDGEMENTS
ix
x ACKNOWLEDGEMENTS
* * *
I have been most impressed by all my trainees at the Portman Clinic,
and I feel that my work with emotionally damaged mothers has been
especially validated by Carine Minne, who has followed, deepened,
and extended this work in such a difficult setting as Broadmoor Hos-
pital. I am looking forward to her eloquent, sensitive, and insightful
work being published.
I am most grateful to many colleagues for their interest and con-
structive response to my book but am especially grateful to younger
colleagues who not only read parts of the manuscripts at their earlier
stages, but also gave positive criticisms on them, such as Anna Motz
ACKNOWLEDGEMENTS xi
and Cleo van Velsen. Alex Goforth has provided much care, patience,
and tenacity in pursuing references, and for being a good listener.
Nigel Warburton has provided me with a link between contemporary
art and the forensic field. Gregorio and Valli Kohon have kindly trans-
lated Horacio Etchegoyen’s foreword from the Spanish into English.
My former student, and now friend and colleague, Brett Kahr, had
first suggested this book to me back in 1994, and he has continued to
encourage me over these last seventeen years. I am very proud to pub-
lish this book in the Forensic Psychotherapy Monograph Series which
he edits for Karnac Books, and for which I have had the pleasure to
serve as Honorary Consultant since its inception in 2001.
Oliver Rathbone, the Publisher of Karnac Books, kindly offered
me a home for these papers, and I thank him for agreeing to publish
my book. Eric King has proved to be the most patient, detailed, and
helpful of copy-editors, making many extremely constructive contri-
butions to the structure and style of the book.
So many loyal and loving friends have enriched my life and my
work, and I am sure they know who they are. I thank my son Dan,
my daughter-in-law Jo, and my granddaughter Isabella for their love
and care.
E.V.W.
London, February 2011
SERIES FOREWORD
Brett Kahr
Centre for Child Mental Health, London
T
hroughout most of human history, our ancestors have done
rather poorly when dealing with acts of violence. To cite but
one of many shocking examples, let us perhaps recall a case from
1801, of an English boy aged only 13, who was executed by hanging on
the gallows at Tyburn. What was his crime? It seems that he had been
condemned to die for having stolen a spoon (Westwick, 1940).
In most cases, our predecessors have either ignored murderousness
and aggression, as in the case of Graeco–Roman infanticide, which
occurred so regularly in the ancient world that it acquired an almost
normative status (deMause, 1974; Kahr, 1994); or they have punished
murderousness and destruction with retaliatory sadism, a form of uncon-
scious identification with the aggressor. Any history of criminology will
readily reveal the cruel punishments inflicted upon prisoners throughout
the ages, ranging from beatings and stockades, to more severe forms of
torture, culminating in eviscerations, beheadings, or lynchings.
Only during the last one hundred years have we begun to develop
the capacity to respond more intelligently and more humanely to acts
of dangerousness and destruction. Since the advent of psychoanalysis
and psychoanalytic psychotherapy, we now have access to a much
deeper understanding both of the aetiology of aggressive acts and of
their treatment; and nowadays we need no longer ignore criminals or
abuse them—instead, we can provide compassion and containment,
as well as conduct research that can help to prevent future acts of
violence.
xiii
xiv SERIES FOREWORD
References
Bertin, C. (1982). La Dernière Bonaparte. Paris: Librairie Académique
Perrin.
deMause, L. (1974). The evolution of childhood. In: Lloyd deMause (Ed.),
The History of Childhood (pp. 1–73). New York: Psychohistory Press.
Kahr, B. (1994). The historical foundations of ritual abuse: an excavation
of ancient infanticide. In: Valerie Sinason (Ed.), Treating Survivors of
Satanist Abuse (pp. 45–56). London: Routledge.
Klein, M. (1932). The Psycho-Analysis of Children, trans. Alix Strachey.
London: Hogarth Press and The Institute of Psycho-Analysis. [First
published as Die Psychoanalyse des Kindes. Vienna: Internationaler Psy-
choanalytischer Verlag.]
Moellenhoff, F. (1966). Hanns Sachs, 1881–1947: the creative unconscious.
In: F. Alexander, S. Eisenstein, & M. Grotjahn (Eds.), Psychoanalytic
Pioneers (pp. 180–199). New York: Basic Books.
Nunberg, H., & Federn, E. (Eds.) (1962). Minutes of the Vienna Psychoanalyt-
ic Society. Volume I: 1906–1908, trans. Margarethe Nunberg. New York:
International Universities Press.
Westwick, A. (1940). Criminology and Psychoanalysis. Psychoanalytic
Quarterly, 9: 269–282.
FOREWORD
R. Horacio Etchegoyen
I
had the privilege of writing the Foreword for the latest version in
Spanish of Estela Welldon’s Mother, Madonna, Whore, a book that
has travelled the world, gaining a well-deserved eminent place
in psychiatric and psychoanalytic bibliographies. Through the ideas
developed in that book, we now know much more about the complex
relationship between mother and child, and about the deep traces
transmitted from one generation to another. Following this wise, auda-
cious, and enduring book, there is now another—Playing with Dyna-
mite—which extends and deepens the author’s original insights.
This time, the talented author offers us a comprehensive study
of perversions, encompassing the roles of both mother and father,
expanding the understanding of the complex sexual life of human
beings and its vicissitudes.
Chapter 1, on the true nature of perversions, carefully defines their
diagnosis and psychodynamics. It is a wide-ranging, scholarly, and
searching exploration, thoroughly covering other writers’ work on
the subject as well as her own contributions. Welldon never evades
the complexity of the concept of perversion and its ramifications. The
eternal conflict between morality and perversion is studied in depth,
with a scientific approach that goes beyond what social morality and
customs vainly try to circumscribe.
The author describes the diagnostic features of perversion, start-
ing from the phenomenon of dissociation, which she prefers to call
encapsulation. She believes that subjects suffering from perversion do
not ignore the value of their actions, despite maintaining a deception,
xvii
xviii FOREWORD BY R. HORACIO ETCHEGOYEN
since the right hand does know what the left hand is doing, even
though the subject cannot avoid it. It is a form of exciting imposture,
where the ego and the superego allow themselves to be seduced for a
while by the id, to then restart the whole process again.
A prominent feature of perversions, which Welldon notes with
pristine clarity, is that while male perversions are aimed towards the
outside world, perversions in women are mostly internal, attacking
their own body and what is born from the body—that is, children. In
this way, Welldon redefines female perversion. The dialectic between
idealization and denigration of motherhood, first elaborated in her
previous work, is affirmed and highlights its painful quality. A funda-
mental principle of Welldon’s research is that, underlying all perver-
sions, there is a mortal anxiety that the patient avoids at any price.
Chapter 2 of this valuable book refers to the perversion of trans-
ference. Welldon joins other authors to discuss this concept, not only
in terms of its clinical value but also its therapeutic potential. The
perversion of the transference is, for the author, a malignant bonding,
that goes beyond sadomasochistic relationships, in which narcissism
and aggression lead to the failures or abuses suffered by the perverse
subject at the beginning of his or her life. In this way, perversion links
one generation with both the previous and the next one.
Welldon constantly reminds us that the perverse mother is both
excited and (temporarily) relieved by exerting power over her child
in a diabolical game. In this macabre exchange, the father also partici-
pates with his destructive omnipotence.
Chapter 3 concentrates on the concept of female perversion and
indicates that it is easier to make the diagnosis of fetishism in a man
than it is in a woman, whose fetish is her own child. Taking up Win-
nicott’s concepts of the transitional object and the capacity to be alone,
Welldon points out the importance of remaining attentive to the possi-
bility that a beneficial relation between mother and child can tragically
become a monstrous, addictive link, in which the mother satisfies her
own need to transform her infant into a thing.
The study in chapter 4 of Munchausen Syndrome by Proxy leads
Welldon to return to the importance of the body in the tragic cycle of
transgenerational abuse, a topic that she enlarges upon in chapter 5.
Chapter 6 studies the impact on children of witnessing domestic
violence, and chapter 7 is concerned with group psychotherapy in
which abusing patients and victims of abuse take part together, which
allows them to share both pain and insight. It is Welldon’s truly very
original contribution, full of common sense as well as daring.
FOREWORD BY R. HORACIO ETCHEGOYEN xix
Brett Kahr
F
or the last forty-seven years, Dr Estela Valentina Welldon has
occupied a path-breaking place in the fields of psychotherapy,
psychiatry, psychoanalysis, and mental health. A native of Argen-
tina, she trained as a medical doctor and as a psychiatrist in Mendoza
and at the Menninger Clinic in Topeka, Kansas, and then subsequently
in group analytic psychotherapy. Welldon arrived in London in 1964
and began to work with psychiatrically disturbed offender patients
such as murderers, rapists, paedophiles, and others who had commit-
ted grave crimes. Although many of her senior colleagues in the field
recommended simply incarceration and punishment for offenders,
she soon discovered that such patients, known as “forensic patients”,
would respond very successfully to psychological therapy, specifically
psychoanalytically orientated psychotherapy.
After much painstaking work with these often overlooked or
reviled patients, Welldon discovered that many members of the crimi-
nal patient population had suffered from horrific forms of abuse during
childhood. This knowledge has now become widely accepted within
the British mental health community, but during the 1970s and 1980s,
few professionals bothered to study the early childhood histories of
forensic patients with any degree of seriousness, and few dared to
believe in such traumatic realities.
Working at the Portman Clinic in London, a specialist British
NHS institution devoted to the psychoanalytic treatment of offender
patients, Welldon not only undertook important work on the aetiology
of sexual offending and violent offending, but she also pioneered new
xx
FOREWORD BY BRETT KAHR xxi
I
have known Estela Welldon both socially and professionally for
over thirty years. In many ways our friendship sprang from our
shared interest in the human condition and our fascination with
society’s demands for normalcy, its ability to wrap sexuality in taboo
and secrecy, as well as its desire to punish deviation. That conversation
of our early days has become lifelong, richer and more diverse as time
passes. It has also never been without wit and laughter.
As my law practice in the criminal courts took me into more com-
plex and challenging cases, I drew upon Welldon’s psychiatric exper-
tise to help me unravel the underlying dynamics and pressures acting
upon my clients. Many were women who were defying not just the
legal standards of society but the expectations and beliefs held about
what characterized good womanhood. They were women who stayed
within abusive relationships, women who killed their spouses and
lovers or their children, women who secretly disposed of babies or
sexually abused them, women whose self-loathing made them accept
degradation and humiliation, women who placed their men before the
safety of their offspring, women whose cruelty and depravity shocked
even court-worn barristers like me. Welldon’s groundbreaking work
shed light on all those behaviours in illuminating and sometimes
explosive ways, confronting myths about female sexuality and con-
duct.
Welldon’s book Mother, Madonna, Whore was a seminal work for
professionals working in the fields of psychiatry, psychotherapy, and
psychology, but it also had a powerful effect in the law, explaining
xxiii
xxiv FOREWORD BY BARONESS HELENA KENNEDY, QC
James Gilligan
I
can understand the feeling of pleasure and intellectual enlighten-
ment that readers of this book who are already familiar to one
degree or another with Estela Welldon and her clinical, theoretical,
and educational work will experience, because that was my own initial
reaction to this text—and I had already known the author, and worked
with her, since 1993. It is very gratifying to encounter here the further
development of many of her most original and productive insights.
One of these is her groundbreaking theoretical understanding not
just of the psychodynamics of female perversions and violence, but
of the very existence of this category of psychopathology—a form
of destructiveness and self-destructiveness the recognition of which
had been seriously neglected, if not denied, by many psychoanalysts
prior to her opening it up for examination and analysis, the irony of
which is that this is a field one of whose whole raisons d’être is the
overcoming of denial. Freud may have taught us to see how much of
Oedipus there is in all of us, but it took Welldon to show us how much
of Medea there is in the mothers among us—including the Medeas’
own mothers. Apparently it has been easier for those in our profession
to face the castration anxiety that is a universal feature of our own
and our patients’ psyches than to tolerate the even deeper terror of
recognizing that one of our most hallowed and idealized images—
that of motherhood—is so often the locus of the most horrifying
cruelty and sadism towards their own infants and babies and those
of other mothers—a horror that is often avoided by replacing both the
denial and the idealization with an equally unhelpful and distorting
xxv
xxvi INTRODUCTION
ous) has been to try to protect society and render the criminals harm-
less by punishing them, which currently consists of confining them
in a prison, but otherwise neglecting and ignoring them. This is the
approach that was championed by Prime Minister John Major when
he said that what society needs is a little more condemning and a little
less understanding.
But there are several reasons why that approach is a counter-
productive, self-defeating, and self-deluding waste of time and money,
which neither protects society nor renders the criminals harmless and
which may in fact do more to stimulate crime and violence than to
prevent them. First of all, that approach makes it impossible for us to
learn anything of value as to why they committed their destructive
acts—which the offenders themselves do not know, to begin with,
and which we and they can only learn by engaging in serious, intense,
and prolonged dialogue with them. And until we can learn what
motivated their destructive behaviour, we have no way of knowing
how we can prevent such behaviour in the future—by them and by
other potential criminals who have not yet offended.
We know that, for several reasons, imprisonment is not an effec-
tive means of preventing violence and protecting society. First, there
are simply too many criminals committing too many crimes, and we
cannot lock them all up and keep them there for a lifetime or we
would have to build hundreds of new prisons and subject hundreds of
thousands more people to that form of social death. In addition to the
fact that that would turn any nation into a police state, it would also
bankrupt the government (even the most stripped-down prisons that
do nothing but warehouse their inmates are horrendously expensive).
And letting prisoners out after having offered them no opportunity
to become able to understand why they have ruined their own lives
as well as those of others merely results in what we see happening
already: frustratingly high recidivism rates, with all too many dis-
charged prisoners committing new crimes and returning to prison
for new sentences. This is hardly surprising, given that prisons have
always been known as “schools for crime” , which they demonstrably
are—indeed, graduate schools.
The only feasible alternative to this manifestly failed approach to
the age-old goal of crime prevention is the new field of forensic psy-
chotherapy. That does not, of course, mean that we should not restrain
people who are currently violent from harming others (or themselves),
if necessary by depriving them of their liberty for as long as they
continue to show a predisposition to behave in that way. Given the
xxviii INTRODUCTION
worked said, “I should be in here for four years, not just four months,
because I’m trying to change the habits of a lifetime.”
As my colleagues and I demonstrated in the jails of San Francisco,
it is possible, if you try hard enough, with an intensive multidimen-
sional treatment programme lasting no more than four months, to
reduce violent recidivism by 83 per cent, compared with an untreated
control group of otherwise identical violent criminals. And as expen-
sive as this program was, it actually saved the tax-payers $4 for every
$1 spent on it, since the reduced re-incarceration rate saved far more
money than the therapy cost (in addition to the fact that the public’s
safety was increased far more by this programme than by the tradi-
tional approach, and the fact that men who would otherwise spend
most of their lives in prisons and jails had learned how to live success-
fully and non-violently in the community).
Now, one might think that with the success of this pilot demonstra-
tion of what you can accomplish with a serious programme of forensic
psychotherapy—which was so unprecedented that it won a major
national award (including a $100,000 prize) from a foundation admin-
istered by the Kennedy School of Government at Harvard, and as I
said actually saved the taxpayers a substantial amount of money—any
rational city or state or nation would be rushing to find out how to rep-
licate it. Think again. The political unpopularity, at least in the United
States, of doing anything constructive for and with men (and women)
who have been identified as “criminals” is so great that in response to
right-wing protests against “coddling” violent criminals, funding for
the San Francisco programme has been cut (you might say that, like
any good bank-robber, the politicians took the $100,000 prize money
and ran), and other US cities interested in it were unable to allocate
the funds needed to serve as the initial down-payment with which to
replicate it in their jails and prisons, so that major requests to replicate
our approach have come only from prison systems in other countries
around the world (from New Zealand and Singapore to Poland).
What are the implications of this for the future of forensic psycho-
therapy? First, we need to recognize, as Welldon does in this book,
that the public’s attitude (and that of many of the politicians) can be,
and sometimes is, just as irrational, self-defeating, and violence-pro-
voking as that of the criminals they would rather punish than cure,
and on whom they would rather waste money than save it. Certainly
educating the public and the politicians about this sounds like a good
idea; but perhaps we need to go beyond education (which assumes
rationality) and think about how to adapt the principles of forensic
xxx INTRODUCTION
B
RETT KAHR: Estela, it’s a very great pleasure to interview you, and I
thought it would be useful if we could begin with how you came to
the field of forensic psychotherapy, and really how you sculpted this
field and made it your own. It would be very interesting for readers if we
could ask you some questions about the influences in terms of your own per-
sonal life and in terms of the teachers you had—because I know you worked
with some rather distinguished teachers in the psychiatric and psychoana-
lytic worlds—to see how you came to be the forensic psychotherapist you
are today. So let’s start at the beginning: you were born in Argentina . . .
ESTELA V. WELLDON: I really don’t want to believe that I’m the creator
of forensic psychotherapy, or the person who has sculpted it either. I
believe that the influence of my teachers has been essential to the inter-
est or even passion that in a process of identification I’ve developed in
this field, and in the way that I’ve contributed to the training of young
people, people who are enormously courageous and extremely skilled
in their own fields and who are then able to develop and to gain an
awareness of unconscious mechanisms that had been unavailable to
them before. . . . You asked me about Argentina, and I’m already talk-
ing about the present. It’s difficult at times to fill in the gaps because
it’s not only a long life, but also a rich life, so I have to talk about the
essential stages of my own training.
Firstly, I qualified as a teacher of children with Down’s syndrome,
and then as I was working with them I realized that I could do far more
by becoming a doctor and psychiatrist, so in a way I went into medi-
cine in order to become a psychiatrist. I had to endure all this medicine
1
2 PLAYING WITH DYNAMITE
These boundaries were very firm and sometimes ridiculous, but very
necessary. For example, my private sessions with him were at 6.40
a.m., and he was very much of the old school, shaking hands at the
beginning and at the end of each interview. But then at 8 o’clock I had
to be at work, and if I was two or three minutes late he would be very
angry with me, saying that as a student of his I had to be on time.
Q: So you had your analytic session with Horacio Etchegoyen and then
went straight to being his student?
A: Not just his student, but also his student assistant. In Argentina at
that time, each university department had a paid job for one student,
and many students used to apply for that one post. It was a formal
procedure in which the application included both the CV and a viva
with a patient. The job was for one year only, so new applicants would
come forward every year. I got it for four consecutive years. So Profes-
sor Etchegoyen was also my employer, my boss.
Q: And you published your first paper with him as well?
A: That’s right. We published it in Chile in 1959. In fact, before I got
into analysis with him I went to see his former analyst in Buenos Aires,
Heinrich Racker, who was meant to become my training analyst later.
I talked to him about the difficulties of starting an analysis with the
only psychoanalyst in my hometown, who was also my mentor and
my boss. He said, “Do it, because it will be all about transference and
countertransference.” And I had to do it. Unfortunately, after finishing
medical school and just as I was supposed to start my training analysis
with Dr Racker, he died of cancer. That kind of situation has happened
again and again in my life.
When I left Argentina, the Mendoza Psychoanalytic Society hadn’t
yet been recognized as a training institute, but now it has, and when I
arrived at the Menninger School of Psychiatry, it was obvious that the
training I had received in Mendoza was at an advanced level.
Q: Before you go on to Topeka, let me just ask about the clinical experiences
you had in Mendoza. What kind of patients were referred to the Department
and what range of experience did you have with patients?
A: People who go into medicine all over the world are very sceptical
and cynical about unconscious matters. But we were extremely lucky
to have a patient whom we could immediately recognize as suffer-
ing from a very serious post-traumatic stress disorder. The patient
was a 30-year-old woman who talked like a 3-year-old girl. With that
patient, Professor Etchegoyen did hypno-analysis, with all the medi-
cal students around watching, and brought her back to different ages.
Eventually he brought her back to the exact time when she had been
4 PLAYING WITH DYNAMITE
sexually abused, and it became extremely clear when she began talk-
ing like a child of that age. The medical students could no longer bear a
wall of resistance and deny the unconscious processes. It was extraor-
dinary. Another clinical case that fostered analytic thinking and its
application occurred in the teaching hospital. A 13-year-old anorexic
girl, who had gone unsuccessfully through all the departments, was
on the verge of dying because of her refusal to eat. She was in intensive
care and was likely to die within the next two or three days. As a last
resort, they decided to send her to us, the Department of Psychiatry,
where I began to treat her with analytic psychotherapy. Eventually the
treatment was very successful and the girl recovered.
Q: Can we return to the first case you mentioned, about the woman who
had been sexually abused? So much of your recent work has focused on
women as perpetrators of abuse, at a time, even now in the 1990s, when
most people don’t believe it. What was it like to you in the late 1950s to hear
about a case of sexual abuse? Was it published in the newspapers, or did this
come as a shock when it emerged in the hypno-analysis?
A: It was an extraordinary case that was used very positively for the
understanding of unconscious processes. Was I shocked? No, because
we’d already learnt most of the theoretical concepts with Professor
Etchegoyen. But we were also aware that, as a professor, he had to
compromise.
Q: It’s very unusual, because most English psychiatrists who trained in that
same period claim not to have had an awareness of sex-abuse matters.
A: I know.
Q: I wonder whether Etchegoyen had a more enlightened department?
A: I think it was due exclusively because he was an extremely coura-
geous man who was very inspiring to us all. He was essential in my
life not only as an analyst, but as a kind of inspiring force. And he
made it clear that he had many expectations for my future as a profes-
sional.
Q: So you graduated in psychiatry in Mendoza and then you took up a
resident post at the Menninger Clinic in Kansas. How on earth did you get
from Mendoza to Kansas?
A: Again, this had very much to do with Professor Etchegoyen. I was
supposed to come back to our own department after my overseas
training. And my applications to different schools of psychiatry in the
United States were made with his encouragement. They were sent at
the beginning of 1962 for the following year, since I qualified in Sep-
tember 1962, but to our enormous surprise the Menninger accepted me
for the same year. Our department was going through a difficult time,
AN INTERVIEW WITH ESTELA V. WELLDON, JULY 1996 5
dirtiest areas. These were very wealthy elderly ladies who were made
to clean dirty toilets or to sand down layers of paint. It was very dif-
ficult to get the nurses to make them do this, because nurses usually
like to be nice to their patients, whereas they had to be absolutely
awful to these patients, shouting at them. The patients had actually
internalized an enormous amount of anger against themselves and
their self-esteem was very low, so there were constant attacks on
themselves—and that, in a nutshell, is melancholia. In this way, their
outside world represented what the internal world was like, and when
they could eventually say to the nurse in charge of their treatment,
“Why don’t you go fuck yourself!” everybody congratulated them
because it was a great achievement.
Q: And was it a helpful treatment?
A: In the case of the young woman, she was thought to be emotionally
regressing and unable to remember any English—it was the 1960s and
the institutions had lots of money, so immediately a psychologist who
could speak her own dialect was hired. It took him a long time to com-
municate with her. She had a very complicated history: the Americans
had occupied her island and allegedly it was the only area left where
families welcomed the birth of girls, because they were used as pros-
titutes by the age of 13 or 14. When this girl was born she was greeted
with joy because she’d be able to help keep the family. However, when
she began to talk about her early life to the psychologist, she indicated
that from the age of 12 or 13 she was not behaving according to what
was expected of her: she didn’t want to go into prostitution. Then she
came to know this black American soldier, but of course she knew
nothing about colour differences. She married him believing she’d
made the best life for herself. Then he was sent back to America, tak-
ing her with him, and as soon as they arrived a sense of despair came
over her; she was isolated and ostracized because she was married to
a black man.
Q: So already in the early 1960s we have a case of female infanticide, of a
mother using her children as part-objects, and this is in many ways a harbin-
ger of all your later writings on female perversion and female violence. Did
this case at the time stand out in your mind as a one-off, or had you already
begun to develop the idea that there is this potential for violence and perver-
sion in every woman in relation to her children?
A: Well, I think that this was an extreme case. This woman had a
psychotic breakdown, and perhaps it had begun from very early on.
Violence is difficult to determine; it was violence against herself, and
the violence in this particular woman was in killing her children—it
AN INTERVIEW WITH ESTELA V. WELLDON, JULY 1996 9
wasn’t about taking her revenge on her husband, even though he was
responsible for her miserable situation in the States, which he was
completely unaware of. But you can see how the children represented
the parts of herself that were going to suffer in the future, and she
wanted to eliminate this future suffering.
Q: But what is extraordinary is that nobody could see the metaphor and the
symbolism of the woman saying she had no food, and in fact the newspapers
had to take it in a very concrete way, and say—look at this fridge, she’s got
lots of food.
A: That’s the way tabloids sell their papers, by being “concrete” and
forgetting—actually not wanting to know—symbolism and symbolic
implications, since this would make things far more complex.
Q: So this was very much the golden age of the Menninger Clinic, when lots
of people were coming from all over the world to train. Who else did you
meet and work with, apart from Dr Karl?
A: Indeed, I was very fortunate to have access to many important
and inspiring people in the field, such as Margaret Mead, who used
to do seminars there. We would have drinks in our homes, as poor
as they might be, and she would be happy to come and enjoy the
evening, and we learned an enormous amount from her teachings. It
was also the time of Robert Wallerstein, Ralph Slovenko, and Joseph
Sutton. I remember a three-day meeting on violence and criminol-
ogy in which many experts—criminologists, anthropologists, lawyers,
judges—were present. There were about fourteen of us, and some of us
were lucky enough to be able to sit behind their chairs and just listen.
The whole of the first day was spent discussing how the language from
different fields could become one, and the impossibility of this task
was so painfully evident: the legal, judicial, psychiatric, psychological
languages were so different that seemingly they could never merge
with one another.
It was also the time of Otto Kernberg, who was there with his wife
Pauline, a child psychiatrist-psychoanalyst. I have a funny anecdote
about how he was a surprisingly practical man for such a great theore-
tician. When I thinking of leaving the United States to go to England, I
asked for his opinion and he said, “Estela, it is very simple. Just make
two lists: the reasons why you should go and the reasons why you
should stay. Then just look at both lists and see which one is longer!”
Not much psychoanalytic subtlety about that, but lots of practical
wisdom!
I also met Maxwell Jones, who came to give a series of lectures
there, as well as different professors from Europe.
10 PLAYING WITH DYNAMITE
Q: How long did you stay there altogether? Was it three years?
A: No, two years.
Q: Coming from a small town to an even smaller town must have been very
stifling in many ways; you must have had ideas of roaming to somewhere
more exotic, more culturally stimulating, which would give you more oppor-
tunities to try out your new ideas. How did London first present itself as a
possibility?
A: I was very tempted to come to London not only because of the psy-
choanalytic school but also because of the writings of Bion on group
processes at the Tavistock Clinic. I very much wanted to leave Topeka,
as the way of life there didn’t suit me, but I was anxious not to upset
Dr Karl because I was very fond of him and he had quite a soft spot
for me. I told him that I would go to the Tavistock Clinic for one year
only, to study group dynamics, and would then come back to the Men-
ninger. He was somewhat disappointed, but immediately, in his very
generous way, he offered to introduce me to Anna Freud. He wrote a
letter to her to the effect that I was this young woman full of zeal and
enthusiasm and all that. It was a very nice letter, and also very curi-
ous, because at the end he talked about coming to London and riding
horses together with Anna Freud. I was quite perplexed, given their
ages. But I never used that letter.
Q: Why not?
A: Because I was always very influenced by Kleinian ideas and I didn’t
feel I was doing the right thing by approaching Anna Freud. Also, I
felt very strongly about making it on my own. But Professor Norval
Morrison from the Criminology Institute in Chicago, who had also
given me several letters which I never used, also wrote to the intended
recipients of these letters, who then approached me. That was how I
got to know Hugh Klare, who was then Chair of the Howard League,
and it was he and Robert Andry who encouraged me to apply to the
Henderson Hospital.
Q: Did you not go to the Tavistock after all?
A: I went to the Tavistock and I saw Martha Harris and Bob Gosling.
The Tavistock was then in Beaumont Street, and Martha and Bob
were extremely helpful to me. But suddenly I had another shock. In
America, having a job as a psychiatrist was enough to pay for my own
training and my everyday living. But when I came to England, with
only $50, it wasn’t the same at all. From America I’d booked a room in
a B&B in Gower Street, thinking I’d find a job immediately. Jobs were
offered to me, but I didn’t want them, because they were not within the
12 PLAYING WITH DYNAMITE
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK JERRY TODD AND THE
TALKING FROG ***
[Contents]
[Contents]
[Contents]
JERRY TODD
AND THE
TALKING FROG
[Contents]
Jerry Todd and the Talking Frog. Frontispiece—(Page 12)
MR. RICKS ABSENT-MINDEDLY POURED THE SYRUP DOWN
THE BACK OF HIS NECK AND SCRATCHED HIS PANCAKE!
[Contents]
JERRY TODD
AND THE
TALKING FROG
BY
LEO EDWARDS
Author of
[Contents]
Copyright, 1925, by
The Methodist Book Concern,
Cincinnati, Ohio
Copyright, 1925, by
GROSSET & DUNLAP [v]
[Contents]
JERRY TODD SAYS:
When I started writing this book, I thought of calling it: JERRY TODD AND THE
PUZZLE ROOM MYSTERY. But Scoop told me that wasn’t the proper title. “There
is more in the book about the talking frog than there is about the puzzle room,”
he pointed out. “So why don’t you call it JERRY TODD AND THE TALKING
FROG?”
So it was our leader, you see, who gave this book its title.
There is a ghost in this story. B-r-r-r-r! At midnight it comes to the old haunted
house, walking on the porches. Creepy, I’ll tell the world. We kept the doors
locked. For we were all alone in the brick house, Scoop and I and Peg and our
[vi]new chum, Tom Ricks. It was to help our new chum that we braved the perils
of the haunted house. You see, a puzzle maker had met with a strange death in
the brick house, and that is what made it haunted.
“Ten and ten.” That was the Bible’s secret. What was “ten and ten”? Why did the
ghost come nightly to the inventor’s home? We found out, but it took us many
exciting days to solve the mystery.
Yes, if you like a spooky, shivery, mysterious story, you surely will enjoy this
book, my fifth one.
My sixth book will be JERRY TODD AND THE PURRING EGG. This dodo egg,
taken from King Tut’s tomb, was more than three thousand years old. The Tutter
newspaper called it the “million-dollar egg.” Could it be rejuvenated? One man
said so. The story of what happened when the egg was “rejuvenated” makes
mighty good reading for a boy who likes a book packed full of chuckles and
mysterious tangles.
Your friend,
Jerry Todd. [viii]
[Contents]
OUR CHATTER-BOX
W
hen I started writing books for boys (this is Leo Edwards speaking) I
was practically unknown in the story-writing world. Never having heard
of me, boys didn’t know whether to buy my books or not. The titles,
featuring Whispering Mummies and Purring Eggs, seemed kind of silly to a lot of
young readers. But to-day hundreds of thousands of boys look forward to my
new titles. If the books are slow in coming, a goodly portion of these hundreds
of thousands of “fans” write and tell me about it. Also they jack me up if things
aren’t so-so. And, happier for me, they pat me on the back (verbally) if they like
my stuff. I never tire of reading these bully good letters. And I was tickled pink
when my publisher told me that I could incorporate a few of these letters in a
“Chatter-Box.” An experiment, the first “Chatter-Box” appeared in my sixteenth
book. And so popular has this department become (it is made up almost wholly
of letters, poems and miscellaneous contributions from boys and girls who read
my books) that now I have been given the pleasing job of supplying my earlier
books with brief “Chatter-Boxes.” Writers of accepted poems, built around the
characters in my books, or featuring some boyish interest, win prizes. And, of
course, it is pleasing to other boys to see their letters in print. If you have
written me a letter I may have used it in another “Chatter-Box.” Or if you are
contemplating a letter, why not write it to-day? It may be just the letter I need
for one of the big “Chatter-Boxes” in my new books. It may even give me an
idea, for my books, which will bring millions of added laughs into the world.
[Contents]
LETTERS
“I
have read every book you published, including the Trigger Berg books,”
writes Philip Horsting of Brooklyn, N. Y., “and I like them all. [ix]Trigger
Berg can get into mischief faster than any boy I know. I think that the
‘Chatter-Box’ is a very good idea and while I’m writing this letter my aunt is
reading the latest ‘Chatter-Box’ right now.”
“I just read Andy Blake’s Secret Service,” writes Bill Hopwood of Primos, Pa.,
“and there’s something in the book I don’t understand. When Eddie Garry’s
uncle, with whom Eddie was living, told Andy that the latter’s father was his
younger brother, and Eddie’s father’s twin, how come that Andy’s name is Blake
and Eddie’s name is Garry? Did Andy’s father go under a false name?”
Yes, Bill, when Andy’s father ran away from home, determined never to have
anything more to do with his own people, he dropped the name of Garry and
took the name of Blake. By rights, we should call Andy by his true name. But he
prefers to keep the name he has known all his life. So we’ll continue to speak of
him as Andy Blake instead of Andy Garry.
“Not long ago,” writes Dub Moritin of Dallas, Texas, “I was reading one of your
Jerry Todd books and I saw where you had a Freckled Goldfish club. Gee, Mr.
Edwards, I sure would like to join! The boys call me Dub. If you want to call me
that, it’s OK with me. I have six Todd and two Ott books. I save my weekly
spending money and if I haven’t enough Mom gives me the rest. For both Mom
and Dad are crazy about your books. I am sending the two two-cent stamps to
join your club.”
“I am trying to get another boy besides myself to join the Freckled Goldfish
club,” writes Charles F. Spiro of Yonkers, N. Y. “I told him what an honor it was
to be a Freckled Goldfish. The kids living near me use the number thirteen for a
danger cry just like Jerry and his gang.”
“Some day I’m going to break a rotten egg to see how it smells,” writes John F.
McIntyre of Natchez, Miss. “Then I can prove it to my brother who is a dummy
and said Jerry and Poppy wasn’t any account. Gr-r-r-r-r! I feel like biting his
head off. If I did it wouldn’t be anything gone. Is it very easy to write a book? If
so, would you please tell me how to do it? I am joining the Freckled Goldfish
lodge to get my name in the big book.”
Well, John, I don’t know what you’re going to prove by breaking a rotten egg.
But if you’ll gain anything by it, in proving to your older brother that Jerry and
Poppy are worth-while pals, go ahead. I assure you that it would be very hard
indeed for a small boy to write a book. We have to live a good many years, and
[x]learn a lot about the world and its ways, before we can write interesting
books. But if you want to get some pointers on story writing see my first
“Chatter-Box” in Poppy Ott and the Tittering Totem.
“The boys around my neighborhood were always talking about how spooky and
funny your books were,” writes Carl A. Swanson of Minneapolis, Minn. “I never
had read one of your books. But I decided to read one to see if it was as good
as my friends had said. Boy, was it ever hot! It was Poppy Ott and the Freckled
Goldfish. I just got Poppy Ott and the Tittering Totem Saturday and I laughed so
much Sunday reading it that both my grandmother and my dad started reading
it.”
“I would like to join the Secret and Mysterious Order of the Freckled Goldfish,”
writes Mortimer A. Stiller of New York, N. Y. “Jerry, Poppy and Trigger are my
best pals. I agree with whoever said: ‘He that loveth a book will never want a
faithful friend,’ only, of course, I find more than one friend in your books. Your
latest idea of having a ‘Chatter-Box’ in each book is great. As I live in the city
the only thing that I can do that you mention is to start a local Goldfish chapter,
so please send me the necessary booklets.”
“I have just finished reading Andy Blake’s Comet Coaster,” writes Jack Pattee of
Chicago, Ill. “I liked the book very much but I like Jerry Todd better. Before I
read Andy Blake I read Trigger Berg and His 700 Mouse Traps. That was a swell
book, only it didn’t have a mystery. I have a friend, Jerry O’Neil, and he told me
that he wrote to you and you are going to put his letter in the ‘Chatter-Box’ in
Jerry Todd, Editor-in-Grief. I am a Freckled Goldfish and I read most of your
books. I have a small black dog named Gertie who likes gumdrops, candy and
chocolate doughnuts.”
[Contents]
FRECKLED GOLDFISH
O
ut of my book, Poppy Ott and the Freckled Goldfish, has grown our great
Freckled Goldfish lodge, membership in which is open to all boys and
girls who are interested in my books. Thousands of readers have joined
the club. We have peachy membership cards (designed by Bert Salg, the
popular illustrator of my books) and fancy buttons. Also for members who want
to organize branch clubs (hundreds are in successful operation, providing boys
and girls with added fun) we have rituals.
To join (and to be a loyal Jerry Todd fan I think you ought to join), please
observe these simple rules:
(4) Enclose two two-cent postage stamps (for card and button).
Leo Edwards,
Cambridge,
Wisconsin.
[Contents]
LOCAL CHAPTERS
T
o help young organizers we have produced a printed ritual, which any
member who wants to start a Freckled Goldfish club in his own
neighborhood can’t afford to be without. This booklet tells how to
organize the club, how to conduct meetings, how to transact all club business,
and, probably most important of all, how to initiate candidates.
The complete initiation is given word for word. Naturally, these booklets are
more or less secret. So, if you send for one, please do not show it to anyone
who isn’t a Freckled Goldfish. Three chief officers will be required to put on the
initiation, which can be given in any member’s home, so, unless each officer is
provided with a booklet, much memorizing will have to be done. The best plan is
to have three booklets to a chapter. These may be secured (at cost) at six cents
each (three two-cent stamps) or three for sixteen cents (eight two-cent
stamps). Address all orders to Leo Edwards, Cambridge, Wisconsin.
[Contents]
CLUB NEWS
“W
e have eleven members in our Pool,” writes Gold Fin Samuel
Ferguson of Philadelphia, Pa., “and at almost every meeting we
have visitors. I am enclosing a cipher code that we use in writing
secret messages.”
“We now have a Freckled Goldfish song, yells, a jazz band composed of tin cans
and our Pool is decorated swell,” writes Gold Fin Francis Smith of Chambersburg,
Pa. “Also we have two goldfish, named Leo and Freckles.”
Nancy Hannemann of Chicago, Ill., is, I think, our youngest member. Giving her
[xii]age as two, she confesses that the letter of application was written by her
brother, also a Freckled Goldfish.
The three happiest boys in Yankton, South Dakota, are Dan Schenk (G. F.), Joe
Dowling (S. F,) and Bob Seeley (F. F.). Not only have these boys organized a
successful Pool, but they have swell rotographed letterheads. The reproduction
of the “fish” is almost as good as Salg could do himself. Dan advises that the
Pool has its meetings in an attic. Boy, I bet they have fun!
“Our Freckled Goldfish club,” writes Ernest Smith of Alhambra, Calif., “has an
orchestra consisting of a violin, saxophone, a jazzophone and a harmonica. All
of the boys playing in the orchestra are Freckled Goldfish.”
[Contents]
LEO’S PICTURE
A
nd had you heard, gang, about the marvelous piece of “art” that you can
get by sending ten cents in stamps to Grosset & Dunlap, 1140 Broadway,
New York, N. Y. Yah, the “art” referred to is Leo’s picture—and what a
wonderful bargain! Only ten cents for such a marvelous picture! [xiii]
[Contents]
CONTENTS
CHAPTER PAGE
[xiv]
[Contents]
LEO EDWARDS’ BOOKS
[1]
[Contents]
JERRY TOD AND THE
TALKING FROG
CHAPTER I
THE BOY IN THE TREE
I got into the bushes quick as scat. Biting hard on my breath, sort of.
For right there in front of our eyes was a regular old gee-whacker of
a dinosaur. Bigger than the town water tower and the Methodist
Church steeple put together. I tell you it was risky for us.
“Do you think you can hit him in the heart?” I said, excited-like,
squinting ahead to where the dinosaur was dragging his slimy body
out of the pond.
“Got to,” he said, steady-like. “If I miss, he’ll turn on us and kill us
both.” [2]
“It’s a lucky thing for Red and Peg,” I said, thinking of my other
chums, “that they aren’t in it.”
“Why not aim for a tickly spot in his ribs,” I snickered, pointing to the
dinosaur, “and let him giggle himself to death?”
Bing! went the bow cord. My eyes followed the arrow. It struck. The
old dinosaur angrily tooted his horn. But he didn’t drop dead. For his
hide was sixteen inches thick.
We were lost! Scoop said so. And without arguing the matter I went
lickety-cut for a tree.
“I can’t die that quick,” I told him. “For I’m all out of wind.”
But he was squinting down at the dinosaur and seemed not to hear
me.
“He’s got his trunk coiled around the tree,” he said. “Feel it shake!
He’s pulling it up by the roots.”
So up we went.
All of a sudden I heard some one go, “Hem-m-m!” And what do you
know if there wasn’t another boy in the top of the tree! A stranger.
About our age.
“Where’d you come from?” I bit off, letting my face go dark. For he
didn’t belong in our dinosaur game. And I wanted him to know it.
“Huh!” I grunted, letting myself go stiff. “Do you suppose we’d run
from a cow?”
“It made a noise like a cow,” he grinned, “when you shot it with your
toy bow and arrow.”
Well, that kind of took my breath. And I glared at him for a moment
or two. Then his steady, friendly grin put me to laughing.
“It’s full of frogs,” he told me. “Big fellows. See?” and producing an
old lunker of a bullfrog he held it up.
“Hello!” he said.
“K-k-kroak!”
“You can have him,” the other offered. Then, without another word,
he let himself down limb by limb, scooting in the direction of town, a
mile away.
Scoop gave a queer throat sound and came out of his thoughts.