Baritone (B.C.

Manila Sounds Medley 2

Arranged By: Arnold Sarreal

    
  


            
6
    

      
                
 
     
7



            
  
14
            


    
      
  
     
        
20


22

     
   


         
   

27 31
  
           poco
 
      
     
33 rit.

(Byebye tempo)


40
            

    
               
   
    


            
50
52

    
    
  


    
56
     
55

(Byebye tempo)

   
          
Grandioso

   
65
 
  
62

#TatakSarreal
 Manila Sounds Medley 2
2 Baritone (B.C.)
 
                
79

    
69 71

  


                     
   
82 87


 
                                   
88

  

          
( = 118)
          
  
rit.

  
96

  
93


       
              103 Cha-Cha
      
            
100

          
         
      
106

    
        
           
114 119

       
  
            
       
    
121 126

               
                  
134
 
128



     
                    
       
  
135

 
           

142

3 3

#TatakSarreal
 Manila Sounds Medley 2
Baritone (B.C.)
              
3


             
152
          
151


 
157             
         
          
163


             
         

164

             
     
   
169

        
   
    
177 182

 
                                 

190

 
187

       



                             
          
193

 
                           
            
198

      
             1.          2.        208 
 
204

  
            217       
     
212

 

            
       
219

#TatakSarreal