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Mambo No.

5
Combo Arrangement

 2   
Perez Prado

                        
 = 160

    
A

  
4

 
               
Alto Saxophone

   


Trumpet         

         
                               




Trombone

      
 

 
B♭

                
       
   
          


                 
Piano

 
play ad lib...

           
                    
Bass

  
 
            
 
 

             
Drums
     

              
2

         

6 8

A. Sax.

   
Tpt.   

       
  
  
        
   



Tbn.

  
    
E♭
        
          
        
     

Piano


      
        
Bass  
        

           

Drums
         
                
           
3

      

10 12

 
A. Sax.

       
                   
Tpt.

     
                        

    
 


Tbn.

        

B♭ E♭
  
         
             
         
       

Piano


          

 
 

Bass      
 
                
Drums
 
        
         
4

         
14 16

A. Sax.

         
          
Tpt.            
      
                     
 


Tbn.

  
    
B♭ E♭
          

 

     
               
     
Piano


      

 

 

Bass     

Drums                
        
         
5

         
18 20

A. Sax.

         
          
Tpt.            
      
                     
 


Tbn.

  
    
B♭ E♭
          

 

     
               
     
Piano


      

 

 

Bass     

Drums                

    

          
6

    

22 24

        
A. Sax.

   

       
    
Tpt.

                

  


Tbn.    
   
 

B♭
                 
           
    
    
Piano

 

       
      
 
  
 
        

Bass


                     

Hit 
Drums
   


7

      
B

  
26

A. Sax.

   
      


     
 
Tpt.

      




Tbn.

   

B♭ B♭
           
      
 
       
    
Piano


       
Bass       
      
              
Drums
        

                
8

        
28 30


A. Sax.

      
   

           
Tpt.

        
            

   


Tbn.

     

B♭ B♭
               
    
               
     
Piano


            

Bass      
      
            

Drums
  

  
                      
9

 
32 34 36

   
       
A. Sax.

          

Tpt.

   
                              



Tbn.

     
    
              
    
   
         
       
Piano

 
          
          
Hit  
Bass


                          
Drums
  
 
           
10

 
C

  
38 40

A. Sax.

   
 


Tpt.

     



Tbn.

  
  
B♭
           
       
     
Piano




        


Bass    
     
                


Drums
     
2 bar drumfill

 
                  
11

      
 
42 44


A. Sax.

  
Tpt.   



     



Tbn.

      
E♭ B♭
                    
 
               
     
Piano




      
      
Bass     
       
      
       
Drums
     

                       
12

      

46 48

 
A. Sax.

         

      

Tpt.

          
  

  


Tbn.   
   
    

E♭
  
            
       
                 
    
    
Piano


         
         
     
          

Bass

  
             

Drums       Hit
 

         
 
13

 
D

   
 
50 52

A. Sax.

  
         
Si Si Si yo qui ero Mam Mam bo

  
bo

  

Tpt.

        
       


Si Si Si yo qui ero Mam Mam bo

    
bo

Tbn.     


      
Si Si Si yo qui ero Mam Mam bo

         
bo

Si Si Si yo qui ero Mam bo


  
 
Piano

   
B♭ 

E♭

  

  
            
 


         


Bass

                      


      


Drums
          

       
14 Open Solo Sec.


E
    
G

     

Cue out


54 56 58

A. Sax.

       
 

    
C
Tpt.   

   

        

      
B♭
    


Tbn.   
           


              
B♭

   


    
 
 
 




             
Piano 

  
            
      

Bass       
 
      

 

              
         
       
Drums
      


C 15

    

60

A. Sax.

   
F
Tpt.   

     
E♭
 



Tbn.

  
    
E♭
        
          
        
     

Piano


      
        
Bass  
        

           

Drums
         
            64          
16
F

        
62

A. Sax.

     


Tpt.

     



Tbn.

       
B♭ E♭
              
       
               
     
Piano




      
      

Bass    
                    
  
    


Drums
           

 
           68        
17

        
 
66

A. Sax.

   
Tpt.  

     



Tbn.

  
    
B♭ E♭
        
    

     
               
     
Piano




         
Bass         

Drums 
       72   
      
18

       
  
70


A. Sax.

    
        
 

        


Tpt.  

 
         
    
 

  


   



Tbn.


  

  
B♭ E♭
     


                 
           
     
Piano 




     
         
Bass    


 
Hit 

Drums


       76     
      
19

      
 
74


A. Sax.

    
        

        


Tpt.  


   
   
    

   


    



Tbn.

   

  
B♭ E♭
            


                 


     
     
Piano 




     
         
Bass    

             

 
Hit 

Drums
     



        
          
20
G

       
78 80 82

A. Sax.

        
 Drum Fill

      

Tpt.

      
 Drum Fill

        


Tbn.
 Drum Fill

                 
B♭ B♭
              
   
           
      
Piano




        
    
Bass               
 Drum Fill

       


             
Hit

      
Drums
     

         
               
21

    
84 86

 
 
A. Sax.

      
    
      
Tpt.

   

   


Tbn.

      
B♭ B♭
        
           
 
               
     
Piano

       

   
    
Bass 
       
      

Drums
     
         
          
22

           
88 90

 
   
A. Sax.

       
       
           
Tpt.

       



Tbn.

     

B♭ B♭
       
          
               
     
Piano


           
Bass       

Drums 
         
          
23

           
92 94

 
   
A. Sax.

       
       
           
Tpt.

       



Tbn.

     

B♭ B♭
       
          
               
     
Piano


           
Bass       

Drums 
        
  
24

              
96 98



 
A. Sax.

       
    
    
Tpt.


         
Tbn. 
E♭



B♭
   
E♭
  
              
  
         
      
Piano



      
  
    
  
  
Bass

  
    
Hit
Drums


Trumpet
Mambo No. 5
Combo Arrangement

  
   

    

    
Perez Prado
 = 160


     


A
 
 
 

 
                 
             

                
            

        

       
            
                   

            
           

  

B

   
   
    
 

 


   
                  

  
 

  
   
 
     

   
    

2




C



 
    

          

       

   
           
D

 
   


      
Cue out
 Si Si Si yo qui ero Mam bo Mam bo

      

     
F
 
 
E C




Open Solo Sec.
F


    
      

      
     
    
  
 

   


      
      
 
      
3

      
 Drum Fill


G



              
       

              
       

              
       



   
 
Alto Saxophone
Mambo No. 5
Combo Arrangement

  
Perez Prado

               
 = 160

   
2 4

      6           8      
A

                


      10          12      
                


     14           16      
             


     18            20     
       

   


     22           
      
24


B

 
                     
    
28 30

 



         
            
32 34




  
2

        

36


               42    
C

        

    
40

   44         46    



  
        

    

     48     
     
 
50

             
D

      


52 54

      
Si Si Si yo qui ero Mam bo Mam bo Cue out

      
56


C
 
E

     
G


58 60

Open Solo Sec.

          64         
F
        
     

62

        68         



  
              
66


          72       
              
70

 


          76    
3


                

74





      
      
78 80

 Drum Fill

       
            
               
  
G


82 84

 

         
  
    
        
    
     

86 88

 

          
   
    
 
       
    
 
    
90 92

 

          
   
    
 
       
    
 
    
94 96

 



 

  

98
Trombone
Mambo No. 5
Combo Arrangement

   
Perez Prado


                   
 = 160

      

         
                         

A

   
5

 
                             


     
9

 
                           
  
13

 
                           
  
17

     
                
 
    
 
21


 

    
B
         
  
25

                
      
 
31


    

        

35


C
 

39
2
 
     

43

          

        
 
    
 
47

             
     
D
  
51

      
Cue out
 Si Si Si yo qui ero Mam bo Mam bo

       

55

       
E B♭ E♭

 
58


Open Solo Sec.
F
 

62

   
           




      
70


   
  

           




      
74


      
 

       

78


Drum Fill
G
 

81
              
3

        

85

              
        

89

              
        

93


      

97
Piano
Mambo No. 5


Combo Arrangement
Perez Prado

      
 = 160


                  
   
                  
 
    



         
AB♭ E♭
 
        
      


         
       
      



 
play ad lib...


        
B♭ E♭
   
              
     
               
       
   


      
B♭ E♭
             
        
               
     


      
B♭ E♭
  
                  
               
     


   
2

 
B♭
       
         
           
    
      

      


      
B B♭ B♭
  
         
        
               
     


      
B♭ B♭
   
         
        
               
     



  
 
 
                  

        
                   



 

 


  
3

    
C B♭ E♭
  
          
       
               
     






  
   
B♭ E♭
                    
               
     




         
     
              
         
  
         


             


     
D

               
Si Si Si yo qui ero Mam bo Cue out


   
   
 B♭ 
E♭

 




       
       

 





 
 



        



4 Open Solo Sec.

        
B♭
E E♭
         
       
   

 
               
       
   



  
   
F B♭ E♭
                    
               
     




      
B♭ E♭
                     
               
     




     

B♭ E♭
  
                   
           
     
 


     

B♭ E♭
  
                   
            
     



        
5
B♭

              


      
    


      
G B♭ B♭
  
         
        
               
     




      
B♭ B♭
                      
               
     



      
B♭ B♭
                    
               
     


      
B♭ B♭
  
         
        
               
     


6 
 
E♭
 
 
E♭
   
  
    

Bass
Mambo No. 5
Combo Arrangement

   
Perez Prado

   
 = 160

             
        

        

           

A


   


          


       

         
        

         
        

        
          
     

         

B

        

         
        

        

                   


 

   
2

     
C

        


       
          

       
          
         

   

              



D


      
 Cue out

         


           
    
E

     
Open Solo Sec.

   


     
F

        


         
        

     
   
           



    


   
           


      
3

         
     
 Drum Fill

         
G

        


         
        

         
        

         
        


   

  

Drums
Mambo No. 5
Combo Arrangement

  
Perez Prado


 = 160

                        

  
                           
A
   
            

 


                  
 

                

                

 
                     
   
                        
Hit
 

       
B

        

                

  
Hit

                        
  

        
2 bar drumfill
        
    
2

 
      
      
      
C
        
   


                

   
Hit
              
       

                        

D 
 
      
          
      
 Cue out

       
       

                           


E
  
            
Open Solo Sec.

                        


 
       
F

        



       

           
Hit 




 
           
 
Hit 

     
Hit 3

             

            
 
                 
G

        



Hit

  
  
   



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