Saxofón Alto Grease Medley

"Grease"..."Summer Nights"..."Hopelessly Devoted To You"..."You're The One That I Want"...

"Beauty School Dropout"..."Those Magic Changes"..."There Are Worse Things I Could Do"

                        
 
Grease

                 

I solve my prob lems and I see the light We got a lov in'thing, we got ta

      
4

 
feed itright There ain't no dan ger we can go to far We start be liev ing now that we can

                 

8

                  
be what we areGrease is the word This is the life of il lu sion Wrapped up in trou

    
12

 = 123                      

ble, laced with con fu sion What are we do ing here?

   
      

16

    
Summer Nights Sum mer lov ing hadme a blast,

        
              
20

                  
Sum mer lov ing hap pened so fast Met a girl cra zy for me Meta boy

  
25

                 
cute as can be Sum mer days drift ing a way To, uh oh, those sum mer nights

       
29

                               
Well a well a well a huh Tell me more, tell me more Did you get ver y far? Tell memore,tell me

         
33

  = 92
more Like does he have a car?

                 
  
38

3
It turned cold er, that's where it ends So I told her we'dstill be friends
  = 78    
              

2

  
42
rall.


3

   =86
3

                
Then we made our true love vow Won der what

    
45

 
3 3

    
she's do ing now Sum mer dreams, ripped at the seams Bu ut oh,

  
  = 92
          
     
51

those sum mer ni ghts Tell me more,tell me m ore

   = 110             
                      
 
58

Hopelessly Devoted To You Guess

                    
          
  
66

     
mine is not the first heart bro ken My eyes are not the first to cry I'm

         
                    
74

 

               
not the first to know there's just no gett in' o ver do? I'm hope less ly de

             
81

                    
vot ed to you. But now there's no where to hi de since you

     
    
 
88

pushed my love a side I'm ou t of my head. Hope less ly de vo ted to you

                      
         
96

   
    = 170     
Hope less ly de vo ted to you Hope less ly de vo ted to

     
      
104

You're The One That I Want

you Igot chills They're mul ti ply in' And I'm
             
3

        
113

    
                
los in' con trol 'Cause the pow er you're sup ply in' It's e lec tri fy in'!


   
121

            
           
You bet ter shape up 'Cause I need a man

   
129

                   
And my heart is set on you You bet ter shape up You bet ter un

     
 
135

             
der stand To my heart I musi be true Noth in' left Noth in'

          

141

          
       
left for me to do You're the one that I want You, oo oo Hon ey The

     
 
147

                   
      
one that I want You, oo oo are what I need Oh, yes in deed

 
 = 82
  
154

 
Beauty School Dropout

         
         
Your sto ry'ssad to tell: a teen age ne'erdo well; most mixed up non de lin quent on the

   
158

 =133

             
block. Your fu ture's so un clear now. What's left of your ca reer noe? Can't


   
       
 = 106
   
161

                   
 
e ven get a trade in on your smock. Beau tyschool drop out no grad u a tion day for

     

167

                 
  
you Beau ty school drop out, missed your mid terms and flunked sham poo Well, at

 
        
172

least you could have tak en time to wash and clean your cloths up. af ter spend ing all that
                     
4

     
  
177

                       
dough to have the doc tor fix your nose up. Ba by, get mov ing Why keep your

   
   
182

                            
fee ble hopes a live? What are you prov ing? you've got the dream, but not the

        
187

     
            
drive If you go for your di plo ma you could join the sten o pool. Turn in your teas ing comb and

        
 = 100
 
193


                               
go back to high school go back to high school
Those Magic Change


200

                       
What's that play ing on thera di o, Why do I start sway ing to and fro? I have nev er heard that

   
205

               
       
song be fore, but if I don't hear it an y more. It's still fa mil iar to me,


209

                     
sends a thrill right through me, 'cause thosechords re mind me of the night that I first fell in love to

       
212

                              

those mag ic chang es My heart ar rang es a mel o dy that's

     
217

                       
 
nev er the same. A mel o dy that's call ing your name and begs me please come back tome

 
222

             
Please re turn to me don't go a way a gain, oh, make them play a gain, the mu sic

  
         
226

I wan na hear as once a gain you whis per in my ear. Oh, my dar lin',ah hah.
                  
    
5

        

233

          
oooh, o o o oh, oh, o o o oh, yeah, ooh.

           
 = 90

239

                        
There Are Worse Things I Could Do

    
246 There are worse things I could do than go

             
with a boy or two E– ven though the neigh bor– hood Thinks I'm trash– y and no

           
252

                       
 
good, I sup– pose it could be true But there are worse thing Icould do. Icould flirt with all the

 
258

                 
guys,––– smile at them and bat my eyes––– press a gainst them when we

       
266

         
dance make them think they stand a chance then re fuse to see it through.That's a thing I'd nev er

 
         
272

  
          
do. I could stay home eve ry night, wait a round for Mis ter Right,––

           

280

                 
           
take cold show ers eve ry day–– and throw my life aw way on a dream that won't come

 
286

                                
true I could hurt some one like me–– out of spite or jeal ous y–––

   
295

                               
I don't steal and Idon't lie but I can feel and Ican cry: a fact I'll bet you– nev er knew–

 
302


But to cry in front of you that's the worst thing I could do.–––
         
6


310



Saxofón Tenor 1 Grease Medley
"Grease"..."Summer Nights"..."Hopelessly Devoted To You"..."You're The One That I Want"...
"Beauty School Dropout"..."Those Magic Changes"..."There Are Worse Things I Could Do"

                               
 

                                  
 
5

              
 
  


 
   

10

 

                              
      
 = 123
 
16

                    
          
22

                   
       
29

                    =92                
       
35

 = 78      =86  
3

           
           
42
rall.



  = 92
    
   
  
3 3

       
   
49

  = 110                         
           
58
                     
2

      

66

         
                     
    
77

                               
 
      
85

             
                     
  
93

                       = 170
    
       
102

                    
         
110

        
        
      
 
119


                  
       
 
129


                         
   
137

     
                     
 
144

     =82            
   
151
  = 106

                    
3

            

 
= 133

  
160

                                        

166


                                     
 
173

                                        

180

                                         

187


                                
 = 100
      
196

                    
          
   
204

        
          
        
    
211

    
      
                  
   
218

 
   
                
   
226

   


      
                   
 = 90
    
235
                    
  
4

      
245

                    
         
  

256

                
                    
267

                                    

278

                          

                 
289

                                
        
300


          

310


Saxofón Tenor 2 Grease Medley
"Grease"..."Summer Nights"..."Hopelessly Devoted To You"..."You're The One That I Want"...
"Beauty School Dropout"..."Those Magic Changes"..."There Are Worse Things I Could Do"

       
          
              
 

       
          
                

8

         = 123               

               
14

                           
           

19

  

     

                         
    
25

     
       
        
        
    
31

        =92                  
            
37

  

   
                  
    
 = 78  = 86
 
42


                
       
 = 92  = 110
  
50

 

            
          
  
60
                      
2

        
70

                                      
   
78

        
                  
86


                                       
95

 
 
              
   = 170
          
 
103

  

         
 
  
 
               
112

  
                      
     
120

     

      
                      
127

 

      
           
  
  
  
  
135

 

    
                     
143

    
  =82                   
   
153
             
3

    
 = 133  = 106
                     
162

       
              
              
170

        
   
                     
179

     
       
         
     
187

    

      =100                  
   

  
   
197

 

           
            
         

205

 

                        
        
212

 

                   
          
    
219

 

          
           
          
  
226


                             
      
233

 

            = 90              
  
              
240
                
4

  
                
251

  
             
  
       
262

   

    
  
                          
270

    
 
                  
    
   
278

     

   
          
      
    
286

          
 
                      
295


                
      
    
303


   
 
312
