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M % W FORTS, PALACES AND HAVE LIS OF RAJASTHAN
tottto % mPv^hI ak 3 fkrro ww to Rt TOtrotfroR frofTORTOT to r1 Rajasthan, situated in the western region of India has a diversity
«’*<*> fa 3 to) TO^rot f i ,H^i)rd=h frorotroTOTTOf ^ to'^rf Tfrffa r) tototItoto of geophysical features which add to the richness and variety of
TO TOhTI 'Mild ^*^=5, 'TO TOT TTOTOt Midi M-IITOI t'l TO! TOlMdl M^idHIdl, its cultural expressions. It has the Aravalli range of mountains,
TO ^ 3TTTOfTO TOfrorf, TOT TOk, 3TTOTTOT TOTOT klWIH TO k
forested valleys, lakes, wild life sanctuaries and the desert sand-
dunes. Pakistan and Punjab and its history dates back to ancient
% Zt^ frok t'l TOTTTO % ZTOT ^ ^ TOk % RTTOTO fTOR) TTtTOTTO TOR
times. Kalibangan, an Indus civilization site in northern Bikaner,
TOTOT TOTfRTTOTTO TOT T|TOt t, TOTOf TOTTRT ^TORT TOTTOk RTTOT TO tiTOTT f3TO tl
was an important walled city of the Harappan period. Above all,
tort) TOkrkr TO Rry+idlH to’totot % Rrotk RTrorkroro f tot fir f i tk Rajasthan (which means the ‘Land of Kings’) is the cradle of
kaT To k TOTkkkt k froa to tot toutomIh t klr toto tototI tot distinctive Rajput culture and traditions.
TOTOTTOTTO TO TO*} i- TTTOTTOf TO TORI TOf eft TTRJTO TTTOhfa Ref TOTTOTOTOf From the seventh century A.D. to nineteenth century A.D., the
TO kk TTOT t'l history of Rajasthan witnessed the rise and fall of the Rajputs. The
TOTOTTOTO TOTekf TOTTOTRl k tfRT ZhI TOdl TOI®{I TO TO TRTTOR TO ^fTOTTT word ‘Rajput’ is derived from the term ‘Rajaputra’ which means
‘sons of kings’. They trace their descent from the lineage of the
TTRJTOt' % ZTTOTTO TR TOT TO TOTTOt TTOT tl TFRJTO TO 3T«f t, TRTT TO TJTOI
sun and the moon and belong to kshatriya-the warrior caste. The
t TORT ZTTOTO Tjt TR' TO ^ TOTTOT t kk TO^T TOTfa TOfTOTO k TOTOTO TO§t
Rathors of Bikaner and Jodhpur, Gahlots and Sisodias of Udaipur
ti RtRkr ktr klTO^r % <idl<, rr k TOrokk tr fkktftTOT totot tort
and the Kachhawahas of Jaipur are Suryavanshis, clans claiming
k RT5TOTTOT TTOTO Rt Tjtkft TTTOT TOTOTOTTO TR TO TORT TORt t, TOTOfk descent from Lord Rama. The Bhattis of Jaisalmer claimed to be
^TTRtT % TOft 3Rt Rt TOTOft TORt tl R% TORRT TO TOt TOR TORT Chandravanshis, of lunar descent. It is said that the Chauhans,
t fTO ktTOR, TTtRTOt, TORT TOTOT kTTTO TOnfTO k #TO TOR TOfa k TOfTOTO Solankis, Paramaras and the Deoras emerged from the sacred
TOpH^k k TOTOT fir tl firepit or Agnikunda on the summit of the holy Mount Abu.
TOefTOR TRTTTOR k fTOTOTO t 3kR TOR *1, kfRTO ZTOt k kTOlf (fTOftTOR Although there were a number of states in the present day
TOTOT TORT^T), TOltr (TOPJT) TOTOT TOTTRTO (ttTOfT, tTOdk kk Rajasthan, the three most prominent were Mewar (Chittorgarh
krokr) t tk RR tl ^fTOTTT t TTTOT-TTTOT TO TTTOJeff % TOf)— kk iTO
and Udaipur). Amber (Jaipur) and Marwar (Jodhpur, Jaisalmer
and Bikaner). Time and again, Rajput strongholds such as Chittor,
froffe, tTOTTO, TOTOTOkk, TOTTRTO TOTOT TOR TTORf TO mPTO'ITO TOTTOTOT RTOt Tt
Mewar, Ranthambor, Marwar and many others were attacked by
tl TOTOfTO RTORt t t-TO. RK^mT TOTTRt t TOTT TOfTOTO Mtft t |r. TOTSTOf
Muslim armies. Mahmud Ghazni in the eleventh century A.D. and
TOTTRt % TOTT f TTTORlt TO TORTOT fTOT «1l TOT % TORR ^gsj-TO,-tk
Mohammad Ghori at the end of the twelfth century A.D. attacked the
tRTO t 3RrtT TO TORTT 3TTfTOR TOR iRR Rl state of Rajputana followed by Qutub-ud-Din Aibak who beseiged
t-M. Rtrok' TOTTRt t TORREZ feRTOf t RTTOktT TORT PddW % fTOdf TO Ajmer. Alaud-Din-Khalji in fourteenth century A.D. captured the
toIrtott tor froro ri grot tottoto tort tor froftftR Trgro rr rr % Fort of Ranthambor and Chittor. In sixteenth century A.D., the
battle of Khanwa was fought between the Mughal Emperor, Babur
#TO t.TO. TftTOTOTOt TOTOlRt TO TTOTTOR t TOTOTTTR ^ f3TO R, fTOTRft TOfRTfTO
and Sisodia chief, Rana Sanga, which ended in a Rajput defeat.
TTTO^TOt TOft TOTTTOTO TO ff *ftl fTO% # TOTOTO RTORTT^ TORT % TOtt 3TTORT
Shortly after, Babur’s grandson, Akbar established supremacy
t TOTTTOTTO TOR tTOTTO TO fTOTOTO RR TOft TOR TOTTOTOTR TOR TOt TOR TITO'jiHKl
over both Marwar and Mewar and married a Rajput princess of
^ Id TOMS TOTT fTOR TOi, fTOTOt TOR t 3TTtT ^TO TO TOTTTOTO fTOTRI the Kachhawaha clan, which ruled over Amber region.
^TOT¥ Mewar
JJ,R<ld 't *l6dld TOTOT % did TOR TTTOTTRTO % TOfTOTO-1^ f?TOt The Gahlots, later known as the Sisodias, migrated from Gujarat
tTOR TO 3TTTOTT TOTO TOTO «f eft t fTOTOlRdl TORTOTt TOt ^1 ZTOt TRfRT and occupied Mewar, which lies in the south-east of Rajasthan.
Their earliest inscription in Rajputana is dated 646 A.D.
yNlddM fTOTTOT^TO iTO 646 RT tl tRTO Rt R#T TOTOft fTOdl^d^ f tTTO
Chittorgarh, the ancient capital of Mewar, has a magnificent fort
fRTOTtTOtZT TOff^TO t TOR TOR fReTOT t, fRTORt TTtRTOf t TO %RTO 3kR TO1TOT
with thirteen kilometres of battlements which encloses not only
t, TOfdR it^-fTTt TOt t, TOft 3TTOTRT TTOtTOt Rt TOTTOt ^tR RTlt tl ddTSMl palaces but also lakes and reservoirs that can support thousands
ReTRft % TOR t Rfk 35 TOTOf TOR Iddl-SdC TOT R1TR RTi R^ TORT of inhabitants. Kumbha, who ruled Chittorgarh for thirty-five years
^TR t TOTOT TRTOeTORTOTT % d*^1, 'tt fR TOftRt cRTOJT t ^TTOTOTTOTO from mid-fifteenth century A.D. onwards was responsible for
several architectural achievements, such as- Fort Kumbhalgarh in
fftRn, w^z 3tt^ ft srrrr fftRn, fftftfefR fern rr 73ft MJra southern Udaipur, Fort Achalgarh in Mount Abu, the Victory Tower
-+WIH ft 3*3 ttr ftl fftftU'i<i % fft# 3 ftl h4]h)4,{ui ^rcjri «ni at Chittorgarh, and for the innovations and additions to the Fort at
Chittorgarh.
ft^rs #1 Trsmpft ft TsiHMfta fftift Rift ft y Ah ftl' ft ftfti rr
Chittorgarh was invaded three times by the Muslims before the
##533 33 31TsH'Mul fftRl «nI 73f 1303 ft fftr# ft? W 31HH<1h
capital of Mewar was shifted to Udaipur. In 1303 A.D. Alaud-Din-
fed41 4 ##5 ## 3RT #3 fw # 3cft 3lftt 3#ftftl ft IftRTF ft? 3#3 Khalji, Sultan of Delhi, laid seige to Chittorgarh in an attempt to
ft fftftU'l<2 RTt ft3 #31 «m marry the famous beauty, Rani Padmini, the wife of Bhim Singh.
Bahadur Shah of Gujarat attacked Vikramjeet of Chittorgarh in
TpSRTcT ft? ^TW ^ 1533 4' fftftU'ld ft? fftsfcMftld 33
1533 A.D. In face of defeat, Rani Karnavati, a Bundi princess
3HlsbHU| fftRH 31 331 RR fft*3ftld R?1 #11 513ft Tfftl ftl ftl ftfti #t
led the Jauhar in which many women and children sacrificed
IM'JHld <141 <+)utddl 4 ftf3 ft-^ftl RR «lfel % 733 #51 idvHI 311 H'K
their lives. However, her own child, Udai Singh was smuggled
71# Rift'd d) RH 3T3R?1 ft?R7 3RRfft5 f## 3R?R RR 331 *11, 41 R1R ft out, and he lived to inherit the throne of Chittorgarh. In 1567,
fR#53R 33 RRTlfRRTRl R31I 7Ff 1567 ft "5331 W 3TR?R7 4 fedW'la; A.D., the Mughal Emperor, Akbar beseiged Chittorgarh but
#1 ft7 fedi «n. 4fed <mi ^^Ahs fe41 y<+iK rr Pi=t>cii 331 <$nd Udai Singh managed to escape and founded Udaipur, the new
33337 #1 rwu #1 #1 ftf, 41 ftRR % wr4 4 3#3i yRnn rirrf
capital of Mewar. The rulers of Mewar were known for their
resistance to the Muslim invaders. However, compromise with
IRRftftf ft #51 #31, 337 3dSR7 illdl# 4 333# 73R5 ft? RTRR Fl4t'
the Mughals in the seventeenth century A.D. reduced the threat
33 73371 RTF# RR # 331 31, fR3lft 531 #fft R3R 4 R1 # 4 TUft^dR)
of invasion and enabled them to devote more time for cultural
dfdftlftRTt #1 RRTRl ffteRI pursuits.
dRRjJt ft 3#R? #R 3R3 t, # R51 ft? S'IIRRiT % ftM ftR #t R#ft The city of Udaipur has several beautiful buildings that speak
t'l fft# ft#R-313#, 337-35R go#' oft TMIRd R?R1 331 WJdf #1 of the aesthetic taste of its rulers. The City Palace is a blend of
ftftlR? RITcjRidl ft? fftf33 OR OiT RR? ftR7 RRI5<u| f| fq#d! #01 % Mughal decorative art and Rajput military architecture. It is a
massive edifice built on the shores of Lake Pichola. The walls
fftTdft 03 R31 35 RR? tftw 000 ftl 53TR?1 RI571 #Rlft ftl# 3?37 Oil
on the outside are built of thin slates of sandstone and covered
Mdetl MldVfeft ft «h! ft 331 30 03 R^RRi# 00 #3 30 fed I 001 ft I
with the finest possible white plaster work. In the interiors, marble
dl'dftd. OF! ft fftRlft Oil 3300303 ft OOTOT OOT ft 331 30 03 R31R? OTlft has been used for the walls. They are profusely decorated with
00' OTlftt 0f30T3 ft? ftlOO ft 71RT33 foftOO fOOf, 3?3T0l' #3 3T0lftft[' oft glasswork, inlay work, paintings depicting celebration of festivals,
fftfOO f#OT 001 ftl processions and scenes showing the life in the royal household.
f# 0003 fwtOO #d # 0*0 ft OR t0O131 # ftl ?000 ftlO# OTlftl oftOR Jag Niwas or the Lake Palace of Udaipur is a small island of cool
marble set amidst Lake Pichola. It was a summer resort for the
ft? TTffrftf ft 3# % fcorr foroi 001 011 oftoio ft ^ft fttod ft oftoffto OR
members of the royal household which has now been transformed
fftoi OOl ftl into a Hotel.
OFTftftR oftol 001 OF# 00 ogi 7RJf ft, oil ft30 cTOOl ft, 010I ft# ft Jag Mandir is cluster of pavilions and palaces which seems to
ft3 3F1 fttl god OlOW w?i ft or 3Toft fool Rftoft # f03^ foftlo be floating on the surface of the lake. It was in Jag Mandir that
fORl Ol ftl 30ft Wl R0ftfft3 ft OROl eftt Oil Emperor Shahjahan sought refuge when he rebelled against his
father, Jahangir.
3TT^T Amber
F*7T 7>MI«0 4 + e5dli7l TRiJTT 377^7 4' 7?R W\ «R The Kachhawahas established themselves in Amber around the
twelfth and thirteenth century A.D. Jai Singh II succeeded his father
fefrq TW ^ *Ft 37TJ R 377^7 *FT 37T7Tf*7*F77t 37FT *7TI 77^ 1727 R 37R
as ruler of Amber at the age of eleven. He shifted the capital from
Wit TRRpft *Ft 377^7 3 7*7IHl'dRd F77 W[7 R 7*77^777 *Ft *ft, Rt 1% Amber to the plains, where he built a new city, Jaipur, in 1727 A.D.,
1Frrat % ftf 3 ii ^rrj7 R3777 RftI, iqftm, 7wrar which is popularly known as the ‘Pink City’. The principal building
77*77 37R Wfi *Ft Wl 3 WJ7 % TWh facRt ^ ^ Fc*77 7T*77 ^7777717 material used for the fortress, palace complex, observatory and
other buildings is rubble and plaster along with the local grey stone
*FT ^Hld Rf*77 TRT «TTI dcF^lcf YT?7 *Fl FFTPrl SUFT 3RH *FFl %
found near Jaipur. A rusty pink paint rather than cream has been
AlR ‘Jell 41 777 Tl 7777 TAll used over the plaster which gives a pink hue to the buildings.
T^RlfW fgTTk ^ WTfeT WRt 77*77 Tjfuid^ *7TI 3774 dc4dcd1d <717^*41 Jai Singh II, an astronomer and a mathematician, planned the city
of Jaipur keeping in mind the aesthetic norms and conforming to
47t M 77fc%T75t % fWTT *Ft *ZfH R 77§ *F7 Wj7 *Ft %3RT *Ft
the architectural style of the period. A strong wall encircles the
411 ^PJ7 % RTTt cTW T3of7 H'Jiqd 77t177-'{lc7K ’t 4*77 <MH6cl mRtk A
city in the heart of which is the City Palace. Within the palace
4*7?T7e7T-47777-4777 #1 *74 7F47 47*7f774 £177 RtRlTl 47*7 4*7477477371 4 4 4*77 complex there is an observatory-the Jantar Mantar. It is one of
tl 3F*7 4*74IIHIlf tWt, TT«JTI, 77*77 *77747771 4' tl FFR *74 *4*7171 % the five observatories built by Jai Singh II. The others are in Delhi,
Varanasi, Mathura and Ujjain. Adjacent to the palace walls is the
7Fll*7 ft RT7irH4 % 3717777 % 377747*7 W *747 fPsTFTl ?*7T *7?e7 tl ?71%
Hawa Mahal, a pyramidal facade of five storeys. It allows free
3 3717ft ^T fR ?ft7R TWt tl flt-ftt RTSjf f RsljjRM! tl movement of air which keeps the building cool. It is made up of
?TTtt *7f7777 *74 xri%7H|i/ <?TS7 cf4 *|R|R|(V*7T t^T RTTcft *ft, *7*77 *77?7 small compartments, each with a window through which the women
of the royal household could watch processions in the public street
% did d-t Rtf t^3 *7t4 *ll
seated in the airy jharokhas without being seen themselves.
HK<7Ij£ Marwar
7R7*TR % mRm4I 47*7 f *777 *777 4f77^ RPlT-dH tl ft *717=114 *Fft On the western border of Rajasthan lies the formidable expanse of
tl f77 44 *1 did y^^d d‘l1 tl *Sfl*7*J7 77*77 flddll t 7ldl< d^l dot the Thar desert formerly known as Marwar. This region has three
important cities, Jodhpur and Bikaner dominated by the Rathor
447*7717 t 77*77 t7777*ll f Flfedt dftl f*7 TfNt *7*771 dft ft*7tf77=h ft«7f77 t
clan and Jaisalmer by the Bhattis. The location of these cities
Wf dlT^didl dft ^Rddl dt dFlfdTT fed? tl Fddf dft ^dKK ddFt
has influenced their architectural styles. Jali screens have been
% fdR; ttdTTf t 'dlfddT dd dddfd dfdTdTT ^ f^dT ddT tl fd ^d dft extensively used as panels in large areas of the walls to make
dl'T^ddl dft ddl 37^7 fddtdTd d«R fd dt t, dft 37^dld>K ttt fd the building airy. Another prominent feature of architecture in this
dTdTddt dft 37tdt tl dddt % fd*-lful t f77 ^d t IdW d7d7 dd dgdldd region is the protruding chajjas carved almost to a semicircle
to cover projecting balconies. Sandstone is the basic building
R fTtdTR ^37T t, ddtfd7 d?«77 d7 dTdfHd ddt TH^ddl R fdTdT W
material used for construction in this region. It is easy to work on,
7TdT7fT tl
making it conducive for decorative carving.
dftdy % 7T7S7Tdd7 TTd dftdT t tdTFFTd dd fdRd dddTdl *711 dd fddd Rao Jodha, the founder of Jodhpur, built the Mehrangarh Fort
fTRT *dl t fd7 ddR YldT dft 77tdT dft t^l RI TTddTT tl ?7ft fddd% t Tftdt which is so high that one can see the boundaries of the city. It
H5d 7T*7T ^>cd dddT ':tt y-^7 dd 'R 37dffdT 37td7 H5<d tl H6dl dft houses some of the most intricately adorned palaces-the Moti
Mahal and the Phool Mahal-with exquisitely carved panels and
dfdR 7T«7I RdSfdTdf dttd dd R dcdfM tl
latticed windows.
77d dft*7T % 75^ dd dtdd t 77^ 1485 t dtddt7 d77TdT *711 f77dd Tfd’ Rao Jodha’s sixth son, Bika, found the city of Bikaner in 1485
dd7dduf 37TdTtd ^dTdd dd fdRd t, fdR dTdW 37d7d7 % dd^ A.D. Its outstanding attraction is the Junagarh Fort, build by Rai
'RdTdfd 7F7f77d t fdftd dTTdTdT *711 f77% dTTf dTdl 73T| t d*7T ?77 fdl^ Singh, a general at the Court of Akbar, the Mughal Emperor. It
is encircled by a moat and contains palaces that are beautifully
tf d>t H5d t, dt fdl ddd dfSTTT dfddT37f, Tddf 7T*7T dttd dloikK dddf
embellished by hand carved friezes, pillars and delicate Jali
■R ^?ftfdd tl
screens.
HKRIR % ell'll -I'kI ARtI y IrH 4a<'11H RTFR Ril RKSrI Rdl®{l Jaisalmer, one of the oldest of the three cities of Marwar, was
founded by Rawal Jaisal of the Bhatti dynasty in the twelfth century
3' Rff RRT % RRRT %RR1 ^ RRTfRR f%RT STTI R^ WT R%lR>l RR
A.D. It is situated directly on the ancient caravan routes that came
mIRRAI TrfRTRT ^ RTRT ^ f%RTf RAT RTAR RRT 3Tt1 RTRl eRimftAi Rhf
from Africa and West Asia to Delhi and Agra. The merchants
AT fTAA tl AR ^imd TRjTg fti eft R%% RFT AT sHtHRl RAT Rflj prospered on trade and built a number of havelis. ‘Haveli’ is a
F^eft A ATR: RTT-AfR AfTRTT TF^ f'l F%ft A ARR fRRRl ATA RA courtyard building in which four or five families live together.
<S H a! 11 o4(m,r^l Tl ‘lei ‘jellRild R>Rf % PelR fRTRT RTAT AT RAT *M<) Sometimes the ground floor was used for meetings with traders or
for commercial purposes and the upper floors as residence for the
Hpdell AT AfTRTT TF^ «ll FR ARAT Aft RT^ F%7RAt Aft Ph <n I ATT RR>
families. Several havelis formed a mohalla, all of whose residents
HUertil RART AT, Prr4 ATR: ART % W AT? ^srRATR % eftn TF^
were of the same caste and followed a similar occupation. The
«tl FA% RRTFRA ARRf Aft F%ft, ReftA fAF RTf F%ft RAT
classical example of havelis are the Patwaon ki Haveli, Salim
ATS-JART Aft F^eft tl Singh ki Haveli and Nathumal’s Haveli.
4Ad*U % feel 3 99 ^ tl fR% Aft fRRTTRT FfRlff Aft %RRT AcAT % Jaisalmer’s Fort has ninety-nine bastions. The massive walls of
the fort have been built stone block without using any cementing
RRTFf 3 RATRT ART t, fRRf Atfe 3RfR ATT dydVl Rtf fRTRT ART tl
material.
RTRTJT TTR %A Bharatpur and Deeg
R<0^< TFSAJATAT ATRFR R FtRTT Rid RATA All <HR 1722 t 3hi*1< % <IRI Bharatpur was not a Rajput kingdom, but one dominated by the
AAfRF tgeffR t RTR f%tF ^fRJA ARpt RT 'tTTR-K TARA ATR RRA 1% Aft Jats. In 1772 A.D. a Jat called Badan Singh was crowned king of
Deeg by Jai Singh II of Amber as a reward for suppressing the
ttA ATT RAT AtfAR fRTRT ATI AIR RAT ATRy % RtRf fATeff ATT fRApR ARR
Jat rebel, Churamun. The Forts at both Deeg and Bharatpur were
fAF t RRRTRT AT RAT ARAfAF % 'JR TJTAAeT t ttA A RFRfl RR fRRW built by Badan Singh, and it was Suraj Mai, Badan Singh’s son,
RTTRTRT ATI t AFRT Rt ■gRRT-RSJTRf % #R Atet M^t ArAT RAT A%F who built the palaces at Deeg. The palaces are built of pale cream
sandstone and white marble and are set in large formal Mughal
■HMHTAT ^ RRTR; RR ?tl fR§JR fR RFcf Rrft 'RRRRTT RRT RRf^RRT R7t
gardens. They are ranked by some scholars as next to Taj Mahal
t^3t 1R, IRRTt ^eRRT RftfS dNH^d ^ Rift tl
in beauty and symmetry.
RTRTWRt 4fldl«*0 3ftR) TFRRR RfTRFRt tf RRR Rft RTTSRt tl RSlPn 'fR The eighteenth century A.D. saw the decline of various Rajput
RReT t RRR fRRpR ttRT TFT, RR7 RRft Rftt ^teflJld fRRRR «jPR‘|1r< kingdoms. Though building continued but there was little stylistic
Rtf 1[3RI RRTTfRRRf % RR^ % FRfff % RRRR t RTRFR RTRRtT development. Quarrels over succession made these States
vulnerable to attack by the Marathas and Muslims. Meanwhile,
Rt RRT Wt RRRR RTTRl 3fk ^PPcdhT Rf 3RRRRR % Rfst Rtl ftt RtR
the British were expanding their dominion in India. Between 1817
RffpR Rt RTRR t 3Tqt R^JtR RtRRlTt*tlRR,1817R 1823 %
and 1823 A.D. several Rajput states, Jaipur, Udaipur, Jaisalmer,
RWT 3ffR7 RTRfejR TFRf, f% RfR^f, RRR’Jf, %RRT%, RtRR%, ^tt. Bikaner, Bundi, Kota, Sirohi and Kishangarh signed treaties with
rRrT, Rultt RRI f%RTRRR t 3ftRt % RTR RTRRT Rpf I RR^ 1947 t the British. In 1947 A.D. when India became independent from
RR RTTR 3fthtf % R,J^ ^ RRdR f3R eft RRt RRR RRcftR RFTRR British rule, the rulers of the Princely States joined the Indian
Union.
f RTTfRRT tt RTtl
amjNc^i % fcrq; toftttorf jiTrifarfkRTT
ft ^rr 3 fro to 24 trIr frorf Rrt tot rto rt toto % frort The 24 pictures provided in this package can be displayed in the
TOrR^i TOTR TO y<n#td RR RRT^ f I FT fRRj' Rif TOT Rc^ TO TOTT RR classroom or any prominent place in the school. The pictures
FTRR RfHRT ctstt fro % Rt# fron rrt -gro Irrto #r wnk tor # Rt may be stuck on cardboard with the title and description in
regional languages. It can also be studied indepth with activities
Itor rrt^ ti RrortR rtot % ffyfror rtor Rrt <mito RRf % fro; tot
that bring out the educational value of Indian art. The teachers
R frof Rif Rrorf 3 torr tot fwft' % tor sttorr rr tort! t, Rt ft#
can work with a few pictures at a time ensuring ‘students’
TORfRR ffl TORIRTOIR <qt Rf# qp^ R^ Jifdfdfferzff 3 tJTRf R?t flpHPdd
enjoyment in learning by involving them in some activities
RR frof to rr# rr tor# ti ft# to# r# rtr # tor-tor totrr suggested below :
HHKto Rt #RTI
In a large outline map of India, mark the sites of various forts,
RTF# #3T3Tt' RT# TO % R# TORR % HHlRR R# #f RRT TOT# #RT #T palaces and havelis of our country. Find out the location of the
fRfroR gnf, rf# rrt frI/h# % tottr! r# 3ff#R r#i forts and palaces and havelis given in this package.
■aR % ^lT RRT HFcll RTT RTtRRR RR TORI PtrWt RRRT# qi# TTRTRTt # Make a study of the forts and palaces in India and collect information
R# # RHR>k1 H+BlR R#| T-HKRj % fRRfal RTRR RRT R#RR RR #f of the kings, emperors who built these forts and palaces. Find out
RRT RTTOfl F#' # TORfRR PHHPdPyd fRRRf #T R# # #t RMRI# TJ^rfRcT the dates of these monuments and the purpose for which they
R# i were used. Collect the following information :
- #R fR#R #T #cft-#RRT, #tRf#RT RTRT#, RqtFR TtfR-fTORtl — Customs, festivals celebrated in the region and the myths
associated.
Tp TO TOTTOt % froP RiP ~^3 RR FT% pTO-fRR RTO^I
Make a sketch/rough outline of the monuments from the pictures
R^RRiTeT % RTfRRl/ffcIFRTRFRf/RTOTRiRp 'P FT ^%Rp R RRf TORp RR
provided in the cultural package.
TORRiP' RiP ^RT RRT ^ RTpR F^P TOfTO ^RpRp RRT TRRTOP RiP fTOR RR
The forts, palaces and havelis mentioned in this package were
TOpiS TJXT ’I''1 TOT ^RTRp TO TORTOf Rip HR)Bid RR RR^P' RffpR FT TOTRf RiT
visited by a number of travellers/historians/artists in the medieval
■^PhPto toPr rri totrP % rtr % rtotto ^p RRfroi
period of Indian history and these people have left a vivid and
pRfror to! rPP tototPr rPrrt rr sterrr rr rrrPP ftoto rtot ^P' interesting account of these monuments including the drawings/
RTOTRTR tell fro I 'EF. RT RiT^R RiT fRR ^RR RRI RR RTr4 sketches. Collect such travelogues/memoirs/sketches. Notice
interesting details in these travelogues such as the style of
fPTOfRRTf RRI RTOTRf RiP RTOJRRR % fRRTO RiP Rp TOTpRI
description, pronunciation of places and the surrounding areas of
RlW* TOTOT RFiP TrTOTRT monuments of that period.
RRp RR? RiT RRT TfP R^RR TOfcTT f pRi RTpR ^6d< TO TTR^P ^fpRR fTOI FT Collect and study the various ground plans of different forts and
RRP RRp RR RTTO TiR, ^ fRi STATOR RRT R«TO, RlR: ^fTOTPPTO, 3Rf«pRi, find out the similarities. Similar studies of ground plans can also
TOT^pRRi 3pk RF RRi pRi RpRppRTRi RiTTRlP tP TOT-^Rp ^ fTOTO TTOTT 't'l be made of your school, home or college showing windows, doors
and other architectural details.
Ri^ riWri PPPr-PPrtr to tokPp RTffe ^rfR tP ^ RT®rr ^ rPPrr
% 3RRR RiP °RRd RRp fll RTR: TO RTOT % RTppRi pRTORTt P 3RTp TO Understanding Religious Concepts
% RiF^RiiPf, gf^rorf to Pr^torP RiP rrtPrr Prrtt ti ftP Rtor rtoPrPP' All religions aim at helping us to lead better and richer lives. The
■p TOT Rp Tp TTRpRR PtoPr RcPpRiP RR fTpTOT RRp ^ TRRRiP RPP outward manifestations of religion such as rituals, customs differ
from one another for historical, economic, political and even geo¬
TRFTT RPP ^1
physical reasons. Many religious rituals and ceremonies are linked
STaRTRRRM 3TRp UTRp' RiP TOR % RTpRp TO pRpTOT TO? RR 3TTORR with the annual agricultural cycle and celebrations of life. Religious
RRp RiP Rip'l RTR # TOTp Pr\, '4fe, ^RT^, ?KdlH, ipR RRT PPTO TOpR TO beliefs have influenced the architects, sculptors and painters of the
Rp Pi RTp Pf RTRRRpP gRlP Pi PTO PP 4ipl by-gone era to create beautiful monuments using specific symbols
and motifs pertaining to each religion.
ctK^txni R RRR RK % Rf R R^ftl tat f I Invite your students to study the religions and people of India and
R«R tRRT Rft f^nsif ^ 133 RtfaR RH Rt R^k f, fRR% collect information on each religion such as Hinduism, Buddhism,
Christianity, Islam, Jainism, Sikhism and others.
R1* 3 R^t-R^t Rjtf ^ Rffl ^R f| ^T Rff 3 wj#R RT RRT
slH^*t RT®? ^("4 R h<> 5'il 3rifq R scrtrl<9 STidl T?l Ancient texts on architecture describe a variety of forts. Durg or
fort is a fortified building which many times encompasses whole
RR^ 3TR % fsff^R Rf R Rfk W>ff #g RT ^fatfRR RTR 3R1PR cities within its walls. In these texts, there is mention of land, hill,
fedl R RTR t RRT R# sfo fRfa Rt RFRitrll % $fd^l-H cTR WR water or island and also forest and desert forts.
R>K % rT % ST^R-T ^ R#|
Students can be taken on educational tours to nearby forts or
^T % fkfRt RTf fT«TT ReTt % Q.ld^lRrl'^h f^RTO R RFf-ijtRT RR
asked to study the history of architecture of a specific region.
^T k' RT '^’f, Red cT«dT I^lRTT RR^ TRT3Tf' R RTf % dk Collect pictures and references of the rituals connected with the
architecture in different regions.
RTfRf fRi'l
Write stories of important dynasties, emperors who built beautiful
3Tqk ^T % farfRT fRdk' R 3TRR R R#' kPk ^ R Rt %
forts, palaces and havelis in our country.
3TRR RftRg; R^ :
Conduct a study of various forts in our country and categorize
3RfR these monuments as per the following :
Desert Fort
Mountain Fort
RTZ ,qfk R^ ^fl
Land Fort
.•a
CENTRE FOR CULTURAL RESOURCES AND TRAINING
15-A, Sector-7, Dwarka, New Delhi -110 075
Phone : 91-11-25309300, Fax : 91-11-25088637
email : [email protected]
website : www.ccrtindia.gov.in
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frit? TRiJia 337 71lt75tfft37 ftsH tl 5713ft 3T?ft ftt3RI 3ft 3f7p3 dldlSR t lit f37 d<4lefld TRTSITftt 7*33733773 3lt ftfWSl sft|
ttrft ft 315 ft? 3337 317 tl 5"5t TTtftt % 373t % hhIm 7TT5t
71333 990 ftt37 tl 7ig 1577 ft 77} 1623 tl 38q 7JR ftfn, <|u|n fttn 3*3 531 ?t7T
1J73371313 3S3 3IT3313R ftt tl 3Tltt 373371313 ft Hitt? Hl'^fPP-Mf
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t, pTlft 713 1848 3ft 7jlT ftf?7T gf7T773 3ft Ml'^PelPM ftt tl
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7TT73F37 ft 773 3ffe3 SRlft-Wl 33 7135 tl
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3? H6d 7R33 3«3 3371 7*3373 3331 tl Tlf3?33 33 Aft? 3g?T
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tl
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17. ^t3 371 3f73, 3t3, 7M7«1H
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early eighteenth century A.D., the others are at Delhi, Mathura, supporting the facade - a narrow strip along the edge of each
Ujjain and Varanasi. room - is a unique feature peculiar to the Jodhpur zenana.
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fRRRt RSR 441 RFPT 414 4) RTT4 4t fpnr RlTRS 'll 41r fRPTTTT
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RR PdPdd ll Rl RFPT % f4-*4 RRlR RSR RuRiT T33 Rdldl RFPT
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rtrtIrt 3t4 ist rr 4 f4f4R Ii
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7. %TTRRf RTT fRPRT, RTTR^T, TTRTRTR
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rrrt r4 44r4 rrh rr4 % 414 r4 m-c41r>k1 sttr <M^a
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44— 45<ldJRl fSnRfRRPrfl RR 41 y4l‘l fRTRT RRT 4l 4 3ld'<J)dl FTT^T Roopl PddlR 4 RTRPT RT ifplf 4t RSR 1JTR RTTRl
ll FT74t "03 r4r[ SR cUf RlcT RT r41 RRF TlfRRt RT FTSTT Rl
3. f441 4r4T, RrfR^cH, RRTJP, TTRRSJR ssim <<al rt ttrtr! Ii f41 t41f 41rt 4 trrt rIrr rr ufrit rr4 •JPRTRRT3T1 RR S^Tf4 Rl4 3T4RT fRfRpRR ll FR^T 3TPRRT FR^T FFI
r44 RR RRRR RTRTRT 14t4 4 ReTT RTRT ll TTTR4 RRRT SR TjTR RlRT 4 nfs4! RTP1IR 41 ll RR fRRTR RR 3TR FIRPT RTT RTR S fSRT
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rfrt, ttcPIr r4z, y,«41 rrIft 41 4f4r, rttrtrtt 4f4r, Rrg^T 4f4r,
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4 fRiRI RR1 SRI 5r| RT SRTcPR RcR RT <jr< Rff <RRT yldR PtRKT RI^SI RTf r41 RSTT Tpfl dlcdld 3|t ‘Jclld TTTRT RTRRT 4l 41 i RRRR
TT1 1551 4 flftfR 13TT sp rsr FTTRTT ‘jdSIRK RFR, SRSTfcJ^ i]PT
RTRRi 1TRT 4fel «RIR<I f RSTT Rif 4 4RWR rI RRl TPfT R¥7 RpSPR 4 ftsTR ll Pb4 RTl 4141 41r 4r1 4 fRRRR I - dtK RfRRR
RFPT FTTRTl TTRT PdPDIW RFRTR ll f44 Rt4 fRF 4 RRRTRT sri RF
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RIR 4 fTSTR 1RPT TSTTRrRRTPTT 4pfl 4 f4f4R ^TS RRRf 4 4 RRT
clVll % R78J 4 4r ^3R ll RRT RRR7 4 RF RT^l sslil TIT RT HH 4t tj! rrt 4t41 7441-4141 irti
ll RSoiisi T|pR, 4t RTS 4 RTS7TTF WRFT % RTR 4 Rf4^ ^3TT
RfeRR RIPH RT8J |, fRRRft 4?RR ^4141 ll RRRFP1 % RfOT-1^ 8. 3nmm, rrtht rsrt, 4'67hr<f rr IrtcRT, oilg^T, RT, TP^ 1623 4 RFT' TFT RTTRT SR, rr isrr Art RFHlU %
4 4rh-tt-371r |i rIrft 4 ?4 3t4 4pi4 4mI ftrrrt fRRT TTRRSITR fepiTRT fRstF Irtrt ztti
SCFTt, arifa acrr fa R+ get Ft crtt ttr rtf FCFtfa f«h gdi+i< qsq ^^tt ti farr< 4<s‘Mi tjrt SR fc csjqt tr +ql ti gsi R ftfaq tl ?R F?C7 FF FT^T-FFT g^5 fafattsl CM FcSRl'
gfa RF farofat ti ffaR Ffal tfafa Rtl 3HFR -4' pHc7+< ft 3lfaa faiFT t FrSRl t qql ftTTM+RT Fln^t t Ft tfal FIT CT+cfl FC R#7 CMFFl FFt FF pH<7ig<7l RF tl FTS t Rq 1723 Ct 1756
44lt ’ll afaFi Wm'( ti StcTM fRR giRRFTR, 4l<4+cS cTSTT gifae t qsn FRt 16tl TTst Ft Ffts cffa qt'ltq Cltl sft_ tt fai ti FtF tfat FIFF ti FfaFtt FTF F 3Rgrt FF RSF 444141 FFT
anfa % fafae fat ti 3R fal q,4t tl dKI4C ti <ldl HF<7 +t FfaR Held CT^ ft41 t shi #Fiq gq; crq 1888 cl 1940 ti r«t ft gqfaftq fr afl< ragi
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Ft ■(HC16 qilHil *41 "I, ftF FC CM3H FiT FTSFT RFRT gfalPRF tl FICTTF t cfal FFC7 +T HfaPdt t<FI FIT CT+FT tl ti FC fait t ■fafifa fqRTr FFI SH, tl fai FFgC fasTF ft?F FfCRS fFI RFF ti
3rt+ FTFtmq tl CTtWf-STT +1 ijF tl Ft! t t TT+ tl CT^ 1654 3RTFTF Ft FTRJFRTI Ft yPdPdPH tl
fR fafal t> afaqi qRfa afalcral siictKl 3 efa fr tl
t F7T FF FRF7RT FFC1 tlCCT 3Tk 4I4SI7 FMT tl T<+ 3T+R t FF
14. yrratc, eprarFra fr ftrarT, ^ReqFra, tttoh 22. tfeieqire ff faFFH, tfRcqire, <M<yi7
fasiFTRTl FFTffaffa FTCg+CTT +1 SCJFR FSTF1FT tl
giRons % Ft)4 qt «ne<l sfaA qrt 4*14) <7 qq fad erfafa ti itcTRltc Ft CFIhHI FTct 4lfa ti yq<9 <I4<4 tciRT t Rq 1156 t
19. v^dMIS grr ftiRIT, tl+l-K , TT3RSTFT
?r+1 q°mii qt jtrHi 41 i Ft neiq 41°(k Ft H+di fa Ft m qff Slf qsq q? STR % CfaRTH t MFg< t 287 P+dltlSC ^C ftsHT
CT^ 1488 t era tlsTT ti 'JF tl+T SRI tl + l7< CSTlftsT fai4T iRTl tl F? faiCH 76 RfaC ^tt fagiRl F?rtl FC ffaTF t Rsq 9.1 tfq<
^RFTcft tl
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15. 3TRqdT FF RfFT, aRRcTC, 1MWH
^ sjft FC faSTF tl Fdti FIRt HTFi 5-6 fatWfe< 41 sl FCSR Ft Iftf; 99 gt t, ftq fc tgtr cfal mf! sffi f+fa t ffarq gn< fh!
3T<44< F6< % H6<7 FiT Pih1uI <M 40dl4< ffae fa Rq 1793 R TTFi FRtSR 41fk tl Fdti FTF 1JR1 SR Fd fRt qPn'ld ‘iPddA tl ti p44pHd Rfa tl fait ti RFR #t FFT, PdCT'ti Sttf afR 1|FT
+<4141 sq F«q ferfa Wr etfaraf fa farffaq rfr! ftt faRfra FCIFt sfalt Ft *Fl^ 4.6 tl. t 9.2 tl. t FtF tl
4i4i)< dF t, fart * 4i64’ diet t. tr hhIh rr h?<7 ffarq ti ft
frfifi fft «ni r?ft tr 3ririf fa 1331 arafaiF ftmf ti fcrti
crq 1588 t 1593 ti tlCRT CM CTF fCTF t FR fait Ft FFFTFT «HI gqr R?C7 ti FIR t tl MFT MFT tl RC*Rf t faft? Rtl feffaiFT
anaP<4> rtf Ft r+ fttfaFT ttF?t rff t, fraRfa falRit fa 44 <M<jd
Fdti RnjTg T<Fi RltFfaFi tsTF tl FRFt FTFt Sfalt Ft Ffeft MfalSR t fat fai d<+ldl4 ciracsrrql CFIHr4+c7I Ft ftfaMFT sffl
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This fort comprises the Diwan-i-Am, Diwan-i-Khas, several palaces, courtyards and the famous Jagat Shiromani
and Shila Devi temples.
The entrance gate of the Amber Palace known as Ganesh Pol (inset) was added by Jai Singh I. Ganesh Pol is
situated between the Diwan-i-Am (Public Court) and the Diwan-i-Khas (Private Court). This gate serves as the
entrance for the public to the private courts of the palace. The gallery above the Ganesh Pol with lattice work
windows was constructed so as to allow the women in the family to watch the activities in the street without being
seen from outside.
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The picture shows the interior of the Sheesh Mahal. The plaster of the wall and ceiling is
embedded with tiny concave mirrors forming a variety of designs. When this palace was
occupied, lamps were lit after dark, the reflected light in the mirrors of the Sheesh Mahal
created an illusion of a multitude of stars in the sky.
Glass mosaic is a common Rajput technique used as decoration in buildings. The particular
patterns used here, especially the web of tiny arch-shaped indents, follow the Shahjahani
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In front of the Mehrangarh Fort in the picture you can see the Jaswant Thada.
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Lake palace also known as Jag Niwas is built from white marble and was the summer palace
of the former royal family. Its balconies and windows overlook the lake. This airy complex has
marble floors and granite columns. The gardens and fountains are well laid and the rooms are
beautifully decorated. The Sajjan Niwas or Lotus suite of the palace contains murals which
depict girls dancing among lotus leaves. In the courtyard there is a lily pond. Jag Niwas has
now been converted to a hotel and is called the Lake Palace Hotel.
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The Kumbhalgarh Fort has four wide walls, and it was well equipped with batteries, and sufficient accommodation
for the troops and the public. It took fifteen years to complete the fort. The approach is impressive across deep
ravines and through thick jungles. Seven massive gates guard the approaches, while seven ramparts, one within
the other reinforced by rounded bastions and huge watchtowers, render the fort impregnable. Besides many gates,
it has several temples like Kumbashyam, Nikhanth and Kuber within the fort.
The outer wall embraces an area of several square miles. The tiers of inner ramparts rise to the summit, which are
crowned by the Badal Mahal of the Ranas. The palace has several sets of rooms furnished in pastel colours in the
nineteenth century A.D.
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Junagarh Fort was built by Raja Raj Singh, between 1588 and 1593 A.D. This fort is situated in front of the public park. Its outer walls
are approx. 990 m in circumference. The fort is known for its range of thirty-seven palaces and pavilions built by chieftains and kings.
Junagarh Fort’s main entrance is through the Suraj Pol. In front of this gateway, sculptures of two great warriors, Jaimal and
Patta are mounted on painted stone elephants. Karan Mahal (Diwan-i-Am) built by Raja Karan Singh, is on the opposite side
of the chowk. The ceiling is supported by a continuous arcade of cusped arches over balustrade and fluted columns. Above
the Karan Mahal is Gaj Mandir, a suite of royal apartments on the roof of which is Chatra Niwas, a small pavilion. Karan Mahal
leads to Dungar Niwas which has painted walls and a white marble tank. This was filled with coloured water during the festival
of Holi. The oldest apartment of the fort is Lai Niwas. The walls are richly painted with stylized symmetrical, floral motifs. The
balconies overlooking the chowk, to the south, are fitted with jalis.
The walls of Chandra Mahal built together with the Phool Mahal and Gaj Mandir by Gaj Singh are beautifully painted. The
Phool Mahal is decorated with motifs of flowers and delicately inlaid mirror work. Anup Mahal contains the coronation hall
better known as the Raj Tilak Hall, which is decorated with red sandstone and glass inlay work. The lovely Ganga Niwas
(audience hall) was added in the nineteenth century A.D.
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There is a large Durbar Hall, the Bhim Mahal constructed in the early eighteenth century A.D., which
is covered with Rajput miniatures depicting the history and legends of Kota. It has some fine ivory
and ebony inlay work and a profusion of surface ornamentation. The Elephant Gate is flanked by
murals showing a royal wedding procession and bracketed elephants, whose trunks are raised
in a gesture of salutation over the central arch. The exterior of the palace is a mixture of robust
fortification and delicate ornamental stone work. The Akhade ka Mahal was added to the west of the
inner court between 1723 and 1756 A.D. and was later enlarged and reconstructed between 1888
and 1940 A.D. The prominent Hawa Mahal, added next to the entrance to the fort in 1864 A.D. is a
copy of the famous facade at Jaipur.
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Also within the four walls is an interesting group of Jain temples, dating from the twelfth to fifteenth century A.D. The oldest is
the Parshawanath temple. They are all impressive and add another dimension to the secular buildings of the city.
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This Haveii belonged to the influential Mohta family and is still used for residential purposes.
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The entrance is flanked by stone elephants and the entire facade is carved with a riot of
ornamental details - soldiers, horses, elephants, flowers and birds. The building was designed
and built by two craftsmen-architects Hathi and Lulu. One carved on the left side, the other the
right, but the overall impact is one of complete harmony. Extraordinarily, the house is built of
rock and not dressed stone. In the main room at the first-floor level, the entire front wall is a
huge, single rock carved into a bay. The inner walls are painted with beautiful miniatures.
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No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or
by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written
permission of the Centre for Cultural Resources and Training
Published by Director, Centre for Cultural Resources and Training, New Delhi
Printed at Aravali Printers & Publishers Pvt. Ltd., New Delhi -110 020
2015