Singh Song! - Daljit Nagra
Singh Song! - Daljit Nagra
Singh Song! - Daljit Nagra
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SINGH SONG
Daljit Nagra
Brief Summary
Synopsis
Context
Nagra didn’t start writing poetry until he was 30, but did a BA & MA in English at Royal Holloway
University. After these degrees, he became an English teacher. When he started submitting work
to magazines he did so under the pseudonym ‘Khan Singh Kumar’, because he didn’t actually
expect to get anything published. He teaches at Brunel University in London, is the poet in
Residence at Radio 4 and 4 Extra, as well as having won the Forward poetry prize.
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Singh Song!
Singh Song! Is a humorous poem set in a
shop, run by the speaker of his poem - he
lives above the shop with his newlywed wife.
It is often seen as a difficult poem to
compare to the rest of the anthology,
however Nagra uses a range of poetic
devices such as juxtaposing language and
time references, which are common in
many of the other poems. It also has two
relationships running throughout it: at the
forefront of the poem, there is the
relationship between husband and wife, and
secondary there is the detrimentantal and
distant relationship between the speaker
and his parents. This provides two different
faucets of relationship to compare.
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Singh Song!
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Possessive pronoun - perhaps
my bride
to suggest pride for her? Taking
her accomplishments as his
she effing at my mum own.
Mentioning how his wife mocks
his parents in a humorous way in all di colours of Punjabi
suggests he finds it comical, and
perhaps emphasises how he
doesn’t have a very positive den stumble like a drunk
relationship with his parents.
making fun at my daddy
my bride
Juxtaposing description of his
wife as both fierce and sweet -
tiny eyes ov a gun
she is multifaceted and he
appreciates these different parts
and di tummy ov a teddy of her personality.
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ven di precinct is concrete-cool
Silver is a precious metal, and
seen as connoting modernism vee cum down whispering stairs
and sophistication. Sibilance of
“sit” and “silver stool” mirrors the and sit on my silver stool,
calming language used in this
stanza to emphasise how the
shop is now void of customers.
from behind di chocolate bars Reference to money makes
readers consider how much he
vee stare past di half-price window signs actually values his work and
suggests he values his wife and
Fictional language to reprence spending time with her a lot
at di beaches ov di UK in di brightey moon –
the blending of cultures. more.
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Perspective
The speaker is a recently married man who works in one of his father’s shops. He complains about
how much he is made to work, and disobeys his father’s wishes and often leaves the shop
unattended. He narrates the poem with a humorous tone. It is written in a first-person narrative,
and he talks about his wife instead of directly addressing her.
The opening
The poem opens on a focus on the speaker’s work, his wife isn’t introduced until later in the poem.
This may reflect how he finds obstructions when trying to spend time with his wife.
Takes away responsibility and ownership over his work by referencing that the shop belongs to his
“daddy” - the implications of his work on his relationship may also imply that it feels like his father
also owns his marriage, or has control over it to some extent.
Using the adverb “just” Nagra creates a sense of insecurity and lacking. This implies there is a
family pressure for him to work here. This sets up another relationship, secondary to the romantic
and sexual relationship between Singh and his wife, of a strained father-son relationship.
The speaker displays displeasure towards his father for working him too hard, and references that
he has resigned to the hard, time-consuming work of running the shop. This shows he has some
respect at least for his father, he will still go against his wishes because he potentially values his
wife more than his work.
Structure
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REFRAIN | A repeating phrase / line, typically at the end
of a stanza.
Language
Contrasts
Juxtaposing language such as “tiny eyes ov a gun // and di
tummy ov a teddy” suggests that Singh is aware he has a
multifaceted and complex wife but finds this combination
positive in their relationship.
Immature language
Nagra uses a range of upbeat, childish language, such as “red”,
“silver”, “lemon”, “lime”, and these reflect both the new
nature of the couple’s marriage and the immature tone of the poem.
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Comparisons
Similarities ● Both demonstrate the all-consuming nature of love, and how this affects
the speaker in the poems: concern the idea of romantic fulfillment.
● Both use natural and religious imagery to highlight how much they love
their partner.
● Both have an overly positive attitude towards love.
● Sexual implications of ”pinne untield” and “thy trunk all bare” which
suggests they have a sexual as well as a romantic connection.
Differences ● S29 has a much more traditional structure than Singh Song, though Singh
Song doesn’t have a rhyming scheme and Sonnet 29 does.
● In Singh Song the pace flows towards the end, whereas in S29 the rhythm
is consistent.
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