Pandanggo Sa Ilaw
Pandanggo Sa Ilaw
Pandanggo Sa Ilaw
BILASKOGAY (Capiz)The dancers playfully mimic the movements of the fishermen as they go out to
catch, gather and clean shrimps. The dance originated in the fishing villages of Antique.
“Bilaskogay” is a small shrimp with several legs and long slender body. The upper legs are for working
and lower ones are for swimming. The crustacean specie abound on rivers and fresh ponds. When
fishermen have a big catch they celebrate it through singing, dancing and feasting. It was a common
practice in Punta Cogon, Capiz to out-do each other in dancing. A man who did not want to be
outdone by his companions created a funny dance imitating the movement of theLESSON 5 :Capiz
Folk Dances
28 “bilaskogay.” His dances attracted his companions and the onlookers so they imitated him. This
dance became sopopular that the people of the place named it “Bilaskogay.”
There is no one version of the Pandanggo sa Ilaw. Each locality has its own
version of the dance. The dance is performed with three oil lamps that a
dancer has to balance. One on the head and one on the back of each hand.
Two of the most popular versions of the dance would be from Mindoro and
Oasioas. Also, the Philippine Folk dance, “Cariñosa”, has Pandangga as its
base dance.
Pandanggo is a Philippine folk dance which has become popular in the rural
areas of the Philippines. The dance evolved from Fandango, a Spanish folk
dance, which arrived in the Philippines during the Hispanic period. The dance
is accompanied by castanets. This dance, together with the Jota, became
popular among the illustrados or the upper class and later adapted among
the local communities. In the early 18th century, any dance that is
considered jovial and lively was called Pandanggo.
3. Sayaw sa Bangko - Sayaw sa Bangko (“dance on a bench”) is a folk dance from the
Pangasinan province of the Philippines. Performers dance on top of a bench that is
normally six inches wide.
Bench Tapew ed dance (dance on top of a bench), is a dance Which originates from
Pangasinan and researched by Jovita Sison. It is performed by a couple on a narrow
bench, inching and hopping from one end to another. Dancer show skill in staying up
the bench As they exchange places by moving Their way around or the girl thrown in
the air while the boy moves to the other end. They do not Compete but rather
complement each other so that no one falls. It is usually performed During town
fiestas.