02 AnatomyIntensivesTorso TorsoAnteriorRendering
02 AnatomyIntensivesTorso TorsoAnteriorRendering
02 AnatomyIntensivesTorso TorsoAnteriorRendering
As with the arms and legs, we have now competed (is it ever really completed?) our
study of the academic side of the torso anatomy. Now it is time to explore the more “artistic
side of things. How do we take the knowledge and bend it to our desired purpose? Over the
next two workbooks and corresponding videos I will discuss some of the way that I use my
anatomical knowledge.
- TIP -
How you choose to wrap the
anatomy around the larger
forms can not only show
volume, but also perspective.
Notice the difference between
the way the pecs wrap around
the “back-tilted” rib cage and
the way the lower abdominals
wrap around the top of the
“forward-tilted” pelvis.
- TIP -
When drawing a torso pay
particular attention to the
structure and orientation of
the underlying forms. Even
though we study the indi-
vidual muscles, emphasis of
these muscles over the
dynamics of the relationship
of the rib cage and pelvis
leads to a disjointed drawing.
- TIP -
When connecting the arm to
the torso try to avoid making
it overly mechanical. Think
of it like a sheet or towel
draped over a cylindrical rod.
This will provide a more
organic, flexible framework.
Part 2: Find some good, well lit reference of a muscular torso. These can be found in several of
the figure drawing workbooks, but I often go to natural bodybuilding websites like
muscle-insider.com
Part 3: Using the examples given create your own drawing from the reference, endeavouring to
enhance the reference to your artistic tastes.
Note: Refer to the supplemental book list on the materials page for further resources to study the
anatomy of the torso.