Girl by Jamaica KIncaid
Girl by Jamaica KIncaid
Girl by Jamaica KIncaid
BY
JAMAICA KINCAID
Author’s
Background
Jamaica Kincaid
is a writer, novelist, and professor. Her works
include Annie John, Lucy, The Autobiography of
My Mother, and Mr. Potter, as well as her classic
history of her Antigua, A Small Place and
memoir My Brother. Her first book, the
collection of stories “At the Bottom of the River”,
won the Morton Dauwen Zabel Award from the
American Academy and Institute of Arts and
was nominated for the PEN/Faulkner Award for
Fiction.
Jamaica Kincaid
Professor of African and African American
Studies in Residence at Harvard University,
Kincaid was elected to the American Academy
of Arts and Letters in 2004. She has received a
Guggenheim Award, the Lannan Literary
Award for Fiction, the Prix Femina Étranger,
Anisfield-Wolf Book Award, the Clifton
Fadiman Medal, the Dan David Prize for
Literature in 2017, and the 2022 Hadada Award
from The Paris Review.
Jamaica Kincaid
Kincaid’s last novel, See Now Then, was
published in 2013. Her love of gardening
has also led to several books on the
subject, including My Garden (2000) and
Among Flowers: A Walk in the Himalaya
(2005), a memoir about a seed-gathering
trek with three botanist friends. Among
Flowers was rereleased in late 2020 with
a new introduction by the author.
Girl
JAMAICA KINCAID
Wash the white clothes on
Monday and put them on the
stone heap;wash the color
clothes on Tuesday and put
them on the clothesline to dry;
don't walk barehead in the hot sun;
cook pumpkin fritters in very hot
sweet oil;
soak your little cloths right after you
take them off;
when buying cotton to make yourself
a nice blouse, be sure that it doesn't
have gum on it, because that way it
won't hold up well after a wash;
soak salt fish overnight before you
cook it;
is it true that you sing benna in
Sunday school?;
always eat your food in such a way
that it won't turn someone else's
stomach;
on Sundays try to walk like a lady and
not like the sl*t you are so bent on
becoming;
don't sing benna in Sunday school;
you mustn't speak to wharf-rat boys,
not even to give directions;
don't eat fruits on the street - flies will
follow you;
but I don't sing benna on Sundays at
all and never in Sunday school;
this is how to sew on a button;
this is how to make a buttonhole for
the button you have just sewed on;
this is how to hem a dress when you
see the hem coming down and to
prevent yourself from looking like the
sl*t you are so bent on becoming;
this is how you iron your father's
khaki shirt so that it doesn't have a
crease;
this is how you iron your father's
khaki pants so that they don't have a
crease;
this is how you grow okra - far from
the house, because okra tree harbors
red ants;
when you are growing dasheen,
make sure it gets plenty of water or
else it makes your throat itch when
you are eating it;
this is how you sweep a corner;
this is how you sweep a whole house;
this is how you sweep a yard;
this is how you smile to someone you
don't like too much;
this is how you smile at someone you
don't like at all;
this is how you smile to someone you
like completely;
this is how you set a table for tea;
this is how you set a table for dinner;
this is how you set a table for dinner
with an important guest;
this is how you set a table for lunch;
this is how you set a table for
breakfast;
this is how to behave in the presence
of men who don't know you very well,
and this way they won't recognize
immediately the sl*t I have warned
you against becoming;
be sure to wash every day, even if it is
with your own spit;
don't swat down to play marbles -
you are not a boy, you know;
don't pick people's flowers - you
might catch something;
don't throw stones at blackbirds,
because it might not be a blackbird
at all;
this is how to make a bread pudding;
this is how to make doukona;
this is how to make pepper pot;
this is how to make a good medicine
for a cold;
this is how to make a good medicine
to throw away a child before it even
becomes a child;
this is how to catch a fish;
this is how to throw back a fish you
don't like and that way something
bad won't fall on you;
this is how to bully a man;
this is how to make ends meet;
always squeeze bread to make sure
it's fresh;
but what if the baker won't let me
feel the bread?;
you mean to say that after all you are
really going to be the kind of woman
who the baker won't let near the
bread?
Dramatic Situation
A. Who is the speaker?
The Mother
Irony
always eat your food in such a way that it
won't turn someone else's stomach
Kinds of Language
Allusion
is it true that you sing benna in Sunday
school?
Personification
this is how you grow okra - far from the house,
because okra tree harbors red ants
Kinds of Language
Repetition
this is how
Syntax
The poem is presented as a single, unbroken stanza.
Run-On Sentences
It is structured as a series of commands and pieces
of advice, often listed without conjunctions,
contributing to the rapid pace.
Imperative Mood
Themes
The Relationship between Respectability and
Sexuality
Even though the daughter doesn't seem to have yet
reached adolescence, the mother worries that her
current behavior, if continued, will lead to a life of
promiscuity. The mother believes that a woman's
reputation or respectability determines the quality of
her life in the community.
Sexuality, therefore, must be carefully guarded and even
concealed to maintain a respectable front. Consequently,
the mother links many tangential objects and tasks to the
taboo topic of sexuality, such as squeezing bread before
buying it, and much of her advice centers on how to uphold
respectability. She scolds her daughter for the way she
walks, the way she plays marbles, and how she relates to
other people. The mother's constant emphasis on this
theme shows how much she wants her daughter to realize
that she is "not a boy" and that she needs to act in a way that
will win her respect from the community.
Themes
The Transformative Power of Domesticity
The mother believes that domestic knowledge will not
only save her daughter from a life of promiscuity and
ruin but will also empower her as the head of her
household and a productive member of the
community. She basically believes that there are only
two types of women: the respectable kind and the
"sluts."
Undoubtedly for many Antiguan women, domestic knowledge
leads to productivity, which in turn wins respect from family
and society. Household work therefore brings power and even
prestige to women in addition to keeping them busy and away
from temptation. Readers recognize the reverence the mother
has for the power of domesticity because of the numerous
specific instructions she gives her daughter, such as how to
cook pumpkin fritters, sweep, grow okra, buy bread, and wash
clothes. For her, domesticity brings respectability; sewing up a
dress hem thus becomes more than an act of maintenance
because it saves a woman's sexual reputation within the
community
General Idea
The poem is a prose poem that vividly portrays a
mother bombarding her daughter with a flood of
advice and instructions. This unending stream touches
on everything from household chores and proper
manners to moral conduct and personal behavior,
mirroring the societal pressures women face to
conform.
General Idea
Through these directives, the poem captures the
intense and often conflicting expectations placed on
women, revealing the nuanced dynamics of the
mother-daughter relationship and the passing down of
cultural values. It explores themes of identity,
conformity, and resistance, showing the struggle
between individual desires and societal norms.