Inglese 2
Inglese 2
Inglese 2
AESTHETICISM
The Aesthetic Movement emerged in the late 19th century within intellectual circles. Originating in
France with poet Théophile Gautier, it reflected artists' frustration with societal materialism and
moral constraints, prompting a redefinition of art's role. This movement advocated "Art for Art's
Sake," prompting French artists to retreat from social and political involvement into aesthetic
isolation. The bohemian lifestyle embodied their rebellion against bourgeois monotony, embracing
sensation, excess, and the pursuit of art and beauty.
THE ENGLISH AESTHETIC MOVEMENT
The English Aesthetic Movement finds its origins in figures like John Keats, Dante Gabriel Rossetti,
and John Ruskin, who sought beauty while emphasizing moral values.
Walter Pater, considered the main theorist, was influenced by Ruskin and gained acclaim for works
like "Studies in the History of the Renaissance" and "Marius the Epicurean." Pater's ideas,
embraced by the youth for their subversive nature, challenged traditional beliefs by emphasizing
art as life's essence, rejecting religious faith, and promoting intense experiences. His view regarded
artists as transcribers of their perception rather than mere reality, separating art from moral
teachings and emphasizing its detachment from life's references.
WALTER PATER’S INFLUENCE
Pater's impact extended to 1890s poets, notably Oscar Wilde, and artists affiliated with the
Rhymers' Club, contributing to The Yellow Book (1894-1897). This publication showcased
'decadent' themes, reflecting a decline in established values. Over time, 'decadent' evolved into an
aesthetic term widely adopted across Europe by the century's end.
THE FEATURES OF AESTHETIC WORKS
A number of features can be distinguished in the works of Aesthetic artists: excessive attention
to the self; hedonistic and sensuous attitude; perversity in subject matter;
disenchantment with contemporary society; evocative use of language.
THE EUROPEAN DECADENT MOVEMENT
Decadence emerged as a European movement in the late 1880s, notably through French writers
like Rimbaud, Verlaine, Mallarmé, and Laforgue, influenced by Baudelaire's "Les Fleurs du mal"
(1857). Joris-Karl Huysmans' novel "À rebours" (1884), featuring Des Esseintes' quest for unique
sensations, inspired Wilde's dandy persona. In Italy, Gabriele D’Annunzio's "Il piacere" (1889) and
poets Pascoli and Gozzano represented Decadence. Rainer Maria Rilke's poetry also echoed the
Decadent sensibility in German.
THE DANDY
The term 'dandy' likely originates from the song "Yankee Doodle Dandy" sung by British troops
during the American Revolution, mocking the appearance of American soldiers. It referred to
someone flaunting their style despite wearing odd clothes. George Bryan Brummell (1778-1840)
embodied the dandy, setting fashion trends and befriending the Prince Regent. His exile to France
due to debts marked his decline. Brummell pioneered dandyism, which later influenced artistic
movements like Symbolism and Aestheticism in France and resurged in England with figures like
Oscar Wilde by the century's end.
Characters: Dorian Gray stands for the ideal of youth, beauty and innocence. The last name
Gray suggests he is morally neither black nor white. He leads a life of pleasure but his vanity
and selfishness ruin him. Lord Henry Wotton is an amoral aesthete. He believes youth is the
most important value. Basil Hallward is an artist fascinated by Dorian’s beauty and youth. He
tries to guide Dorian towards good moral conduct.