1

Saint Saens: Introduction and Rondo Capriccioso: TRANSCRIBED FOR CELLO

TRANSPOSED FROM THE KEY OF "A" INTO THE KEY OF "D"
EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES MIX-AND MATCH EDITION
Andante malinconico by cellofun.eu
     I1
higher octave III thumb still 1 2

                     
II III 3

II 3 2

1

  1
3

     


3 1

   3       4 1   
  
   1 
     
lower octave
   

3

2
    4
1
4 2

      
       
4
 
III

                   
I1 I3 1 II

2 2
2
  
      

4 1 1 2


           
          1       1 
      
2

 
8 2 4 1

 


II 1 1

   
   I1   3   
1

2 4

              
3 I1
      1 
     II 1



1 3

 
 
  1  
     
 
 
   
            
 
13
2 2 4
4

1
2 3


Animato
           
slower

         
3 1 2
     
thumb still
3
  
2

   
1 

  2   
II
Animato
   1   4        
              
21
2 3 4 4

  
 5 3
slower  4
      
tranquillo

24
 4
        3        1 
2 4 4
    
 5

 
          
           
2 II 3
    
27

        
3

  3
thumb still


   4  4
    2                          
30 4

   
2

4 4 4

3

 2   2
marcato 
 
II

    3  3         
Allegro ma non troppo

         
32 3 2
   

3 3
2
 PAGE TURN
copyright: cellofun.eu
 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
2 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION
                 4
  
      

                   
3


40
1

2 2  
          
1 2

4 1

 

  

 
            

   
  
46


2

  
 1  
2
1 2

4
    
 
                  4         1

        
51

 
1 4 1 4 1 1

        2   thumb up 

                                          
  
 
2 3 2 1

    
                                          
     
56/64 4

   
2 4 3 2

  1
     
 
  
                   
 
1. 2.

       
1
 
    x1 3 1 2   x1 3 1  
1  1 
                     
    
               
1. 2.

  
62

 
1

 1 1 3 1 1

      4
  II x1  
              
                             
3 2

  
 1    
1

     thumb closeand on I only

                        1 
                 

74 4

      
1 1

 
  1   1     II 2
4

        
                              
1
x2
   

  3      
3

   
2

             1    4     1  
     
       
80

   
 1

1 1 1

 x2 1 
2
            
             
1

             1          
 
III 1 2


1

  
      2  1       
3

         1
2

  
3

     
         
86

1
    
2 3 1
3
copyright: cellofun.eu
 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
3 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION
     3 3        
             
                    
3

  1  1     
2

x1

  1
            
2 III

   2          
  
               
90 3

    
3
4

 2

   1        3 3
   2        x1 
      
3

       
1


        

      
 
    3  
2 III 1 1

   1      

 2   
           
      
93 3
4

1
    
  3

 2 

            3   
3 
             3
                  
II 3

2

    
        3  
            1            4    
96
1

  4 4 

         3 3          
I
          thumb
        2      
over II

2     
       3    2        3 thumb
  1           
 
up
            
4
1

 4 3

        
II

       
   1 1

              
 

            
15

   
103

   
    
1
 1
      
3 1 4 2

    
                 1       
     


108
2

 2          
 1 
2

   1   1  
1 4

3

           
                            3       
  
   
114

           
1 1

1 4 2 2 3 3

          3  
4

  1        4                         
121 1 1 2

     
3

   1   
        1                               
124

 
1

      
 
4 1
copyright: cellofun.eu PAGE TURN
 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
4 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION


    
                              

4
  
2 3

 1    1        
 

 
    

         4 
 
                     
4

   1
135
 
 1  1
                  4   4  
            
               
2 4 4 3

3 3 4 4


             2 1 3
    
3 x3 x3

  
      1 1   
x3 3
4 3 I2 2 2 1 3 x1 x2

4
  2 
III thumb still 2

   
II


143
    3
  
II 2
            

4 4


1 1

 4 4   1 1
III III

        
        
x3

   1 1                         
x1 2 2 1 3

 
  2
1 1 x

4 4
1 3 
   1 1    
dim

             1 1 4   4        
    2            
1 1 1 3  3 1 3

1    
3     
             
              
        
4 3

 
1 2 2

 con morbidezza  

       3
13
 1
4
1  
               
     
150

       
2 3

   
  1 4
     
   2  3             2   2    
           
4 3 3

       

1
       3  2    
II

     
                            
158
1 3
2

4 3 1 III 4 1

              3
     2      
 
 
poco a poco crescendo

      
168 1

    
2


1 2 2 2

           
       
3

           
176 3 3

      
3 3 3 3 3 3

             
2
  1 
copyright: cellofun.eu 3
 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
5 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION

            2     2     1     2
          
2

            
III 2

1  
        2       2
III 
thumb close

 2   2  2 
Tempo primo
 IV   
                              4 1 3 2
182 3

 1
  
1

      
    
x1
    
thumb close

        3 3 

II 1

 3

 
                                  
dim
186 III 1 x1
 
3 3

thumb close dim

III

 
                            
 4
 
 
3

3 3 3  
  3     2 2    2

  
                            
III

   
189

    
4 3

3
3 2    
3 2
3

 4    1                   3 3 etc
     
   
3 3 3


193

  
II

 
 
1  
3

 1  
        
                    
            
197 3 2 1 3 4
 
3 2 1 1 2

 
                 
                      1         
  

 2          
 1
          
3 1 4 2 1 3

4


                    

             
206
2

 2
 
2

 1    1  1    1
1 4 2 4

 
                    4  1   1 
          
3 1

         3 3


216
                        3         1       
        
3

 
4
 
     1   
             
                
219
1

 1


1 3 3 3
3 PAGE TURN
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 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
6 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION


              3    3    
       2            1
1 3

 
1 4

 
  2  

          
I
1 
  1                           
229

 
 3 1 4 4 4 1
4
4 1 4

 
         
           
3
                
1 1 2 2
1 1 1 1

 
3
espressivo 

dim

                  1  II 1            4       1    1 
234  4
4 1


4 1 4 3 1

                       II 2

     2      
         
2

3

 2 2  leggiero 2


1 II 2


         

                                  
241 4
4   
  3 
 3 2 
2
2

  1
  dolce 
II

     1 
thumb still
  
  
         
              
4

          
1 1
2 2

 4     

3 2 2


               1
                               1
248
3 1

II  

4

4 3 dolce 3 3 1

      1     
                 1     4         1 
255

  
1 1

 1  
 
   
       
               1  
                
          

1
 
261

 
 
2 1

3 II 4 1 
 1
3

  III  
3 3

   

                                            
1

    1 2
  
  1 
2 2 2 2 2


3

  
                      1  
267 3
 IV 

     1
             
1 2 3 2 2 2
3
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 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
7 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION

 2 II  
 1    
II

  
close posn.

                  
x1
 
thumb close

 
    
II 1



 
2 2

               2     III 1   x1
2
3  III 
    
272 2
IV 2

         1 4 1 3  thumb close

       
              
  
 
dim
   
              
275

       
    
   
    
   
  
         
cresc

                                  
278

    
       
4

   
281
            
2
    
1
  

 dim 

               
twist 2 1

 
287

     
2 2

    
1
 
1   1   1  
        
                
294
1 1 1 1

     1    1
1   1  
        1   1 3    
4

  
4 4
             
   cresc      
1
2


        
3


         1               
ad lib.

     4   
1 2
      
4

      
 1
2
2 4 2

4

                    
2

 
etc
                                 
      
1 1 1 1 1 1 1 1 1 1 1 1
1 1
1 1
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 Saint Saens: Introduction and Rondo Capriccioso: FOR CELLO: TRANSPOSED INTO THE KEY OF "D"
8 EDITED PERFORMANCE VERSION: HIGH AND LOW OCTAVES "MIX-AND-MATCH" EDITION

   4 1     2
  1 
            
2 2
           
309
1

 


    III 1 x1 2   
          2           
     
III1

  
1

   4 1      1     2
2 x3 2

              
 
 
  
312 1 2
3


        2         
1 2

                
3 4

4


                         3      
 
315 1

 

                                      
318

    

    3     2  4     2   4
      
321 4
              1 
 
4 4 III 1

                  
324 4

 
1
 
4

     3     1                               
327

1 II 4


4

                
      1    3
     
2

  
1
   

1    3   
                  1
334 cresc molto 2

 
1

        1 

1      IV 
   1             


   x1  
337
1 4 II

   2 1 3
3
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