Scribd Logo
Upload

Welcome to Scribd!

  • 4 views

    01 - Forever - Young C

    Uploaded by

    Oscar Molina Ibañez
    This musical composition is presented as a series of musical notation symbols arranged in a grid-like pattern. The piece seems to be primarily instrumental music as it does not contain any lyrics. It explores various melodies, rhythms, and instruments over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    01 - Forever - Young C

    Uploaded by

    Oscar Molina Ibañez
    4 views3 pages
    This musical composition is presented as a series of musical notation symbols arranged in a grid-like pattern. The piece seems to be primarily instrumental music as it does not contain any lyrics. It explores various melodies, rhythms, and instruments over its duration.

    Original Title

    01 - Forever_Young C

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    This musical composition is presented as a series of musical notation symbols arranged in a grid-like pattern. The piece seems to be primarily instrumental music as it does not contain any lyrics. It explores various melodies, rhythms, and instruments over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    4 views3 pages

    01 - Forever - Young C

    Uploaded by

    Oscar Molina Ibañez
    This musical composition is presented as a series of musical notation symbols arranged in a grid-like pattern. The piece seems to be primarily instrumental music as it does not contain any lyrics. It explores various melodies, rhythms, and instruments over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    Forever Young


    Alphaville

                  
      
    Inst. C

      

        
             
    8

          


           
    12

                       3
        
    16

                    
         
    20

                            
         
    24

                          
      
    28 


    
               
    2

              
    32

                     
        
    37

    
                         
    41 

                                 
      
    45

             
                   
    49

        


          
     
    53

               

             
     
    57

                                
      
    61
                   
    3

          
    65

                    


       
    68 D.S. al Coda 

                             
     
    71

             
                 
    76

                          
     
    80

       
             
    84

    You might also like