7 pasos

Duo Double ZZ

    
Sebastian Tozzola

           
 = 146

      
 
Saxophone Baryton


               


      



Saxophone Baryton

              


     


      
 
      
3

 

Sax. Bar.

         
     
           




        


  
Sax. Bar.

       


        
      

          
7

       

             

Sax. Bar.

     
           
  

Sax. Bar.

    
  
  

          
              
 
10


      
Sax. Bar.

                             
   
 

Sax. Bar.


 

       
         

        
   
16


     
Sax. Bar.


               
     
 

  



Sax. Bar.

 

Elizabeth Leclercq
  
     
                   
         

20


 
Sax. Bar.




      
           
 
  


      


  

Sax. Bar.

    



   



 
      
               

24

    

      
    
Sax. Bar.


               
 
 


Sax. Bar.

  

     
       
     
         
   


     
27


Sax. Bar.


                  



         
  

     
   
Sax. Bar.

  

      
         

               
33


Sax. Bar.

       
  
                       
  

Sax. Bar.

  

              
             
   
  

36

  
 
     
Sax. Bar.


                    
Sax. Bar.
       

2 Elizabeth Leclercq
     
               
    
38


Sax. Bar.


                           
  
Sax. Bar.


           
         

40


            
Sax. Bar.

                  
    
          
Sax. Bar.

  

  
42

Sax. Bar.

   
                               


    
Sax. Bar.

          
          

45


 
Sax. Bar.

   
                         
    
Sax. Bar.

     
            
 

48


Sax. Bar.

           
      
   
Sax. Bar.

            
        
50

Sax. Bar.

 
               
  


  
Sax. Bar.



Elizabeth Leclercq 3
            
  
52


Sax. Bar.

   
    
    
                    
  
Sax. Bar.
     

                      

55

  
Sax. Bar.

    
           
Sax. Bar.
    

               
          
57

Sax. Bar.

      
      

        
   
Sax. Bar.

          
           
   
         

59

          
Sax. Bar.


 
                   


    
Sax. Bar.

      
                       
 



61

Sax. Bar.

     
                            
    
Sax. Bar.

                


63

      
Sax. Bar.

  
     
                      


 
Sax. Bar.



4 Elizabeth Leclercq
                   
    
65

Sax. Bar.

           
  
             


 
       
Sax. Bar.

              

67

               
Sax. Bar.

              



Sax. Bar.



             
     
69

     
Sax. Bar.

   
                
     
    
Sax. Bar.

             
       
71

Sax. Bar.

            
       


Sax. Bar. 



      
  
           
    
74



Sax. Bar.

     
               


Sax. Bar.      


Elizabeth Leclercq 5
     
77 Am7 F Dm7


Sax. Bar.


                          
Sax. Bar.
     

  



80 B°7E7 Am7 F

Sax. Bar.

                      
                 
Sax. Bar.

   

83 Dm7 B°7E7 Am7


Sax. Bar.

                      
Sax. Bar.
               

   
86 F Dm7 B°7E7

   
Sax. Bar.

 
                      
            

         
Sax. Bar.

 
  
              
89

Sax. Bar.

       
  
              
  
   
Sax. Bar.

          

             

   
92

Sax. Bar.

          
        


     
Sax. Bar.



6 Elizabeth Leclercq
              
      
     
   
  
94

Sax. Bar.

             
Sax. Bar.
    
              

           
   
96

Sax. Bar.


            
 cresc.

      
Sax. Bar.

             
      
        


     
98

Sax. Bar.

            
    
    
          
Sax. Bar.


                 

  
100

 
             
Sax. Bar.

 
 


     
                 
Sax. Bar.



102

  
         
Sax. Bar.

  

                     
Sax. Bar.

            
  
103

    
                            
Sax. Bar.

Sax. Bar.    

Elizabeth Leclercq 7
  
               
             

 
105

 
Sax. Bar.

 
         
 
 

              

Sax. Bar.

 

8 Elizabeth Leclercq
Saxophone Baryton 1 7 pasos
Duo Double ZZ

    
Sebastian Tozzola

       
        


 
 = 146

          
  
           
               
 


  
4


      
        
          
 

            
8

              
       


     


   
11

              
 

               
 

16


                  
 
 

           


          

20


       

           
       
            
25

              
     
        

  

     
28

    
              
  

             
33

              
     
    
  
      

  

  
36

Elizabeth Leclercq
       
   


                 
    
38

         

         
    
41

     
                  



44


                  
        
48

               

    
   


  
55

               
              

58

   
                           



  
60

 
                  
             
 
62

 
                 
   


 
65

                  
           



67



2 Elizabeth Leclercq
               
      
  

71


 

              
    
75

          
E7 E7
77 Am7 F Dm7 B°7 Am7 F Dm7 B°7

      
       
                  
85 Am7 F Dm7 E7
B°7

  
             
  
            
        

      
92

        
     
   

         
            
  


     
95

  
                    
 cresc.

      
98

      
          
               

100

  
                                  


102

        
                        
     
  
104


     



  
107



Elizabeth Leclercq 3
Saxophone Baryton 2 7 pasos
Duo Double ZZ

       
Sebastian Tozzola

                 

    
 = 146

          
  
     
             


    


 
  
4 


       
       
     
 

           
8


           
          
 

             
10

                          


              
15


           
          
  

      



     

20


         
   
                   


     


 

24

 
                      


  

         
    
27


  
  

            
      
 
 
  
    
     
33

   
      
                  
  

  
       
36

Elizabeth Leclercq
 

                          

  
38

   
    
                          
    
40

   
             
    
 
  
42

                     



         
44

   
                   
         
47

                         
   
       
50

   
          


           
            
53

    
      
                    
   
     
56

         
             
    
           
  
59

  
  
                      


     
 
61

 
       
            
         
 
     
63



2 Elizabeth Leclercq
      
 
                     
   
    
65

 
           
  
            
      


     
67

     
                      


 
    
69

            
       

71

     
                     


     
74

     
           


      
77

        
 
             


     
           
79


     
 
           
         
           
82

           
     
              
   
85

  
              
             
  
88


                     
   
91

Elizabeth Leclercq 3
          

       
             
93



          
 
 
 
     
     
       
96



 
           
    
99

               
             
     
101

 
                      
    
   
103

        



 
 
           
 
105

 


4 Elizabeth Leclercq