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    Receita de Samba

    Uploaded by

    Marcos Tognolo
    The document provides a recipe for samba music in Portuguese using musical notation symbols. It contains multiple verses with lyrics and notes laid out in musical staff-like formatting. The recipe spans multiple pages with lyrics, chords, and musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Receita de Samba

    Uploaded by

    Marcos Tognolo
    2 views2 pages
    The document provides a recipe for samba music in Portuguese using musical notation symbols. It contains multiple verses with lyrics and notes laid out in musical staff-like formatting. The recipe spans multiple pages with lyrics, chords, and musical directions.

    Original Title

    Receita_de_Samba

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document provides a recipe for samba music in Portuguese using musical notation symbols. It contains multiple verses with lyrics and notes laid out in musical staff-like formatting. The recipe spans multiple pages with lyrics, chords, and musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    2 views2 pages

    Receita de Samba

    Uploaded by

    Marcos Tognolo
    The document provides a recipe for samba music in Portuguese using musical notation symbols. It contains multiple verses with lyrics and notes laid out in musical staff-like formatting. The recipe spans multiple pages with lyrics, chords, and musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Receita de Samba

                                    
            

                             
          
             

           
                         
    

                          
             

        

                                         
      

                      
                 

                
                           
         

                               
                

                       
                   
         
    1. 2.

                                        
    D.C. al Coda

                                   

            

       
                           
       
    

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