The document provides an overview of medieval art and architecture from the 5th century to the 15th century. It discusses periods such as the Early, High, and Late Middle Ages. Art forms during this time included illuminated manuscripts, Romanesque art, and Gothic art and architecture. Key features of Gothic architecture discussed are stained glass windows and archways.
The document provides an overview of medieval art and architecture from the 5th century to the 15th century. It discusses periods such as the Early, High, and Late Middle Ages. Art forms during this time included illuminated manuscripts, Romanesque art, and Gothic art and architecture. Key features of Gothic architecture discussed are stained glass windows and archways.
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The document provides an overview of medieval art and architecture from the 5th century to the 15th century. It discusses periods such as the Early, High, and Late Middle Ages. Art forms during this time included illuminated manuscripts, Romanesque art, and Gothic art and architecture. Key features of Gothic architecture discussed are stained glass windows and archways.
The document provides an overview of medieval art and architecture from the 5th century to the 15th century. It discusses periods such as the Early, High, and Late Middle Ages. Art forms during this time included illuminated manuscripts, Romanesque art, and Gothic art and architecture. Key features of Gothic architecture discussed are stained glass windows and archways.
Ages or Medieval Period. • It lasted for approximately 1000 years from the 5th century to the 15th century. Medieval • Life during this time was dominated by Period religious faith, the Catholic Church, feudalism, the crusades, and the Black Death. • The medieval period is itself subdivided into the Early, High, and Late Middle Ages. • The Early Middle Ages began in the 5th century during the decline of the Roman Empire. • Europe at the time was ruled by many different kingdoms and did not have large unified countries such as those in modern Early Middle times. Ages • The Byzantine Empire (or Eastern Roman Empire) remained in the eastern sections of Europe and parts of the Middle East and was formed at the end of the 4th century, when the Western Roman Empire collapsed • The High Middle Ages began at the start of the 11th century and included some of the most prominent events and elements of the whole Middle Ages. • Life in the High Middles Ages was characterized by religious faith in the Catholic Church and the social structure of feudalism. Feudalism was a form of government common during medieval Europe that Middle Ages involved society being structured in a very rigid and hierarchical way. • A major event of the High Middle Ages was the crusades • Beginning in 1095 CE, the crusades saw European knights and noblemen travel to the Middle East in an attempt to capture the Holy Land away from Muslim people that had controlled the region for the previous centuries. • The final period the Middle Ages is called the Late Middle Ages and is considered to have occurred from the start of the 14th century to the end of the 15th century. • The Late Middle Ages was a difficult time for most people in Europe and the surrounding areas. This is due to the spread of the bubonic plague that led to the Late Middle events of the Black Death. • The Black Death is one of the most important events in Ages Western history and is the most famous pandemic in all of human history. The Black Death occurred during the 14th century and ravaged human populations throughout Asia and Europe as it spread along trade routes and through trading ports. • These high numbers suggest that between 30% and 60% of people died due to the infectious disease. Medieval art • Medieval art was produced in many media, and works survive in large numbers in sculpture, illuminated manuscripts, stained glass, metalwork and mosaics, all of which have had a higher survival rate than other media such as fresco wall-paintings, work in precious metals or textiles, including tapestry. • Especially in the early part of the period, works in the so-called "minor arts" or decorative arts, such as metalwork, ivory carving, enamel and embroidery using precious metals, were probably more highly valued than paintings or monumental sculpture. • Most luxury illuminated manuscripts of the Early Middle Ages had lavish treasure binding book-covers in precious metal, ivory and jewels Romanesque Art • The period of Romanesque Art started around 1000 AD and lasted to around 1300 with the beginning of the Gothic Art period. • Romanesque art was influenced by both the Romans and Byzantine Art. Its focus was on religion and Christianity. • It included architectural details like stained glass art, large murals on walls and domed ceilings, and carvings on buildings and columns. It also included illuminated manuscript art and sculpture. • Romanesque style was characterized by its Roman and Germanic elements, mingled with Byzantine, Islamic and Armenian influences Illuminated manuscripts • Illuminated manuscripts were hand-made books, usually on Christian scripture or practice, produced in Western Europe between c. 500-c. 1600. • They are so called because of the use of gold and silver which illuminates the text and accompanying illustrations. • The pages were made from animal skin, commonly calf, sheep, or goat (vellum) • Manuscript production was costly and time-consuming. • These manuscripts were the highly prized possessions of kings, cardinals, dukes, and bishops from the Middle Ages well into the Renaissance period • For these patrons, they were more than just books, but rather objects that demonstrated their wealth and worldliness. Celtic Designs Designed Typography Illuminated manuscripts Mary Magdalen announcing the Resurrection The Crusader Bible or Morgan Bible Romanesque art • Romanesque art developed in the period between about 1000 to the rise of Gothic art in the 12th century • The style developed initially in France, but spread to Christian Spain, England, Flanders, Germany, Italy, and elsewhere to become the first medieval style found all over Europe, though with regional differences. • The arrival of the style coincided with a great increase in church-building, and in the size of cathedrals and larger churches; many of these were rebuilt in subsequent periods, but often reached roughly their present size in the Romanesque period. • Romanesque architecture is dominated by thick walls, massive structures conceived as a single organic form, with vaulted roofs and round-headed windows and arches. The Virgin and Child in Majesty and the Adoration of the Maji', Romanesque fresco • Figurative sculpture, originally colorfully painted, plays an integral and important part in these buildings • Reliefs are much more common than free-standing statues in stone, but Romanesque relief became much higher, with some elements Romanesque fully detached from the wall behind. Sculpture • Large carvings also became important, especially painted wooden crucifixes from the very start of the period, and figures of the Virgin Mary. • Some churches had massive pairs of bronze doors decorated with narrative relief panels are arguably the finest before the Renaissance Gniezno Cathedral Door Gothic art • Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. • It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. • Gothic art grew out of Romanesque art. Gothic artists began to use brighter colors, dimensions and perspective, and moved toward more realism. • They also began to use more shadows and light in their art and tried out new subject matters beyond just religion including animals in mythic scenes. Gothic Painting • Gothic paintings usually featured scenes and figures from the New Testament, particularly of the Passion of Christ and the Virgin Mary. • These paintings display an emphasis on flowing, curving lines, minute detail, and refined decoration, and gold was often applied to the panel as background color. • Compositions became more complex as time went on, and painters began to seek means of depicting spatial depth in their pictures, a search that eventually led to the mastery of perspective in the early years of the Italian Renaissance. • In late Gothic painting of the 14th and 15th centuries secular subjects such as hunting scenes, chivalric themes, and depictions of historical events also appeared. Gothic Architecture • Gothic architecture (or pointed architecture) is an architectural style that was popular in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. • It evolved from Romanesque architecture and was succeeded by Renaissance architecture. • It is also the architecture of many castles, palaces, town halls, guildhalls, universities and, less prominently today, private dwellings. • A series of Gothic revivals began in mid-18th century England, spread through 19th-century Europe and continued, largely for churches and university buildings, into the 20th century. Cathedral of Notre Dame Paris Stained Windows • Many designers of Gothic structures believed that light was a divine force that could connect worshippers to their creator. Gothic interiors were designed to incorporate light and to test structural ideas to create taller and more advanced buildings. • While stained glass windows are found in many places of worship, they are particularly prevalent in Gothic cathedrals. • Featuring meticulously cut colored glass, these kaleidoscopic windows—which are typically either tall and arched ‘lancet' windows or round ‘rose' windows—are larger than those found in other types of churches. This allowed them to let in more dazzling light. • Gothic stained glass windows also frequently feature tracery, a decorative type of stone support, and detailed scenes from Biblical stories. Arch in gothic Architecture • A primary feature of many religious structures, ample archways can be found in most Gothic churches and cathedrals. Rather than the wide, rounded arches characteristic of Romanesque buildings, however, architects working in the Gothic style adapted the tall, thin pointed arches found in Islamic architecture. • In order to incorporate higher ceilings and taller windows into their designs, Gothic architects utilized a new method of structural support called ribbed vaulting. Ribbed vaulting involves the use of intersecting barrel vaults—arches placed parallel to one another in order to support a rounded roof. Ribbed Vaults Flying Buttresses Gothic Sculpture • A feature found in Gothic architecture is the presence of ornate decorative elements. • These include embellished and sculptural moldings, statues of saints and historical figures, pinnacles and spires, and gargoyles, grotesque figures that double as water spouts. • The facades of large churches, especially around doors have rows of sculpted figures spreading around them. • Gothic sculpture is often characterized by the representation of animals, both real and fantastical. Depiction of the adoration of the Magi, on the Cathedral of Notre Dame An unknown emperor (Charles the Great) and Saint-Denis of Paris between two angels, west portals of Notre-Dame de Paris The last Judgement, Notre Dame Paris • From Old French gargouille ‘throat’, also ‘gargoyle’ (because of the water passing through the throat and mouth of the figure); related to Greek gargarizein ‘to gargle’ (imitating the sounds made in the throat). • A carved human or animal face or figure Gargoyles projecting from the gutter of a building, typically acting as a spout to carry water clear of a wall. • Designed to convey water from a roof and away from the side of a building, thereby preventing rainwater from running down masonry walls and eroding the mortar between. Grotesque Figures • In architecture, a grotesque, also known as a chimera, is a fantastical or mythical figure used for ornamental purposes. • When a decorative figure does not contain a spout, it is referred to as a grotesque or a chimera. • Often of a demonic nature, grotesques add architectural interest and they are intended to ward off evil.