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FILAMER CHRISTIAN UNIVERSITY

College of Teacher Education


Accredited Level IV– ACSCU-ACI
Roxas Avenue, Roxas City, Capiz 5800

GE10 PHILIPPINE POPULAR CULTURE

Lesson 1: Introduction to Popular Culture


Definition and Concepts of Popular Culture
ABOUT CULTURE

Two things tend to emerge: (1) culture gets mentioned a lot, implying
that it is a significant concept in our society , and one that we likely can’t
do without : and (2) it appears in many different , often contradictory ,
context, suggesting that exactly how it signifies it’s hard to pin down.
When we talk about culture in the sense of building opera houses, the
word obviously means something different than when we talk about
Western culture of youth culture, national culture or business culture.
Culture in the first sense — the one that fist with opera houses, ballet,
and Shakespeare-- focuses on what we usually think of as a high-end
creative production: artistic pursuits that are enjoyed by the elite minority
as opposed to more accessible leisure activities, such as sports. These
kinds of cultural production are those that have over time (often
associated with the past) assumed an especially privileged place in the
collection of ideas and artifacts that comprise a cultural tradition.

THE POPULAR

The word popular was first used in the Late fifteenth century as a legal
term; an action popular is a legal action which can be undertaken by
anyone. It was derived from the Latin word popularis, which means ―of or
belonging to the people‖. More neutrally, ―popular‖ is used to indicate
something that is widespread or generally accepted. It is often used in
contemporary context to describe something that is liked by a lot of
people. For example, when an authoritative source cites NCUS are the
most popular show on television, based on ratings in 20nnations (TV
Guide‖) we can assume, reasonably, that a lot of us like slick crime
dramas shot I glamorous settings. But when we start to look a little
further into how the word ―popular‖ is used today, it becomes obvious
that it has to do with more than numbers -- that the words ―popular‖ and
―the people‖ don’t refer to absolute everyone, but to a particular group to
whom a certain quality or vale is attached.

Understanding the Concepts of Popular Culture


What is Popular Culture?

Popular culture is the set of practices, beliefs, and objects that


embody the most broadly shared meanings of a social system. It
includes media objects, entertainment and leisure, fashion and trends
and linguistic conventions, among other things. Popular culture is usually
associated with either mass culture or folk culture, and differentiated
from high culture and various institutional cultures (political culture,
educational culture, legal culture, etc.). The association of popular
culture with mass culture leads to a focus on the position of popular
culture within a capitalist mode of economic production. Through this
economic lens, popular culture is seen as a set of commodities produced
through capitalistic processes driven by a profit motive and sold to
consumers. In contrast, the association of popular culture with folk
culture leads to a focus on subculture such as youth cultures or ethnic
culture. Through this subculture lens, popular culture is seen as a set of
practices by artist or other kinds of culture makers that result in
performance and objects that are received and interpreted by audience,
both within and beyond the subcultural group. Holistic approaches
examine the ways that popular culture begins as the collective creation
of a subculture include the representation of specific groups and themes
in the content of cultural objects or practices, the role of cultural
production as a form of social reproduction, and the extent to which
audiences exercise agency in determining the meaning of the culture
that they consume.

Relationship between Media and Pop Culture


Media and Popular Culture is an international, peer-reviewed, open
access journal that focuses on the various aspects of popular culture and
how it is intertwined with media. Popular culture is movement that was
started in order to give voice to the common masses through different
forms of media, such as television shows, technology, magazines,
folklore, sports movies, contemporary books, paintings, sports, fashion,
pop music, and so on.

Popular culture in the Philippines is a culture generated by mass media


that consist of film, radio, television, and press. They were introduced in
the twentieth century but are still exclusively urban. The earliest form of
popular culture research in the Philippines is mass communication
research. It is concerned with content analyses and effects on the
audience. In the mid70s, literature scholars began examining film,
television, radio, and comics as modes of fiction and drama. Their main
concern was the cultural values and the way the transmission of these
values are being done. This concern was brought up by the so-called
―serious ―literature, which are the novel, the short story, the poem, and
the play because these were not reaching the majority, not even the
urban masses, and definitely not the rural masses.

Let us go through some of the major areas of Philippines popular culture.

Komiks. ―Kenkoy‖ was the first Filipino comic strip. Its first appearance
was in 1929. Its main character was created by Antonio Velasquez. It
was only made with four frames and was used as a filler for a weekly
popular magazine Liwayway. In 1931, Kenkoy was joined with their
character and they are:

1. Kulafa. He roamed the mountains of Luzon similar with Tarzan who


did Africa.
2. Huapelo. He is a Chinese store owner.
3. Saryong Albularyo. He is a barrio doctor with a last name that
actually meant ―quack‖.
4. Goyo and Kikay. They are the counterparts of Jiggs and Maggie.
Jiggs and Maggie are the main characters in an American comic
strip named Bringing Up Father.
5. Dyesebel. She is a mermaid created by Mars Ravelo, the same
legendary cartoonist who created Darna.
6. Darna. She is a Filipino super heroine created by the legendary
cartoonist Mars Ravelo
7. Valentina. She is an arch enemy of Darna, also created by Mars
Ravelo.
8. Petra. He is a horse-bodied character.
9. Karina. A magical agent of good with a flying kariton (pushcart).
10. Phantomanok. A character who is a
combination of a Phantom and a rooster.

During the Martial Law, the komiks have been used by the government
agencies to deliver message of development like the Green Revolution,
family planning and housing programs. The content of komiks reflects
dreams, hopes, values, vision of life, escape from reality, and problems
and solutions. All these make komiks definitely a popular culture. Komiks
is created by artists who favor the public voice and dreams. Komiks has
an extensive reach and grasp which makes them entirely ―of the people‖.

Komiks are reading materials that are cheap and accessible for Filipinos
and are a substitute for serious literature. It has such an extensive reach
and grasp because they are being swapped between neighbors and
workers and their relatives. That is a form of circulation in itself and it is
not expensive. Komiks has different roles suitable as a phenomenon of
popular culture. Komiks is a ―Purveyor of entertainment and moral
lessons, disseminator of values and attitudes, and a source of practical
knowledge on farming, government policies, medicine, and science‖.

Film. Cinematrografo are short- featured films that were first shown in
the Philippines. The first feature films that were produced locallt were in
1909, featuring the life of Jose Rizal. Jose Nepomuceno’s ―Dalagang
Bukid‖ was the first full-length feature film shown in 1919. ―Ang Aswang‖
was the first talking picture made in 1932 by Musser.

There were a total of 214 movie house in the Philippines in 1924. In


1939, the Philippine movie industry moved from the bbig-studio
syndrome to the present proliferation of small independent producers
with challenges such as high taxes, high production cost, raw material –
scarcity, no aid from the government, little or no professional training for
actors and technical staff, and the greatest challenge was the
competition from foreign movies. Despite all of these challenges, the
Filipino Film did have an audience. The movie houses were filled
especially with stars like Dolphy, Nora Aunor, Vilma Santos, Sharon
Cuneta, Fernando Poe Jr., and a lot more.

Radio. Radio stations in the 20s were owned and operated by the
electoral supply company and organized by an American named Henry
Herman. These stations were for demonstrations primarily and provided
music for two years. In the 30s, radio stations were owned by
department stores for advertisement of their commodities. In 1932, radio
advertising was begun by companies other than the radio stations
owners. In the Second World War, during the Japanese occupation, all
radio stations were closed except for KZRH, which was then named to
PIAM. Short-wave reception was prohibited but many have risked their
lives to listen to the broadcast of ―The Voice of Juan de la Cruz‖ and the
―Voice of Freedom‖ from Corregidor and the Voice of America.
Underground newspaper relied greatly on such hidden radio sets for
information about the war. There were 30 operating radio stations five
years after the war. The Bolinao Electronics Corporation was formed in
1961. It was the largest broadcasting chain in the Philippines which then
became the Alto Broadcasting System after the Martial Law.

After the Second World War, programming in radio was mostly


American. However, DZRH launched the first local shows. In those early
times, a recipe for Philippine radio was developed based on satires,
comedies, and variety shows. It consisted as well of soap operas,
popular, music program, public service, ―advice-to-the-lovelorn‖
programs, and news. Radio sets have become a common household
item especially in the urban centers. The transistors radio became a
revolution in 1959 and President Carlos P. Garcia asked CARE for the
donations of such radios to the barrios to fight subversive elements. The
transistor radio brought news of the government and of the city as well
as pop music, thus bringing popular culture into the rural domain. Two
central forms of popular culture communicated by radio are popular
music and the radio soap opera.

Popular Music. At the beginning of the 70s, the Philippine pop music
was certainly American. However, Philippine popular music was also
present in the form of kundimans, love songs, zarzuelas, street songs,
and children’s nonsense song but these were not sung on stages or
even played in the airwaves. Philippine popular culture was basically
American, from pop, to rock, and even Broadway, to variety shows iin the
television. Pinoy rock emerged in 1973 through Joey Smith. It has a
Western rock sound but in Pilipino lyrics. Hot Dog came, which is
another group, with a slow and melodious beat in Taglish lyrics. The
Pinoy trend emerged when Rolando Tinio, a poet, translated an album of
American songs into Pilipino for Celetse Legaspi. Radio stations were
required to play three Filipino songs every hour, proving that the
dominant music culture was certainly American. Some radio stations
went all the way by having all Filipino songs in their programming, thus
Pinoy pop had arrived. The Metro Manila Pop Song Festival, or also
known as Metropop Song Festival, is one of the songwriting competitions
in the Philippines that cater to the promotion of the Filipino music. It has
launched the careers of the singers and songwriters in the country.

Literature of Popular Culture. Popular culture literature consist


primarily of the following:

1. Reportage and feature stories in daily newspapers and weekly


magazines;
2. Reviews of films, TV shows, pop concerts or performances , radio
programs;
3. Studies done by mass communication undergraduates, thesis
writers, and scholars’
4. Studies done by literature students and scholars;
5. Studies done by scholars who are interested in popular culture as a
field of research.

There are challenges presented by the given literature above. They are
done in isolation. They do not have a clear perspective. They are
unlocated in a definite context. There is no collective effort of defining
Filipino through his popular culture and consolidating findings to
determine the effects of such culture on him.
REFERENCES:

Chapter 2 Handout in Philippine Popular Culture (studocu.com) , March


30, 2024

Philippine Popular Culture - Philippine Popular Culture Popular culture


can be traced back to the - Studocu, March 30, 2024

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