Crito LitChart
Crito LitChart
Crito LitChart
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Crito
Crito, and Phaedo
Phaedo. Each of these dialogues showcase Socrates’s
INTR
INTRODUCTION
ODUCTION practice of employing the technique of cross-examination to
instigate productive intellectual conversations. Crito is
BRIEF BIOGRAPHY OF PLATO
generally considered one of Plato’s “early dialogues,” written
Plato was born to an aristocratic family in Athens in the violent shortly after Socrates’ death (other dialogues are classified as
era of the Peloponnesian War. Though initially inclined to take “middle” or “late”), although these groupings are largely based
up a political career, he ultimately opted for philosophy, joining on stylistic analysis rather than historical evidence, making it
and participating in Socrates’ intellectual circle for roughly a difficult to classify the dialogues with certainty. Crito bears
decade until the latter’s execution. Some years later, he direct thematic relevance to other major dialogues in which
founded the Academy, the first philosophical school of its kind, Plato takes up questions of citizenship, politics, and obligation,
in Athens. The institution became extremely influential, such as the Republic and the Laws. Crito also references
attracting many students, including Aristotle, who went on to Homer’s the Iliad, aligning the heroic and larger-than-life figure
enjoy illustrious careers. While practicing and teaching of Achilles with Socrates.
philosophy, Plato wrote an extensive series of philosophical
dialogues featuring his old teacher, Socrates. While it is clear
KEY FACTS
that these dialogues are at least partially meant to
commemorate his mentor, it is equally clear that they served as • Full Title: Crito
vehicles for Plato to publicize and develop his own philosophy. • When Written: Sometime in the 4th century BC
For this reason, sifting Socrates’ thoughts from Plato’s is a
• When Published: Sometime in the 4th century BC
complicated task. Though he generally avoided direct political
engagement, Plato maintained a complicated relationship with • Literary Period: Classical
the tyrants of Syracuse, attempting to train the tyrant Dionysus • Genre: Philosophical dialogue
II to philosophically govern the state. By all indications, these • Setting: Athenian prison
experiments failed: the tyrant and the philosopher had a falling • Antagonist: N/A
out, Dionysus was driven from power, and Plato kept his
• Point of View: Third person
distance from politics afterwards. He died at an old age,
handing over the Academy to his nephew Speusippus. The
Academy remained active for many centuries. EXTRA CREDIT
Reconstructing Plato. Although he was an enormously
HISTORICAL CONTEXT influential figure, Socrates left behind no philosophical texts of
his own authorship. For this reason, later generations have only
The main historical event centering the text is the execution of
been able to reconstruct his thoughts through the (sometimes
Socrates, which took place in Athens in 399 BC after Socrates
contradictory) writings of his students, like Plato and
was condemned for asebeia (impiety against the gods) and for
Xenophon.
corrupting the youth of the city. However, one should also read
the dialogue in context of contemporary Athenian politics,
A New Genre. Before Plato, most philosophical Greek authors
which were quite unstable. The Athenian Empire had recently
had recorded their thoughts as poetry. Plato’s prose dialogues
been crushed by Sparta in the Peloponnesian War (in which
combined elements of a variety of Greek literary genres (like
Socrates served), and its famous democracy was replaced in
drama and historiography) into a very different kind of
404 BC by the short and bloody rule of the oligarchic Thirty
philosophical writing. They were considered literary
Tyrants, backed by the Spartans. The Thirty were overthrown
masterpieces in antiquity, and later students of philosophy
in 403 BC and democracy was restored, but their rule cast a
attempted to emulate his style often enough that scholars are
long shadow on the city’s politics. As the city sought to restore
still debating whether certain texts were written by Plato
stability, the populace was particularly sensitive to threats, and
himself or by later enthusiasts.
major public figures with ambiguous politics, like Socrates, were
in an especially precarious position.
PL
PLO
OT SUMMARY
RELATED LITERARY WORKS
Socrates has been condemned to death by a jury of Athenian
Crito is the third part of a four-part series of dialogues
citizens for the crimes of asebeia and corrupting the youth.
recording the trial and death of Socrates: Euth
Euthyphr
yphroo, Apology
Apology,
Related Themes:
SYMBOLS
Symbols appear in teal text throughout the Summary and Page Number: 46
Analysis sections of this LitChart. Explanation and Analysis
When Crito enters Socrates’ cell, he expects to find an
THE LAW OF ATHENS agitated man anxiously awaiting his impending execution.
In Crito, the law of Athens symbolizes the divinely Instead, Crito finds Socrates at peace, calmly aware of his
impending death. Crito reacts with surprise and admiration:
sanctioned wisdom and authority of organized
he observes that Socrates seems to have accessed a deep
political community. Midway through the dialogue, Socrates
tranquility beyond Crito’s reach, allowing Socrates to
begins speaking as the personified law of Athens in order to
quietly accept “misfortunes” which would make others
support his arguments about what a citizen owes to the state.
miserable. He connects this tranquility to his past
However, it quickly becomes clear that he is not just talking
observations of Socrates, and begins to apprehend that
about the written laws which govern Athens. The Greek word
there is some fundamental distinction between Socrates’
translated as “law,” nomos, actually means quite a bit more: the
word can also be translated as “custom” or “institution” more
way of living and his own. Though Crito does not Related Characters: Crito (speaker), Socrates
understand precisely where this difference lies, he notes
the otherworldly happiness it seems to enable for Socrates Related Themes:
with a wonder bordering on envy. This observation sets up
for the dialogue to come: the mystery of Socrates’ Page Number: 47
happiness, and the question of how to obtain it, becomes
Explanation and Analysis
one of the text’s central occupations.
In this passage, Crito upbraids Socrates for endangering his
friends’ reputations by refusing to accept their offer to
accept him escape. Previously, he argued that Socrates
SOCRATES: Then I do not think [the ship] will arrive on should escape out of concern for his own well-being. Since
this coming day, but on the next. I take to witness of this a that argument failed to convince Socrates, Crito now
dream I had a little earlier during this night […] I thought that a frames escape as a moral imperative, effectively attempting
beautiful and comely woman in white approached me. She to shame Socrates into breaking the law. This flip shows the
called me and said: “Socrates, may you arrive at fertile Phthia intensity of Crito’s determination: he attempts to weaken
on the third day.” Socrates’ conviction from every possible argumentative
CRITO: A strange dream, Socrates. angle. Underlying this particular attempt is Crito’s fear for
his own public reputation, which is one of the major
tensions of the dialogue. By enjoining Socrates to consider
Related Characters: Crito, Socrates (speaker)
majority opinion, Crito implies that concern for what other
Related Themes: people think should dictate Socrates’ behavior. Crito does
not attempt to convince Socrates of the value of public
Page Number: 46 opinion by argument, but simply assumes that its
importance is self-evident. In that sense, Crito advocates
Explanation and Analysis uncritically for what he takes to be common sense––exactly
Crito anticipates that the Athenian ship whose arrival will what Socrates is interested in interrogating.
signal Socrates’ execution will return that day. In this
passage, Socrates disagrees, citing a dream from the
previous night which he takes to be prophetic. In this dream, Would that the majority could inflict the greatest evils, for
a woman in white quotes a line of Homer’s the Iliad (9.363). they would then be capable of the greatest good, and that
That line was originally spoken by Achilles, the strongest would be fine, but now they cannot do either. They cannot
fighter in the Greek army. Isolated from the rest of the army make a man either wise or foolish, but they inflict things
after an argument, he threatened to leave Troy, anticipating haphazardly.
reaching his homeland, Phthia, three days later. The quote
serves two purposes here. First, it plays up Socrates’
heroism, implicitly aligning him with a legendary Greek Related Characters: Socrates (speaker), Crito
warrior. Second, it illustrates Socrates’ connection to
Related Themes:
otherworldly forces, which seem to grant him access to a
sort of prophetic wisdom. This mysterious wisdom is part of
Page Number: 47
what sets Socrates apart from Crito, who, in this passage,
dismisses Socrates’ dream as “strange. By having Socrates Explanation and Analysis
mention his prophetic dream, Plato preemptively legitimizes Here, Socrates interrogates Crito’s belief in the importance
Socrates’ views even before the dialogue kicks off by of majority opinion by making a large, contentious claim
implying that they are backed by divine authority. about the nature of good and evil. Though he never says as
much, Crito’s concern for public appearances implies that
the public possesses some power which makes it deserving
Surely there can be no worse reputation than to be of fear. In his response, Socrates lays out and takes issue
thought to value money more highly than one’s friends, for with this unspoken premise––a premise which Crito himself
the majority will not believe that you yourself were not willing had, apparently, failed to directly consider. However,
to leave prison while we were eager for you to do so. Socrates’ response goes further than refutation, quietly
Let us examine the question together, my dear friend, and Page Number: 56
if you can make any objection while I am speaking, make it
and I will listen to you, but if you have no objection to make, my Explanation and Analysis
dear Crito, then stop now from saying the same thing so often, Socrates reproaches himself in the voice of the law of
that I must leave here against the will of the Athenians. I think it Athens, arguing that he is morally obligated to remain in the
important to persuade you before I act, and not to act against city and face his execution. This quote is part of a larger
your wishes. series of arguments based in a concept of civic duty and a
version of the social contract. Here, the argument reaches
something of a climax: although Socrates may have been
Related Characters: Socrates (speaker), Crito
unjustly condemned, he argues that disrespecting the laws
Related Themes: of the city in which he has spent his life would, ironically,
make him just as contemptible as the court originally judged
Page Number: 51 him to be. If Socrates wishes to behave morally, he must
accept his unjust condemnation peacefully. If, on the other
Explanation and Analysis hand, he defies the state because he was unjustly
Once again, Socrates encourages Crito to engage him in condemned, then he will act contrary to his moral duty as a
argument based on consistent logical principles. His citizen, and his condemnation will retroactively become just.
explanation for this desire deserves notice: evidently, The statement also highlights Socrates’ belief that life is
despite his contempt for majority opinion, he considers only meaningful in the context of political community: life as
Crito’s approval somehow valuable. It is unclear exactly why a solitary individual, or in a poorly governed city, is
this is the case, and Socrates neglects to provide further apparently not “worth living.”
justification. Nevertheless, one might take it as evidence of
the extent to which Socrates cares for his friends and family,
despite his decision to abandon them in death: it seems Do not value either your children or your life or anything
reasonable to conclude that Socrates does not wish to leave else more than goodness, in order that when you arrive in
Crito without explaining himself first. This reframes the Hades you may have all this as your defense before the rulers
urgency of the argument. Socrates, it seems, is already there. If you do this deed, you will not think it better or more
certain of his own conviction; though he invites Crito to just or more pious here, nor will any one of your friends, nor will
object to him, he seems unlikely to budge. By explaining it be better for you when you arrive yonder.
himself to Crito, however, he can potentially convince him of
wisdom underpinning his choices, thereby granting Crito
some degree of the peace Socrates himself feels. Related Characters: Socrates (speaker), Crito
Related Themes:
Related Symbols:
Page Number: 57
Socrates, still speaking as the law, finishes explaining the Related Themes:
moral necessity of accepting his execution by indicating a
connection between the authority of the state and the Page Number: 57
authority of the gods. Apparently, due to the binding nature
of the imperatives of civic duty Socrates has previously Explanation and Analysis
outlined, disobeying the state would mean endangering his These words conclude Socrates’ argument in favor of
moral goodness. This quote adds that such disobedience submitting to the authority of the Athenian state. They
risks punishment in the afterlife. Moreover, that threat of reinforce the absolute certainty of Socrates’ conviction:
punishment is delivered in the voice of the laws of Athens. although he repeats his willingness to continue arguing, he
That would indicate that, from Socrates’ perspective, the also asserts that it will be impossible to convince him to
laws of the city exist in some sort of harmony with the laws escape prison and sidestep his execution. This certainty
of divine justice; violating the former seems to mean stems from the fact that Socrates does not consider the
violating the latter as well. As in other passages which hint arguments he has just made to be entirely his own: rather,
at the mystical element of Socrates’ knowledge, the logic of he “hears” them, just as the Corybants (worshippers of the
this statement is not fully explained. However, its cryptic goddess Cybele) hear divine music through a sort of
quality, combined with the absolute certainty of its revelation. This quote helps to explain Socrates’ absolute
conviction, makes it all the more foreboding. tranquility towards death: his arguments are not tentative
conclusions, but rather convictions seated at the core of his
being. By ending the dialogue on this note, Plato seems to
SOCRATES: Crito, my dear friend, be assured that these offer Socrates’ happiness as a promise: perhaps, by
are the words I seem to hear, as the Corybants seem to attempting to live as Socrates did, any reader can
hear the music of their flutes, and the echo of these words experience a similar feeling of total harmony with the
resounds in me, and makes it impossible for me to hear cosmos.
anything else. As far as my present beliefs go, if you speak in
opposition to them, you will speak in vain. However, if you think
you can accomplish anything, speak.
CRITO: I have nothing to say, Socrates.
SOCRATES: Let it be then, Crito, and let us act in this way, since
this is the way the god is leading us.
CRITO
It is 399 BC in Athens, and Socrates sits condemned in prison, Crito opens with Socrates in solemn contemplation before his
awaiting his execution. No one knows exactly when it will come, death. The setting is not without pathos; isolated from his city and
as a religious festival is taking place on the nearby island of community, Socrates is left alone with his own mind.
Delos, and Athens has sent a delegation; no executions may
take place before it returns. In the meantime, Socrates sits,
sleeps, and waits.
At early dawn, Socrates wakes up to find his friend and student, An old friend interrupts Socrates’ isolation––a necessary premise for
Crito, in his cell. Socrates is surprised that the guards let him in, a dialogue, the standard literary vehicle of Platonic philosophy, to
but Crito explains that he bribed them. Socrates also wonders begin. Crito tries to empathize with Socrates’ situation by letting
why Crito didn’t wake him when he entered. Crito explains that him sleep, assuming that Socrates must be as scared as he himself
he let Socrates sleep as a kindness; if he himself were about to would be, In other words, Crito assumes that they share a basic
be executed, Crito says, he wouldn’t want to lie awake waiting attitude towards death.
for death a moment longer than he had to.
Crito sees, however, that Socrates appears completely Socrates shows Crito that his attempt at empathizing has failed.
untroubled by his impending death. He mentions this to Apparently, Socrates’ concept of death is not only completely at
Socrates, who merely counters that someone as old as he is odds with Crito’s, but also with that of the average view of someone
shouldn’t “resent” death. Crito notes that most people his age his age. Socrates’ conclusions issue a challenge both to public
“resent” it all the same. Socrates admits this, but changes the opinion and to what someone like Crito might consider common
subject, asking Crito why he’s come so early. sense.
Crito explains that he comes as the bearer of bad news: the Crito tries to impress Socrates with the urgency of his situation,
ship that carried the Athenian delegation to Delos is expected hoping to inspire him to take some sort of action to save himself.
to return today, allowing executions to resume the next day. If Through Crito’s words and actions, it’s clear that he’s fearful of
true, this means Socrates will die tomorrow. death and believes that Socrates must do something to avoid such a
supremely awful fate. In other words, Crito seems to think that
there’s no such thing as a good time or a good way to die—a mindset
Socrates will soon challenge.
Socrates is of a different opinion. He describes a dream he had Again, Socrates shows himself to be operating under a completely
the previous night in which he was visited by a beautiful woman different set of assumptions than Crito. Socrates’ dream hints that
in white who delivered a divinely inspired message: “Socrates, he somehow has access to a degree of divine wisdom, which seems
may you arrive at fertile Phthia on the third day.” Assuming that to allow him to know things Crito doesn’t.
this dream implies that he will die in three days, he deduces
that the ship won’t return for two.
Socrates criticizes Crito for being overly concerned with what Once again, Socrates hints somewhat cryptically at his access to a
other people think. The common people of Athens, he says, can deeper kind of knowledge, this time concerning the nature of good
believe what they will. Ultimately, their opinion has nothing to and evil. Crito considers death one of the worst things that can
do with what’s right and wrong. Crito disagrees. Socrates’ own befall a person, but Socrates disagrees. Because of this
case, he says, proves that popular opinion can mean the disagreement, Crito is much more afraid of the punishments the
difference between life and death. Socrates is unfazed. The public can inflict than Socrates is. This disagreement uncovers the
people can put someone to death, but both “the greatest evils” first argumentative distinction between the two characters’
and “the greatest good” lie beyond their reach. worldviews.
Crito tries again. He wonders if Socrates is hesitant to escape Crito neglects to pursue his analytical disagreements with Socrates,
because he’s worried that his friends would get in trouble with preferring to keep the problem in personal terms. Unable to
the authorities if they broke him out of prison. He attempts to understand Socrates’ objections to escaping, he tries anticipating
reassure him, promising that Socrates’ life is worth the risk. But them on his own by assuring him that he and others are willing to
Socrates doesn’t engage with this line of argument at all, except sacrifice for his well-being.
to affirm that “I do have these things in mind, Crito, and also
many others.”
Crito keeps at it, listing all the people and foreign governments As Crito’s pleas become increasingly emotional, they begin to sound
that would be willing to help Socrates. This time, though, he like accusations. He reproaches Socrates for neglecting an assumed
expands his argument, adding that he considers it unjust for moral obligation to his kin. For Crito, virtue hinges on supporting
Socrates to die when given the opportunity to live, as he would one’s friends and family above all, even if that means rejecting the
be abandoning his sons and his loved ones. Crito begs Socrates law in the process. In addition, this switch in registers indicates that
once again to think of how his death would reflect on his Crito is willing to adjust his arguments in order to convince Socrates
friends who had the ability to save him, lest they be accused of to do what he wants.
“cowardice and unmanliness.”
Socrates insists that the matter must be decided through Socrates senses the sincerity of Crito’s argument, along with its
argument and reflection. He tells Crito to remember how he rather jagged logical progression. He challenges him to think not just
has always approached such questions in the past, and asks him of the emotionally charged personal issues at stake, but to argue
whether the fact of his impending execution should be enough consistently based on the general principles that guide his life. With
to undo all the beliefs and principles by which he lives. this, Socrates begins to flesh out the idea of consistently living in
accordance with one’s values as a means to a virtuous life.
Socrates asks Crito whether the part of the self “destroyed by Here, Socrates develops his argument on wisdom by adding that
unjust actions” is more or less valuable than the health of the one’s moral “health” is more important than one’s physical health.
body. Crito replies that it is more valuable. Socrates replies that Once again, this addition is not analytically justified, but Crito
this shows that one should not care for the opinion of the agrees all the same. In elevating moral health above physical health,
majority, but for that of those who understand justice. Socrates gestures to the idea that in order to live a truly virtuous life,
one must consistently stick to their principles.
Carrying the argument forward, Socrates asks why it matters Socrates articulates a major tenet of Platonic philosophy: that
so much that the majority is able to put him to death. He and goodness, beauty, and justice––at least to the extent that a human
Crito agree that “the good life, the beautiful life, and the just life can model them––are the same thing. In combination with the
life” are one and the same. Accordingly, the ability to live a good previous step, this argument leads him and Crito to agree that dying
life becomes contingent on acting justly. If continuing to live justly is better than living unjustly.
would mean living unjustly, then, Socrates concludes, he must
die.
Having reached agreement on this point, Socrates starts Up to this point, the dialogue has mostly consisted of Socrates
another discussion, adding that he considers it “important” to repeating basic elements of his belief system and eliciting Crito’s
persuade Crito of the reasoning behind his choices. He recalls agreement. He now announces his intention to apply these first
that they have always agreed that one must always attempt to principles to develop an argument specific enough to dictate the
avoid doing wrong, and asks if public opinion has suddenly proper course of action in his own case.
acquired any relevance to that question. Crito admits that it
hasn’t, affirming their shared conviction that one must never do
wrong.
Socrates explores the implications of this belief, asking Crito Having agreed that one should always try to avoid doing evil,
whether it is acceptable to, for example, act wrongly as revenge Socrates crafts a more specific argument against the morality of
for a wrong committed against oneself. Following from their revenge. He and Crito never directly articulate what counts as
previously stated convictions, Crito asserts that this would not committing a wrong, apparently taking a shared definition for
be acceptable, and agrees with Socrates that a person must granted, despite this definition’s central importance to the
never act wrongly, regardless of the wrongs inflicted against argument.
them.
Socrates proceeds by speaking rhetorically as the “laws and the The “laws” which Socrates personifies here are more than just the
state,” or the nomoi, asking if it’s possible to ignore the verdicts written statutes of Athens; the Greek word used here (nomoi) also
of a court without implying that the courts have no validity. refers to the customs and institutions of the polity. By pretending to
That would mean nothing less than attempting to destroy the personify the laws, Socrates implies that these institutions are
city by undermining its laws. sufficiently unified and consistent to speak with a single voice.
Crito counters, at Socrates’ suggestion, by asserting that the Socrates distinguishes between wrongs committed through the
law acted wrongly towards Socrates by condemning him; for “laws” and wrongs committed by the laws themselves. He puts his
that reason, one can disobey it. Still speaking as the laws, own guilty verdict in the former category.
Socrates does not contradict that a wrong was committed, but
argues that he is nevertheless bound to obey the state.
Before allowing Crito to break in, Socrates insists on explaining Socrates outlines the first two parts of his three-step argument for
where this obligation comes from. He lists the goods he total loyalty to the state: that a person owes the state for what they
received from the state, arguing that there are so many of receive from it, and that the state always provides the opportunity
these goods that any citizen must accord the state a position of to convince it to change its intended course of action. Both of these
honor even greater than that of their parents. If it is impious to arguments apply specifically to Athens, a state rich enough to
disrespect one’s mother or father, it is even worse to disrespect provide many benefits and mostly governed by democratic
the state, even if it “leads you to war to be wounded or killed.” A institutions; it is unclear how they might apply to other states where
just citizen can only obey the state or convince it to act this is not the case.
differently. Crito agrees.
Though he has already elicited Crito’s agreement, Socrates Freedom of movement becomes the third leg of Socrates’ argument,
keeps pushing. He observes that any Athenian of age has the despite the fact that economic and political conditions often made
right to leave the city and go somewhere else if he dislikes the “going elsewhere” more difficult than Socrates’ words would
law. Escaping prison would therefore be wrong for three indicate. Most significantly, the argument also makes no effort to
reasons: first, it would be equivalent to disobeying his account for the enormous segments of the population which were
“parents”; second, because he had already been given the not considered citizens, including women and slaves. This failure
opportunity to convince the state to act differently in court, significantly limits the general applicability of Socrates’ argument.
and therefore had already had a fair shot at disputing its
intended course of action; and third, because he had spent his
whole life in the city, and thereby consented to obey its laws.
Here, Socrates takes a moment to return to Crito’s earlier Socrates reveals that his decision includes some consideration for
argument that dying would mean abandoning his friends and his loved ones after all. It remains unclear how this point fits into the
children. He points out that those same friends would stand in arguments about citizenship he made above, or whether he adds it
danger of retribution if he escaped successfully. merely for the sake of refuting Crito as thoroughly as possible.
Addressing another one of Crito’s points, Socrates imagines Socrates’ arguments become even more practical, showing his
what his life would be like in a new city. If he went to a well- sensitivity to the contemporary political situation in Greece. He also
governed city, he says, the people would look on him with hints further towards an unelaborated philosophy of kinship,
justified suspicion as one who had already showed his indicating that he recognizes obligations to his family and expects
contempt for the law. On the other hand, if he went to Crito’s loyalty from his friends (both institutions being at least partially
friends in Thessaly, he would be forced to live a hard life amid determined by the Athenian “laws”).
political instability and chaos, making it difficult to give his
children a good life. If he dies, however, he can count on his
friends to take care of his family.
Socrates, still pretending to speak as the law of Athens, Socrates returns to divine matters, vaguely indicating his belief in
concludes his argument by considering his own fate after some sort of important moral judgment after death. It remains
death. If Socrates dies willingly, the laws declare that he can unclear how this belief influences his views on the nature of good
count on the “rulers” of the underworld to defend him, since he and evil, if at all; the dialogue’s mentions of divine things serve only
has been wronged “not by us, the laws, but by men.” If he flees, to demonstrate Socrates’ connection to immortal truths that Crito
on the other hand, he will live a wretched life among the living does not understand.
and can expect that things will be no less wretched after death.
Socrates turns to his old friend and addresses him directly. He Socrates’ words sound increasingly mystical as he reports an
tells Crito that he hears the words of the “laws” around him, experience of divine inspiration, balancing out the prophetic dream
like the music of the flutes of the Corybants, and the “echo of he mentioned at the dialogue’s beginning. This mysticism adds an
these words […] makes it impossible for [him] to hear anything extra degree of mystery and allure to his character.
else.” He invites Crito to continue to object if he thinks he can
still make a case for his proposal; for his own part, however, he
declares the argument closed.
To cite any of the quotes from Crito covered in the Quotes section
HOW T
TO
O CITE of this LitChart:
To cite this LitChart: MLA
MLA Plato. Crito. Hackett. 2002.
Eberwine, Paul. "Crito." LitCharts. LitCharts LLC, 18 Apr 2019. CHICA
CHICAGO
GO MANU
MANUAL
AL
Web. 21 Apr 2020.
Plato. Crito. Indianapolis, IN: Hackett. 2002.
CHICA
CHICAGO
GO MANU
MANUAL
AL
Eberwine, Paul. "Crito." LitCharts LLC, April 18, 2019. Retrieved
April 21, 2020. https://www.litcharts.com/lit/crito.