Dwell - January-February 2018

Kitchens and Baths
Inspiration for Your

Hardest-Working Rooms
Gabrielle Bullock
The New IIDA Head Makes
Diversity Priority One
AƻƟĈŭƦťĈ[ƻëĈȉƦ ƻȉƎë
The Power of Design

Creating Without Fear
A perforated metal staircase

is at the heart of a Victorian
rebuild in San Francisco.
dwell.com
JanuaryFebruary 2018
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“The clients asked for minimal tree removal, a master bedroom
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Roland Rom Colthoff, architect
Page 84
CONTENTS
features 62 70 78 84
COVER PHOTO BY:
Red, White, and Zen and the Mies en Scène Curved on
Joe Fletcher Blue All Over Art of Kit House Carefully balancing a Grade
ABOVE: Fougeron Architecture Maintenance restoration and reno- A couple in search of
conceives a daring vation, a designer room to roam for
A special tub is designed Built in Tiburon,
for washing the dogs and brightly hued make- updates his Mies van themselves and their
California, in 1991, a der Rohe townhouse
at a lakeside dwelling over for a Victorian in Japanese-style kit home dogs build a curva-
in Ontario. San Francisco. in Detroit’s historic ceous getaway in Fort
is renovated and fully Lafayette Park.
PHOTO BY Michael Graydon Irwin, Ontario.
TEXT customized—meditation
+ Nikole Herriott
Lydia Lee room included. TEXT
TEXT
PHOTOS Sam Eichblatt Alex Newman
TEXT PHOTOS
Joe Fletcher PHOTOS
Lydia Lee Mark Wickens Michael Graydon +
PHOTOS
Nikole Herriott
Joe Fletcher
7
NYC | SAN FRANCISCO | LA | CHICAGO | AUSTIN | MINNEAPOLIS | SYDNEY | MEXICO CITY | MONTERREY
BLUDOT.COM
January/February 2018
56
34
23
CONTENTS
The Flow round
corner sink by Simas
is 19 by 19 inches.
50
departments
11 Editor’s Letter 23 Modern World 46 Conversation

14 Community Our special focus this issue is on kitchens and baths, the rooms Gabrielle Bullock, president-
that have perhaps the greatest potential for either spectacular elect of the International Interior
results or costly mistakes. We’re here to help, with designer Design Association, talks about
advice, inspirational photos, and a slew of products in two of-the- her experience as head of diver-
moment themes: matte black and small sizes. Plus, find out how sity at Perkins+Will and how it will
social media is changing the way we design and use our kitchens. inform her new role at the IIDA.
TEXT BY Georgina Gustin
ILLUSTRATION BY Sam Kerr
102 Sourcing 34 Process 40 Interior Design 50 Renovation

Saw it? Want it? Need it? Buy it! Artisans at Thos. Moser in The project that sparked a A couple turn a dated split-level
Auburn, Maine, demonstrate the designer’s career almost two ranch in Chicago into a gracious
tradition-bound steps that go decades ago—the renovation midcentury-style home complete
104 One Last Thing into making the company’s signa- of his own 19th-century row with butterfly roof.
Architect Jim Cutler’s Japanese ture Continuous Arm Chair. house in upper Manhattan— TEXT BY Winifred Bird
pencils go wherever he goes. TEXT BYLindsay J. Warner comes to completion at last. PHOTOS BY Pippa Drummond
PHOTO BY Grant Harder PHOTOS BY Jamie Chung TEXT BY Paul Wong
PHOTOS BY Brian W. Ferry 56 Outside
Imagined as a black pavilion set
in a lush garden, a dramatic resi-
dence in Dallas offers views of
Get a full year of Dwell at greenery from every room, while
dwell.com/subscribe. achieving LEED Platinum status.
TEXT BY Jennifer Pattison Tuohy
PHOTOS BY Michael Friberg
9
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editor’s letter
In all the years since I started Dwell, this is the

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DWELL JAN UARY/ FEB RUARY 2018 11

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letters
I love “Sparrow” house so much,

I hollered “yes!” in the middle of the article
and scared our intern!
—Kernan Coleman
Clockwise from below:
Parallelogram House,
in Winnipeg, home
of the Ploegman family;
designer Samantha Mink’s
“Sparrow” house, in
Culver City; and designer
Peter Kostelov’s
Manhattan apartment.
COMMUNITY
FROM DWELL.COM
PHOTOS, CLOCKWISE FROM TOP LEFT: KAMIL BIALOUS; MICHAEL SCHMIDT; MATTHEW WILLIAMS
I remember [“Sparrow”] house.
I wanted it, even put in an offer,
though I wasn’t sure what I would
do with it. It was very ordinary, but
I could see it had potential. I got
outbid. I have to say, Samantha
did a great job! —Warren Bowman
Interesting approach [in the

I just wanted to send you this note Thank you for your Editor’s Letter I was disappointed to see six Kostelov residence]—especially
of appreciation for the great story in the November/December pages in the November/Decem- the use of plywood, and thinking
and photos of our home in the issue. We are embarking on a ber issue dedicated to an article of the entire space as a 3D inter-
November/December issue new build that is somewhat about blacksmithing [“Forging secting puzzle, with volumes of
[“Know Your Angles”]. Also, the daunting. It is our fourth home Ahead”]. I would hope that you’d built furniture being able to slide
theme of Visionary Design in the build, but this time it is a multi- use those pages for articles more into empty spaces when not in
Editor’s Letter spoke directly to generational home that includes relevant to modern living and use. Very innovative. —Gayle Cole
me: “Others may not like your an attached unit for my parents. design. —Ernest Cunningham [The Kostelov apartment] is fantas-
style, your choices, your ideas. We want to keep with our
tic! I like the brick wall to add tex-
Who cares? Your project is not for modern style and vision but also Editor’s reply: We chose to fea-
ture and a darker color, and so
them. It’s for you.” I found myself ensure that it is comforting to ture blacksmith Japheth Howard smart to move the living space to
thinking and saying this many my aging parents. I am excited because his work reveals the care where the natural light comes in.
times during the process and after about the project, but at times and craftsmanship that go into
—Lisa C.
moving in. So thanks for every- I can definitely second-guess making a well-designed everyday
thing you do! —Nolan Ploegman my vision. Your words were object. Our aim with the Process WE INVITE YOU TO SHARE
reassuring, inspiring, and exactly section is to show how time-hon- YOUR THOUGHTS ON THIS ISSUE.
what I needed to hear. ored techniques and authentic BE HEARD AT DWELL.COM/
—Sandhya “Sunny” Patel materials fit in the modern world. THE-POWER-OF-DESIGN.
14 JAN UARY/ FEB RUARY 2018 DWELL

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C
AFT MA
S
in the digital world
In Loop, an installation recently of marbles in a room below.

on exhibit in Seoul, a marble The project, COS’s first in Asia,
enters an elaborate circuit every has universal appeal, says cre-
five seconds, then travels around ative director Karin Gustafsson:
the room before vanishing into “It brings back childhood mem-
the floor and reappearing in a sea ories of marble runs.”
As glass marbles and reintroduce

glide along the them at will, inject-
Roll Model four separate

tracks of Loop—
the third and
ing a bit of ran-
domness into the
clockwork-like
latest project by proceedings. And
Snarkitecture and COS bring audiences into the Snarkitecture for Loop had a way
clothing brand of influencing its
loop with a sculpture that channels one of COS—the mechan- audience right
the most unpredictable objects there is: the sphere. ics seem so simple. back. Like falling
Nothing but kinetic rain, the gentle
energy propels trickle of marbles
the balls through reaching the end
the periwinkle- of the line hushed
tinged circuits, onlookers, creating
some 1,300 feet an atmosphere
of metal rails that that was both med-
were hung from itative and tense.
the ceiling of the As Snarkitecture
white-box Gana partner Alex
Art Center in Seoul, Mustonen put it,
South Korea. But “Architecture was
what really powers pouring out of
the experience the walls in an
is human interac- uncontrolled way,
tion. Those able to but there was
catch the exhibi- that steady drip.”
tion last November See a video
were encouraged of Loop in action
to pluck marbles online: dwell.com/
from the tracks loop–video

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dwell asks
What drives you crazy about your

kitchen or bathroom?
Forget about serious (and seriously expensive) issues like leaks.
When it comes to the rooms you rely on most, even an awkwardly placed
shelf can be the bane of your existence. We asked readers
to tell us the first thing they’d change about their kitchen or bath.
CONTRIBUTOR’S The amber color of

CORNER my cabinets already
“Like everyone else, feels so dated.
I love nothing more I don’t mind the cost-
effective granite, but
than swooning over
combined with the
pictures of roomy cabinet color and its
spa-like baths,” says propensity to show
design writer and stains, I’m constantly
lecturer Dora Vanette, fighting a losing
who spearheaded the battle [to make my]
Kitchen and Bath kitchen feel like a
special for this issue. room I enjoy being in.
“But in my railroad Josh Courville
apartment in New
York, the biggest
COMMUNITY
issue is the bathroom

is too small to even
house a sink.”
Fortunately, the My husband and I
were working on our
situation isn’t
first home renovation
permanent, she says:
together: a complete
“We’re moving soon.” overhaul, top to bot-
tom, including a
kitchen and three full
baths. We sourced
our tile carefully and
found some amazing
Italian porcelain at a
great price. Our con-
tractor said his son
would lay all the tile,
and we trusted him.
Lesson: never, never
sign off on ANY work
(or pay for it) unless
it’s completed to your
satisfaction. We came
back to the house a
few days later to see
The layout. Countertops cut the room in huge blobs of dried
half and the low-hanging dark cabinets make grout everywhere,
which, by then, took
us feel trapped. We’re prisoners in our forever to remove
using muriatic acid
ILLUSTRATION: RAYMOND BIESINGER
own kitchen. Send help!! Richard Shanks and a TON of extra

labor on our part.
The contractor
When we did our The 36-inch is just a My worst mistake board that was a wouldn’t return to
kitchen, we didn’t 24-inch with a wider was choosing vinyl graphic nightmare. clean it up, as he was
want to see the faceplate and door, flooring for a kitchen It drew your eyes to on to another job.
microwave, so we so we lost quite a bit based on a small it from every corner. Beautiful tile looks
got a 36-inch drawer of storage space in sample. The colors No amount of throw beautiful only if it’s
unit and put it in the the island. worked, but I created rugs solved that one. installed properly.
island. The problem: Dennis Christensen a huge tic-tac-toe Robert Wright Amy Nelson McVeigh

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houses we love
Cabin Cubism
A cliffside home on Washington’s San Juan Island
echoes its surroundings.
TEXT BY Allegra Preuss PHOTOS BY Eirik Johnson
Bonnie and Paul Bunning’s yards (below). The staggered

3,600-square-foot home is rectangular panes, also by
composed of four stacked Dynamic Windows, reference
volumes covered in cedar and the home’s multilevel con-
cypress (right). Lift-slide figuration. The door and win-
doors by Dynamic Windows dow frames are painted Tasty
allow easy access to planted Apple, Perennial, and Herb
rooftops that serve as small Garden by Benjamin Moore.
COMMUNITY
For most of the 40-odd years that Paul Prentiss soon convinced them that to really
and Bonnie Bunning visited San Juan take advantage of the site, they needed to
Island, they stayed in a ramshackle cabin start fresh. “I could create something where
on a rock-strewn, moss-covered hill the different parts of the house all celebrated
overlooking the Salish Sea. After they the different views they had previously expe-
retired, the couple decided it was time rienced in one single spot, enlarging and
to add modern amenities like running diversifying their experience,” says Prentiss.
water to their rugged getaway, so they From the road, the new house that he and
hired Seattle-based Prentiss + Balance + project architect Dan Wickline designed,
Wickline Architects to renovate. But Geoff located next door to the still-existing old one,

“Locating the house in the ravine and
stepping the building up the hill reduced
the need for excavation while still
nesting the house into its surroundings.” The Bunnings found the
boulder that marks the
Dan Wickline, architect entryway (above, left) dur-
ing the home’s excavation.
Fabricated by Mancuso
Construction, the ash
kitchen cabinets (above)
were cut across the grain
and installed so that the
pattern matches continu-
ously from unit to unit.
Local grasses and flowers,
including camas, wild
strawberry, and clover,
cover four terraces that
camouflage the home
within the landscape (left).
appears as a one-story structure poking its which provide thermal and sound insula-
head out from behind the slope. From the tion. Paul, an artist and former writer,
seaward side, however, the house reveals chose a split-in-half boulder, found during
itself as four rectangular volumes cascad- excavation, to grace the entryway.
ing down the cliffside. Limited furnishings and materials,
The unevenly stacked volumes fan out, :?4=F5:?82D9>:==H@C<2?54@?4C6E6Ə@@C- MORE AT DWELL.COM
each blanketed with a green roof that’s ing, maintain the interior’s focus on
DO YOU HAVE A PROJECT
2446DD:3=67C@>E96Ə@@C23@G6N@??:6O2 nature. Says Bonnie, “It was thoughtfully YOU’D LIKE TO SEE PUBLISHED
former geologist, stripped seeds from vari- designed and meticulously built, and seems IN DWELL? SHARE IT AT
ous native grasses on the site for the roofs, to be an organic part of the landscape.” DWELL.COM/ADD-A-HOME.

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KITCHENS
AND
BAT H S
ON
THE
CUTTING
EDGE
For the rooms

we agonize
over most,
Dwell presents
expert advice,
product ideas,
and real-life
results, with a
timely focus on
velvety matte-
black finishes
and space-
saving fixtures
and appliances.
PRODUCED BY
Dora Vanette
PHOTO: JAMIE CHUNG

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DESIGNER INSIGHT
THINK OF THE BIG

PICTURE FIRST
2
ANDREA MICHAELSON
3
Andrea Michaelson Design
Beverly Hills, California
“ For kitchen design, I think

about layout and flow first,
and only then about the
materials. I focus on large
items such as cabinetry
and appliances and allow the
rest of the details to unfold
as I’m working. I always make
sure to incorporate details
that will distinguish the design,
such as a splash detail,
unique storage solutions, or
new ways to use a material—
for instance, creating cabinet
faces and doors out of
reclaimed wood and metals.
I also always try to integrate
a counterpoint, a beautiful,
unexpected ‘aha!’ moment
that brings a little soul to
the space.”
ILLUSTRATION: PETER OUMANSKI
24
custom
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DESIGNER INSIGHT
IT’S OK TO SHOW
OFF A LITTLE
BARBARA HILL
Barbara Hill Design
Houston, Texas
“ I love minimal kitchens and

bathrooms. I always try to
take down upper cabinets and
replace them with interesting
open shelving. My go-to
material is steel and I always
try to avoid the built-in look.
With open shelving, not only
can you showcase a great
collection of white dishes, but
you can mix in vintage show-
pieces or even small artworks.
“In bathrooms, I love
a prettily shaped freestand-
ing tub. Bathrooms should
have a sexy feel. I always want
to bring romance into the
bathroom—I usually place
a small table next to the tub
for bubbles, salts, and cham-
pagne. I also like an unusual
chandelier over the tub with
a dimmer.”
3
ILLUSTRATION: PETER OUMANSKI

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1
DEERTRACK LANE
JEFF JORDAN ARCHITECTS
IRVINGTON, NEW YORK
Architect Jeff Jordan typically

prefers to limit the materials in his
kitchens to a handful of compatible
finishes and almost never uses more
than two types of wood. However,
in renovating a midcentury home in
a suburb north of New York City,
he decided to integrate oak, cypress,
walnut, pine, and cedar in the same
space, giving the kitchen a rich yet
balanced texture.
2 3 4
GV HOUSE
THIS IS IT
GIV’ATAYIM, ISRAEL
While renovating a 1980s kitchen

in Israel, architecture studio This
is IT employed a selection of cool,
neutral materials to provide the
residents with some relief from the
strong Mediterranean summer sun.
Gray terrazzo, black granite, con-
crete, steel, and glass predominate,
while brass details are interspersed
sparingly throughout the home to
create a running thread.
3
ART AND LIGHT
ANDREW MIKHAEL ARCHITECT
NEW YORK, NEW YORK
A common phenomenon in big

city apartments is having a front
door that opens right into the
kitchen, making the cooking area
the default spot for guests to con-
gregate at parties. Architect Andrew
Mikhael embraced the kitchen-
as-entertaining-hub concept with
multicolor LED lights, which allow
his Manhattan clients to change the
room’s mood with one click.
THE CREATIVE DIRECTOR
4 OF NEW YORK APPLIANCE
LOS PALMOS SHOWROOM AJ MADISON
SVK INTERIOR DESIGN
SAN FRANCISCO, CALIFORNIA TALKS ABOUT HOW SOCIAL HOW HAVE THE LOOK AND PURPOSE OF THE
KITCHEN EVOLVED IN RECENT YEARS?
In a San Francisco kitchen conceived MEDIA HAS RESHAPED There is no longer just one look for a kitchen. People
PHOTOS: GREGORY MAKA (1), MATAN KATZ (2),
TH E MAR KE T—AN D MAD E

BRAD DICKSON (3), MICHELE LEE WILSON (4)
by SVK Interior Design, rich elm are increasingly using this space to showcase their
accents are paired with matte-white personality. Since it’s become common to share your
laminate cabinets, gray-veined EVERYON E THIN K THEY interiors on social media, most people don’t want
Caesarstone countertops, and show- CAN BE A CHEF. to have the same white cabinets and marble counter-
stopping white Heath tile with dark tops as everyone else.
grout. The designers decided to
RACHELLE LOUIS HOW ELSE HAS SOCIAL MEDIA SHAKEN
go hardware-free by installing push-
Creative Director, AJ Madison THINGS UP?
to-release mechanisms on all the Similar to the way websites such as Travelocity
cabinet doors and drawers, making have made people want to travel more, Tastemade
the materials the focal point. and Buzzfeed’s Tasty are inspiring us to cook more.
When you see dishes presented in such a format you
begin to think, “I can do this too.” The next thing
you know, you’re trying to make a pumpkin chili
bowl out of a cutout pumpkin. More broadly, social
media makes different hobbies feel more accessible.

P H OTOS Add a Home B
1 2 1
CHEVRON HOUSE
ANDY MARTIN ARCHITECTURE
LONDON, ENGLAND
Through the dramatic use of
color, London studio Andy Martin
Architecture revived a brick Edwardian
house for a contemporary art col-
lector. To keep the eye from being
overwhelmed, the firm left the walls
a neutral off-white while highlighting
key details like built-ins with bold
hues. The bathroom, accented in lime
green, baby blue, and lemon yellow,
is a highlight.
2
STANHOPE GARDENS
CARL TURNER ARCHITECTS
LONDON, ENGLAND
In designing the bathroom of a West

London home, architect Robert
Guest of Carl Turner Architects cov-
ered the floor and walls in square tiles
to give the space a graphic quality,
almost like grid paper. “In some ways,
3 4 it feels like an inhabited drawing,”
Guest says. The basin top is hard-
wearing concrete. A small Glo Ball
light provides a delicate counterpoint
to the tough surfaces.
3
SAINT-LAURENT APARTMENT
ATELIER BARDA
MONTREAL, QUEBEC
When a fashion company asked

Atelier Barda to transform a lofty,
1,150-square-foot apartment in
Montreal’s up-and-coming Mile
End district into a place to host
out-of-town clients, the designers
responded with a gutsy black-and-
white scheme. In the bathroom,
a marble countertop and white-
washed brick walls are paired with
sleek ebony taps.
4
NORRIS HOUSE
DAVEY MCEATHRON ARCHITECTURE
AUSTIN, TEXAS
To introduce morning light into a
master bathroom in Austin, architect
Davey McEathron had to punch
a skylight through the vaulted ceiling
because the exterior walls face south
and west. For the clients’ large dog,
he incorporated a separate washing
station in the shower. The cabinets
are painted Indigo by Sherwin Williams
It makes people want to try more things. In the that works best for each individual kitchen. Some to provide a pop of color in the oth-
past, cooking seemed like something you had to manufacturers, like BlueStar, offer different cooktop erwise white space.
PHOTOS: NICK ROCHOWSKI (1), TIM CROCKER (2),
go to school for, and now you realize you just configurations that allow you to switch out the burn-
ADRIEN WILLIAMS (3), LEONID FURMANSKY (4)
need a passion for it. As a result, people are becom- ers based on what you’re cooking.
ing more aware of the appliances they are using.
Social media opens the door to wanting to learn HOW IS DIGITAL TECHNOLOGY PENETRATING
more about cooking. It turns the process from THE KITCHEN?
a chore into a craft. The idea of a refrigerator talking to you still sounds
like science fiction to some people, but the same thing
SO CONSUMERS ARE BECOMING SAVVIER could have been said about our phones ten years ago.
AND MORE PROFICIENT. HOW ARE MANUFAC- A similar shift is happening with kitchen appliances.
TURERS RESPONDING? And the idea of the connected home will only con-
Because people want to cook restaurant-style food, tinue to grow. Samsung’s Family Hub refrigerator is
professional appliances are becoming more com- a good example. It features a large LCD screen where
mon in homes. A lot of brands are adapting high-end you can mirror your television, moving seamlessly
appliances to work in compact spaces or adding between watching something in your living room to
convertible zones to their products. For instance, watching it in your kitchen. You can also surf the web
column refrigeration allows people to customize and order groceries on it. You can even order Grubhub
refrigerator and freezer widths and pair them in a way if you don’t feel like cooking.

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Black, a smooth finish Italian manufacturers duced a sleek 13.4-inch- Victorian-style, claw-
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DESIGNER INSIGHT
DON’T FORGET
THE TOUCH TEST
FRANCINE MONACO
D’Aquino Monaco 1
New York, New York
“ When designing bathrooms, 2

I’m often trying to create
a jewel-box experience—you
open the door and find your-
self transported to a pristine
little world. To achieve this,
I strive for a seamless design
from wall to floor. We’ve relied
on tile of standard sizes for
many years, but now there
are so many different options
for scale change within the
bathroom. Plumbing fittings
are the jewelry that makes
the room feel more intimate,
since the touch and feel of
those fittings is ultimately
what you’re engaging with.
We’ve recently been using
these wonderful cast glass
faucets by Fantini that feel
warm to the touch and have
beautiful colors that you
can use to animate other,
more natural materials such
as stone.” 3

D R E A M LO C AT I O N .
AND DESIGN.
2015-2016 KDC GLOBAL WINNER

Credit: Michael Nicholson CONTEMPORARY KITCHEN AWARD
Architect Fergus Scott received the 2015-2016 Sub-Zero and Wolf Kitchen Design
Contest’s Contemporary Award for this extraordinary open-air kitchen located on Australia’s
rugged south coast. The design features a 42" Sub-Zero built-in side-by-side refrigerator
and freezer and a 60" Wolf dual fuel range with an infrared charbroiler and griddle. To learn
more about this award-winning kitchen, visit subzero-wolf.com/kitchens.
Fergus Scott
Fergus Scott Architects
fergusscottarchitects.com.au
THE KITCHEN DESIGN CONTEST
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Conceived by Philippe With a deep basin and sink is almost a perfect of more than 60 prod-
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spray modes, AXOR’s Simone tub allows a small cabinet that Swedish giant IKEA,
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engineering with are available as an wood with a smooth mum functionality in a
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DESIGNER INSIGHT
LIGHTING MAKES
THE DIFFERENCE
CLINTON CUDDINGTON
Measured Architecture Inc.
Vancouver, British Columbia
“ Bathrooms are often 1

designed with only function-
ality in mind, but they provide 3
really interesting opportuni-
ties. They can be seen as
moments of reprieve from
the rest of the house, so they 2
can be designed with a sepa-
rate narrative.
“When designing bath-
rooms, we think about ways
to include tile in the space
that doesn’t read as appliqué.
We will often look to work
monolithically with tiles
throughout the entire room—
whether we’re using simple
subway tile or handmade
Fireclay tile. Another thing
that we do is place over-
scaled objects in the room.
We often use full-wall mirror
surfaces that cover much of
the room—sometimes
attaching lighting fixtures
onto the mirror itself.
“The right lighting is
important. You don’t want a
residential bathroom to look
like an institutional environ-
ment. Since bathrooms often
utilize cold materials like
marble and tile, coupling
them with warm lighting
helps soften the space.”
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32
What is the sound of southeastern Belize? It’s the paranda,
the punta, and a variety of other Afro-Caribbean rhythms
brought to our shores with the arrival of the Garifuna people
in 1797. Generations later, the music still wafts through the air,
calling locals and travelers alike to dance.
Learn more about this curious place at travelbelize.org
process TEXT BY PHOTOS BY
Lindsay J. Warner Jamie Chung
Continuous Reign: Spare, sturdy, almost

minimalist—Thos. Moser’s signature
chair distills generations of know-how.
Founded in 1972, Thos. Moser The chair that furniture maker Thomas his son Aaron. “That’s the beauty of a
belongs to a long tradition of aus- Moser, now 82, sat in every night during ?2EFC2=Ǝ?:D9N EE2<6D@?32EE=6H@F?5DO
tere New England woodworking
family dinner in New Gloucester, Maine, just like all of us.”
that stretches back to the Shakers,
the Protestant sect known for their bears witness to a lifelong passion for That dining chair—an early version
simple yet rigorously crafted furni- woodworking. “My father always carried a of what is now known as the Continuous
ture. The company uses only North tape measure in his pocket, and the spin- C>92:CYH2D+@>$@D6CkDƎCDE
American hardwoods in its work. dles of that chair are scarred from it,” says C64@8?:K23=656D:8?:?E96H@C=5@7Ǝ?6

At the workshop in Auburn, Maine,
master craftsman Warren Shaw
glues and clamps together three
pieces of cherry to make a panel that
will form the seat of a Continuous
Arm Chair. The artisans sometimes
call the piece “TMC”—Thos. Moser
Continuous—for short.
35
THE CONTINUOUS ARM CHAIR
The Thos. Moser team demonstrates how to build an updated Windsor chair based on timeless principles.
Ǐ
CUT AND GLUE SHAPE THE SEAT

A six-foot cherry board is cut into three pieces and ?2?:?6W>:?FE62FE@>2E65AC@46DDO2%>249:?6
A2DD65@G6CE96;@:?E6CE@86E2Ə2E72462?52A6CA6?5:4F=2C6586N routs and shapes the panel into an ergonomically
The pieces are color- and grain-matched and glued together 4@CC64ED62EN E2=D@5C:==D9@=6D7@CE96DA:?5=6D2?5=68DN
to form an 18-by-24-inch panel that will become the chair’s seat. By hand, this step alone would take hours.
furniture making. “The TMC was an 6>62?DE92EƎ8FC2E:G6=JY:EkD25:D- trade, help trim the seat of the Continuous
important milestone in his life as a tinctive design element—and also quite 492:CE@:EDƎ?2= e W:?49E9:4<?6DDQ2?
designer,” Aaron says, referring to the literally: Each chair bears the signature elephantine CNC milling machine sculpts
chair by its product SKU. “My father had of the principal craftsperson who worked the curve of the seat and drills holes for the
designed many things before, but in a on it, along with the date of completion. spindles. And yet: “The CNC will not make
smaller way. Before the TMC, he was a col- Of the 60 or so artisans working in the that continuous arm,” Andy says. “That
lege teacher and woodworker—he wasn’t Thos. Moser factory in Auburn, Maine, needs the eye, the hand, and the rasp.”
a designer. This was a real leap.” That was few have made as tangible a stamp on “Technology makes our lives a little
:? OƎG6J62CD27E6C$@D6C=67E9:DA@DE the brand’s design as master craftsman 62D:6COD@E92EH642?4@?46?EC2E6@?E96ƎE
as a communications professor at Bates and product developer Warren Shaw. 2?5Ǝ?:D9OlD2JD2C@?Oj3FEE96D@FC4:?8
College to start his furniture company. +H6?EJWƎG6J62CD28@O*92HDE2CE652EE96 of the material, the matching of the wood
The Continuous Arm Chair, with its ash company by learning how to sand prop- grain—no machine can do those things.”
legs and spindles attached to a richly col- erly. Today he shepherds each new design The Continuous Arm Chair itself—
ored American black cherry seat, takes E9C@F89G2C:@FDC@F?5D@7C6Ǝ?6>6?E all clean lines and functional beauty—has
its moniker from its signature curves: an until it’s ready for one of the six Thos. changed very little since 1977, yet its
unbroken arch of laminated cherry $@D6CD9@HC@@>D@C7@C2DA64:Ǝ44FD- =:?6286DEC6E496D324<7FCE96CNj EH2D
stretched into an alluring bend to form tomer. The bar is high: Thos. Moser inspired in part by the symmetry, econ-
the back and arms of the chair. Laminated products are guaranteed for life, so Shaw omy of form, and material, utility, and
cherry “ship’s knees”—curved supports constantly straddles the line between purity of Shaker design,” says its creator,
that attach to the bottom of the seat and production and craft. Tom Moser, nodding to the Protestant
each leg—replace the stretchers tradition- Over the past quarter century, he has group’s no-nonsense woodworking style.
ally found on Windsor chairs. “A lot of overseen the shift from mostly handmade “The TMC is a Windsor chair, but
time and attention gets paid to the bottom products to a workshop that now hums the Windsors of England don’t look any-
of the seat,” says Andy, another of Moser’s H:E9E96H9:C@7E649?@=@8JN ?5FDEC:2=WD:K6 thing like it,” says Aaron. “The silhouette
four sons. “That’s where the signature is.” planers and sanders, longtime tools of the of that chair is our brand.”

process
ǲ
LAMINATE MOLD
To make the signature continuous cherry arm, +96=2>:?2E65DEC:AD2C6ƎEE652C@F?52
11 knife-cut slices from the same board custom-made pneumatic gluing jig and clamped into
are laminated together with glue to make place (here by craftsman George Colby).
@?6DEC@?8OƏ6I:3=6A:646N The jig molds the arm into its curved shape.
Ȃ
RASP SAND
A band saw and a router slice the sharp edges off, 32==@@?D2?56CƎEE65H:E9 W8C:ED2?5A2A6C
then both a coarse and a fine rasp are used to create the smooths off the rasp marks, then the team uses 220-grit
C@F?5WE@WƏ2ED92A6@7E962C>N D2?5A2A6CE@92?5WD2?5E962C>E@2Ǝ?2=Ǝ?:D9N

process
BUILD GLUE AND WEDGE

Starting with the longest and shortest lengths, artisan Each ash spindle and leg is glued and driven into place and
Warren Shaw taps the ash spindles into the top of the seat secured with a cherry wedge for a mechanical and adhesive
and the continuous arm with a mallet. The legs will follow. bond that will keep the spindles and legs taut and strong.
Ʊ Ǐʲ
ATTACH THE KNEES LEVEL THE LEGS

Replacing ordinary stretchers, laminated cherry A 24-inch belt sander levels the legs—the last step before
“ship’s knees” fit into a specially routed mortise in each leg. the chair is taken to the finishing department. There, warm
Once they’ve been glued, clamped, and screwed oil is sprayed on to protect the wood. Finally, wax
into the seat and legs, they’re rasped and sanded. is hand-applied and then buffed to create the finish.

process
“You can drop the chair out of a truck and it

will bounce, not break. It’s built in a way that’s
akin to a high-tension wire bridge. It achieves
ĚƙƆƆƙſÓļûƙĔƙĔſŇƩûĔĚƙƆõÓǝĚ ĚĭĚƙǞŬź Aaron Moser
It takes nine hours to complete

a single Continuous Arm Chair,
requiring at least three people from
start to finish. At a spray booth
in the 90,000-square-foot factory,
an artisan applies oil to a chair.

interior design TEXT BY PHOTOS BY
Paul Wong Brian W. Ferry
Back in 1998, Tom Givone was an

advertising copywriter living in a tiny rent-
controlled studio in New York’s West
Village, dealing with a pain-in-the-neck
landlord who was always trying to raise
the rent. With the little bit of money he’d
saved, he decided it was time to look for
a place to buy. He ended up falling in love
with a double row of 20 identical high-
stooped wood houses, straight out of a
Victorian fairy tale, on a cobblestone cul-
de-sac called Sylvan Terrace. Located in
the Washington Heights neighborhood
of upper Manhattan, the houses—designed
in 1882 by architect Gilbert Robinson Jr.
to resemble an 18th-century mansion
nearby—are anomalies in brick-and-
concrete New York.
When the house Tom wanted fell
through, he was crushed, but he decided
to just start knocking on every door on the
DEC66ENj+96C6H6C67@FC@CƎG69@FD6D
for sale,” he says. “Had I had any resources,
I could have bought half the block.”
Self-taught designer Tom Givone doors entombed in sheetrock. The

fixed up his 1882 row house in New mixed-wood floor includes cherry
York City over many years. In the with maple parquet. The Pol chair is
parlor (above), he uncovered pocket by Mark Albrecht Studio (left).
Home Schooled
While reworking one of Manhattan’s few remaining wood row houses
on his own, a copywriter develops a taste for renovations.
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interior design
6Ǝ?2==J7@F?5E96A6C764EA=246Y2 initially kept his day job in advertising, projects became more conceptually ambi-
1,500-square-foot, three-story building but by 2006 his career had morphed into tious and structurally complex, he became
that had recently been abandoned mid- something else: architectural design. something more of a conductor, bringing
renovation. “It had some electric and He had begun taking on other people’s in architects, engineers, and craftspeople
sheetrock,” Tom says. “It was like a Home renovations—everything from a Brooklyn to help execute his designs.
Depot shell that looked like an active job brownstone to a farmhouse in Sullivan C@F?5 O96Ǝ?2==J564:565E@EFC?
site—paint had hardened over and mud County (“Hope Floats,” May 2012)—while his attention to completing his own house,
was on the walls.” Tom bought the house, putting his own project on the back burner. which he’d lived in for almost 16 years.
added a sink and an old stove to make it His education was getting into these “I felt I had to get it done,” he said. Plus, the
habitable, and started teaching himself old structures and learning as he went. timing was right. “I had a good crew, I was
how to patch it up. Every day after work, He spent his spare time sketching out light- Ǝ?5:?8:?E6C6DE:?8>2E6C:2=DO2?5 H2D
the homeowner-turned-contractor would ing diagrams or picking out material sam- learning different building applications.”
begin a new project, ripping out sheetrock ples. “I was the contractor, the designer, He restored the interiors by combing
or uncovering 15-foot ceiling beams. Tom a one-man band,” he says. And as the 72:CD=:<6E96C:>Ǝ6=5Ə62>2C<6E:?
“It was like a Home Depot shell that looked like an active job site—paint had
hardened over and mud was on the walls.” TOM GIVONE, DESIGNER AND RESIDENT
On the top floor, a Cumberland upholstered in cowhide (above). a thin layer of polished concrete.
chair by Thos. Moser faces a Room The kitchen range hood (opposite, The sides of the Carrara-topped
& Board ottoman, a Twiggy lamp top) is framed in wood, wrapped island are clad in anodized alumi-
by Foscarini, and a vintage sofa with cement board, and parged with num, as are the IKEA cabinets.

Sylvan Row House N
DESIGNER Tom Givone

LOCATION New York, New York
A Family Room D Kitchen G Bathroom

B Dining Area E Parlor H Laundry
C Garden F Bedroom I Master Bedroom
A C
Ground Floor
E F
First Floor
H G
Second Floor
ILLUSTRATION: LOHNES + WRIGHT
Having little experience when he rest on a Nanimarquina rug made

moved in, Tom started by exposing of recycled bike tires (above). Some
bricks and beams. A WH Design floorboards and stair treads were
sofa and an Arper Catifa 80 chair salvaged from a farmhouse (right).
DWELL JAN UARY/ FEB RUARY 2018

interior design
Massachusetts for furniture and lighting, true plaster medallions for the ceilings
but mostly by salvaging building supplies in the parlor spaces; and applying anod-
from neighbors. Everything from hard- ized aluminum–faced plywood sheets—
ware to hinges to little pieces of original typically used as cladding in high-end
Ə@@C:?8H2DD4@@A65@FE@7=@42=5F>A- commercial work—for kitchen doors, cab-
sters. He even found treasure buried in his inets, and staircase and baseboard trim.
walls: a pair of eight-foot-tall wood doors Over the years, Tom has grown even
hidden in the sheetrock of the parlor level. more enchanted with his home and
Tom also did much of the work himself its charming architecture. But mostly he
and spent countless hours researching enjoys living in such an unusually quiet
ways to enhance the design—applying corner of Manhattan, on a street that time
marine epoxy mixed with sawdust and seems to have forgotten. “There is some-
A2:?E36EH66?E96Ə@@C3@2C5D=:<68C@FEO thing powerful about this place, this block,
E96?D2?5:?8E96>E@28=2DDWD>@@E9Ǝ?- and feeling this energy about this house
ish; teaming with specialists to re-create that is very old and very new.”
All 20 row houses on Sylvan Terrace

have matching yellow, brown,
and green facades, as dictated by
the Landmarks Preservation
Commission. The architectural style
was inspired by the nearby Morris-
Jumel mansion, built in 1765.
Tom bored a hole in a marble sink— fireplaces were rebuilt, including

formerly a water fountain basin at in the master bedroom (above).
a park in Philadelphia—and added The flues were relined in stainless
a Hudson Reed faucet (left). Three steel to make them operable.

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conversation TEXT BY ILLUSTRATION BY
Georgina Gustin Sam Kerr
Gabrielle Bullock
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ƆƆŇ¶ĚƙĚŇļĚƆƙ¶ĪĭĚļûÇĚǗÓſƆĚƙǞŬ
You’ve stated that inclusion and diver- H6?EE@6G6CJ@?6@7@FC@7Ǝ46D:?

sity are priorities for you as the head of E96,N*N2?5#@?5@?2?5925G6CJ@A6?
the IIDA. It’s something you’ve been 5:D4FDD:@?DO2?5:EH2D4=62CE92E>J
working on already at Perkins+Will. ?@E:@?H2D4@CC64EP.65:592G6:DDF6D
How did that role come about? 2C@F?55:G6CD:EJ2?5:?4=FD:@?Y2C@F?5
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#@D?86=6D@7Ǝ467@C23@FE6:89EJ62CDO
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When you meet people at, say, a party,

what do you say about social equity in
architecture and why it matters?
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RENDERINGS: PERKINS+WILL
Gabrielle Bullock graduated from less than half a percent of registered

the Rhode Island School of Design architects. Bullock’s projects include
in 1984, becoming only the second the master plan for the Girl Scouts of
African American woman to earn an Greater Los Angeles’s Camp Lakota,
architecture degree from the school. in Frazier Park, California (dining hall
Even today, black women make up shown here), completed in 2016.

Bullock joined Perkins+Will in 1988 construction, and was on the team
and has been a principal since 2005. that completed a new research labo-
She is managing principal for the ratory and a seismic bracing renova-
King Abdullah Specialized Children’s tion for the Steven Spielberg Building
Hospital in Jeddah, Saudi Arabia at Cedars-Sinai Medical Center
(above and left), which is under in Los Angeles (below) in 2010.
42?kEC6=2E6E@E96D@4:@64@?@>:4:DDF6D@7
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Have you seen much change in the

diversity landscape of the profession
since you started?
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RENDERINGS: DAR AL-HANDASAH/PERKINS+WILL. PHOTO: PAUL TURANG PHOTOGRAPHY
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Is that also true of clients? How have ;qD)TT)TTaRçoq)uD$)\{Ŭ)T){çDD$
the changes affected your business?
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Why is it important? diversity was especially successful?
As president-elect of the International +964@CA@C2E6H@C<A=246:D2=2C86A2CE +96$FD6F>@77C:42?>6C:42?
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lenges do you face and are they different A6@A=6H@C<?@HS@H5@6DE92E:?E6C:@C 9@H24F=EFC2==JC:492C49:E64EFC2=56D:8?
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A DV E R T I S M E N T
Tailor-Made For Urban Dwellers, a Pair of

Hip Austin Residences Connect To Their
Vibrant Surroundings
Edgy and functional, two homes on neighboring lots in the neighborhood as it exists now, but also to the direction it is moving
heart of Austin are punctuated by expansive windows and towards. Beyond targeting a location close to the Austin action, the
doors from Marvin. aesthetic goal was to create comfortable and generous living spaces
with an emphasis on ambient light.
In Austin’s vibrant Zilker neighborhood, architect Kristopher White
of Dick Clark + Associates was presented with a unique opportunity One of the homes, built with clear mid-century modern influences,
to design and build two residences on adjacent lots, each with its integrated versatile Marvin windows and doors to compliment
own identity but coexisting in close proximity. The most critical the clean lines and warmth of design. Chosen for their simple and
initial appeal of the project was the “Austin-centric” location. The timeless beauty, practicality, and large expanses of glass, the Marvin
Zilker neighborhood, suggests White, embodies the true spirit of products were an asset to bringing unrestricted natural light into the
Austin – it is bikeable to downtown, and walkable to Zilker park and home, as well as encouraging an indoor/outdoor living experience.
music festivals. Austin, says White, has seen a dynamic and evolving Subtle connective threads unify the two residences, and the same
urban landscape over the last several years, with a steady influx of Marvin window and door products were used for both homes.
young professionals to the city. These Austin transplants, a subset Treating the homes as if they would live there, the developers were
of whom inevitably become new home buyers, have been drawn to also attracted to the energy efficiency of the Marvin products, which
the city by increasing job opportunities in technology, long-standing they kept in consideration for the benefit of the future owners. The
cultural ties to music and art, and ability to enjoy the outdoors with design embodies the enduring creative spirit of DC+A founder Dick
ease and accessibility. Curating homes that fit into the fabric of this Clark, who recently passed away. Clark’s lasting legacy in the firm,
lively “modern lifestyle” was the goal of White’s clients and frequent says White, is “the inspiration to create spaces that people want to
collaborators, developers Steven Radke and Ryan Vinson. From the enjoy life in” – an abstract but powerful philosophy that informed
beginning, Radke and Vinson dedicated a deep personal commitment the creative process in the unique Austin residences.
to the project, adopting an “owner’s mentality” by thinking intimately
and personally about what they would value in a home if they were
to move in. They felt it was valuable to respond not only to the For more visit dwell.com/marvin-austin.
DESIGNED WITH PURPOSE
Because our expectations are as high as yours. Discover the difference at marvinwindows.com.
renovation TEXT BY PHOTOS BY
Winifred Bird Pippa Drummond
Maria Ponce Berre and

Trey Berre saw through
the dated features of a
1954 ranch on Chicago’s
North Side to create a
fresh, luminous home
for themselves and their
daughters. A 14-foot-
wide opening defines
the kitchen, which archi-
tect Scott Delano, with
Nicholas Pettit, carved
out of what had been an
enclosed breezeway and
part of the garage. The
bifold window is from
NanaWall, the windows
above are by Pella, and
the faucet is by Blanco.
When attorney Trey Berre and his wife,

photographer Maria Ponce Berre, began
searching the Chicago real estate listings in
2014, they were looking for land, or at least
something to tear down. They imagined A redone Chicago ranch house
building a “forever home” that embodied
their love of modern design, particularly
from the 1950s now sports a
midcentury Palm Springs. But when Trey Palm Springs–style inverted roof.
spotted an ad for a 1954 split-level ranch on
a corner lot on the city’s North Side, that
plan went out the window. “As soon as I Desert in
the Windy City
Tie Stix Suspension by PureEdge Lighting
www.lightology.com
renovation
walked in, I knew it had good bones,” he a bit more special,” says Delano, who works
says. The shag carpet and pink bathroom 2D5:C64E@C@756D:8?2E.C:89E66C6>2
didn’t matter. Instead he saw clean lines Architects in Chicago but typically takes
and great natural light, a place where he on one private residential project a year.
could envision raising their daughters, Key changes included raising the ceiling
Fiona and Alessandra. After calling Maria in places, converting the wood-paneled rec
to get the go-ahead, he put in a bid, sight room and bar on the lower level into a mas-
unseen on her end, for the house. ter suite, and moving the kitchen into what
Over the next 19 months, the couple had been an enclosed breezeway and part
worked with architect Scott Delano to of the garage, then putting in windows that
transform the 1,990-square-foot space into fold open to create an indoor/outdoor eat-
28C24:@FDOO WDBF2C6W7@@E9@>6OƎ==65 :?82C62Nj ?9:428@OJ@FAC@323=J@?=J
with midcentury-style furnishings, includ- get a season and a half to actually open
ing many they designed themselves, and E92EH:?5@HFAOl25>:ED6=2?@Oj3FE:EkD
4@>A2E:3=6Ǝ?:D96DNj.6H6C6ECF6E@ a glorious season and a half.”
the house while elevating some areas to be .96?:E42>6E:>6E@>2<6D@>6
“A lot of the decisions were about being true to the

house while updating it. We weren’t trying to make it
something it never was.” SCOTT DELANO, ARCHITECT
In the front courtyard, a raised blue- are from Room & Board. When
stone patio was built off the new contractor ABO Construction dis-
kitchen for casual meals and enter- covered that part of the original roof
taining (above). The Eames Molded needed replacing, Delano came up
Plastic Chairs are from Herman with a butterfly design that suited
Miller. The dining table and benches the home’s midcentury lines (top).

A DV E RT I S M E N T
DishDrawer™ — How a
Game-Changer Was Born
In a story that started 20 years ago at Fisher & Paykel’s
design headquarters in New Zealand, a team of
innovators invented a better way to wash dishes.
The Fisher & Paykel team was simply trying to improve a design, not reinvent
it. “We could see living patterns changing —home cooking was getting more
casual, socializing less formal,” says Mark Elmore, head of design at Fisher
& Paykel. “At the same time, the design of the kitchen was becoming more
open. There was a shift away from deep under-counter cabinets to drawers
that were beautifully engineered to slide out to you.” However, it was not
until observing real people in their own homes that the Fisher & Paykel team
changed the way they were thinking about the design.
“Our design team was standing in a kitchen talking, and we began wondering
aloud if a dishwasher could actually fit into a kitchen drawer. We realized our
design challenge was to fit with the kitchen rather than fight it,” says Elmore.
As the creative conversation progressed, the traditional idea of a hinged
dishwasher with separate interior trays was challenged. “We already live life
out of drawers, so why can’t appliances slide out at an ergonomic height too?”
Through the team’s unconventional and bold design exploration, a better way
to wash dishes was born.
“Our first prototype looked a bit like a filing cabinet,” says Elmore. From that
initial breakthrough design, Fisher & Paykel continued to refine and innovate.
“We married it with our studio’s technology and expertise, tested it, improved
it — and continue to refine it today, with the ninth generation DishDrawer
Dishwasher.” The self-contained drawer-based system includes double or
single-door models, a design that gives homeowners the flexibility to select
the best fit for their needs.
Today, the ninth generation DishDrawer Dishwasher has a sleek new internal
interface, minimal gaps for seamless integration with kitchen cabinetry, and
panel-ready options for aesthetic flexibility. Double, single, and tall drawers
are all available to meet a variety of user needs. The drawer setup, in addition
to being ergonomic with less bending needed, also saves water and power
with half loads. Easy installation, and quiet, efficient performance complete
the smart and sleek design. Looking back at the evolution of the DishDrawer
Dishwasher, Mark Elmore reflects on the innovative first idea that started it
all. “It was that first, unexpected conversation in the kitchen that helped us
innovate and find a new way to perform a basic household chore.”
renovation
repairs to the gabled roof, contractor Andy Ə@H@7?2EFC2==:89E:?E@E96365C@@>DN

Benbenek encountered an unpleasant sur- The roof work added six months to
prise: The section over the upstairs bed- the timeline and $40,000 to the budget.
rooms had to be completely replaced due to To offset some of the cost, Delano and assis-
rain damage. The team quickly realized tant architect Nicholas Pettit got creative
this was an opportunity. Delano turned the H:E9Ǝ?:D96DN@C:?DE2?46OEC25:?86IA6?-
upward-pointing V into a downward one, sive black porcelain tiles in the kitchen
4C62E:?824=2DD:43FEE6CƏJC@@7=:<6E9@D6 2?5ƎC6A=246?@@<7@C8=2K6546C2>:4@?6D
the couple had admired in Palm Springs. arranged in a pattern of various sizes
+96?6HH2==D2==@H657@CD:8?:Ǝ42?E=J lowered the cost from $19 per square foot
taller windows, which provide a greater to $2.35. “Because you’re still providing
“Features that stood out in the original space that we

were determined to keep were the large living room
corner windows and the manageable room sizes.”
TREY BERRE, RESIDENT
PHOTOS: TKTKTKTK

something compelling”—an interesting
pattern—“you don’t feel like you’ve made
a compromise,” Delano says. Ultimately,
the remodel cost $174 per square foot,
including appliances and landscaping.
The result is a simple but engaging
9@>6E92EC6Ə64EDE9672>:=JkDA6CD@?2=:EJN
j.6H6C6=@@<:?8E@>2<6D@>6E9:?8
truly cool that made us feel happy,”
Maria says. By updating a vintage gem
rather than building new, she, Trey, and
Delano succeeded in doing just that.
To break up the long living room, floor above the kitchen to accom-
Pettit created a walnut bookcase modate the master suite, Delano
at the entrance (opposite, top). A decided that situating it on the lower
sectional designed by the residents level, where the rec room and bar
joins a coffee table that Trey devised had been, was a better—and more
out of marble left over from a bath- affordable—choice (above). An
room floor (opposite, bottom). The Alchemy bed from CB2 is flanked
teak lounge chair by S.A. Andersen by marble-topped night stands.
& Erik Andersen and Palle Pedersen The Krisztian Mecs for Intueri Light
for Horsnaes Møbler and the Jens pendants are from Lumens. The
Risom side table are both vintage. master bathroom (below) features
The painting is by Wesley Kimler. Terrazzo tile from Terrazzio Ponce-Berre Residence N
After contemplating adding a second and American walnut cabinetry.
ARCHITECT Scott Delano
LOCATION Chicago, Illinois
A Front Porch
B Entrance
C Fireplace Nook
D Living/Dining Area
E Kitchen
G F Mudroom
G Garage
H H Courtyard
I Patio
F J Bedroom
K Bathroom
L Laundry Room
M Master Bedroom
E N Master Bathroom
I
O Walk-in Closet
C B A
O
K
K N
L
J J M
Upper Level Lower Level
55
outside TEXT BY PHOTOS BY
Jennifer Pattison Tuohy Michael Friberg
Within and Without

A Texas interior designer expands her vision
outdoors with a water-wise garden.
On a site adjacent to a greenbelt, 7KHƣUVWWKLQJWKDWVWULNHV\RXDERXW of texture, but her quest to achieve LEED’s
architects Yen Ong and Paul Merrill interior designer Lynn Rush’s home is highest residential rating meant he had to
of 5G Studio envisioned “a solid
that it’s black. The second is that its dark D:8?:Ǝ42?E=J=:>:EE962>@F?E@7H2E6C
black mass within an enclosed
garden,” says Ong. A geothermal plaster walls are slowly being enveloped by used. Hocker’s solution was to plant
heat pump, solar panels, and rain- swaths of brilliant green ivy. Surrounded masses of native and drought-tolerant
water harvesting helped the project by peach stucco mansions, this LEED 8C2DD6DOEC66DO2?5Ə@H6C:?8D9CF3DOH:E9
achieve LEED Platinum status. Platinum residence on the outskirts of a cistern to collect rainwater for re-use.
Dallas is wholly different, but without Inland sea oats provide the framework
sticking out like the proverbial sore thumb. for the landscape, starting at the prop-
?DE625O:ED=@HAC@Ǝ=6D66>DE@5:DD@=G6 erty’s outer woodland edge and transition-
into a backdrop of native plantings. ing into hardy buffalo grass. Punctuated
For landscape architect David Hocker, 3JƏ@H6C:?8A6C6??:2=DO red yucca for
creating that garden posed a challenge. evergreen, and redbud and Mexican plum
His client wanted a lush, colorful yard full trees for color, multiple layers and big

“In minimalist and modern design, we are always trying to
get more glazing and less frame. With the newer Western
Window Systems units, we are starting to see even smaller
frame profiles and bigger allowed areas of glazing.”
– Dan Weber, Principal, ANACAPA Architecture
western
window systems
westernwindowsystems.com
Introducing the Series 7600.

Our strongest and most energy-eff icient aluminum multi-slide door ever.
A neighbor harvests bell peppers
in the garden (far left). Behind her
is the greenhouse, where Lynn
starts vegetables like lettuce, Swiss
chard, and tomatoes. Landscape
architect David Hocker defined the
sunken fire pit area with Cor-Ten
steel (left). Carved into the home’s
mass are what Ong calls “exterior
voids”: transition zones between the
built and the natural that are painted
white (below). The sectional and
club chairs are from Kingsley Bate;
the sliding glass door is by Western
Window Systems.
ŹhĔÓ ĔŇƩƆÓ ¶ŇļñûƩſƙĚŇļ ǘƆ ŇƩƙ

making the landscape part of the
interior experience, with views carefully
terminating at all times in greenery.”
YEN ONG, ARCHITECT

outside
A table and chairs from Classic

Home in the Dallas Market furnish
the dining area (left). The chairs
were upholstered by Berkeley
Fabrics & Upholstery. Lynn created
the fixture overhead with hardware
from Tech Lighting. “I never turn
on the lights during the day,” she
says. “Even if it’s cloudy outside,
there’s plenty of light in here.” The
entrance to the house is marked by
a triangular awning (below). “It’s
just enough to protect the front
door,” says Merrill, “and then
it sheds water into a small garden
between the garage and the house.”
sweeps of grasses create a pastoral scene giving the impression of a perfectly cut Lynn, who designed the interiors her-
in the front garden. “It gives this idea of a Gothic wedding cake. self, spends much of her free time out-
prairie even though it’s in a suburban These openings—the largest of which is doors. Beyond the west patio, a zoysia
neighborhood,” says Hocker. 28 by 14 feet—let in streams of sunlight grass lawn offers a place to stroll, and a
The site’s proximity to a greenbelt con- through oversize windows and allow the =@H6C65ƎC6A:E2C624C62E6D2?:?E:>2E6
servation area across the street prompted landscape to “paint” itself onto the white spot for gathering. Three cattle troughs
the home’s architects, Yen Ong and Paul plaster walls. The atmosphere changes enjoy new life as raised fruit and vegetable
Merrill of 5G Studio, to “create an indoor with the seasons. “There’s one room that beds, home to the seedlings that get their
condition that is very easily mistaken as turns a beautiful blue-green, another start each spring and fall in the neighbor-
the outdoors . . . a complete merging of amber, from all the trees,” says Merrill. ing greenhouse. Everything is watered
exterior and interior climates,” says Ong. There’s enough natural light that Lynn 3J5C:A:CC:82E:@?@C3JH2E6CW67Ǝ4:6?E
The concept they envisioned was a black never uses her recessed LED lighting dur- sprayers, using a rainwater-harvesting
pavilion in a garden. “Into this solid black ing the day. The low demand for energy system that collects 90 percent of the
mass, we carved voids to allow for this means the 4,600-square-foot home, which roof-area rainwater into a 6,000-gallon
relationship from indoors to outdoors to is powered by a rooftop photovoltaic solar underground tank. “The goal is that,
take place,” Ong says. The “voids” are slices array and a geothermal heat pump, could after a three-year establishment period,
of white in the square black structure, eventually be net-positive. she can shut off the irrigation and

outside
just use it for supplementary watering,” “We challenged the idea that Texas
says Hocker.
While Lynn didn’t initially plan on a
is so hot you cannot have anything other
“green” home, she is pleased to have been than light-colored stucco.” YEN ONG
led down the path of sustainability. “I
wanted something that not everyone else
has,” she says. “I never like to do what any-
one else is doing, I like to step out and do
something different.”
Winnwood Residence N
ARCHITECT 5G Studio Collaborative

LANDSCAPE ARCHITECT Hocker Design Group
LOCATION Dallas, Texas
A Entrance F Master Bedroom K Garage

B Kitchen/Dining Area G Bedroom L Mechanical Room
C Living Area H Bathroom M Storage
D Master Closet I Patio N Laundry
E Master Bathroom J Office/Bedroom O Wet Kitchen
L M N D
I
O H
E
K
F
B C
A
H
G
J I H G
Succulents spill out of planters from holly trees (top right). A sitting area
Wayfair on an outer wall (top left). (above) off the main living space
“The idea was to imitate birds fly- features chairs upholstered by
ing up to the sky,” Lynn says. The Berkeley Fabrics & Upholstery and a
east patio overlooks a line of yaupon light fixture from Lights Fantastic.

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FA N S
w w w.moder nfor ms .com
A REIMAGINED SAN FRANCISCO VICTORIAN BURSTS WITH COLOR. R E D,
TEX T BY PHOTOS BY
LYDIA LEE JOE FLETCHER

dwellings
A perforated-metal stair-
case in Benjamin Moore’s
Flame and built-in cabi-
netry in various shades of
blue highlight Fougeron
Architecture’s bold reinven-
tion of a narrow row house in
Noe Valley for a couple and
their daughter. The redesign
added about 750 square feet
and a new ground-floor level
to the original two-bedroom
structure, built in 1901.
W HITE, A N D BLU E
A L L OV E R
63
San Francisco couple Jim and Noriko H2?EE@=:G62?52C6H:==:?8E@E2<62C49:W
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dwellings
Opposite, clockwise from far left: project architect Todd Aranaz,

Three shades of paint—Kensington Fougeron moved the living room
Blue, Old Blue Jeans, and Denim to the ground floor and combined
Wash, all by Benjamin Moore—cover it with the dining area and kitchen.
built-ins and delineate space; the The Stoccolma sofa and ottoman
facade’s historical details were are by Paola Navone for Baxter.
preserved and painted Gunmetal Custom cabinets by Myers Cabinetry
by Benjamin Moore; working with have Corian countertops (below).

dwellings
Seen here from the entrance level, once the living room. The custom
the sculptural stair emphasizes bunkbed, painted in Spring Rain
the home’s verticality and opens by Benjamin Moore, is by Myers
up what had been a low-ceilinged, Cabinetry. Dermot Barry was
dark interior. The daughter’s the project’s general contractor
bedroom (opposite) occupies the and architect Paul Endres
bay-windowed space that was was the structural engineer.
“YOU CAN’T TOUCH THE VICTORIAN

FACADE, SO THE STAIR DISTRIBUTES
LIGHT TO ALL THREE FLOORS
AT THE FRONT OF THE HOUSE.”
A N N E FOUGERON, A RCHITECT
66
dwellings
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ARCHITECT LOCATION
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Fougeron Architecture San Francisco, California
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A Backyard E Entrance I Deck
E9C66WDE@CJDA246DN0@FkC6EC25:?8DBF2C6 B Living/Dining Area F Bedroom J Master Bathroom
C Kitchen G Bathroom K Master Bedroom
D Garage H Office/Guest Room
F F
D
E
G
G J
C
H K
B
I I
A
Ground Level First Floor Second Floor
JAN UARY/ FEB RUARY 2018 DWELL

“THE GLASS COMPONENT EMPHASIZES NATURAL LIGHT
J2^áh/2J*bh/h/xJOh/2J*hOOy2h/h/
WAY VICTORIANS ARE TYPICALLY ORGANIZED.”
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Set on the home’s top floor and are by Paola Lenti. During the day, wall (above) that Fougeron and the anchors the dining area, while built-
featuring a deck that overlooks the a skylight illuminates the master team hung from the third floor. “It’s in cabinetry offers ample storage.
backyard, the master bedroom is bathroom (opposite, bottom). actually very complicated to make The main living area was created
clean-lined and filled with light Transforming the rear of the house the field glazing look simple and from what was once a basement
(opposite, top). The Fusion bed is is something more often found minimal,” says the architect. Piero behind the garage. Limestone floors
by Zeitraum; the purple Cove chairs in a high-rise building—a curtain Lissoni’s Metallico table for Porro inside and out unify the living spaces.

Prentis Hale of SHED Architecture
& Design reimagined a kit home
in Tiburon, California, that was
erected in 1991. The remodel,
commissioned by Darla Anderson
and Kori Rae, contains a vaulted
70
Zen and the Art of
living room that’s canopied by the
original combed spruce ceiling and
surrounded by Fleetwood sliders.
The steel fireplace is from Focus
Fireplaces, the sofa is by De La
Espada, and the rug is vintage.
k
JAN UARY/ FEB RUARY 2018 DWELL
dwellings
i
TEX T BY
Lydia Lee
PHOTOS BY
Joe Fletcher
T House Maintenance
More Japanese minka than Sears Roebuck,

a kit home in the Bay Area provides the right bones
for a renovation.
dwellings
Openings in the ceiling allow sun- bottom) features Japanese ash

light to wash over the black slate casework and Jacques Biny lights,
floors and fir columns. A velvet- made in 1956. A Semi pendant by
upholstered Mr. Chair by George Gubi hangs above a De La Espada
Mulhauser adds color to the liv- table. The light near the roof deck
ing room. The kitchen (opposite, is by Roll & Hill (opposite, top).

When Darla Anderson and Kori Rae Kit houses, in which all the parts of a
came across a property for sale in Tiburon, house, except for the plumbing, heating
a secluded town just north of San Francisco, system, and lighting, are delivered pre-cut
they were enthralled by its intoxicating mix 7@C@?WD:E62DD6>3=JOH6C6ƎCDE56G6=@A65
of site and structure. The 3,070-square-foot in the early 1900s as a cost-effective way to
house was designed in a Japanese style that build a home before power tools became
the couple love and is set in a thicket of common. Today, kit houses remain a rela-
tropical plants and pine trees that overlooks tively affordable alternative for a cabin or
a cove, creating a sense of tranquility within other simple structure, though designs by
striking distance of the city. “There’s such a Haiku Houses, which feature imported
grounding and spiritual feeling on the Japanese tile, heavy timber framing, and
property,” Kori says. 9:89W6?5Ǝ?:D96DDF492DC65H@@5A2?6=-
The dwelling, which Darla and Kori pur- ing, are not a budget route, costing $150 to
chased in 2012, has the hallmarks of a $300 per square foot, plus site preparation.
traditional Japanese minka, with its dark Each kit is also customized for the client
wood siding, steeply sloped roof of and the location: The company works with
ceramic tile, and post-and-beam construc- local architects to add rooms, adjust room
tion. But despite its authentic appearance, sizes, and ensure that the concrete piling
the residence is neither very old nor foundation works for the site before fabri-
entirely unique. It’s a “Nikko Farmhouse” cating the components.
from Haiku Houses, a kit-home company The original owner of the Tiburon house
that specializes in models based on had added a number of custom features
16th-century Japanese country houses, that after 20 years had a dated appearance.
and it was delivered and built in 1991. In addition, the master suite felt like a

“Instead of demolishing it and
putting up a massive palace, they transformed a
pretty humble kit house
into something exciting and unique.”
PR EN TIS H A LE, DESIGN ER

dwellings
In the master bath (opposite), Hale wood, is by Zen Bathworks. For the
chose slate tile for the floors and heart of the space, Hale designed a
green-and-brown glass tile by double vanity—fabricated with wood
Lunada Bay for the walls, both from from the original house—around
United Tile. The Japanese Ofuro an existing column. The pendant is
soaking tub, crafted from Hinoki by Lindsey Adelman.

dwellings
Haiku House N
DESIGNER SHED Architecture & Design

LOCATION Tiburon, California
cramped loft because of the slope of the

A Entrance E Pantry/Laundry I Outdoor Kitchen M Sauna
B Office F Kitchen J Deck N Master Bathroom roof. But Darla and Kori, who were moving
C Zen Room G Dining Area K Study O Closet to Tiburon to escape foggy San Francisco,
D Bathroom H Living Area L Master Bedroom P Outdoor Shower 5:5?kE>:?5N+96JƎ8FC65E96Jk5=:G6:?E96
small boathouse on the property while
they completed a modest renovation and
became used to their new commute—both
are producers at the animation giant Pixar
J
Studios, located in nearby Emeryville. “In
I our minds, all you had to do was grab a
G J Sawzall, saw the wall that enclosed the
H K kitchen in half, and put a counter on top,”
Second Floor
First Floor
Darla says with a laugh.

F But a connection from work convinced
L
them to do more. The husband of Darla’s
former assistant, a set designer named
E M
O Michael Grasley, suggested they consult
A
D N his brother-in-law Prentis Hale, principal
of Seattle-based SHED Architecture &
P
C B Design. “Michael kept saying, ‘You guys,
O this place is so cool, you’re doing a disser-
G:46:7J@F5@?kEƎI:EFAOkl2C=2C642==DN
So the couple did exactly that, hiring Hale
to reimagine the home’s interior.

dwellings
“There’s such a grounding

and spiritual feeling on the property.”
KOR I R A E, R ESIDEN T
The heavy timber post-and-beam struc- ground level with enormous sliding glass Opposite: The property, situated
ture gave the designer enormous leeway; 5@@CDOD@E92EE96C62C@7E969@FD6Ə@HD on a steep bluff overlooking the
San Francisco Bay, includes a
E9632JD36EH66?E96>2DD:G6@F8=2DƎC out to an enlarged deck that overlooks the
main house with a deck, a pool,
columns are 16 feet wide, akin to a com- new pool, the new outdoor kitchen, and an outdoor kitchen, and a boat-
>6C4:2=@7Ǝ46=2J@FENj%@?6@7E96H2==D the cove. He relocated the front door so house. The landscape was devised
were load-bearing,” Hale says, “so there that it’s off-center, increasing space on by Hale along with Kate Stickley of
H2DBF:E623:E@77C665@>:?C64@?Ǝ8FC- one side of the living room and creating an Arterra Landscape Architects. The
new interior includes a meditation
:?8E96Ə@@CA=2?Nl&?6H66<6?5O962?5 @7Ǝ46@?E96@E96CD:56N6EFC?652365- room (above) with an Isamu Noguchi
Grasley created a mock-up of the pro- C@@>25;246?EE@E96@7Ǝ46:?E@2>65:E2- lamp, flooring made of tatami mats,
posed renovations, devising an immense tion space with a raised, tatami-lined and a Murphy bed for visitors.
kitchen island out of foam core and Ə@@COD@>6E9:?8E92E"@C:9252=H2JD
stretching fabric across the kitchen ceil- H2?E65N&?E96=@7E=6G6=OE96?6H>2DE6C
ing to show what it would feel like if they suite has a squared-off roof dormer that
added a master bedroom above it. This rises above the original tile but blends in
“set design” sold Darla and Kori on a with its Rheinzink cladding. In a gutsy
major transformation of the space. move, Hale also removed the aged red-
Hale kept the home’s basic footprint, wood siding and replaced it with white-
framing, and tiled roof largely intact. painted drywall.
Inside, he maintained the heavy columns, For the designer, reworking such an
combed spruce ceiling, and distinctive unusual home led to surprising—and
EC:2?8F=2CD<J=:89ED2C@F?5E96@F8=2DƎC exciting—results. “I would never have
rafters that give the house its back-to- come up with that house if I was doing it
nature spirit. To create a greater connec- from scratch,” says Hale. “It would prob-
tion to the outdoors, Hale opened up the ably be a lot less interesting.”

dwellings
CALLING IT A “DIRECTOR’S CUT,” A DESIGNER

REFRESHES A MIES VAN DER ROHE TOWNHOUSE IN DETROIT
WITH SOME BONUS FEATURES.
PHOTOS BY
MIES
TEX T BY
SAM EICHBLATT MARK WICKENS
EN
S C ÈN E
78
Designer Bryan Boyer and lawyer laying slate floor tiles the same
Laura Lewis bought their town- size as the original linoleum
house in Lafayette Park in 2015, the squares, hanging modular Dieter
same year the storied co-op joined Rams wall shelving, and adding
the National Register of Historic appliances by Fisher & Paykel. The
Places. Their restoration included countertops are Verde Alpi marble.

The couple’s garden-style town- remodel. A Wilhelmina chair by
house (opposite) is one of nearly Ilmari Tapiovaara furnishes the
200 units that Mies van der Rohe living area (below), which opens
designed for Detroit’s middle to the rear of the house (right).
class after World War II. Zac Cruse The kitchen cabinets’ MDF fronts
Construction assisted with their have a serrated finish (below right).
“I think of the project as a love letter of honey locusts, and an enduring sense Marshall, visited the Museum of Modern
rather than a biography,” says designer of community that has persisted over the Art’s archives in New York to study the
Bryan Boyer of his restored Ludwig Mies years, despite the city’s changing fortunes. units’ blueprints. Rather than turn his
van der Rohe townhouse in Detroit. Indeed, Some of its early residents still live there. home into a museum piece, he was curi-
the New York transplant’s take on the Bryan credits Mies’s clean, modern ous how Mies might have designed it dif-
Bauhaus master’s legacy, which includes design for the enclave’s longevity. But ferently today. “Our research helped us to
updates like a state-of-the-art kitchen, is the 1,450-square-foot, two-bedroom make decisions based on what felt accept-
more an homage than a reproduction. townhouse that he and his partner, Laura able within Mies’s architectural universe,
Built in 1960, Bryan’s home is one of 186 Lewis, bought in 2015 hadn’t held up but was contemporary enough to be com-
units and three apartment towers that well over the years. A 1980s remodel had fortable,” he says.
Mies designed for Lafayette Park, consid- introduced some very un-Miesian touches, The Lafayette Park townhouse’s kitchen
6C653JD@>6E96ƎCDEFC32?C6?6H2=AC@;- =:<62A2CBF6EƏ@@CO28=2DDW3@H=D:?<O felt particularly outdated. “Conceptually, it
64E:?E96,?:E65*E2E6DN=E9@F89:EkD;FDE and, worst of all, an all-red bathroom. wasn’t the heart of the home,” says Bryan.
a stone’s throw from downtown, the Before changing anything, Bryan, “They didn’t have the same ideas about
78-acre co-op has sprawling lawns, allées 2A2CE?6C2E2C49:E64EFC6ƎC>2D9 socializing that we do today.” Slotted into

dwellings
“THE SPACES ARE SMALL AND INTERCONNECTED.

2hżbC2AOJO)h/Ob)ChÂbC22J*ęCOA
PUZZLES WHERE YOU REARRANGE THE SQUARES
TO SEE THE FULL PICTURE.”
BRYA N BOY ER, DESIGN ER A N D R ESIDEN T
81
The Kvadrat curtain (below) is stool is by Company. Bryan painted which Bryan is a partner, designed
based on an unrealized detail from the metal band that runs around the the marble dining table (opposite).
the original architect’s notes. The top of each staircase Space Black by The seats are Eames Molded Plastic
Carbon Chair is by Bertjan Pot and Benjamin Moore to match the treads Chairs and the globe pendant came
Marcel Wanders and the Treeflower (right). Dash Marshall, the firm at from a local hardware store.
VDH N
ORIGINAL ARCHITECT
Mies van der Rohe
RESTORATION DESIGNER
Bryan Boyer
LOCATION
Detroit, Michigan
A Craft Room G Closet

B Mechanical Room H Bathroom
C Entrance I Guest Room
D Living Room J Office
246?EC2=3=@4<@?E968C@F?5Ə@@C2=@?8- example, was missing in the built version. E Kitchen K Master Bedroom
side a bathroom and a closet, the kitchen is Bryan and Laura liked the idea and had F Dining Area
bookended by two wing walls—partitions a saffron curtain strung up.
H:E9D=6?56C7@FCW:?496IE6?D:@?DE92E;FE 7E6CE96AC@;64E6?565OCJ2?C62==J
out at the ends to create irregular cor- did pen a letter to Mies, which he posted
ners—with the living and dining areas on on Dash Marshall’s website. It begins “Dear A
either side. The space is so narrow that its Mies,” and in it he explains the logic behind B
original design featured a fold-down cook- 9:D>@5:Ǝ42E:@?D2?56IAC6DD6D9:D
top, similar to a Murphy bed. admiration for the old master’s handiwork. Basement
Co-op rules precluded Bryan from alter- j&FC23D@=FE672G@C:E6A2CE@7E96AC@;64E
ing the scale of the kitchen, but he was is the special closet rod that you designed,” C
able to bring in open shelving and mod- Bryan writes, referring to the metal
estly sized appliances. Every inch was con- bars that are bent into an odd, backward- G H D
sidered, even the small gaps between the J shape. The closet rods are found all F
redesigned kitchen and the wing walls. over Lafayette Park, but seem not to exist E
“Leaving that line of shadow between the anywhere else in Mies’s oeuvre.
First Floor
old and new parts was our way of paying Bryan’s best guess is that Mies designed
respect,” says Bryan. The dark green mar- these unusual details because Detroit’s
ble countertop isn’t original, but the stone advanced manufacturing capabilities made J
matches a variety that Mies used in other it possible to produce them. Bryan kept
AC@;64ED2C@F?5E96D2>6E:>6N the rods, stripped off decades of paint,
As he pored over the archives, Bryan and powder-coated them different colors.
spotted characterful details that Mies He writes in his letter, “We can’t help but I K
H
had either nixed or been unable to realize. think of this as a chance to hot-rod a piece
A curtain separating the entryway and of the house, which seems like exactly the Second Floor
dining room in some of the drawings, for right thing to do in Motor City.”

dwellings
“OUR RESEARCH HELPED US TO MAKE DECISIONS

BASED ON WHAT FELT ACCEPTABLE WITHIN MIES’S
ARCHITECTURAL UNIVERSE, BUT WAS
CONTEMPORARY ENOUGH TO BE COMFORTABLE.”
BRYA N BOY ER

dwellings
Curved
On a
Grade
Way out in
wilderness of Ontario,
curiously shaped
bends along a tricky
TEX T BY PHOTOS BY
Alex Newman Michael Graydon + Nikole Herriott
84
the
a
house Clad in SPF lumber, zinc, and
glass, David Bronskill and Mark
Dilworth’s vacation home on
Oblong Lake fans out to capture
2,500-square-foot escape. From
left to right, there are three struc-
tures: a three-bedroom guest wing,
a voluminous communal area, and
ridge. wide views of the forest. “Nothing

is straight in the plan,” says
architect Roland Rom Colthoff of
RAW Design, who conceived the
a semi-detached master suite.
Two of the wings share an unusual
fin-shape design because of their
varied ceiling heights.

dwellings
Set on a steel frame and reached color door (right). “Roland took a
by a bridge, the master suite extends Lawren Harris painting and matched
up to 13 feet above the sloping the colors perfectly,” says David.
grade (top). The Edito chair in the In the great room (opposite),
den is by Sasha Lakic (above). The the curved ceiling reaches 16 feet.
main corridor bends 100 degrees A Roche Bobois sofa faces a dou-
from end to end and leads to three ble-sided, indoor/outdoor fireplace
guest rooms, each with a different made of board-formed concrete.
86
dwellings
It was always about the dogs. Toronto candidates they interviewed didn’t get _+964@EE286OƎ?:D965:? O42>64=@D6
veterinarian Mark Dilworth and lawyer what they were after—until they met E@>66E:?8E964=:6?EDkƎG6WJ62CA=2?N`
David Bronskill hadn’t even considered Roland Rom Colthoff of RAW Design. Builder Derek Nicholson says part of the
building a cottage until they saw how The couple’s requests weren’t ordinary, challenge was having to massage straight
excited their rescue dogs, Stanley, AJ, and recalls Colthoff: Instead of a certain num- materials like lumber and plywood into
Piglet, were when they visited Mark’s sis- ber of bedrooms or baths, they asked for curves, which required skilled carpenters
ter’s place on Haliburton Lake in secluded “minimal tree removal, a master from Toronto, a good three hours away.
Central Ontario. bedroom like a forest ranger tower, and The cottage is built in three sections
Soon they found themselves scouring a place where their dogs could run wild.” united by a curved corridor: a guest wing,
real estate listings in the area, but the &?9:DƎCDED:E6G:D:E:?OE962C49:- a communal volume, and a master suite,
standard 100-foot-wide lots were too close tect walked the property, swam in the lake, elevated above grade. Its E-shape creates
to their neighbors. As Mark puts it, “The and stood on a small hilltop where the last outdoor areas between the wings, includ-
dogs aren’t very well behaved.” When his owner had cleared a space for vehicles to ing a screened porch that opens onto a
mother told them there were huge lots turn around. As he looked down over the deck through a huge accordion-style door.
for sale on adjoining Oblong Lake, he and valley, with its two bays and acres of pop- For the main volume, Colthoff took a
David drove over right away to see one. lar and ash trees, the landscape unfolded cue from Frank Lloyd Wright and shrank
With 1,400 feet of shoreline and 61 acres of before him like a panorama. the entryway to seven feet in order to
bush, the site provided plenty of space for That vista prompted an unusual, curved 96:89E6?E96D6?D6@72H62DG:D:E@CDƏ@H
both the dogs and owners to romp around. design for the house. Although Colthoff into the kitchen-dining-living room,
That was in 2009. “I’m not sure we were typically avoids rounded buildings—too where 12-to-16-foot-high windows frame
ready for it,” says David, “but we took it whimsical, too constructivist, he says— views of the woods. Here, the tongue-and-
H:E92ƎG6WJ62CA=2?:?>:?5O42>A:?8E96 his initial sketches kept coming up curved, groove ceiling deck soars along the curva-
ƎCDEJ62C2?5E2<:?8@FCE:>6E@3F:=5Nl D@96DE@AA65Ǝ89E:?8H92EE96E6CC2:? ture of large glulam beams, which arrived
+96J2=D@E@@<E96:CE:>6E@Ǝ?52? was telling him to do. cambered from the factory.
architect. David’s law practice in urban Rounded buildings are generally more Erecting the house while maintaining
development puts him in contact with complicated to make. Colthoff estimates trees was a challenge, Colthoff admits.
some of Toronto’s best, but most of the the curve added a month of construction. j.656Ǝ?:E6=JH2?E65E963F:=5:?8E@36

Colthoff, project architect Jon Near the front door, there’s a
Jeronimus, and general contrac- special tub for the owners to wash
tor Derek Nicholson used two their dogs in after hikes. The basin
techniques to build the house: has a low opening and is made
post-and-beam for the great room of durable concrete, courtesy of
and master suite and stick-frame Mag’s Concrete Works. The wood
for the guest wing and entry area. paneling is walnut.

dwellings
“All four seasons are

beautiful. It’s our special
place any time of year.”
DAV I D B RONS K I L L , R E S I DE N T
89
dwellings
compressed by the forest, so you felt as but these are rarely turned on, thanks to
though you were in the woods,” he says. passive climate control.
The setting also dictated some of the Although the couple didn’t grow up
mechanical choices. Mark and David con- “cottaging,” they’re evangelical about it
sidered installing an underground geo- now. With their busy law and veterinary
thermal heat pump to power the HVAC practices, they can manage only a
system, but found they couldn’t dig deep few days off at a time. Plus, it’s hard to
and narrow because of all the Canadian go anywhere else with all the dogs.
Shield rock on-site, or shallow and wide They’ve also added children to the
3642FD6:EH@F=5>62?D24C:Ǝ4:?8EC66DN family. Shortly after buying the property,
Instead, a propane tank fuels the boilers, they became the legal guardians of Saif,
Oblong Lake Cottage N an Iraqi refugee who came to Canada

ARCHITECT LOCATION
through the Urgent Protection Program.
RAW Design Fort Irwin, Ontario Now in his twenties, Saif attends univer-
sity and lives in student housing with two
teenage brothers who joined him in 2016,
A Deck E Mechanical Room I Living/Dining Area
B Entrance F Den J Kitchen Abdullah and Ali. While their day-to-day
C Dog Wash G Bedroom K Bridge involvement with Saif has lessened, David
D Bathroom H Screened Porch L Master Suite and Mark sometimes take all three boys up
to Oblong Lake to swim, relax, and hang
F out with their dogs. Stanley, AJ, and Piglet,
D A
the pack who inspired the cottage, have
E C
G all passed away, but they’ve been replaced
D B
by four more rescues.
Nearly a decade after the couple bought

G K
L the property, there’s still work to be done.
G They just recently started the landscaping.
H J “We didn’t fully appreciate the complexity
A until we saw the building progress
I
on-site,” says David. “Now I sometimes
stop to look at a particular curve or beam
A
and marvel at what we accomplished.”

“The geometry is constantly
changing on you as
you go along the curve.”
ROL A N D ROM C OLT HOF F, A RC H I T E C T
The windows were manufactured concrete floors with radiant heating

by Kolbe Windows & Doors. Louvers appear throughout the residence.
cover the clerestories, reducing The master suite is warmed by
glare and helping with passive a Badger 3112 woodstove by Morsø.
climate control. Opposite, clockwise All of the home’s plumbing
from left: Walnut ply millwork by fixtures are from Watermark
Ashley Woodturning and polished Designs’ Brooklyn 31 collection.
91
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modern market
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sourcing
sourcing
The products, furniture, architects, designers,

and builders featured in this issue.
9 Table of Contents by Nanimarquina nanimarquina 56 Within and Without Cove armchairs by Paola Cabinetry designed by Dash
.com; sofa by WHdesign Lenti paolalenti.it; countertop Marshall and fabricated by
Cross Extension Table by whdesign.com; Catifa 80 chair Architecture by 5G Studio and sink by Stone Fleury Detroit Cabinet Studios
Matthew Hilton for Case by Lievore Altherr Molina for Collaborative 5gstudio.com stonefleury.com; Axor faucet by detroitcabinetstudios.com
casefurniture.com; Bertoia side Arper arper.com; table vases Landscape design by Hocker Hansgrohe hansgrohe-usa.com 79 Verde Alpi marble from
chairs for Knoll knoll.com; by Hayashi Kougei for Nalata Design Group hockerdesign.com 69 Metallico dining table by PMP pmpmarble.com;
Meurice Rectangle Chandelier Nalata nalatanalata.com Robert Hopson Construction Piero Lissoni for Porro porro appliances by Fisher & Paykel
by Jonathan Adler 44 Sink, vintage; Hudson Reed Group roberthopsongroup.com .com; Acaba No. 435 ceiling fisherpaykel.com; Purist faucet
jonathanadler.com faucet hudsonreed.com; Structural engineering by Datum light by David Weeks Studio by Kohler kohler.com; 606
Evening wool blanket by Nalata Engineers datumengineers.com davidweeksstudio.com Universal Shelving System by
18 Cabin Cubism Nalata nalatanalata.com; duvet Civil engineering by RLK Vitsœ vitsoe.com
cover by Blu Dot bludot.com; Engineering rlkengineering.com 70 Zen and the Art of Kit House 80 Wilhelmina chair by
Prentiss + Balance + Wickline bed frame and wardrobe, vin- Windows by Western Maintenance Ilmari Tapiovaara, vintage;
Architects pbwarchitects.com tage; wire sculpture by Daniel Window Systems Treeflower stool by Company
Robert Mancuso Construction Criblez dancriblez.com; “The westernwindowsystems.com SHED Architecture & Design com-pa-ny.com
[email protected] Beginning of a Journey” painting 58 Fire pit by Ecosmart shedbuilt.com 82 Carbon Chair by Bertjan
Windows and doors by Dynamic by Xanthippe Tsalimi xanthippe- ecosmartfire.com; Tivoli sec- Caletti Jungsten Construction Pot and Marcel Wanders for
Windows dynamicwindows.com tsalimi.wixsite.com/arts tional sofa and club chairs calettijungsten.com Moooi moooi.com; curtain with
18 Table by Urban Hardwoods by Kingsley Bate kingsleybate Structural engineering by Tokyo 692 fabric by Kvadrat
urbanhardwoods.com; armchairs 50 Desert in the Windy City .com; drum table from Todd Perbix SE twperbix.com kvadrat.dk
by Maruni Hirohima from Inform Gold Eagle in Dallas Market Arterra Landscape Architects 83 Dining table by Dash Marshall,
Seattle informseattle.com; Malta Scott Delano Design Center dallasmarketcenter.com; arterrasf.com custom; Eames Molded Plastic
woodstove by Rais rais.com; scottdelanodesign.com dining table designed by Lynn Lighting design by SparkLab Chairs by Charles and Ray
Chouchin pendants by ABO Construction Rush and fabricated by Triple G sparklabLD.com Eames for Herman Miller
Foscarini foscarini.com 847-384-5560 Smokers triplegsmokers.com; 70 Hepburn sofa by De La hermanmiller.com
Uptown Structural Engineering bar stools by Ratana ratana.com Espada delaespada.com;
40 Home Schooled uptownse.com 59 Table and chairs from Classic Heterofocus fireplace from 84 Curved on a Grade
McKay Landscape Architects Home in Dallas Market Center Focus Fireplaces
Design and interior construction mckaylandarch.com dallasmarketcenter.com; chair focus-fireplaces.com; sliding RAW Architecture and Design
by Tom Givone givonehome.com Cabinetry by JJ Custom upholstery by Berkeley Fabrics glass doors by Fleetwood rawdesign.ca
Architectural services by Cypher Woodworking & Upholstery 972-386-7400; fleetwoodusa.net Derek Nicholson Construction
Design cypher-design.com 708-430-4409 60 Light fixture from Lights 72 Mr. Chair by George dereknicholson.com
40 Shelf vases and sculpture by 50 Bifold window by NanaWall Fantastic lightsfantastic.com; Mulhauser, vintage; slate tile Structural engineering by
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from Bromfield Antique Fair, Eames Molded Plastic Barry barry-builders.com Knotty Bubbles pendant by Brooklyn 31 fixtures by
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nalatanalata.com; wire sculptures hermanmiller.com; outdoor Myers Cabinetry 74 Onsen Ofuro tub by Zen 86 Edito armchair by Sasha
by Daniel Criblez dancriblez table by Pratt and benches by myerscabinetry.com Bathworks zenbathworks.com; Lakic for Roche Bobois
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Tsalimi xanthippe-tsalimi coffee table by Trey Berre, baxter.it; Cratis rug by CR&S 75 Terrarium pendant by Lindsey Roche Bobois roche-bobois
.wixsite.com/arts custom; lounge chair by S.A. for B&B Italia bebitalia.com; Adelman lindseyadelman.com; .com; U-Turn sools by Cedric
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ottoman from Room & Board Horsnaes Møbler, vintage; for Zanotta zanotta.it 77 Akari 30P ceiling lamp by 89 Concrete tub by Mag’s
roomandboard.com; Twiggy side table by Jens Risom, 65 Cooktop, oven, and dish- Isamu Noguchi noguchi.org; Concrete Works
floor lamp by Foscarini vintage; pendant and Puli washer by Miele mieleusa.com; Tatami mats from Tatami Room magsconcreteworks.com
foscarini.com; Catifa 80 chair natural shag rug from CB2 refrigerator by Sub-Zero tatamiroom.com 90 Badger 3112 woodstove by
by Lievore Altherr Molina for cb2.com subzero-wolf.com; countertops Morsø morsoe.com
Arper arper.com; sofa, vintage 55 Alchemy bed from CB2 by Corian corian.com; 78 Mies en Scène
43 Mami kettle by Stefano cb2.com; night tables by Trey faucet by KWC kwc.com
Giovannoni and Ribbon bottle Berre and Scott Delano Design, 67 Bunkbed by Myers Design by Dash Marshall
rack by UNStudio, both for custom; Intueri pendants from Cabinetry myerscabinetry.com dashmarshall.com For contact information
Alessi alessi.com; cabinets by Lumens lumens.com; terrazzo 68 Fusion bed and nightstand by Zac Cruse Construction for our advertisers, please
IKEA, ikea.com; Bicicleta rug tile from Terrazzio terrazzio.com Zeitraum zeitraum-moebel.de; zaccruseconstruction.com turn to page 101.
Dwell® (ISSN 1530-5309), Volume XVIII Issue 1, publishes six art, or other materials. Subscription price for US residents: $28.00 Paid at San Francisco, CA, and at additional mailing offices.
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PHOTO BY
Grant Harder
Jim Cutler’s Japanese

pencils, and the
two devices he built
for them, literally
never leave his side.
Here, the 68-year-old
Bainbridge Island
architect explains why
they’re his all-time
favorites; online he
shares a few more things
he likes: dwell.com/
jim-cutler-guide.
Drawing is an architect’s lines to shading, and Louis Kahn–trained

method of communicat- perfect erasers that
ing. My staff draws on completely remove my architect and lifelong
computers; I am older
and draw by hand. At the
mistakes. And they’re
beautiful: red barrels and
tinkerer Jim Cutler
end of each workday, a black eraser that’s fas- tells us about the
I have to scrub the graph- tened to the shaft, flush
ite off the side of my with the surface. little things he can’t
right hand from rubbing it
over the drawings I do
To keep them sharp,
I built a simple brass
work without.
with my favorite pencils. sharpener that can hold
The pencils are from the the shavings. When they
ITO-YA store in Ginza, get too short, I extend
Tokyo. The store ships their life with a pencil
a box to our office every “extender” I made out of
six months or so. I love bits of brass tubing.
these pencils—they have These three low-tech
perfect lead, which is items travel with me and
smooth and capable of they’re all I need to apply
everything from sharp my skills, wherever I am.

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WAT E R S O F
THE KITCHEN
I S L A N D S.
Get started at HeyCulligan.com
.W
hen sink ith a Cu
itc lli g
k
an
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r right from
ter System, y
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ou
us
rp
cio
op
, d eli le c
n enjoy cleaner a
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Kitchens and Baths

Inspiration for Your

The Power of Design

A perforated metal staircase

VISIT OUR EXPERIENCE CENTERS

New York Showroom Bay Area Showroom Seattle

11 Editor’s Letter 23 Modern World 46 Conversation

102 Sourcing 34 Process 40 Interior Design 50 Renovation

In all the years since I started Dwell, this is the

The FE 2== E@@ @7E6? E96:C AC@76DD:@? :D D:56=:?65N

Power =@E @7 =:<6D @? ?DE28C2>O @C 4FC2E6 2 8@@5

Lara Deam, Founder, CEO

DWELL JAN UARY/ FEB RUARY 2018 11

Founder / CEO Dwell.com Advertising

12 JAN UARY/ FEB RUARY 2018 DWELL MEDIA

With three outlets for a wider range of shower options,

I love “Sparrow” house so much,

Interesting approach [in the

14 JAN UARY/ FEB RUARY 2018 DWELL

© 2017 Bona. All rights reserved. R

In Loop, an installation recently of marbles in a room below.

As glass marbles and reintroduce

Roll Model four separate

16 JAN UARY/ FEB RUARY 2018 DWELL

Discover a better way to find the perfect piece.

End your search at perigold.com.

What drives you crazy about your

CONTRIBUTOR’S The amber color of

issue is the bathroom

own kitchen. Send help!! Richard Shanks and a TON of extra

18 JAN UARY/ FEB RUARY 2018 DWELL

Get inspired and explore further at mieleusa.com/brand

Bonnie and Paul Bunning’s yards (below). The staggered

20 JAN UARY/ FEB RUARY 2018 DWELL

DWELL JAN UARY/ FEB RUARY 2018 21

For the rooms

DWELL JAN UARY/ FEB RUARY 2018 23

THINK OF THE BIG

“ For kitchen design, I think

ILLUSTRATION: PETER OUMANSKI

“ I love minimal kitchens and

26 JAN UARY/ FEB RUARY 2018 DWELL

SHOP NOW: CIRCALIGHTING.COM

Architect Jeff Jordan typically

While renovating a 1980s kitchen

A common phenomenon in big

TH E MAR KE T—AN D MAD E

28 JAN UARY/ FEB RUARY 2018 DWELL

In designing the bathroom of a West

When a fashion company asked

DWELL JAN UARY/ FEB RUARY 2018 29

“ When designing bathrooms, 2

30 JAN UARY/ FEB RUARY 2018 DWELL

2015-2016 KDC GLOBAL WINNER

“ Bathrooms are often 1

Lindsay J. Warner Jamie Chung

Continuous Reign: Spare, sturdy, almost

34 JAN UARY/ FEB RUARY 2018 DWELL

CUT AND GLUE SHAPE THE SEAT

36 JAN UARY/ FEB RUARY 2018 DWELL

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