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    Despechá, Rosalía-Saxos - Altos

    Uploaded by

    parroyo6
    This text is a poem written using musical notation symbols. The poem discusses feelings of heartbreak and features repetitive lines and motifs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Despechá, Rosalía-Saxos - Altos

    Uploaded by

    parroyo6
    6 views2 pages
    This text is a poem written using musical notation symbols. The poem discusses feelings of heartbreak and features repetitive lines and motifs.

    Original Title

    Despechá, Rosalía-Saxos_Altos

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This text is a poem written using musical notation symbols. The poem discusses feelings of heartbreak and features repetitive lines and motifs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    6 views2 pages

    Despechá, Rosalía-Saxos - Altos

    Uploaded by

    parroyo6
    This text is a poem written using musical notation symbols. The poem discusses feelings of heartbreak and features repetitive lines and motifs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Saxos Altos Despechá

    Rosalía

       siempre
       cortas
                 
                               
     = 130

             
           
                                     

           
    5

         
                                         

        
    1

        
    9

           
                                1.         
           
    13

           

     2.                       
    2

      
    17

                                            

      
    21

                 
                      
    3

     
    25

       

                      
       
                                 
    36

           

                                 
          
    1. 2.


    40

       
                                   

              
    4

        
    43
                                           
    2

                      
    45

     
                                   
                 
    47

                                           
                      
    1.
    49

     
         
    5

                     
          
    2.


    51


                         
                                   
    60


           

                  1.      
                                     
    64

           

        
     2.    
     
    68

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