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A 5-minute excerpt of the conversations and the raw audio files were donated to the Windsor
Archives. My first reading of this question situates it as something about the experience of the
individual, and because of the context I’m receiving it in, something about the experience of the
individual artist. This project was generously supported by the Ontario Arts Council Media Arts
Grant for Emerging Artists. Supported by the Ontario Arts Council. ( see more ). The amount of
music festivals and shows always going on is quite amazing. As part of Save the City, this project
was generously supported by the Ontario Arts Council. ( see more ). Supported by the Ontario Arts
Council, the University of Windsor’s School of Visual Arts, and the Art Gallery of Windsor. ( see
more ). This is just an overview, if you need more information, please see the blog archives or email
us. These naturalized areas allow for a moment in which one might be able to mistakenly believe that
Windsor is a progressive city, a place where this type of naturalization is encouraged for its beauty,
for its potential to attract wildlife, and for the stories our landscape is capable of telling. ( see more ).
Then, we’ll take them back, scan them in to make them part of the Homework publication, and then
mail them back to everyone. We had wanted to have this up and running this month, but we’re
already halfway through, so unless we can solve this soon, we might push it back to December.
Above, we reach the edge of Canada — Windsor overlooking Zug Island. She is interested in art as a
form of documentation as well as the interactivity between art and the viewer. Most recently, they
participated in an exhibition on the Lower East Side organized by Creative Time. Making a
distinction between art practice and other creative human endeavors is irrelevant to Temporary
Services. However, one thing that is delightfully different from downtown St.John’s to other cities is
how local businesses occupy 95% of the storefronts. We usually post the details on the right-hand
side column of the front page of our website, and also try to keep civicspace.info up to date.
Emphasis on try. Residents are encouraged to come meet Sturgill at CIVIC SPACE from February
27th to March 3rd to talk about their favourite places, landmarks, and people in the city. Participants
chose from a flash tattoo set created in collaboration with local artists and illustrators to receive as
their free tattoos, which were offered free of charge by Dave Kant of Advanced Tattoo, and Jon
Jimenez and Steve Jones of Flying Dagger Tattoo. ( see more ). Most recently, they participated in an
exhibition on the Lower East Side organized by Creative Time. The idea is to engage in learning by
means of exchanging knowledge in a certain locality. I would also propose that there is a distinction
between the singular and plural use of the term. Hacked together from a lot of spare wood and a
paint roller. In 2009, she co-founded REV-, an organization dedicated to socially-engaged art,
design, and pedagogy; she is currently the Deputy Director at People’s Production House, a
journalism training and production institute that works with low-wage workers, immigrants, and
teens to produce groundbreaking news that has been seen and heard on BBC, ABC, PBS Newshour,
Mother Jones, The Nation Magazine, The New York Times, and more. We believe that Windsor
provides an exemplary vantage point from which to consider the role of artists in challenged
communities, but we have also worked on various interventions, installations, and other creative
endeavours in cities across Canada. The group will also try to decide on what idea to tackle the
following day, the night before. Driven by a belief in the connection between art, life and space, she
engages herself in local communities and involves the public in social projects with communication
and change as the objective.”. Playfully asking a series of questions, Subtext: River Signs, will be
installed on up to 100 posts for three months and encourage thousands of residents and visitors to
think about the ways in which we collectively and individually experience the rivers and how these
questions might cue new relations, memories, and stories of the Bow and Elbow. One’s experience,
including their real life, becomes a source to parse through in ones practice as an artist. Emmanuelle
is an artist from Quebec and is participating in the Art Marathon alongside us.
Nor can my attempts to record some of the overarching concerns that I picked up on appropriately
document the frustrations, insights, and moments of meaningful critical engagement, do any part of
the day justice. Each event called on public participation to engage with North Bay, its
infrastructures and its communities. She creates new public (meeting-)spaces or remodels existing
ones with her work. The work was also included in the Art Gallery of Windsor’s exhibition Border
Cultures: Part One (homes, land). ( see more ). With the creation of Bow-Inspired Hard Candy,
residents of Calgary can start to explore these questions through a fun and interactive public art
work. Also included is the hardcover publication How to Forget the Border Completely, which
investigated the numerous ways one could approach the Windsor-Detroit border as a concept, an
object, and an obstacle. Her projects distinguish themselves through a strong social involvement.
Candies made from colour and flavour inspirations of the Bow allow residents to wonder about
where the flavours and colours of the candies end and their own subjective experiences and
memories of the Bow begin. Emmanuelle is an artist from Quebec and is participating in the Art
Marathon alongside us. Based on a research project we initially developed in Windsor, Ontario, our
exhibition revolved around a curiosity about locality and the ways in which it becomes shaped
through shared experience and interwoven narratives. As well, she is particularly fascinated with
things relating to popular culture, Canadian music, zine-making, and siamese cats. I’ve put together
the basic skeleton in another patch, but essentially, we need that big black toggle box with the green
X in it to automatically start a recording and then turn off again when it toggles off. This project was
generously supported by the Ontario Arts Council Media Arts Grant for Emerging Artists. Within the
project’s series of five activities, the content of each activity will be based on a creative interaction
with a part of Windsor’s current and historical social, economic, and regional culture. In addition to
her work with Temporary Services, she writes, edits, and performs. She is a co-founder of The Free
Store Chicago. The streets curve and take sharp direction changes without any indication of street
signs, making it a challenge and adventure for any newcomer of the city to find their destination.
Sound tests so far have proven that sound quality to be very useable. If you’ve been browsing our
site lately, you’ve probably seen that we have announced a tentative schedule for the weekend and a
list of people who will be curating and sitting on panels. We’ll open our doors to serve cereal, fruit,
coffee, and tea, along with some great conversations to kick off the final day of the conference. Get
involved and help out with the upcoming Homework conference and get free promo on our blog. As
part of Save the City, this project was generously supported by the Ontario Arts Council. ( see more
). She’s assembled furniture, changed door locks, organized, scanned, and sketched her way through
the last few weeks, and been awesome the entire way. His books include: Social Acupuncture (2006),
which argues for aesthetics of civic engagement and Your Secrets Sleep with Me (2004), a novel
about difference, love and the miraculous. Much of it has a strong element of humour, wit, or
playfulness. And, to top it all off, everyone who attends will be co-authors of a book that captures
the ideas and conversations from this year’s conference through a series of interviews with
presenters, attendees, and organizers alongside collected materials from our 2011 conference. As
Windsor is situated in precarious economic, cultural, and geographic positions, the Save the City
project will serve as a much needed injection of positive collaboration, engagement, and dialogue
with the city itself and its diverse communities. The answers we got over the hour and a half we
spent recording in downtown Windsor presented not just answers to those two questions, but
sprawling conversations about what it means to live in Windsor, how we’ve shaped this city, and
how it’s shaped us. Discussion on where title card should be installed ensues. Sadly, the
infrastructure being built is starting to block the view. This place came up in conversation so many
times during the workshops and other discussions we’ve had during our stay in St.John’s. It seems to
almost be like the beacon of the city.
If even for a split second, we can sidestep the expectations of what the next second is going to look,
sound or feel like, the seconds after that will be infinitely possible. Often this means working
collaboratively with the audience, bringing them into the process or even having them physically
complete the work. Supported by the Ontario Arts Council. ( see more ). Based on a research project
we initially developed in Windsor, Ontario, our exhibition revolved around a curiosity about locality
and the ways in which it becomes shaped through shared experience and interwoven narratives.
Enacted on a sensing being, this change in form becomes a sequence of experiences. As part of Save
the City, this project was generously supported by the Ontario Arts Council. ( see more ). We’ll open
our doors to serve cereal, fruit, coffee, and tea, along with some great conversations to kick off the
final day of the conference. We also have access to the basement which will be great for workshops
and the like. We have a solid weekend planned for all attendees and everyone who is able to watch
the conference from home. Nor can my attempts to record some of the overarching concerns that I
picked up on appropriately document the frustrations, insights, and moments of meaningful critical
engagement, do any part of the day justice. In anticipation of the 24 hour Art Marathon that is
happening today, we have been keeping busy getting the Public Space Gallery installed and running.
I intend what I do to be funny, but at the core of each piece there is also a solemn critique. We
invited those same community members to write hand-written letters on the backs of these postcards,
telling a different story about Windsor, which were then addressed to 150 other cities and mailed out
all at once. Each page creates a landing point in what seems to be the cyclical nature of cities —
hope, failure, bad decisions, nostalgia, construction, sprawl, gentrification, isolation, devotion, etc.
We aim to creatively respond to the issues we directly experience in a community, while also
negotiating the ways in which other community members experience the same issues, differently.
Discussing approaches for getting projects off the ground. Joshua’s work is often a response, literally
or figuratively, to the materials with which he works. Driven by a belief in the connection between
art, life and space, she engages herself in local communities and involves the public in social projects
with communication and change as the objective.”. Interested in the archive, the photograph as
documentary object, and how these can be combined to create and preserve stories, she has actively
spent the last several years photographing and documenting the cities she occupies. I’ve put together
the basic skeleton in another patch, but essentially, we need that big black toggle box with the green
X in it to automatically start a recording and then turn off again when it toggles off. Earlier today, he
was testing a contact mic, while also going over details to build the Max patch we’ll actually need.
We decided it would be interested to take our last workshop to the streets and take the first
“official” tour of the Public Space Gallery, but also give the workshop participants the chance to
have an input on where the title cards would be installed. Before the workshop, Josh and I had gone
around and photographed all the spaces we wanted to include in the gallery tour. This is a great way
to network with local, national and international artists, scholars, writers, thinkers, and doers and
learn about social practice. The members of Temporary Services founded Half Letter Press in 2008 as
a experimental web store and publishing imprint in order to help support themselves and champion
the work of others. The project was a commissioned installation for Storm King Art Center in New
York. Before we parted ways, she pointed out to us that on her shopping bag, it said “changing
perspectives”, which she said was what she felt she experienced on our walk. This project was made
possible by the generous support from the Ontario Arts Council, the City of Windsor: Cultural Affairs
Office, the Arts Council Windsor and Region, and Windsor Pride. ( see more ). This is just an
overview, if you need more information, please see the blog archives or email us. If you submitted a
story and were contacted to book an appointment, we’ll see you tomorrow.
What intrigues me most is the variety of views that are possible with this installation. The group will
also try to decide on what idea to tackle the following day, the night before. As part of Save the
City, this project was generously supported by the Ontario Arts Council. ( see more ). As the rolls get
finished, we’ll be installing them on the wall and posting them on the site. Here is where the struggle
to achieve transcendence is most needed today. Get involved and help out with the upcoming
Homework conference and get free promo on our blog. The question “Where does practice end and
real life begin?” perhaps asks if when an artist’s time is not going towards making things do their
practice and real life become separate things within them. These projects aim to connect various
disciplines through research and social practice, generating works and interventionist tactics that
adjust, critique, annotate, and re-imagine the cities that we encounter. Her work has been presented
at venues such as the MIT Museum, The Power Plant (Toronto), ICA Philadelphia, The National Fine
Art Museum of Taiwan, New Museum (NYC), ISEA, the San Francisco Museum of Modern Art, the
Boston Museum of Science, and more. As part of Save the City, this project was generously
supported by the Ontario Arts Council. ( see more ). Laser cut and etched in mirrored acrylic, one
half of the broken locket was installed on Pelissier Street in Windsor, Ontario, while the second half
was installed on Gratiot Avenue in Detroit, Michigan. Interested in the archive, the photograph as
documentary object, and how these can be combined to create and preserve stories, she has actively
spent the last several years photographing and documenting the cities she occupies. And, to top it all
off, everyone who attends will be co-authors of a book that captures the ideas and conversations
from this year’s conference through a series of interviews with presenters, attendees, and organizers
alongside collected materials from our 2011 conference. We had wanted to have this up and running
this month, but we’re already halfway through, so unless we can solve this soon, we might push it
back to December. So we set off with Caley, an Eastern Edge volunteer, as well as the designated
tool assistant on this workshop walk. Before we parted ways, she pointed out to us that on her
shopping bag, it said “changing perspectives”, which she said was what she felt she experienced on
our walk. It features all new installation work based on concepts surrounding archival practices. As
part of Save the City, this project was generously supported by the Ontario Arts Council. ( see more
). We’re still busy, it’s just the pace of the work and projects now seems to span longer and longer
time frames, and with so many ongoing and overlapping projects, it’s just a lot more challenging to
find the time to keep track of it all. Two ideas came up. Both responded to rain and wind warnings
for the Windsor Region. One’s experience, including their real life, becomes a source to parse
through in ones practice as an artist. Residents are encouraged to come meet Sturgill at CIVIC
SPACE from February 27th to March 3rd to talk about their favourite places, landmarks, and people
in the city. We will use the opportunity of the publication to publish the beginnings of a malleable,
living manifesta on the subject, based on the presentations, discussion and ideas generated at the
panel. People from St. John’s are always willing to talk about music, as its the biggest scene out here.
These naturalized areas allow for a moment in which one might be able to mistakenly believe that
Windsor is a progressive city, a place where this type of naturalization is encouraged for its beauty,
for its potential to attract wildlife, and for the stories our landscape is capable of telling. ( see more ).
Her work often reflects her curiosities as she continues to explore the city and all the great things it
has to offer. We will offer a letter of support for participating artists to assist in securing other
funding. She is interested in art as a form of documentation as well as the interactivity between art
and the viewer. As part of Save the City, this project was generously supported by the Ontario Arts
Council. ( see more ). That belief fuels a pragmatic approach to bring about those changes.
There’s a few hundred letters strewn about the space, waiting for you to takeout and caption the city.
A graduate of MIT and an artist in residence at MIT’s Media Lab, Jahn has been recognized as a
leading educator by UNESCO and has been a CEC Artslink cultural fellow in Tajikistan, Estonia,
and Russia. She is constantly striving to grow as an artist through various endeavours, and mediums
the city has to offer. With her undeniable knack to always want to make things, she likes to create
scenarios that confront the sociopolitical spaces that protest the notion of reality. There isn’t
particularly a reference point in time for each page (that is, within Windsor or really even generally in
terms of a history of the idea of the North American city). A 5-minute excerpt of the conversations
and the raw audio files were donated to the Windsor Archives. Supported by the Ontario Arts
Council. ( see more ). Save the City will focus on the process of creative and artistic practice
extending into the community and the everyday, selecting and inviting a range of collaborators and
participants from within the many communities of the City of Windsor. This project was funded by
the University of Windsor’s Ontario Public Research Group, the University of Windsor’s Arts
Society, and the Mayor’s Youth Advisory Committee. ( see more ). Discussion on where title card
should be installed ensues. Broken City Lab’s work recently appeared in the 13th International
Venice Biennial of Architecture as part of the Grounds for Detroit exhibit and the collective was
long-listed for the 2012 Sobey Art Award. As the rolls get finished, we’ll be installing them on the
wall and posting them on the site. This project was made possible by the University of Windsor Arts
Society. ( see more ). With Windsor at the edge of so many transitions, how might we collectively
reclaim and create our own public narratives about the future of our city through this playful
intervention. This place came up in conversation so many times during the workshops and other
discussions we’ve had during our stay in St.John’s. It seems to almost be like the beacon of the city.
Supported by the Ontario Arts Council. ( see more ). Within architecture and landscape, experimental
operations have emerged despite an uncertain economic trajectory and forbearing ecological
instability, under which our panelists curiously work, at least in part, ad hoc. Pick up your copy of
INVENTED EMERGENCY at CIVIC SPACE, or let us know if you want one, and we can mail it
out to you. ( see more ). Essentially, we want to use the window as a big microphone area where
passersby can answer questions we ask on the future of Windsor. A 5-minute excerpt of the
conversations and the raw audio files were donated to the Windsor Archives. He is an Assistant
Professor of Sculpture at Queens College: City University of New York (CUNY), has taught classes
at Harvard, The Cooper Union, and Colgate University, and teaches an annual seminar in theory and
social practice for the CCC post-graduate research program at Geneva University of Art and Design.
She has coined the term “urban curating” for her interventions. While we originally wanted to try to
work with contact mics to keep all the gear inside and away from the weather, the process of trying
to test that has been too arduous. Sara is also investigating her role as an activist, and writes about it.
I feel fine discussing the projects but mostly forget how we arrive at any specific decision. Artists
have made naturally occurring phenomena like clouds appear in a gallery setting using a handful of
tactics, but this work by Kohei Nawa uses foam to achieve it’s cloud-like effervescence. This is a
great way to network with local, national and international artists, scholars, writers, thinkers, and
doers and learn about social practice. Laser cut and etched in mirrored acrylic, one half of the broken
locket was installed on Pelissier Street in Windsor, Ontario, while the second half was installed on
Gratiot Avenue in Detroit, Michigan. Supported by the Ontario Arts Council. ( see more ). As part of
Save the City, this project was generously supported by the Ontario Arts Council. ( see more ).