Mission: Impossible Theme

 With    
Arranged by Larry Moore

 
  
         

Intensity ( = 124-136)

Violin I

 
     
  


     
Violin II

 
   
        
  

Viola

   

       
               


 
Violoncello

   

  
     
               


 
 
        
Contrabass

      
  



      
      
         
    

Piano 

   
      

    
 

Percussion

 
                
5

Vln. I


              


 
Vln. II

               


Vla.

         
   
      

         


Vc.

            
  
 
              


Cb.

            



     
     

        
            
Pno. 

      
 
                   
   
 
Perc.



1/16
  

                     
9

Vln. I

   
                  
 

 
Vln. II

                    
 

 
Vla.

    

           
         
     
 

Vc.

   

 
          
       
 
 
   
 

 
Cb.

          
      
    
 

   
   

           
       
 
 
   
Pno.  

   
          
Perc.
  
 

      
          
13

    
Vln. I


          
     
Vln. II

         

     
Vla.

 

      
               
  
 
Vc.

 

                         
Cb.
     
      
            

 

             
         
Pno.

         
         
                                   
                
   
Perc.

2 © Hal Leonard

2/16
      
            
17

    
Vln. I

            
   
Vln. II

          

 
Vla.

   
               
          
 
Vc.

   
               
Cb.
           
     
            
 
 
              
            
Pno.

 
   
          
 
 

Perc.

        
      
21

 
Vln. I

                   
      



        
Vln. II

      
 
    


 
     
Vla.

 

                   



  
     
Vc.

 

                   
 


  
   
Cb.

               
    
       


 
 
         
     
    


   
Pno.

       
                    
     
 
 
Perc.

© Hal Leonard 3

3/16
             
              

25

    
Vln. I

       
                 



     
Vln. II

             


  
        
Vla.

         

        
Vc.

 

  
 
     
   



         
  
Cb.

         
        



     
      
          
    
Pno. 

   
       
     

Perc.

    

                     
30


 
Vln. I

                 
     


       
Vln. II

           
    


 
 
    
Vla.

 
       
     

   


Vc.

   

 
 
          
   


      



  
 
Cb.

          
         
  
 


     
   

             
   


      

Pno. 

       
          
 
         
   
 
 
Perc.



4 © Hal Leonard

4/16
 
                    
34

Vln. I

                   
 


Vln. II

                  


Vla.

   

                     
     


Vc.

   
                  
          


Cb.

            
   


  
   

                  
     
Pno. 

  
Perc. 

               


        
  
38

Vln. I

    
                    


 
    
Vln. II

      
 
 
 


     
Vla.

          
 
        
Vc.

              
   


  
      
Cb.

              
               
 
        
        
Pno. 

       
       
            

       
    
 
Perc.

© Hal Leonard 5

5/16
 
                   
42

Vln. I

                    
  


   
Vln. II

              

 

 
Vla.

  

                    
      



 
Vc.

  
                   
         



Cb.

         
     


  
  

             
           
 

   
Pno.

 
          
   

Perc.

                 
 
  
46

   
Vln. I

        
                
 cresc. 


             
Vln. II

     
      


 
cresc.


              
Vla.

           


  
cresc.


              
Vc.

           



  
cresc.

       
 
Cb.

  
  
            
        
cresc. 

 

            
        
 

   
Pno. cresc.

   
          
 
 
cresc. 
Perc.



6 © Hal Leonard

6/16
   
       
50

Vln. I

          

 
Vln. II

        

  
Vla.

       

 
Vc.

        

 
Cb.

          

        
 
Pno.

     
             
    
 

Perc.

© Hal Leonard 7

7/16
Contrabass Mission: Impossible Theme

                     
Arranged by Larry Moore

 
                        

With Intensity ( = 124-136)

 

                  
  
                       
7

 

    
  
                         

        
     
13

                         

     
          
19


                           
                

25



            
        
                       
32

 

                           
  
  
         
  
38

         
 
   

                                 
       
44

 cresc. 

© Hal Leonard

8/16
     

51

2 © Hal Leonard

9/16
 Percussion Mission: Impossible Theme

          

Arranged by Larry Moore

                            

With Intensity ( = 124-136)

        
  

            
 

                                    

               
9

   

           


                    

   
         
   
16

  

           
        
              
         
    
22

   

       
                    
    
31

 

           


                    

    
         
    
40

   cresc. 

     
             
  
49

 

© Hal Leonard

10/16
Piano Mission: Impossible Theme

   
Arranged by Larry Moore

   
   
        
     
  
With Intensity ( = 124-136)


               
   
                            


 


      
          
       
       
7

        
 
                      
  


   


    
   
            
12

     

     
          
           

 
        
                 
17

                           
 
                     

   
          
          
                   

 
23

       
  
          
 
  

      
 

© Hal Leonard

11/16
      
                            
      
29

        
       
          
         


 
     
              
    
34

           
     
                
 

  

   
                 
             
   
39

                          
                 


     

          
     
                        
 
       
 
45


  
            
        
  
  

             
cresc.


     
51

    


2 © Hal Leonard

12/16
 Viola Mission: Impossible Theme

      
Arranged by Larry Moore

  
       
             
       
With Intensity ( = 124-136)


  

       
     
       
      
         

10



   
    
 
 
         

             
         
 
20

  
                                
   
 
   
28

  

         
  
  
     
   
    
 
     
36

                       
              
  
45

 cresc. 

© Hal Leonard

13/16
 Violin I Mission: Impossible Theme

       
Arranged by Larry Moore

  
          
     
          
    

With Intensity ( = 124-136)


  

  
  
 
 

          
     
           
10



 
                     
 
    
            
19

 

       
                                
   
29

 

             

            

 

 

       
36

 


 
 
           


          
           
43

 cresc. 


    
51

© Hal Leonard

14/16
 Violin II Mission: Impossible Theme


Arranged by Larry Moore

 
      
      
               
           
With Intensity ( = 124-136)





  
  
 
 

           
    
           
10



                  

                          
   
19


                          
             
   
26

 

     
                               
     
 
33

 

 
           
    
      
             

 
40

  cresc.

         
                      

47



© Hal Leonard

15/16
 Violoncello Mission: Impossible Theme

                     
Arranged by Larry Moore

 
                        

With Intensity ( = 124-136)

 

                  
  
                       
7

 

    
  
                         

        
     
13

                         

     
          
19

      
           
 
                       
    
25

 

             
 
          
          
      
33

 

             
                            
          
39

      
 
   
 
                         
  
46

cresc. 

© Hal Leonard

16/16
手机或PC官网: https://www.iyuepu.cn