UNIVERSALLY OWNED

INDEPENDENT ė FREE
PAPERLESS MONTHLY
no. 24 / MAY 2021

INSIDE dim pan’s ‘ozorian faces’ photo album tribute p1-26

INSIDE news from the mothership p2
INSIDE radiOzora’s monthly release picks p3
INSIDE album presentation – modus: the future behind us p4
INSIDE it’s all about words – m. l. ghisi: acid rain p7
INSIDE release tease – aura borealis: brainsugar p9
INSIDE digital diamonds – piece of acid p13
INSIDE dr.sally: spirit-soul-true self-ego p15
INSIDE raja ram: good god goa & staying awake p19
INSIDE graham st. john w/ blaze: mud and dirt become sacred p21
INSIDE dj top 10: kalifer, ben coda, katamii, neutron, phobos, dj tsubi p23
INSIDE endnote p26
 Going out to you just days after O.Z.O.R.A. Festival was also postponed for 2022, it seems even more meant-to-be
that this edition was dedicated to DIM PAN’s breathtaking portaits and mood-scapes, captured back at O.Z.O.R.A.
2015, and still a soulfully true reminder of who we are, and stay, through time, and time again. OZORIAN
FACES, this is you, this is us. And don’t forget after two summers spent apart, THE THIRD TIME’S A CHARM!

R E -YOU -N I O N
AU GU S T 1 -7 , 20 22

NEWS FROM THE MOTHERSHIP PIHSREHTOM EHT MORF SWEN

O.Z.O.R.A. ‘21 POSTPONED: Dear Ozorians,
Dear Ozorians, The reason why we could wait so long is perhaps not known
We kept up hope until the very last moment, that we can make to you all. All buildings, structures on our Ozorian fair(y)
this year’s event happen in a safe way for a community that grounds are permanent, there all year round, throughout
gathers from all across the globe. the years. Whenever something new is built, one of the key
Thank you everyone for your ongoing support and patience design aspects is making it eco-sustainable and durable. So,
in this chaotic period full of uncertainties. it’s a bit quicker to set up ‘sweethome’, get the show rolling,
At present, there are still no clear guidelines or safety than if we had to build everything from ground up.
regulations for music and dance events in Hungary, except Since we posted about the new festival date, the Hungarian
that they are currently prohibited by law, while travel to government has announced that outstanding restrictions
Hungary is still very uncertain from many places around will be lifted in a matter of days, (including: “up to 500
the world. Therefore, we only have one option now – to set people can attend outdoor events. Only people with vacci-
the new date: August 1-7, 2022 nation certificates can attend music and dance events...” –
Purchased tickets are automatically valid for the 2022 Hungary Today)
event. Those of you who are unable to participate in the In other words, postponement has proven to be the only
next festival can transfer their tickets to someone else. possible choice at present. There’s an extra year to figure
More info here. out how to make our Ozorian reality possible within, or
Ticket registration lasts until August 31, 2021. Previous without, the world at large, thinking of all Ozorians, from
ticket registrations remain valid. From the middle of near and far, respectful of everyone’s individual freedoms
September, we will start the registration, followed by the of choice and beliefs on how to handle life after the turning
sale of the remaining tickets in limited numbers. point. Let’s just agree to make it a reunion that goes down
More info here. in our passionate, and compassionate, psycultural history.
Until we meet again in person, let’s stay connected through p.s. No dividing walls:)
our various platforms and programs online. Take care (of your body, soul and mind), play nice!
Take care, love! Now dive in the this May selection of our tribe’s goodness,
spirit boosters and random bits of ‘just because’... it’s all
part of the big picture.

2
 PICKS

THE UNDERCOVER BABAS AJJA MIRROR ENGINE

HOPE SCOPE ODDULAR THE COVENANT
nano superfluid sound patronus

GIUSEPPE & OAK TALES ARCTURUS TSUYOSHI SUZUKI

MORPHING TUNES INEFFABLE JAPAN CALLING
forestdelic & parvati shanti planti future music

DAKSI & EMIEL LIQUID SOUL & ACE VENTURA LAND SWITCHER
SPACE TRUE NATIVES CHILL NATION WEST HOME
sangoma sofa beats shanti planti

DJ TOXIC HATTA MODUS

TOXICTECH ROUND OF LIGHT, VOL I THE FUTURE BEHIND US
boshke beats grasshopper stereo society

3
 Q&A
STERE O S O CI E TY FEATURE
AFTER CAUSING WORLDWIDE
‘ORGANIC PANIC’, ASAF TSEMACH AKA
MODUS
PRESENTS
‘THE FUTURE
BEHIND US’,
HIS DEBUT ALBUM OUT ON HIS HOME
LABEL, STEREO SOCIETY.
WE CAUGHT UP WITH ASAF AND
SELF-NAMED LABEL ‘BABYSITTER’,
ORI BEN DROR FOR A GLIMPSE INTO THE
FUTURE AND THE NOW.

Read audioillustrated by Modus’ presentation mix for radiOzora.

Looking back, when did focused work on making this debut album I didn’t want to limit myself to a “traditional trance” bpm range
really start? Was it the first track you were proud to have ever 140-145 BPM or whatever... This gave me way more room for creativity
produced? Or later, as a result of serious commitment? (We talked like on ‘To Start Press Any Key’ which starts at 100 BPM and goes
about such a turning point in your life, when you felt you needed all the way to 170 BPM. Storytelling gets way more fun this way
to make a decision if it was music or something else:) and I was able to express myself without the limitations of a spe-
cific genre. In the end, IT IS a trance album but with a bit of Modus
I remember having thoughts of making an album during 2019 after diversity into it.
I made ‘Pac-Man Theory’. It felt like everything is getting in the
right place and the stars of my musical journey are starting to ‘The Future Behind Us’ is also the 6th track on the 9-track album.
align, A feeling that makes me want to “say” something bigger, more Besides being a super expressive title, are there any ‘geeky’ rea-
organic that has a richer story to tell. And of course, all of this sons behind it becoming the title-giving track? Did the track or
is an outcome of true commitment and believing in what I’m doing. the title come first?

And what was the process like, once you set your mind to making The title came before the track as I first thought about the con-
the album, how long did it take, did you make any big changes cept for the album and then started writing music according to the
during the creation process? Did you discover or learn anything main idea. This is something I started doing only since the album
while you were putting the album together? and I find it more inspiring and mind-opening to have a theme or
a concept before you get to the music.
When I started writing the album it was like I was high on some-
thing, I finished 3 of the tracks in 2 weeks and I was like if that’s Any special backstories, extra meanings behind the tracks? You
how fast it’s going then ill finish this album in no time... But had the chance to try some of them out before the major lockdown
then comes reality with touring and then come writer’s block and on dancefloors… Which proved to be crowd favorites, which gave
suddenly I’m changing some of the tracks I already finished and you the boost to move on with the creation?
so on...
I’ll quote the vocal from one of the tracks on the album... “Fear of
The whole process took about a year + And since covid took place the Unknown”.
and changed our lives I noticed that I was starting to write music “They are afraid of new ideas. They are loaded with prejudices, not
in a different approach, less thinking of the dancefloor (since based upon anything in reality, but based on… if something is new,
we don’t have dancefloors at the moment) and more thinking about I reject it immediately because it’s frightening to me. What they
feelings and emotions while writing music, so this affected part do instead is just stay with the familiar. You know, to me, the most
of the album as well. For example, ‘After The Storm’ is the best way beautiful things in all the universe are the most mysterious.”
to describe it.
I can relate to this on so many levels, especially in music. I mean...
Which one of the 9 tracks came first and made you feel it’s going music that excites me will probably be weird, unexpected and some-
to be The Future Behind Us:)? thing I haven’t heard before while some people will judge it by
whether it’s following the trend or not.
Actually, it was none of them... As I mentioned before, ‘Pac-Man The-
ory’ (released in 2019) was the track that made me want to get in the Taking all this to when lockdowns started over the world - the
process of writing an album. feeling of uncertainty was all over and writing dancefloor music
After thinking of a concept for the album the first track that was while there is not even a single dancefloor to play at felt like I
written was ‘The Future Is Behind Us’ as it is the root of my album. have to force myself into writing dancefloor material. So, I de-
Or shall I say egg? cided I’ll just go with whatever feels right to my ears instead of
thinking dancefloor material.
Did you have a clear concept from the beginning, and know how
you wanted to showcase Modus-characteristic soundscapes? To I guess you can hear the differences in some of the tracks, more
express yourself in your whole diversity, and achieve trance on like pre-covid and post-covid.
the whole scope of 90 to 170bpm?

4
4
Musically, what kind of evolution does this release express in
Modus history? Where do you go from here? What’s up next? “WHY ARE WE DOING
From this point what I think will be the most natural thing to do
is to expand my musical boundaries a little more to find my next
WHAT WE ARE
musical adventure.
DOING?”

Ori, in what way have you, and Stereo Society, coped with the past
year’s realities? How have you tried to turn the pandemic and re-
strictions to your favor?

Ori: Long and bumpy ride on the uncertainty train.. This year had
its ups and downs as every year does, but with an additional new
challenge of finding a new source of energy. I mean, with Covid19
restrictions, each of us had to answer a very revealing question -
Why are we doing what we are doing?

I think that in a creative society, such as our scene, taking out the
main source of feedback, or eliminating any feedback at all, can,
and eventually will bring many to the realization that they might
be depending on few other elements, rather than just the love of
creation, which makes total sense, as the need for feedback is only
natural.

Eventually, looking back on what we did throughout the year, it

seems we’ve managed to create our own, friendly feedback mecha-
nism, that gave us enough confidence to keep on with whatever we
were doing.

What are the outlooks right now? Are there any certainties or
light at the end of the tunnel?

Ori: Lucky enough, I’m replying to this interview while Israel

seems to be back in business. In between quartnines, restrictions
enabled the small underground gatherings to keep on going while
massive events and clubs were shut down.
Two dusty speakers and a 6h DJ set by a friend of a friend of a
friend who is also the guy that convinced you to drive 2h in the
“THROUGHOUT HUMAN HISTORY,
AS OUR SPECIES HAS FACED woods for a 30 ppl gathering. I surely hope it gave us all a nice
THE FRIGHTENING, TERROR- throwback to what we all fell in love with.
IZING FACT THAT WE DO NOT
KNOW WHO WE ARE, OR WHERE Your personal track favorite from the album... WHY:)?
WE ARE GOING IN THIS OCEAN
OF CHAOS, IT HAS BEEN THE Ori: I think ‘Visitors’ is the most stand-alone track. However, I per-
AUTHORITIES, THE POLITICAL, sonally like to see his album as a ‘classic’ music album, in the sense
THE RELIGIOUS, THE EDUCA- of the structure of it and ‘the full experience’ kind of feeling
TIONAL AUTHORITIES WHO - each track is complimenting the one followed and revealing an-
ATTEMPTED TO COMFORT US other aspect of Modus as a whole... so, please don’t make me choose ;)
BY GIVING US ORDER, RULES,
REGULATIONS, INFORMING, Stereo Society news bits?
FORMING IN OUR MINDS THEIR
VIEW OF REALITY. TO THINK
Ori: Working on a VA compiled by Billie Eillish and Daft Punk, stay
FOR YOURSELF YOU MUST
QUESTION AUTHORITY AND tuned.
LEARN HOW TO PUT YOURSELF
IN A STATE OF VULNERABLE, Message to the people…:)
OPEN-MINDEDNESS; CHAOTIC,
CONFUSED, VULNERABILITY TO Ori: I’ll quote my old quarantine buddy - Morty, who always finds
INFORM YOURSELF.” the way of describing everything without saying nothing - “No-
body exists on purpose. Nobody belongs anywhere. Everybody’s gon-
/TIMOTHY LEARY/
na die. Come watch TV.”

5
6
 I T’S ALL AB OUT WORD S

M. L. GHISI ‘S
(AKA MARCIANA AKA BACK TO MARS)
DOOM-TOPIAN FLASH FICTION SERIES
SET IN A POSSIBLE FUTURE INVOLVING
ROBOTS, CRYPTO AND MINING –
POST-DIGITAL
DARK AGES
CONTINUE...
PART 3 1
PART as
AC I D R AI N e n tury
n th
m a
e 21s

igi
“19th-c ssible, and . Or “post-d name cer-
ury w
t cent he re-
ed t
life i ny consider tal dark
po e s e
not im the dark ag d to it. Th engulfed
o f l ur e th at
tur n me a l ness es.”
s”, a s so
th e dark
m an coloni
age d st hu
matche the la
tainly

PA
“No RT
ma to m 2
t
nit
pla y i entio
pla yed a f sh n wha
e
a b n. All cruc did t it c
iza i not oul
fea r thi al d
r o re sit ngs c part make mean
ft uat ons in it, fo
he
The ground was changing quickly under Sabrina’s fast rai ion, f idere the r sinc r hu-
n.” or d, t esi e s
she h s h
steps. Her survival mode had kicked in, and she found her- was is wa tance e
run s qu ’s
self taken over by a super-human focus. All that she could nin ite
gi
do was to think of her end destination and keep running. n

Her mind zoomed in and out of wild thoughts. They were

uncontrollable at first, but as animals on a stampede, fol-
lowed an instinct to reach for safety. And her instinct had
Although this unusual atmospheric effect was often
only one goal in sight – to keep her alive.
beautiful to the eyes, it was a huge waste of resources and
extremely pollutive, not to mention the high level of toxicity
It was like someone had told her a bad joke. Like one of
it caused. Anyone caught under the coloured rain was at the
those heard in a sleazy stand-up comedy bar. The type with
mercy of a cocktail of acids that could damage the skin
an open mic and a dude who would walk onto the stage, grab
and internal organs if swallowed. It was extremely lethal
the mic and go on to say – “Yesterday it rained in colours”.
to small animals, devastating to vegetation, and corrosive
He then would add some silly reason for the coloured rain
to most metals. Furthermore, it could lead to death if left
and pause for the laughter. Yet this was no joke. The im-
untreated in humans.
possible was happening. Rain that turned out to be green,
brown, yellow, and even red was falling from the skies.
As for the machines, this was not a problem at all. They
The colour pallet was almost complete and as absurd as it
were already developing a new generation of metals to
sounded, there it was.
render them impervious to the acidic mix. In the meantime,
they just emitted a silent signal before each rain. This was
After the great blackout had become permanent, the machines
only detected by them, and all robots would immediately
started looking for other ways to create power. They crafted
seek shelter. It was easy to know when another rain was on
a system that used chemical elements to generate energy,
the way. One just needed to check for the absence of robots
so they could charge themselves. For this, they used iron,
nearby.
sulfur, copper, fluorine, and other elements combined in
a chemical brew. During the process, fine particles would
“How could I have been so careless”, Sabrina thought.
evaporate into the atmosphere, and in contact with the clouds,
She paid too much attention to the strollers that morning
add unique colours to the rain droplets. Iron, for example,
and didn’t register there were no robots around.
caused red and brown rain. Sulfur and Fluorine gave it
a yellow effect. Copper tinted it with red, and sometimes
By then, Sabrina was running a lot faster to escape the
green, due to oxidization.
corrosive rain. She was almost out of breath but kept doing
all in her power to reach the empty warehouse, getting
there just in time. She quickly reached the side entrance
door, stepped inside, and the sky crashed open, purging a
green flow of acidic water. In all its glory, this was part
of the venom that proliferated and progressively decimated
life on the planet.

7
 Closing the door behind her, she turned around puffing, since some of them malfunctioned last time, so they are
letting go of her worries as she rested her forehead against not taking any chances right now.”
the door, trying to normalize her breath. Her lungs expanded
in a fast tempo and her legs shook in pain from the strenuous Sabrina grabbed her coat which was still hanging on her
exercise she just had to endure. This time it was a close call. arms, and wrapped it around her hips, making a knot with
the sleeves to secure it in place. She then looked back at
All of a sudden, someone tried to take off her coat, and John, waiting for his instructions.
Sabrina was startled, turning around abruptly in reaction
to be caught off-guard. Her eyes met those of a man standing He looked at her, feeling proud of how far she’s come, and
in front of her, and she let out a deep sigh, relieved to see finally said: “At least this rain has one positive function
a friendly face. for us. We will be safe until it stops.” He smiled at her and
turned his head, looking invitingly towards the big hall.
“Hi, Sabrina, what took you so long?”
She stepped towards her friend and hugged him saying
“John! It’s so good to see you!” At once her fears were replaced
by a sense of tranquility. She took a step back, and John
continued: “Have you seen any patrols moving around here?”
“None,” she said. “The acid rain is making them more careful

MORE ON MARCIA’S BLOG :

A BIT OF MANY THINGS!

“Come on! Everybody is waiting.”

8
Q&A
RE LEASE TEASE FEATURE

AURA BOREALIS
(AKA MICROBURST ALERT), HAS JUST
STARTED TESTING HIS SONIC WINGS,
BUT HIS MULTIGENRE-XPERIMENTATIVE
SWEEPS PROMISE TO TAKE HIM FAR.

OVNIMOON RECORDS
HAS JUST RELEASED HIS 15-TRACK

‘BRAINSUGAR’.
IN-DEPTH AND COLORFULLY AURA-LIT,
MEET THE MAN BEHIND THE PROJECT,
NIKHIL SUNDAR
Read audioillustrated by Aura Borealis’ Release Tease mix for radiOzora.

HOW DOES THE STORY BEGIN...? The day I discovered Tool was probably the best day of my
It all really began in the 2000s in the UK, a time during life, as was the day that I discovered Porcupine Tree. It was
which my father - who happened to be a big music enthusiast was also the first time I decided that I wanted to play the
back then, introduced me and my mother to a wide range of guitar. The first riff I ever learnt by myself was the intro
bands, musicians and singers through an array of CDs that he to ‘Blackest Eyes’. I slowly began exploring the more mellow,
was collecting at the time. This collection went on for years progressive side of instrumental music and then ventured
- and if you visit my home now you will still see around 500 into electronic music (mainly trip hop & big beat) - artists
CDs which are over 20 years old, still intact - comprising of like Massive Attack, Bonobo, Four Tet, Cinematic Orchestra,
albums by artists like Lionel Richie, Shania Twain, Robbie Zero 7, Psapp, Fatboy Slim and Chemical Brothers. My first
Williams, The Corrs, Celine Dion, Diana Ross, Carole King, tryst with psychedelic electronic was Shpongle, in all its
Pink Floyd, Beatles, Bread, Air Supply, Kenny G, Cat Stevens; glory - and few tracks by Hilight Tribe, Electric Universe,
Crosby, Stills & Nash and a whole ton more. I think the moment 1200 Mics, and early Infected Mushroom. I had a playlist with
he stopped collecting largely was when we moved to India, this tiny collection, which was was specifically meant for
although I don’t really understand why - as you used to get our little sessions in high school where we used to exper-
CDs for a standard price of Rs 399 in any CD store, irrespective iment with psychedelics. I never explored much psytrance back
of the year in which it came out. I was largely influenced by then, but as I slowly got into it, I began by exploring the more
some of these artists back then, and of course there were chill stuff, the downtempo material - Entheogenic, Aes Dana,
a few that definitely stuck through my teenage years into Shulman, Bluetech, Ott, Carbon Based Lifeforms, and Asura.
early adulthood, and right to this present day - like Pink
Floyd, The Doors, Dire Straits, Led Zeppelin, Beatles, Hendrix All in all, I really knew that I wanted to start making music
and Bob Dylan. Point being - growing up listening to a huge when I went to college for the second time and quit. I told
amount of what can only be described as REAL POP music was myself that that’s what I would eventually do - even though
a true blessing, although I don’t listen to ANY of the artists after quitting college for the second time I went on to enroll
that were part of my dad’s collection today. It was nothing in yet another college, and quit that as well. But yes - my
like the nonsense you hear today on MTV & VH1 - but really second college, Manipal - was where I had some of the deepest
intricate pieces of music - rich and diverse sonically as well personal experiences, positive as well as negative - and all
as meaningful, and it definitely did play a major role in equally life-changing - was where I first knew for sure that
developing a sense of musical maturity and foresight. this what I wanted to do - although it took almost 10 years
after that initial thought to actually get started on any of
I started my personal collection with The Eminem Show it.
cassette, still on of my favourite hip hop albums of all time.
Then I went on to procure Linkin Park’s Hybrid Theory and THE MEANING BEHIND YOUR PROJECT NAME...
Meteora on CD, and wore them out till they stopped working. It’s simply just the name of one of my favourite tracks by
By the age of 13, I had bought Metallica’s Black Album with my Ozric Tentacles, from their 1999 album ‘Waterfall Cities’. The
pocket money + some Limp Bizkit CDs, Linkin Park’s Minutes scientific name of the Northern lights, with ‘Aurora’ tweaked
to Midnight, and some other albums like Testify by P.O.D., to ‘Aura’. Sounded cool so I decided to go with it. Note - I
Green Day’s American Idiot, Puddle of Mudd’s Come Clean and decided the name of my project during the first ever course I
a bunch more. My collection grew and grew - and I began took in music production 2 years ago, when I had to to submit
using Limewire to download and explore music which I either a track for the final ‘end of course’ assignment. The track I
couldn’t buy or wasn’t available here in India - and started submitted was absolutely pitiful, but at least the name I chose
burning CDs to play on my stereo. When I was 15, I finally for myself stuck!
grew out of the punk, nu-metal phase and took a deep dive into
the world of metal. Melodic death metal, thrash, metalcore THE GREATEST INFLUENCES ON YOUR SOUND...
and a bit of doom metal was what I listened to back then - Artists who have majorly influenced me in the last 8-10 years
savouring albums by Arch Enemy, Soilwork, In Flames, Machine would be Steven Wilson, Robert Fripp, Trent Reznor, Brian Eno,
Head, Megadeth, Trivium, Killswitch Engage a bit of Kreator, a Simon Posford, Maynard J Keenan, David Gilmour, Seb Taylor,
bit Children of Bodom, & Insomnium. Merv Pepler, Ed Wynne, John Frusciante, Simon Green, Mikael
Akerfeldt, Steve Hillage, Piers Oak-Rhind, Dave Matthews,

9
 Raja Ram, Ajja Leu & Pavel Goatika. As you can see, a range of music, and Microburst Alert - for psytrance. I’m fairly weak
genres - however all of these extraordinary musicians are at writing psytrance, and in the last 2 years I’ve just about
incredible at what they do. They each have brought so much to managed to finish writing the basic structure of 3 tracks.
the table individually, and have inspired me tremendously,
personally as well as musically to try and do my best and not I’d love to make a big beat/space techno EP, much influenced
get caught up in the opinions of others. by System 7’s stuff. I play the guitar - and I feel a project
like this which involves trippy riffs with tons of delay, echo
I think one artist who has really been influential for me and wah-wah played over delicate yet groovy techno would be
in terms of the what I would somewhat at least hope to sound a super cool idea to experiment with technically.
like (technically speaking) would be Kevin Moore. He’s the
ex-keyboardist from Dream Theater, and has two projects
along with Jim Matheos (guitarist of Fate’s Warning) - OSI & MOST CUTTING-EDGE PRODUCERS TODAY OR NEWLY DISCOVERED...
Chroma Key. Of couse, I don’t do vocals - but production wise I highly, highly recommend Grand River, a Dutch/Italian
Kevin’s output is extremely versatile and his work blends in producer who makes some of the most intricate and soulful
deep and meaningful electronic music with elements of heavy ambient music I’ve ever heard. The latest album ‘Blink A Few
metal and intense drumming. You have Mike Portnoy on the Times To Clear Your Eyes’, is absolutely remarkable to say the
first album, and Gavin Harrison as the session drummer on least. It’s music for everyone!
the second two. I recommend everyone to check his work out!
Another producer who released something fairly recently
HOW HAS YOUR SOUND, TASTE DEVELOPED THROUGH THE YEARS? whom I can’t stop listening to and honestly wish that there
It’s definitely been a journey - I think I’ve explored literally was more of her music officially out, is JakoJako - a producer
every genre of respectable music to the best of my ability. The from Berlin. She has one EP out, as far as my knowledge goes -
only genre which I haven’t much of an attempt to explore is called ‘Aequilibriation’, 4 tracks of mindbending explorative
hip hop, mainly because it doesn’t flow much with me, though electronic music.
I owned a lot of hip hop in my very early days. But I’d say my
tastes in music took a major shift mainly during the time I also highly recommend Valance Paul - from my home
when I got the freedom to explore music myself and not be city, who goes by the artist name ‘Gabaa’. He was my first
limited to my dad’s collection. When that shift took place, official teacher. He is mainly known for his killer forest
I immediately sunk into 2 broad categories of music - the psytrance productions, but I’m not here to talk about that
first being stuff that pierced me internally and made me - rather I want to shed some light on his expertise in the
feel emotionally and mentally stronger, and the second being studio, and his extremely fast-paced workflow. Watch out for
stuff that made me feel trippy and out of worldly. Having said his downtempo productions under his project ‘Grounded’, it
that, I’ve explored electronic music in all its forms; the stuff is extremely unique, mellow, and groovy. Most of his written
that combines electronica with instrumental stuff like trip material hasn’t been released, but he hopefully will soon
hop, lounge and fusion; and also world music, jazz, progressive put out some amazing music. He is also working with one of
bluegrass, progressive rock, art-rock, metal; and also loads India’s most revered singer-songwriters, Lucky Ali, and they
and loads of psychedelic music - from the downtempo chilled are (to my best knowledge) are working on something very
out stuff, to more trancy stuff, as well as psychedelic rock. special. He also has about 7 new psytrance releases coming up,
all individual tracks and all potential bangers - on various
What really interests me about the evolution of music is different labels.
how it has essentially acted as a medium to bridge the gap
between different forms of the art - and nowadays you find I also want to highlight 2 projects I recently stumbled upon:
electronica with live instruments, and then you have full on Silas & Saski - consisting of Silas Neptune (Ed Wynne’s son/
live instrumental bands with loads of electronic sounds. I Ozric Tentacles), and Saskia Maxwell. Their music is truly
love the way in which music (in the true sense) has no bound- incredible, its almost like nothing you’ve ever heard - Silas
aries with regards to what you can really do with sound, be it on the synth with some unimaginably diverse and ethereal
using instruments from around the world or using electronic soundscapes, and Saski on vocals and flute - Silas is an
equipment. The whole point behind the experience of making amazing guitarist as well and there’s loads of it in their
music, for a begginer or a professional, is NOT to be limited by music. The result of this collaboration is psychedelic folk,
any kind of genre specification. Although it is important - at truly mindblowing to witness. They have a 3 track EP out,
least to me, that it sounds like music and not noise! Although released in 2020 called ‘Power of Three’.
the latter can definitely be subjective, and the scientific The next is a band called Lucid Planet from the land of
definition of noise is very different from the manner in Oz (Australia) - psychedelic prog-rock, with tribal chants,
which it is used colloquially. So yes.. I hope you see my point! aboriginal hymns and deep sound layering. Great stuff.

THE TRACKS YOU’RE PROUD OF...

I really like the track ‘Narcopolis’, which I released close
to a year and a half ago, even though I had just started
making music back then. I would really have liked to do much
more with it. A week or so ago I thought of remixing it, and
I’ve been working on that. I’m really proud of the tracks
‘Wasteland’ & ‘The Day of the Rapture’, from the new release,
and also the track ‘The Monologue’ from an EP I self released
on my Bandcamp earlier this year called ‘Rolling the Dice’,
which was mixed and mastered at DeepBeat Audio.

To answer your question more specifically, I wouldn’t say I

have a characteristic sound as of yet - as I’m still very much
growing as an artist. But so far I’m trying to experiment
with world music, tribal, downtempo, neo-industrial music, big
beat, electronica and cinematic stuff.

YOUR PROJECTS RIGHT NOW, AND FOR LATER EXPLORATION...

So far I have two projects - Aura Borealis, for all my musical
experimentations which range from 90-130 bpm - consisting
of variety of genres in the field of electronically based
10
Apart from these, recent treasure trove discoveries would THE GREATEST CHALLENGE AS AN ARTIST...
be Hidria Spacefolk, Man With No Name, Saafi Brothers, The Spending MORE time on tracks, spacing them out, taking
Ullulators, Strontium Dogs, Uchu, & Master Margherita - these breaks, and not overworking. So far it’s been like a never-
artists have been in the scene for a relatively long time - it ending journey pretty much not leaving my house for weeks
just happens that I recently discovered them! to come. Sometimes I don’t get off my chair for 10 hours. I’ll
keep everything I need at arms length, including whatever
ULTIMATE CLASSICS, TIMELESS FAVORITES... I need to smoke, (if anything) and simply go at it. I’ve found
Pink Floyd, Porcupine Tree, Ozric Tentacles, King Crimson, this hasn’t really been too healthy and over the last few
Black Sabbath, Eat Static, Chemical Brothers, Tool, System 7, weeks I’ve been getting over this habit, which is a good thing.
& most of Simon Posford & Raja Ram’s work - from Shpongle,
Infinity Project, Celtic Cross, Younger Brother, Quintessence, THE GREATEST REWARD...
Mystery of the Yeti to 1200 Mics, Hallucinogen and Cyberbabas. I’ve been through quite a lot in the past, so right now I
really feel like life in itself is a reward, and of course, the
In psytrance specifically, my favourite artists - whose music everyday growth that comes along with learning and experi-
I will probably always listen to - would be Yab Yum, Ajja, Hallu- menting more has been tremendously rewarding.
cinogen, Kabayun, Aardvarkk, Drip Drop, Drury Nevil, Arjuna,
Dirty Saffi, Synthetik Chaos, Koxbox, Electrypnose, Maiia, WHAT’S ON YOUR MUSICAL BUCKET LIST?
Ocelot, Insane Creatures, Goatika Creative Lab, Ninesense, Pretty much the normal musician’s dream - playing a ton
Sishiva, Archaic, Makumba, Orestis, Tengri, Farebi Jalebi and of gigs and getting to see a ton of places and experience a
Tromo. Of course, there are close to 40 other artists whom I bunch of different cultures along the way. This all seems
love and listen to everyday, but I think the artists mentioned like a far away dream to me though, as of now.
were discovered by me relatively earlier and helped shape my
taste. Note - I only delved into the world of what we now know ABOUT YOUR ALBUM ‘BRAINSUGAR’ JUST OUT ON OVNIMOON...
as ‘modern’ psychedelic music, about 5-6 years ago. All in all, I tried to do something different. Merge a fusion
of ethnic instruments with modern electronica, complex beats,
MOST MEMORABLE GIG... rhythmic structures and make it super tribal and rootsy
Definitely 2013 at Goa - from the 22nd of December till the sounding overall. I think the goal was to sort of not arrive
27th. Missed New Year’s Eve but had a ball of a time. I ended at any specific genre, and most of all not adhere to any
up doing things I never thought I’d generally do in Goa, like limitation. Turned out this was much easier for me espeically
lying awake and tripping on a hammock in an open cave-like because I’m a new artist, this is my first full length album,
formation up in the hills in Arambol, about 20 minute walk and no one really knows what to expect.
from Deepo Place. 24th evening Christmas Eve at Curlies and
Shiva Valley was a blast - with killer fireworks, and some HOW WAS THE CREATION PROCESS LIKE, HOW LONG DID IT TAKE?
insane fire poi spinning. Back then I didn’t know the name of It took a while getting the mixes ready - almost 6 months. I
the artists or DJs. But whoever was playing was really good. sent it to many labels, most of which are very familiar ones.
Back then things were pretty simple, and parties were more A whole bunch of them got back - some told me it was nice but
about pure feel than anything else. they were full for the next couple of months; some told me it
was good but didn’t fit their style. But overall it was a hefty
process getting it together and I think that is pretty much
THE ROLE OF PSYCHEDELIC CULTURE IN OUR LIVES... the case with any first release, and the whole act of sending
That’s a really good question. Well - I’m pretty young, only it to as many labels as possible with the hopes of a release is
27. At the same time - even though I haven’t been to too many a common thing to do. Note that I was still learning, doing my
gatherings or even a single major festival like Boom, Modem production courses, while writing this album - and I’m still
or Ozora for example - I can freely say that I’ve experienced in the middle of my third official course, currently.
quite a bit. The lows and the highs. I think one thing that’s
really great about rave culture is that it teaches you nothing TRACK/S THAT STAND THE CLOSEST TO YOU....
yet everything at the same time. The journey of music on the My favourite track(s) of this release would have to be
dancefloor is a great example for the manner in which we Wasteland, Istanbul & The Day of the Rapture.
choose to perceive or interpret our everyday lives - the fact
that life is a ride, not metaphorically - but in reality. The COMPARED TO YOUR PREVIOUS RELEASES...
riveting ups and downs, the rhythmic pulsation of energy - Technically speaking it is way stronger, it has more depth
for some reason I feel like our daily encounters with states and moreso it is way longer - the album is an hour and 15
of anxiety, restlessness, as well as happiness and euphoria minutes in total. I liked how the ideas mapped out and the way
are all perfectly depicted through states of trance/coordi- in which it came out overall.
nated body movements. The latter completely on a metaphysical
level - as opposed to a surface level. WHAT KIND OF EVOLTUION DOES IT REPRESENT?
That’s a good question - I think it represents, for me, a step
Therefore when you embark on a psychedelic experience further toward true freedom of musical expression. :)
with a set intention, it simply brings to surface how we as
individuals are reflections of our inner selves - and our WHAT ARE YOU WORKING ON RIGHT NOW? WHAT’S UP NEXT?
external realities are nothing but intricate projections of Right now, I’m working on remixing 3 tracks by the UK instru-
how we choose to deal with these inner states. So it’s like a mental psychedelic project ‘Lemon Tree’. The release will
story - again, not metaphorically - but in reality. I think feature 4 remixes - 3 Lemon Tree remixes and one remix of
the most important thing that psychedelics have taught me an old track of mine called ‘Narcopolis’. Check out their work,
is that we have the power to create and wield our individual their music is super trippy, different and intricate!
realities. But the real great thing about gatherings and
psychedelic culture is that we somehow come to realize that Up next I have a 5 track EP coming up on Spaceradio Records,
we are all part of the same web; and therefore we definitely Moscow - titled ‘Perihelion’. Stay tuned!
have the power to influence each other’s realities - that
too greatly. However - like with any other form of modern
culture; there exists tons of misinformation, superficiality,
and borderline stereotypical stuff surrounding the scene in
general - even though psychedelic culture essentially origi-
nated as a counter culture.

11
12
Q&A
DIGI TAL DIAM OND S FEATURE

PIECE OF ACID
GERMAN ELECTRONIC MUSIC PRODUCER
AND DJ, CO-FOUNDER OF THE
DIGITAL DIAMONDS NETLABEL,
THE VOLKER HALF OF , ALIC
IS DROPPING SOME ACID
INTO PSYCHEDELIC TECHNO AND
EXPLORING A BEAUTIFUL NEW
FRIENDSHIP WITH ROLANDS TB-303 IN
HIS NEW SOLO PROJECT

Read audioillustrated by ’Piece of Acid’s mix for radiOzora.

How did the idea to get a solo project rolling come? How was your first tool to realize my ideas. Today my label, Digital
alter ego born? Diamonds does not only have influence on its fans, it also
influences me, my taste and my ways of producing electronic
Besides my main project ‘Alic’’together with Adamson I have music.
had the idea for a solo project for a long time. Finally the
Corona-lockdown in spring 2020 gave me the chance to find How about those mind-blowing, life-changing experiences
the time to realize this longterm-idea. that have shaped you and your sound?

In fact, I did not feel like creating one more new techno There wasn’t that one and only. But I have to admit that
or progressive project. I wanted to create a project which my visits to Fusion Festival had a big impact on me. That
distinguishes from others, a project with its own musical especially means that a positive and amazing fusion of
identity and a special sound. And what was more obvious, to different music styles, art, theater, dance and even cooper-
create music with my favorite synth: Rolands TB-3o3, which ative social behavior can become true. This experience
has been partially forgotten! ‘Piece Of Acid’ was born and encouraged me to move forward with my label ‘Digital
now it represents a modern way of Psychedelic Acid Techno. Diamonds’ and Psychedelic Techno in its varieties.

Who have your greatest teachers been, your greatest inspirations? Which one of your releases/tracks are the most character-
Who has had the greatest influence on your soundscapes? istic of your sounds or stand the closest to you for some
reason?
I started hearing Techno music in 1992 as a child. At the
time it wasn’t easy to get your favorite tunes. There was As you might know, ‘Piece Of Acid’ is a very fresh project. So
a weekly show called “Clubnight” on hr3, a famous and all tracks stand very close to me, haha…
commercial German radio station. DJs like Sven Väth, DJ
Dag, Marc Spoon and guests had the chance to frequently What projects are you involved in? (Or would love to experiment
present their 3-hour DJs sets. So I was curious every with?)
Saturday evening when they started to play… Their sets,
with a mixture of Trance, Techno and Acid, hit my taste. So As I explained, I am also part of ‘Alic’ and co-founder and
my favourite projects in that time had been AWeX, Nostrum, manager of the Psychedelic Techno Label ‘Digital Diamonds’
Emmanuel Top and DJ Misjah, to name a few. At the beginning
of 2000s I met Adam in Münster and we formed our project Who do you think are the most cutting-edge newest sound makers
Alic. Adam introduced me to the psychedelic scene and I in the scene?
quickly became a friend of Progessive Techtrance projects
like Sebastian Mullaert’s “Kooler”, Midimiliz or Trancefeld. I’m a big fan of Aleckat and for a while Mydä, Trilingo and
Unknown Concept. Their sound delivers dancefloor bombs
How has your sound, your taste in music developed with guarantee. Always a pleasure to play that stuff. But
throughout the years? there are many more good producers out there for sure.

The development of my productions has always been influ- Which artists remain the ultimate classics for you in the scene
enced by the technical possibilities. I never had much (or in music generally)?
budget to buy the big synths or fancy machines so I had
to improvise. I focused from the beginning on software For me a symbol of fuckin’ good Acid is of course Robert
producing. This meant that Tritons FastTracker was my Babicz aka Rob Acid. He delivers top notch sound for many

13
 years. Same for Emmanuel Top, his music is up to date, even For the moment, it stands kind of still, caused by the virus.
if it is more than 20 years old. But not in the hearts of the community. I hope the scene can
be fully reactivated in all facets very soon.
Scene at home?
What are some of the greatest challenges you faced so far as
Here in Berlin you got all types of music scenes. Within the an artist or producer? How about the moments that you felt
psy-cosmos dark psychedelic trance and zenoneqesue are were the greatest rewards so far?
dominating the field. But in recent years the genres are
interbreeding more and more. You have festivals that are As a producer there are always the periods where you are
not limited to one genre, people appreciate that. So you can doubtful. That means in detail the question if you are good
have that typical Berghain sound together with slowbeats/ enough related to others. Or you produced a track and you
ketapop, deep/ progressive house and instrumental music or are so overloaded of previewing. But on the other hand it’s
hip hop acts at one party/ festival. Actually that typical always a big pleasure to hear other DJs playing your stuff.
Berlin sound was getting more trancy during the last This implies that you have made something right.
few years. However, as promoters have to restrict numbers
of visitors due to ‘Rona, entry is currently getting more Musically, what’s still on your bucket list?
expensive and music is getting rougher, faster...
Short answer: A slot at Fusion Festival.
Most memorable gigs, experiences?
What are your other passions in life?
I get goose flesh when I think of a small gig in Bremen
years ago. The DJs before us did not hit the taste of the Besides producing and label management I enjoy spending
crowd, it was lazy ass-shaking. Adam and me started playing as much time as possible with my children. It’s amazing to be
the decks b2b and it seemed that we hit the nerve of the part of their growth. I’m curious if they will enjoy making
audience and each other exactly… Bam!!! music in the future, too.

But there is again and again that magic moment, when you What are you working on at present? What are you looking
discover a few people on the dancefloor who totally get into forward to the most?
your sound, who understand what you wanna tell with the
set, who go on a ride with you and who trust that you will Currently, I have some drafts for new tracks in the
deliver. sequencer waiting to get finished. Stay tuned and thanks
for the interview! Check out: www.piece-of-acid.com.
What do you think about our scene (psychedelic gatherings
and community) and their role in our lives, if any:)?

14
 part 1:
It contains our: conscience, moral sense (what’s right and
Great Spirit -
s
Psyche
rie what’s wrong), ethics, and integrity, the essence of our True
se Self. Each life has a soul’s purpose and reason for being.
o m Soul life gives depth and interiority to experience, imbues it
d
is - SELF - E with meaning. Soul Records the learnings of life’s experience
w L GO and is a vehicle for expressing spirit’s individuality from

OU – – – – life to life. Soul modifies the personality as it evolves and

of

S ko s – grows the True Self. There is soul in everything, we live in

r – a sentient, animated universe.
l

-
o
ee

T
t

Rudolph Steiner understands soul as a process or a form, an

–
wh

ly
I

inner, dynamic, mobile, developing, regressing, conflictual,

SPIR
al

– –
flowing relationship. Soul is in relationship with desire, the
by d r s

body, and the spirit. James Hillman considers it in a similar

way and adds that soul has a particular relationship with
death; it identifies the reality of death as a way of recog-

– –
nizing the necessity of conscious development of Self.
2: rt

It is possible to lose or damage the soul, and in fact, it’s the

pa

malady of modernity because many of us no longer recognize

or believe we have soul. Soul loss doesn’t mean we have no
SPI RI
T soul, it means we have repressed it, ignored it, and left it
undeveloped. Soul can be harmed or lost through trauma
According to many Native American Indians: “our human spirit
such as a bad accident, illness, violence or rape. We can also
is our individuated life force with intelligence, an essence
give our soul away unconsciously through allowing others
or ‘spark’ of the Great Spirit. The Spirit is immortal and it
power or influence over us. Co-dependency and staying in
cannot be destroyed, even by death. It is always existing.”
abusive relationships are examples of soul loss. Additionally,
believing propaganda without examining its validity can
Emanating from Great Spirit, our spirit enters bodily life
usurp the soul. Ego domination masks soul and if we ignore
through the Soul, which will be discussed in the next section.
our soul, it doesn’t develop, we have no depth and miss the
opportunity to discover and live our purpose in life.
Spirit has been compared to the energy of intelligence; it’s
the spark of life and source of consciousness. Spirit brings
According to Dennis Ford, our soul is prior to and more
life and can be equated with life. Experiencing Spirit is
real than ego. He writes: “ego is secondary to the eternal,
like experiencing the feeling of being alive. Spirit is felt
universal soul that contains the essence of being.” We can
as uplifting, gaining higher understanding of existence,
discover, heal, and return our soul through self-reflection
feeling expanded, at times ecstatic. Spirit can be an experience
and receiving psychological help. And often our soul commu-
of light or energy running through the body or surrounding
nicates to us through images, dreams, symbols, reveries,
the body. It also is an experience of something higher or
and unconscious actions. Our ancient Wisdom Elders, such as
greater than human: a connection to higher consciousness, or
Socrates and Confucius believed that the care of the Soul was
even one’s own higher, truer, Self. It can also be an experience
of utmost importance.
of communing with a conscious, alive, divinity in the Cosmos
and Nature. Of course, words cannot adequately describe it;
but it is unmistaable once understood and not feared. E –SE LF
T RU
Spirit is a masculine principle: expansive, energetic, outward
moving, creative and transformative. As soul (a feminine
principle) takes us to our depths, spirit takes us to our
heights. Spirit helps us take determined action. Kenneth
Meadows states: “We determine with the Spirit when we follow The True Self is the recognition and conscious living from
what our Heart truly wants us to do, for the heart is the voice our soul, essence, purpose, and wholeness. Jung calls this the
of the spirit which is heard intuitively. . . Determining with ‘Self’ and says it is innate within each of us as a divine
the Spirit is uplifting and stimulating and makes us feel image. The work of our life is to become integrated and
good inside.” whole and to bring forth the True Self. Jung discusses the
psyche’s capacity for creating mandala symbols with four
SO equal parts, which he calls quaternities. Jung’s quaternity
U
represents four basic qualities to be consciously integrated
L

into the personality, bringing about balance and wholeness.

Traditionally, these four symbols were represented by the
four directions: East, South, West, North; four elements: (Fire,
In ancient Greece, soul was named psyche, which explains Water, Earth and Air); and Jung added four psychological
why we call the study of soul, psychology. Soul is closely functions: Intuiting (evaluating through intuition), Feeling
related to psyche and contributes to the development of (evaluating through emotions), Sensate (evaluating through
psyche in the individual human. As I discussed earlier, soul body sensations), and Thinking, (evaluating through the
is the reflection and embodiment of spirit, it carries the mind). When we have developed and integrated all four of
blueprint for the True Self. these functions, we have individuated the Self (True Self).

15
 “A SAD SOUL CAN KILL YOU QUICKER, FAR QUICKER, THAN A GERM.” /JOHN STEINBECK/

“AND WE SHOULD CONSIDER EVERY DAY LOST ON

WHICH WE HAVE NOT DANCED AT LEAST ONCE. AND
WE SHOULD CALL EVERY TRUTH FALSE WHICH WAS
NOT ACCOMPANIED BY AT LEAST ONE LAUGH. “
/FRIEDRICH NIETZSCHE/

16
“THE GROWTH OF AN AWARE EGO IS A DEVELOPMENTAL MILESTONE IN THE EVOLUTION OF CONSCIOUSNESS. ”
The Wheel of Wisdom represents both a quaternity (the There is a distinction to be made between a conscious ego and an
horizontal plane of existence represented by the four unconscious ego. Many, if not most humans operate completely
directions) and a trinity (the vertical plane of existence, unconsciously; never asking: Who am I? With conscious ego
represented by the three vertical directions: Above, Below, development comes recognition of soul. “This occurs when ‘I’
and Center). The structure of the Wheel of Wisdom itself, becomes an object of self-conscious reflection. When ‘I’ am
and program we have developed is designed to support the separated from my actions, ‘I’ can stand back and reflect on
integrative process that Jung describes. ‘my’ actions.” Unless we can self-reflect, we cannot know soul
or develop in consciousness. The growth of an aware ego is
Individuation is the arduous task of becoming a true human a developmental milestone in the evolution of consciousness.
Being. We have begun ‘individuating’ when we begin to distin-
guish the ego from the True Self. We have a strong desire There is also a distinction to be made between a big ego
to know who we truly are and to consciously make choices which indicates mere hubris and a strong ego which indicates
that respond to the necessities of the True Self and not capability and perseverance. Someone with a big ego is
the ego desires. Becoming our True Self and realizing the inflating themselves to mask insecurity and actually has
Self are both like enlightenment, the fullest development of a weak ego. Someone with a weak ego can frequently partic-
consciousness possible. ipate in over indulgence of egoic desires, often addictions,
which prevent self-reflection and will development. Someone
Confucius had a similar idea about the True Self and taught with a strong ego is capable of hard work and accomplishment,
that humans were born with a blueprint of their True Self, without needing to draw undue attention to themselves for it.
containing a moral sense. He stated: “Being true to oneself
is the law of God. To try to be true to oneself is the law of We can consciously develop the free will to strengthen the
man, the moral law.” He felt that the life of the moral person ego, enabling us to develop a moral code to live by, and be
represented a universal moral order and the life of the disciplined enough to sustain it. Your will is not free if you
immoral person contradicted the universal moral order. For have no conscious control of it. Conscious will development
him: “Our moral self is our Truest Self and the highest devel- is like a muscle, the more you use it, more ego strength you
opment of our moral nature is to understand the workings of develop.
God.” The moral law is inescapable (you really can’t get away
with anything immoral, there are always consequences sooner CONCLUSION
or later) and the moral person unceasingly cultivates their
True Self or moral being. He said: “One who learns to be their These descriptions are by no means complete. They are
True Self is one who finds out what is good and holds on to it.” designed to give you a beginning understanding of the
topics and assist you in becoming aware of how they operate
in your life. They all usually operate on an unconscious
level and require the work of self-reflection to bring them
EG into conscious awareness.
O
The world seems to be going crazy these days, and appears to
be getting crazier. The Wheel of Wisdom program is designed
to inspire you to become a more conscious human being. With
The ego has been much maligned, and in especially in
a spiritual practice (i.e., regular meditation, yoga, etc.), you
so-called ‘spiritual’ circles, the ego is to be eliminated
can ground, calm, and center yourself, enabling you to take
or annihilated. This notion comes from not fully under-
intelligent action in the face of chaos.
standing the necessity of having an ego to function in the
world. An ego is the experience of oneself as a center of
Bless you on your journey.
willing, desiring, reflecting, and acting. It emerges as we
begin to separate ourselves from our experience, environment,
and others. Separation is the foundation of ego development. REFERENCES

Initially a young child is “living in complete participation” Kenneth Meadows,

The Medicine Way, How to Live the Teachings of the Native American
with its mother, “in a state of unconscious identity.” With the Medicine Wheel, Rockport, Massachusetts: Element Books, 1991, 24.

Fred Allen Wolf,

Awakening of ego-consciousness the participation gradually The Spiritual Universe: One Physicist’s Vision of Spirit, Soul, Matter,
and Self,
weakens, leading to “differentiation of the ego from the Needham, Mass.: Moment Point Press, 1999;
first printed as: The Spiritual Universe:
How Quantum Physics Proves the Existence of Soul.
mother.”
Rudolph Steiner,
Intuitive Thinking as a Spiritual Path: A Philosophy of Freedom, NY:
The Anthroposophic Press, 1894, revised 1918.
We have no ego if cannot separate from our environment. With James Hillman,
The Soul’s Code: In Search of Character and Calling. New York:
ego we have a “me” capable of thinking about an object. With Warner Books, 1996; also Re-Visioning Psychology.

ego we can stand back and observe ourselves and objectify The Search for Meaning:
Dennis Ford,
A Short History, Berkeley: University of
California Press, 2007.
our experience. We can separate the knower from the known
C.G. Jung,
and the subject from the object. Our ego is the center of our The Psychology of the Transference,
from the Collected Works of C.G. Jung,
field of consciousness and the subject of all our personal vol. 16, Bollingen Series XX; Trans. R.F.C. Hull, Princeton: Princeton
University Press,
first paperback print, 1969, 1974, 1992.
acts of consciousness.
Confucius,
The Sayings of Confucius, Translated by Leonard A. Lyall, NY:
Longmans, Green & Co.; e-book copy: Public Domain Books: 2009.

C.G. Jung,
The Basic Writings of C.G. Jung, Edited and with an Introduction by
Violet S. de Lazslo, NY: Random House, The Modern Library, 1959, 352.

17
 “ THERE IS SOUL IN EVERYTHING, WE LIVE IN A SENTIENT, ANIMATED UNIVERSE. ”
“THE WAY WE SEE THE
WORLD SHAPES THE
WAY WE TREAT IT. IF A
MOUNTAIN IS A DEITY,
NOT A PILE OF ORE; IF
A RIVER IS ONE OF THE
VEINS OF THE LAND, NOT
POTENTIAL IRRIGATION
WATER; IF A FOREST
IS A SACRED GROVE,
NOT TIMBER; IF OTHER
SPECIES ARE BIOLOGICAL
KIN, NOT RESOURCES; OR
IF THE PLANET IS OUR
MOTHER, NOT AN OPPOR-
TUNITY -- THEN WE
WILL TREAT EACH OTHER
WITH GREATER RESPECT.
THUS IS THE CHALLENGE,
TO LOOK AT THE WORLD
FROM A DIFFERENT
PERSPECTIVE.”
/DAVID SUZUKI/

18
 RAJA RAM
INISCENCES

GOOD GOD GOA >>>>

I was sort of kidnapped by my friend, Mr Paul Gyss, the same
man whom I met on that tramp steamer sailing from New York
to Tangier in 1961. Anyways... He came to my house in London,
and said: “Wer’e going to India. I have a house. C’mon... Now.”
We got the visa and packed a few things, and the next thing
I knew I was in the tropics, in Goa, India... The notorious
place where the full moon parties happened, and all sorts
of other stuff, and Paul took me to his house in Anjuna,
near the sea in India, and that night (the very first night}
he suggested: “Let’s go to the party, as it starts at three in
the morning.” I asked why it starts at 3 in the morning and
he said: “Because the cops are asleep of course.” Mural in Southern India

And the parties were always somewhere different. The Banyan

Tree, Bamboo Forest, Vagator, Anjuna, on the beaches, in the
jungle... the parties went on. And that first one changed my
life... STAYING AWAKE, A LITTLE STORY
The dust... that red dust rising... the black lights... painted
trees, flier, everything was fluorescent... the clothes, the Well, staying awake on the road is hard... too many late
face paint, the smoke, the strobes... the chai shop ladies with nights, gigs, meeting people, and sometimes, one gets ex-
their assortment of snacks and hot teas, it was somewhere hausted, and finds it difficult to stay awake... of course
to sit on their coloured rugs, and usually next to the we know about, the sniffers, the snorters, the pill poppers,
dance floor, it was a place to meet and inhale and smile the lines, the speed, all horrible... and I didn’t fancy any
and make new friends, as the music pounded. 2000 people at of those alternatives... but,I had read in an old national
Disco Valley... same drug... same vibe... same beat... and then Geographic Magazine that in the ancient Roman times, when
dawn breaks over the blue Arabian Sea... revealing dust the guards were on duty, if they fell asleep, the punishment
covered revellers... serious dancers... near the speakers. The was death, and it happened one night when a tired guard
Israelis. Their contingent, with their very long dreads... in bent forward, and set his hair alight on one of the torches,
fact, we used to refer to: “Dread Lash” if you got too close and when he put it out, he realised that the smell, which
to the Mosh pit... speakers... it was dangerous. The energy is one of the worst in the world kept him alert, and he had
and the sweat...the insaneness... and then the cops would come discovered a way of staying awake. I guess, primitive man
with the guns and beat us with their bamboo sticks. And we had that smell hardwired into his DNA., and his body and
would go home... for there would be a party the next night. mind and memory activated... So one night, it was up North,
and I was exhausted, from running up and down the UK,
Olli put on some fantastic nights...some going for three doing university gigs with Quintessence, and I was in the
days, I remember at Morjim... Madness... even if you had a dressing room, almost falling asleep, when I realised it
hammock. But you could dive into the ocean at any time. was time to go on and play our 2-hour set. So, I had a flash,
It was pure joy. While the music year by year got better and rushed into the bathroom, plucked a handful of hair from
better, we had left New Beat 242 and others for this new my head, lit it and inhaled the acrid smoke... I coughed till
“Goa Trance”, which we hated the name, but that’s what the my eyes watered, but suddenly I was awake and raring to go,
press called us. and rushed out and played ma ass off... not the end of the
Such amazing dudes... Acid Eric... He was like Santa Claus, story... because three weeks later I tried it at another gig,
dressed in material made of Shivas and Ganeshas... and other and it didn’t work like the last time. I was almost asleep and
Gods, which was sort of uncool... but he was sorta uncool. about to go on when I went for my last and final attempt...
Then 8 Finger Eddie... a Gem. The first Guy to come to Goa, into the bathroom, secretly, in a booth, I plucked one pubic
and started a scene way in the back, in the 60’s. hair, which I lit, inhaled... AND I WAS UP FOR THREE DAYS.

So each year we went, each year for Jan/ Feb/ March/ Party Just wanted to add, on that first night of the Goa party I
Time... and it was virtually non stop. We never found out who heard a track that ripped me apart... blew me away... and had
paid for all the gear, the speaks and amps and all of that. me running to the dance floor. When I asked who it was, I
Somehow money was ploughed back in and the parties lacked was told it was Dick Trevor from the Green Nuns... Who wrote
for nothing, and each year The Infinity Project made more it...was it “Conflict” or the other one? “ Anyways, I danced
tracks. I think 50 or so, and hearing them played at max like madman, and later, a few days later, I ran into him,
peakage high dosage and with one’s friends... had got to be and he told men the track which had been spoken for was now
the best buzz ever. But then I went too far... I had a monster free, and I almost died, and we got it on TIP Records... was it
party at my house and got carted off to jail... a Good God “Megalactic Cloud”? Remind me... One of the most blasting of
GAOL in GOA... but that’s another story. all the psychedelic pioneers... Thank you Dick...
19
 Road sign at Pumpui, O.Z.O.R.A.

BELOW: “The Original Freak”, 8-Finger Eddie in the mid-70s, “Psychedelic trance music and culture (psyculture) is explored
photo by Anders Tillman (aka Missing Inka, one of the first as a culture of exodus rooted in the seasonal dance party
Goa DJs, arriving there in Feb 1970), published in Graham culture evolving in Goa, India, over the 1970s/1980s, and
St John’s article: “Seasoned Exodus: The Exile Mosaic of revealing a heterogeneous exile sensibility shaping Goa
Psyculture” in Dancecult in 2012. trance and psyculture from the 1990s/2000s. That is, diverse
transgressive and transcendent expatriations would shape
the music and aesthetics of Goa/psytrance. Thus, resisting
circumscription under singular heuristic formulas, Goa
trance and its progeny are shown to be internally diverse.
This freak mosaic was seasoned by expatriates and bohemians
in exile from many countries, experienced in world cosmo-
politan conurbations, with the seasonal DJ-led trance dance
culture of Goa absorbing innovations in EDM productions,
performance and aesthetics throughout the 1980s before the
Goa sound and subsequent festival culture emerged in the
mid-1990s. Rooted in an experimental freak community host
to the conscious realisation and ecstatic abandonment of the
self, psyculture is heir to this diverse exile experience.”

Graham St. John: Seasoned Exodus: The Exile Mosaic of Psyculture

“I’M NOT ENLIGHTENED, I’M JUST OLDER THAN YOU. THIS

LIGHT IS INSIDE YOU AND OUTSIDE YOU. SO YOU CAN’T SAY
INSIDE ME, OUTSIDE ME – IT’S ALL THE SAME. MAN, THIS IS
THE SOURCE OF ALL LIFE; THIS IS WHERE ALL LIFE COMES
FROM. AND IF IT’S IN ME, THEN IT HAS TO BE IN EVERYBODY
ELSE. SO I’M NO BETTER THAN ANYBODY, AND NOBODY IS
BETTER THAN ME. WE ARE ALL THE SAME.”
/EIGHT FINGER EDDIE/

READ MORE: Mushroom Magazine, Feb 2015

20
 Prophet’s
The
be linked to what time you arrive at the festival. This year
we arrived on the last two days of the festival, so my first

ARCHIVES: impression was: no queues.

How about back the first time? What was your first experience?

Inside the festival I felt that it was a very friendly vibe.

And being a vibe-ologist, I’m accustomed to different kind of
vibes. And Ozora has, you know, a kind of Central European
vibe that has a flavour that you cannot taste anywhere else.
It also has a lot to do with the weather beacuse it’s nice to
have some rain also.
Usually when you arrive at a festival there is a lot of
potential trauma to get into the festival. But once you get
inside, people unwind and things become different.

You mentioned flavour. Would you say it has some fire to it?

Yeah. It’s sort of back to basics: like techno-pagan. Also, let

us not forget the beginnings of this particular festival.
I think when you have people dancing and unwinding, the
central location, the main dance floor here would have been a
kind of gravitational field ever since the eclipse festival of
1999. It carries that cosmic vibe. Many people do not know the
history of the place; yet they feel and participate in that
vibe, but essentially, that’s what this field is. It field carries
that energy of the eclipse festival, so on that level it’s quite
primal. Beyond an eclipse, just dancing with strangers is…
it has a significant impact on the individuals over a period

MUD AND DIRT of a week to come out of this experience. Re-energized and
inspired in many ways.

BECOME SACRED I agree. Synchronicity, for example, is exceptionally strong here.

The same thing I had only felt in Kathmandu Valley before, the
CONVERSATION W/ GRAHAM ST. JOHN end of the road, alongisde Goa, for travellers in the Sixties and
/on site the 2014 festival/
Seventies. Would you link this to the eclipse or do you think that it
emanates from and is linked to the soil, the energies of a certain
By BLAZE
place?

The Ozorian Chambok House brings you the foremost thinkers I guess, obviously being a Hungarian festival that is infused
and artists through its carefully curated lecture series. The with Hungarian culture in ways which other events are not,
Ozorian Prophet caught the vibeologiest of the psychedelic that makes it very unique. But it is also transnational. It
culture just before his presentation on the festival site. is part of the Goa traveller culture. That is why what you
experienced in Kathmandu resonates with this, and for some
The topic of your lecture last year was The Global Tribe & Spiritual people, with Goa. In the last 20 -30 years the people tried to
Technologies. From a bit different perspective this time it is going capture Goa, its spirit, what it meant, to caputre the vibe of
to be Remixticism: Psychedelic Electronica and Mystical Experience. one season and compress it into a week. Burn is a very good
Where do you think a truly value-creating remix (be it literature, example of that, so is O.Z.O.R.A., attempting to capture – and
music, film, etc) starts in this age of general copy+paste? package in a way – the Goa vibe. The seasonal vibe of Goa.
It also has other elements in terms of celebrating, it’s a
My interest here is generally that which I refer to as pagan-sytle festival. It has obviously more of this element
psychedelic fiction or psy-fi, the dedication to sampling than, say these travelling events because of the European
vocal fragments from popular cultural sources that are a pagan roots present here. It has an Irish feel to it. It’s a very
component of the media-ecology of the optimal psychedelic unique festival.
vibe. Film, TV, games and other media sources reanimated
for the interactive theatre of the dancefloor by producers/
DJs, are designed to evoke, expose, burlesque non-ordinary “THERE IS SOMETHING FASCINATING
states of consciousness. My presentation offers a journey ABOUT PEOPLE TO COAT THEMWSELVES
through psy-fi, so we’ll be dropping a range of psychoactive WITH MUD, AND FEEL THAT THEY ARE
compounds that have been sampled and mixed into the sonics COATED WITH SOMETHING THAT IS…
of psyculture and entheonica. VENERATED AND SACRED. IT IS VERY
EARTHY. YOU FEEL LIKE YOU ARE
What was your first thought when you arrived to O.Z.O.R.A.? The SPROUTING OUT OF THE EARTH, YOU’RE
first impression. GETTING BACK TO, YOU KNOW, SOME
SORT OF PREVIOUS STATE.”
There were no queues (laughs). Becasue I’ve been here when
there was hell at the gates, five years ago…. but it may all
21
 You named O.Z.O.R.A. a Central European festival. Do you think there music scene focus on psytrance and, you know, high bpms and
is an element of more untamed energies involved? forget about the other kind of music that has been part of
this culture since the very beginning which is hosted here
Yes, definitely I see it in, for instance the mud. Peope in a fine way. The Chill is probably… I mean it’s world class.
embrace the mud here in a way that I do not see in other
trance festivals. As an anthropolgist, there is something that I feel that the secret heart of the whole event, that the secret
interests me. Dirt suddenly becomes magic; is transformed, heroes of the whole event still is Pumpui. When I arrived I felt that
whereas in other contexts you would not touch it. You would these guys are living and breathing it. What would you say about
be… dirty. Mud and dirt become sacred. You are also talking them?
about a place, an area that is regarded as sacred. There is
something fascinating about people to coat themwselves with I haven’t been a lot in Pumpui, I am only here for one day
mud, and feel that they are coated with something that is… this time around. Of course, it has different kind of music,
venerated and sacred. It is very earthy. You feel like you are electrotrance for example…. It is different, quirky. It is
sprouting out of the earth, you’re getting back to, you know, great to see that O.Z.O.R.A. has branched out and is accommo-
some sort of previous state. dating various types of music from the scene.

Sorry about going back to O.Z.O.R.A whereas we should be talking

more about universal themes. I envision festivals like Boom, which
is moving every year, that this is more flavoured by the local soil.
Yeah.
It is a bit of a contradiction. Or what would you say? Basically a
festival that talks and is about universality and transcending…
that a source of its strength is that it is rooted so strongly in
the ground?

I don’t know if it’s a contradiction. It’s great to see that

it’s not a franchisce, a trance McDonald’s where you get the
same music, with a touch of local flavour. This is a country
where… you know, O.Z.O.R.A. is an oasis to experience in this
country. What you have here is liberatory. When you take in
context the political sphere and the context local politics, it
is an oasis because it enables the people to experiment with
freedoms that are not available outside the fence. And that’s
About the buildings. When I arrvied, in half an hour I was blown significant anywhere, it’s significant in Australia, the US,
away when I stepped onto the edge of the stairs. but it seems to be more significant with countries that have
I’’ve seen it, it’s amazing. It’s really transformative. more repressive agendas.
Do you think that the structures do give the festival some flavour,
and is it different to others in this regard? So could transformation be greatest when there is something
happening in a certain society? The famous example by Graham
Yes, definitely, the installations here, the structrues which Greene of 30 years of warfare, poisonings and brother killings in
keep evolving and changing all the time make it very unique. Northern Italy and you have the explosion of the Renaissance, and
The stairs mentioned, that were made this year, that made 500 years of Swiss bortherhood, democracy and peace and what do
me remember that the only example I can bring up is the you have? The cuckoo clock.
Promenade in Burning Man, they call it the Promenade, the
first road, a kind of a horse shoe, the front of the urban Each event in different countries is different… because of
area where people can… promenade. I can see that the stairs the cultural and political climate being different. When
here have a similar role. It’s where people can sit around, people say that events of this nature are just hedonistic or
meet people, stand, watch and promenade. The Promenade is frivolous, meaningless events, beacuse it is all about play,
permanent, if you have seen images of Burning Man from that they are not serious, well, you know (shrugs and laughs)
above, it runs along the edge in a horsehoe form. that’s absurd. As Allan Watts said ’to go out of your mind at
least once a day is essential, because it brings you back to
Is it a structure? your senses’ (laughs). And, well… that’s a political act in many
countreis that are undergoing transition… and it is great
It’s just a road but it reminds me of the same role. The topog- to see that more and more Hungarians are taking part in
raphy of O.Z.O.R.A is very different than Burning Man, which the festival. Definitely more than before. I don’t know what
is this flat desert, so everything there is taken down again. the percentage is. It’s truly nice to see that more and more
What you have here are permanent structures. The stairs, and Hungarians are exposed to what goes on in this culture and
apart from that the Chill is probably my favourite. given opportunity to express their cultural thoughts.

Chill… at times home to exceptional feats.

Yes. I love the music there and the building is like a beehive,
this crazy beehive that really starts humming. It carries
a legacy of that chill vibe from the Goa period of the late
Seventies and the Eighties. Dr. Graham St. John is an Australian anthropologist of event-cultures, techno-tribes, freak
media, and weird religion. Among his books are Global Tribe: Technology, Spirituality and
You know, downtempo and ambient musics have been evident Psytrance (Equinox, 2012), described by Erik Davis as “the definitive book on what has become,
right from the beginning. People, when talking about this from the perspective of planetary spiritual culture, the most resonant music scene of our
transhuman century”, and Technomad: Global Raving Countercultures (2009).
22
 KALIFER

DJ
AKA SOLEYE
HADRA ALTERVISION RECORDS

Hi friends ! Here is a tasty selection

of some of the best Chillgressive

TOP
tracks from the last years . Enjoy !
Kalifer.

1 EARTH CHILD - SQUARE SPIRALS (NUTEK CHILL RECORDS)

2 STEREOMANTRA - NECTAR (OM MANTRA RECORDS)

TEN
3 LAB’S CLOUD - SUSPENDED MICROGRANULES (ALTAR RECORDS)

4 DHAMIKA - SEEING BEYOND THE GAME (SELF RELEASED)

5 SIDE LINER AND AVIRON - DEADLINE (HADRA RECORDS)

6 ARGUS - FORGOTTEN (ALTAR RECORDS )

7 SYGNAL - WHITE CHOCOLATE (NOOSPHERE NETWORK)

8 ARÖKEM - INZA-LAZA-GOU (UNRELEASED)

9 FLOATING MACHINE - ELECTRIC PULSE (ELECTRIK DREAM)

10 SIEBZEHN - SUNSET ON MARS (HADRA RECORDS)

BEN CODA
IBOGA/IBOGATECH

A selection of peak time

progressive house and prog
techno tunes, that I can’t wait to
light up dancefloors with when
we can all party again :)

1 BEN CODA & SCHNAFFELHAUSEN - WARLOCK (IBOGATECH)

2 QUIVVER - DON’T SAY ANYTHING (BEDROCK)

Detail from the 2016 O.Z.O.R.A. poster, the first one

3 MVMB - SNEAKY FOX (QUAKE REMIX) (IBOGATECH)

made by BENZE, the festival’s graphic designer

JAMES HARCOURT - FIREGLOW (SELADOR)

4
5 STAN KOLEV, OUT OF MIND - MAHABA (DUB MIX) (OUTTA LIMITS)

6 BEN CODA - LOST SOULS (IBOGATECH)

HANEUL AND MAKTUB - OBLIVIUM (IBOGATECH)

7
8 UNDERWORLD - COWGIRL (REMIX ID2 A1804) (UNDERWORLDLIVE.COM)

9 CHICAGO LOOP - THE FUTURIST (MEAT KATIE REMIX) (HOTSTAGE RECORDS)

BORIS BREJCHA - PURPLE NOISE (BORIS BREJCHA RE-NOISE EDIT 2021) (HARTHOUSE)
10

KATAMII

TEN
PUMPUI

This is my mood in May.

Please welcome!

TOP 2
1 BECAUSE OF ART – ESSENCE [ALKAANE]
POLYMOD – CYCLES [ALKAANE]

DJ
3 HEXAGON – SHIMMER [CONFORCE]

4 SRA – OOBE [SYMBIOSTIC]

5 POLYMOD – BREAKS MATE [17 STEPS]

6 HADONE – SELF KINGDOM [TAAPION RECORDS]

7 STEFFI & STINGRAY - EXPLANATORY POWER [KLAKSON]

8 SKEE MASK – LFO [ILIAN TAPE]

9 ANUNAKU – SPIRALE [AD 93]

10 APARDE – WIRES (FEAT. BRIGADE) [KI RECORDS]

23
24
 DJ
NEUTRON
MAHARETTA RECORDS

A selection of my current favourites.

2
1 FREEDOM FIGHTERS - DRUMVILLE (STEREO SOCIETY) TOP
TEN
SOUNDAHOLIX - LET’S ROLL FEAT. SONIC SPECIES (FUTURE MUSIC)
3 GMS, DICKSTER, AJJA - GOTHIC AS A BRICK (NANO)

4 ARTIFEX - FLIMSY MEMORY (UNRELEASED – MAHARETTA)

5 KIM & ALGORIKA - TALKING TO SOME ALIENS (GRASSHOPPER)

6 AJJA - CONTEXT HIGH (SUPERFLUID SOUND)

7 NAMARRKON - OCEANUM (UNRELEASED – MAHARETTA)

8 HYPNOISE - BETATUN (GOAPRODUCTIONS)

9 JUGGERKNOT - MOON WALK (UNRELEASED)

10 VIRTUAL LIGHT, MAGIC & YESTERMORROW - INCEPTION (NANO)

PHOBOS
LOONEY MOON RECORDS

A selection of some of my current favorite tracks,

including mainly just published as well as unreleased
tunes which are gonna be out soon. My choices for this
chart are focused on tracks which captured my attention
for each being diverse and unique in their structure.
The tracks are in no particular order and the selection
is non-linear by choice.

1 JUMPSTREET - NO INTERRUPTIONS (UNRELEASED)

2 RUGRATS - INTERUPTED PROGRAM (LOONEY MOON RECORDS)

3 RADIKAL MOODZ - VITAL (UNRELEASEAD)

4 SYNKRONIC - HYPERFULL (SQUARELAB MUSIC)

5 GROOVE BROTHERS - SIZZLER (LOONEY MOON RECORDS)

6 ACE VENTURA - HELLO (PANTOMIMAN REMIX) (UNRELEASED)

7 OUT WORLD & CIRCUS BENT & BATTOUSAI - CAN YOU FEEL IT (BELIEVE LAB)
8 EARTHWORM & SHRED’ER - CREEPY STORY (UNRELEASED)
9 DRIBBLE - SILVER PUNCH (LOONEY MOON RECORDS)
10 DIKSHA - SHIVAYA (KARMATEC RECORDS)

DJ TSUBI

TEN
SANGOMA RECORDS/RADIOZORA.FM

A varied selection of my
favourite tracks, released in
the past 2-3 month, which well
defines the musical spectrum
that I like to move along in my

TOP
DJ sets.

1 GIZMO - WITCH’S OVEN (BOM SHANKA MUSIC)

2 SHADOW SHAMAN - PUPPY BREATH (HUNAB KU RECORDS)

DJ
3 GANDHABBA - BOMBING FOR PEACE (REVERSIBLE RECORDS)

4 YUDHISTHIRA & BOOGIE KNIGHT - THE PRESENT (FORESTDELIC RECORDS)

5 OUT WORLD & CIRCUS BENT & BATOUSAI - CAN YOU FEEL IT? (BELIEVE LAB)

6 PEYOTES - PROBLEM CHILD (SANGOMA RECORDS)

7 ANTONYMOUS & BIOPHOTONS - UNCERTAINTY PRINCIPLE (SONIC LOOM RECORDS)

8 DRURY NEVIL - NON STOP (PARVATI RECORDS)
9 ANOMA INTERGRITY - FUTURE FARMER STORY (JANGRUA RECORDINGS)
10 SEQUOYA & EGON’S EMBRACE - HELL IS OTHER PEOPLE (SANGOMA RECORDS)

25
 ENDNOTE: RE/VISIT DIM PAN’s FULL ALBUM 4 more monochrome beauty:)

Hey dear people,

Let’s do something together while we are apar!
Let’s start a COMMUNITY COLUMN.
If you have any anecdotes, stories, messages, memories,
photos... anything that warms your heart and lifts the
spirit, any wisdom or knowledge you picked up at O.Z.O.R.A. or
that you would like to share with others (any art, creativity,
soul-body-healing, earth-caring, enlightening, important,
objective news) OR any questions you would like us to inves-
tigate:) please feel free to send it to:
[email protected]
The Prophet will do its best to get your words and thoughts
out to our tribe.
p.s. And remember: “What strikes the oyster shell, doesn’t
damage the pearl.” /Rumi/
Love,
novishari, T.O.P. caretaker

. . .the rest is picstory. . .

“Do you know how you can “Tell him about your
make god laugh...?” plans...” (...)
26