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But in a correct (at least for now) modern touch, the seat backs have TVs—controlled, of course, by
a row of buttons. (And there’s also futuristic-for-the-1960s programming, like a televised women’s
judo match.) A curious film-school-like fact about 2001 is that essentially every major scene in the
movie (except the ones centered on HAL) shows the consumption of food. Each instance is a
particular and unique combinatory mix of common bits and pieces that are represented schematically
in the concept constructed and bits and pieces that are instances of other categorizing types. In the
movie, there’s a sequence where the astronauts are trying to troubleshoot a piece of electronics. To
browse Academia.edu and the wider internet faster and more securely, please take a few seconds to
upgrade your browser. We’re still at the very early stages of getting widespread intuition about AI.
And there are things like the web, and social media, that weren’t really imagined (even though
perhaps in retrospect they seem obvious). What Actually Happened A lot has happened in the past 50
years, particularly in technology, and it’s an interesting experience for me to watch 2001 again—and
compare what it predicted with what’s actually happened. It would be another year before I saw my
first actual computer in real life. Of course, how to put people into hibernation isn’t something that’s
yet been figured out in real life. The computational universe of all possible programs is full of
sophisticated computations that aren’t aligned with any existing human purposes. Artist Richard
McKenna was creating color schemes for spacecrafts before anyone really knew what they might
look like. I had seen plenty of diagrams in books, and had even painstakingly drawn quite a few
myself. You could also, for example, see HAL 9000 as a proto-Siri. Yes, space has always been more
broadly popular than, say, ocean exploration. But back in the 1960s, with the idea of software only
just emerging, there wasn’t yet a clear notion that computation could be something meaningful in its
own right, independent of the particulars of its hardware implementation. After all, everyone knows
that computer systems—or, more specifically, software systems—inevitably have bugs. Or are these
artifacts created by some advanced civilization. For the remainder of the 1970s I was personally
mostly very focused on physics (which, unlike AI, was thriving at the time). At Clavius, Floyd heads
a meeting of base personnel, apologizing for the epidemic cover story but stressing the need for
secrecy. The prototype is the combination of both elements aggregated in an abstract common
compound. Something else that’s changed since 1968 is how people talk, and the words they use.
That universal computation was possible had arisen as an essentially mathematical idea in the 1930s.
Close Alert Sign In Search Search Backchannel Business Culture Gear Ideas Politics Science
Security Merch Podcasts Video Wired World Artificial Intelligence Climate Games Newsletters
Magazine Events Wired Insider Jobs Coupons Stephen Wolfram Science Apr 3, 2018 3:39 PM 2001:
A Space Odyssey Predicted the Future—50 Years Ago Stanley Kubrick's iconic film gave us Hal and
other sci-fi elements. Personal Journey When I first saw 2001 I don’t think I ever even calculated
how old I’d be in the year 2001. But my guess is that once it’s finally figured out how to really do
general-purpose robotics—like we can do general-purpose computation—things will advance very
quickly. A big cat kills one member, and another tribe of man-apes drives them from their water hole.
It was also to be used to show the iconic features that would be seen in the film. Well, at least these
things don’t seem likely to happen the way they are typically portrayed in science fiction. That was
advanced for the 1960s, but Kubrick knew it would be too crude for the year 2001. Well, like
everything else, it was assumed that it would be more automated, with the result that in the movie a
variety of elaborate food dispensers are shown.
And even in this very first program (which is only a page long), it turns out that there were already
bugs. But like many other things in the movie, it doesn’t feel like what was predicted was off track;
it’s just that—50 years later—we still haven’t got there yet. AI was still in the back of my mind,
though, when for example I wanted to understand how brains might or might not relate to statistical
physics and to things like the formation of complexity. Basically it’s that eventually everything will
be programmable right down to atomic scales. The opening scene song captures the attention of its
audiences. But 20 or so years after the end of World War II, people were much more concerned
about the ongoing Cold War, and what seemed like the real possibility that the world would
imminently blow itself up in a giant nuclear conflagration. Categorical inferences are activated and
expand the scope of expected knowledge associated with a concept. I always viewed this as a rough
idealization of certain forms of human thinking. Depending on the choice of the standard the viewer
will construct an ad-hoc concept that will serve as the prototype (a type) used in order to apprehend
the target (a token). Of course, we don’t think of the complex processes in a pulsar magnetosphere as
extraterrestrial intelligence; we just think of them as something natural. Or, said in terms of 2001, it’s
inevitable that HAL will be capable of exhibiting unexpected behavior. Maybe helicopters could have
gone in this direction, but for detailed reasons of control and reliability that didn’t work out. And,
yes, in a setup like this, one can also imagine another science fiction favorite: time travel
(notwithstanding its many philosophical issues). And my guess is that—like cloning or gene
editing—to do it will take inventing some clever tricks. But when 2001 was made, the idea of word
processing, and of displaying text to read onscreen, was still several years in the future—probably
not least because at the time people thought of computers as machines for calculation, and there
didn’t seem to be anything calculational about text. Madison Goldberg This Small Wearable Device
Reduces Parkinson’s Symptoms People with Parkinson’s have fewer tremors when they receive
rhythmic physical stimulation—so a UK startup has created a coin-sized vibrating device to help
patients move more easily. Humanity finds a mysterious, obviously artificial object buried beneath
the Lunar surface and, with the intelligent. Though not many individuals agreed with Kubrick’s
choice of music, in some specific scenes, a disturbing combination of general sounds and styles in the
film led to the different team of classical. For the remainder of the 1970s I was personally mostly
very focused on physics (which, unlike AI, was thriving at the time). Personal Journey When I first
saw 2001 I don’t think I ever even calculated how old I’d be in the year 2001. The book is packed
with other details about the making of the film (for example, Clarke wrote the most of the screenplay
at the Chelsea Hotel, in the company of William S. The use of varying styles in the film, at times,
collocate against each other thus creating a distinct experience to its audience. And they worried
about things like how many legs they might have. In a sense, that was not such a stretch of a
prediction, because even in 1968, there had already been oscilloscope-style EKG displays for some
time. And it changes with age, just as the viewer’s perceptions do. It’ll surely be possible to get a
good approximation to their DNA. Elon Musk’s Transparency Isn’t Emily Mullin As it happens, back
in 1968 I’d recently been given a little plastic kit mechanical computer (called Digi-Comp I) that
could (very laboriously) do 3-digit binary operations. And similarly, when we look out into the
cosmos, it’s easy to see examples of sophisticated computation going on. But as soon as they saw
one, they could tell that something they had never imagined was possible. It is noticed that the waltz
repeats the third note and holds it for about three beats.
Each paragraph in the body of the essay should contain. This will show that the purely formal
characteristics of the film's conception carry meanings on their own relating to Kubrick's personal
expression, ideas about cinema and philosophy that go beyond the scope of the film's narrative. But it
was basically inevitable that it eventually would. And of course we know that bugs are not just a
theoretical problem; they exist in all large-scale practical software. I had seen plenty of diagrams in
books, and had even painstakingly drawn quite a few myself. DevGAMM Conference Barbie -
Brand Strategy Presentation Barbie - Brand Strategy Presentation Erica Santiago Good Stuff
Happens in 1:1 Meetings: Why you need them and how to do them well Good Stuff Happens in 1:1
Meetings: Why you need them and how to do them well Saba Software Introduction to C
Programming Language Introduction to C Programming Language Simplilearn The Pixar Way: 37
Quotes on Developing and Maintaining a Creative Company (fr. But having just lived through so
many advances in physics, this didn’t immediately faze me. Depending on the choice of the standard
the viewer will construct an ad-hoc concept that will serve as the prototype (a type) used in order to
apprehend the target (a token). Likewise, drawings of the Discovery ’s control panels were based on
NASA photos showing astronauts huddled around an in-development Apollo space capsule. Keir
Dullea and Gary Lockwood star as the two astronauts on this voyage, with Douglas Rain as the
voice of the sentient computer HAL, who seems human and has almost full control over their
spaceship. This resource hasn't been reviewed yet To ensure quality for our reviews, only customers
who have downloaded this resource can review it Report this resource to let us know if it violates
our terms and conditions. And of course HAL was physically big—like a mainframe computer
(actually even big enough that a person could go inside the computer). And in fact I remember that in
1972, when I happened to end up delivering a speech to my whole school—and picking the topic of
what amounts to AI ethics. Each instance is a particular and unique combinatory mix of common
bits and pieces that are represented schematically in the concept constructed and bits and pieces that
are instances of other categorizing types. And incidentally, I would consider it one of the most purely
spiritual films ever made. The opening scene song captures the attention of its audiences.
Apprehending each instance is an act of making meaning, of conceptualizing. Nevertheless, Climent
went ahead and wrote a score which was more of an alien to the music chosen and was also
inadequate in the film. The viewer keeps in memory a schematic representation of the
conceptualization, a scarce representation or a summary of the conceptualization. It’s also very
curious that if you go one step forward in the alphabet from the letters H A L, you get I B M. Arthur
C. Clarke always claimed this was a coincidence, and it probably was. Download Free PDF View
PDF Coping with the unknown in 2001: A Space Odyssey and Interstellar mircea V deaca
Preliminary 2001: A Space Odyssey (Stanley Kubrick, 1968) and Interstellar (Christopher Nolan,
2014) exhibit a family resemblance. Here, actor Keir Dullea poses in the equipment storage corridor
to one side of Discovery’s pod bay. Ebayer reports 27K, when questioned about a listing. Regarding
the docking sequence in the film, The Blue Danube, the music is orderly and conventional, with the
quiet pieces of the melody developing from the darkness of space in one oddball way. There are lots
of different things shown on the displays in 2001. Regarding the appearance of possible anti-
Semitism on this blog, please see the 'Disclaimers' section near the bottom of this page. By the time
mainframe computers were developed in the early 1960s, such hardware issues were pretty well
under control. Of course, back in 1968 there were still only a few thousand computers in the whole
world—each weighing at least some significant fraction of a ton—and basically nobody imagined
that one day individual people would have computers, and be able to carry them around. Elon
Musk’s Transparency Isn’t Emily Mullin It’s interesting to see Kubrick grappling with the idea that
minds and intelligence don’t have to have physical form. While doing so, they hear a very loud high-
pitched noise, presumably coming from the monolith.
Other advisors took cues from submarines and military vehicles to create the red-lit interiors of the
moonbus cockpit. But it didn’t seem important enough to put the necessary resources into. And, yes,
at times there’ve been arguments about how some feature of human intelligence is so fundamentally
special that AI will never capture it. Lots of nice computer-aided, engineering-style displays come
up. Now They’re Also Listening to Trains “Distributed acoustic sensing” looks for disturbances in
fiber to detect earthquakes and even insects. Stars: Keir Dullea, Gary Lockwood, William Sylvester,
Daniel Richter. As will be described later in the analysis, it is evident that this device, known as an
AE-35 unit, controls the positioning of the communications antenna. No 9000 computer has ever
made a mistake or distorted information. He frames the action to show major differences between his
characters, build tension, and connect the narrative to a seemingly disjointed film. Second, there are
surprises that basically nobody expects, though sometimes in retrospect they may seem somewhat
obvious. The rejected score of Alex North contained cues that were sensitive to the audience while
the selected final music existed outside the act while uplifting it. Predicting the Future OK, so now
we know—at least over the span of 50 years—what happened to the predictions from 2001, and in
effect how science fiction did (or did not) turn into science fact. But having just lived through so
many advances in physics, this didn’t immediately faze me. Or, said in terms of 2001, it’s inevitable
that HAL will be capable of exhibiting unexpected behavior. But it was basically inevitable that it
eventually would. But by making simplifications to neural nets and a couple of other kinds of
systems, I ended up coming up with cellular automata—which quickly allowed me to make some
discoveries that started me on my long journey of studying the computational universe of simple
programs, and made me set aside approximate pattern matching and the problem of AI. Silicon
Valley Plays Catch-Up Kubrick and Clarke needed to conceive of an onboard computing system for
the Discovery, which they initially called Athena, not HAL. But they’re all of printed circuit boards
with discrete components. But it also means HAL’s behavior can’t ever be completely predicted. But
in 1997, when I studied the movie in connection with HAL’s birthday, I’d been thinking for years
about the origins of complexity, and about the differences between natural and artificial systems—so
the octahedra jumped out at me (and, yes, I spent quite a while wrangling the LaserDisc version of
2001. Elon Musk’s Transparency Isn’t Emily Mullin And in 2001 we see it in action—when the
perfectly cuboidal black monolith appears on the 4-million-year-old Earth: it’s visually very obvious
that it isn’t something that belongs, and that it’s something that was presumably deliberately
constructed. Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present. And
there are things like the web, and social media, that weren’t really imagined (even though perhaps in
retrospect they seem obvious). Our account of both treats them as spatial in nature, and relates them
to similar spatial interpretative principles that generalize beyond character eyelines. Elon Musk’s
Transparency Isn’t Emily Mullin What is a bug. Elon Musk’s Transparency Isn’t Emily Mullin It’s
interesting to see Kubrick grappling with the idea that minds and intelligence don’t have to have
physical form. Well, presaging quite a bit that I’ve done in my life, I did it just because I found it
personally interesting. But what about knitting all these tasks together, to make a complete HAL. The
idea of digital cameras that could electronically take pictures simply hadn’t been imagined then. But
those two hours in 1968 watching 2001 defined an image of what the computational future could be
like, that I carried around for years.
IBM was at the time by far the world’s largest computer company, and it also conveniently happened
to be headquartered in New York City, which is where Kubrick and Clarke were doing their work.
At Clavius, Floyd heads a meeting of base personnel, apologizing for the epidemic cover story but
stressing the need for secrecy. Our account of both treats them as spatial in nature, and relates them
to similar spatial interpretative principles that generalize beyond character eyelines. Above left and
right: A view from HAL's perspective, of Poole's and Bowman's lips moving, as visible through the
window just mentioned. In the history of technology, there are certain things that just seem
inevitable—even though sometimes they may take decades to finally arrive. Half a century later I
still have that program, complete with a food stain, and faded writing from my 8-year-old self,
recording (with some misspelling) where and when I saw the movie. There are themes and
conventions of the science fiction genre at the time. WIRED may earn a portion of sales from
products that are purchased through our site as part of our Affiliate Partnerships with retailers. In
these two scenes, Kubrick utilizes the widescreen format to subtly affect the viewer's experience and
understanding of his ongoing themes of evolution, humanity, and deceivement. Though it happens to
be one that hasn’t yet been much discussed, or, say, explored in science fiction. Humanity finds a
mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent. It
helped me set the course of my life to try to define in whatever ways I can what the future will be.
Maybe helicopters could have gone in this direction, but for detailed reasons of control and
reliability that didn’t work out. Roy Carnon, another illustrator, created a visual system for Kubrick
that imagined how sunlight and shadows might fall in space. It was a carefully wrought prediction
for the future. The Pixar Way: 37 Quotes on Developing and Maintaining a Creative Company (fr. I
was always thinking about what the future might be like, but I didn’t internalize actually living
through it. They approach it shrieking and jumping, and eventually touch it cautiously. Stars: Keir
Dullea, Gary Lockwood, William Sylvester, Daniel Richter. By continuing we’ll assume you’re on
board with our cookie policy. But once it’s excavated and found to be a perfect black cuboidal
monolith, extraterrestrial intelligence seems the only plausible origin. And in fact I remember that in
1972, when I happened to end up delivering a speech to my whole school—and picking the topic of
what amounts to AI ethics. Considering all the care put into the making of 2001, this seems like a
rare lapse—though perhaps 2001 started the long and somewhat unfortunate tradition of showing
meaningless code in movies. (A recent counterexample is my son Christopher’s alien-language-
analysis code for Arrival, which is actual Wolfram Language code that genuinely makes the
visualizations shown.) But would it actually make sense to show any form of code on real displays
like the ones in 2001. But back in 1968 it was amazing to imagine that a computer could generate
information, and display it graphically, so quickly. The WIRED conversation illuminates how
technology is changing every aspect of our lives—from culture to business, science to design. After
making a videophone call from the station to his daughter (Vivian Kubrick), Floyd encounters his
friend Elena (Margaret Tyzack), a Russian scientist, and her colleague Dr. Smyslov (Leonard
Rossiter), who asks Floyd about odd things occurring at Clavius, and the rumor of a mysterious
epidemic at the base. Of course, at some level it’s a bit embarrassing that nature seems to quite
effortlessly make things that look more complex than what we typically produce, even with all our
engineering prowess. But in a sense, if one were able to do that, one almost doesn’t need the program
in the first place. In a sense, that was not such a stretch of a prediction, because even in 1968, there
had already been oscilloscope-style EKG displays for some time.
Above left and right: A view from HAL's perspective, of Poole's and Bowman's lips moving, as
visible through the window just mentioned. We have memories, concepts, identity, experiences and
collective imaginary, building in us an inner world. For the first time, a space probe had recently
landed on another planet (Venus). But those two hours in 1968 watching 2001 defined an image of
what the computational future could be like, that I carried around for years. The film has most
uniquely associated its images with its songs. And there were attempts to consumerize them in the
1970s and 1980s. What Actually Happened A lot has happened in the past 50 years, particularly in
technology, and it’s an interesting experience for me to watch 2001 again—and compare what it
predicted with what’s actually happened. And indeed when I saw 2001 I imagined that to have
access to technology like I saw in the movie, I’d have to be joining something like NASA when I
was grown up. Above right: The fetus in an orb of light, floating near Earth. But for detailed reasons
of computer and telecom capacity and cost, videophone technology didn’t really become broadly
available for a few more decades. And in 1997, in Urbana, Illinois, fictional birthplace of HAL (and,
also, as it happens, the headquarters location of my company), I went to a celebration of HAL’s
fictional birthday. I’m afraid that what I said I would now consider naive and misguided (and in fact
I was perhaps partly misled by 2001 ). RachelPearson36 Unlocking the Power of ChatGPT and AI in
Testing - A Real-World Look, present. In the past we might have argued that however complex such
a process looks, it’s really somehow fundamentally simpler than human intelligence. But he had
other capabilities too—like being able to do visual recognition tasks. Quite whether the path will be
primarily biological, or primarily digital, or some combination involving molecular-scale technology,
I do not know. Similarly, there will eventually be robotics everywhere. WIRED may earn a portion
of sales from products that are purchased through our site as part of our Affiliate Partnerships with
retailers. With radio telescopes coming online, and humans just beginning to venture out into space,
it also seemed quite likely that before long we’d find evidence of extraterrestrial intelligence. Cover
art is not credited but appears to be artwork commissioned for the film. It’ll surely be possible to get
a good approximation to their DNA. Emboldened by this—and with the Wolfram Language as a
tool—I then started thinking again about my quest to solve the problem of computational
knowledge. Though not many individuals agreed with Kubrick’s choice of music, in some specific
scenes, a disturbing combination of general sounds and styles in the film led to the different team of
classical. In it, he reveals the existence of the four million-year-old black monolith on the moon. Yes,
space has always been more broadly popular than, say, ocean exploration. For he assumed (as I did,
before I saw evidence to the contrary) that to make something that has a sophisticated feature like
self-reproduction, the thing itself must somehow be correspondingly complicated. Elon Musk’s
Transparency Isn’t Emily Mullin To use the Picturephone in 2001, one inserts a credit card. But
suddenly just a few years ago they really started working. And a whole bunch of HAL-like tasks that
had seemed out of range suddenly began to seem achievable. By the standards of modern
cellphones—or internet videochatting—that’s very expensive.