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Claudio Monteverdi
Country Italy
Birth May 15, 1567 in Cremona, Italy
Death Nov 29, 1643 in Venice, Italy
Period Baroque
Composition All Works (369)
Types Choral Music (340)
Vocal Music (20)
Opera (4)
Ballet Music (3)

If one were to name the composer that stitches

the seam between the Renaissance and the
Baroque, it would likely be Claudio Monteverdi--
the same composer who is largely and fre-
quently credited with making the cut in the first
place. The path from his earliest canzonettas
and madrigals to his latest operatic work exem-
plifies the shifts in musical thinking that took
place in the last decades of the sixteenth cen-
tury, and the first few of the seventeenth.
Monteverdi was born in Cremona, Italy on the
15th of May, 1567. As a youth his musical talent
was already evident: his first publication was is-
sued by a prominent Venetian publishing house
when he was fifteen, and by the time he was twenty a variety of his works
had gone to print. His first book of five-voice madrigals, while bearing a
dedication to his Cremonese mentor Ingegnieri, succeeded in establishing
his reputation outside of his provincial home-town, and helped him find
work in the court of the Duke Gonzaga of Mantua. His compositions from
the Mantuan period betray the influence of Giaches de Wert, who Mon-
teverdi eventually succeeded as the maestro di cappella. It was around
this time that Monteverdi's name became widely known, due largely to the
criticism levied at him by G. M. Artusi in his famous 1600 treatise "on the
imperfection of modern music." Artusi found Monteverdi's contrapuntal
unorthodoxies unacceptable, and cited several excerpts from his madrig-
als as examples of modern musical decadence. In the response that ap-
peared in the preface to Monteverdi's fifth book of madrigals, the com-
poser coined a pair of terms inextricably tied to the diversity of musical
taste that came to characterize the times. He referred to the older style of
composition, in which the traditional rules of counterpoint superseded ex-
pressive considerations, as the prima prattica. The seconda prattica, as
characterized by such works as Crudi Amarilli, sought to put music in the
servitude of the text by whatever means necessary-including "incorrect"
counterpoint-to vividly express the text.
In 1607, Monteverdi's first opera (and the oldest to grace modern stages
with any frequency) L'Orfeo, was performed in Mantua. This was followed
in 1608 by L'Arianna, which, despite its popularity at the time, no longer
survives except in libretti, and in the title character's famous lament, a
polyphonic arrangement of which appeared in his sixth book of madrigals
(1614). Disagreements with the Gonzaga court led him to seek work else-
where, and finally in 1612 he was appointed maestro di cappella at St.
Mark's Cathedral in Venice.
His earliest years at Venice were a rebuilding period for the cappella, and
it was some time before Monteverdi was free to accept commissions out-
side his duties at the cathedral. In 1616 he composed the ballet Tirsi i
Clori for Ferdinand of Mantua, the more-favored brother of his deceased
and disliked ex-employer. The following years saw some abandoned oper-
atic ventures, the now-lost opera La finta pazza Licori, and the dramatic
dialogue Combattimento di Tancredi e Clorinda.
The 1630s were lean musical years for Monteverdi. Political battles and an
outbreak of the plague left him without commissions from either Mantua
or Venice. However, with the opening of Venetian opera houses in 1637,
Monteverdi's operatic career was revived. A new production of L'Arianna
was staged in 1640, and three new operas appeared within two years: Il
ritorno d'Ulisse in patria, Le nozze d'Enea con Lavinia, and
L'incoronazione di Poppea. This resurgence preceded his death by just a
few years: he passed away in Venice in 1643. -- J. Neal

Musica coral
ca. A Dio, Florida bella, madrigal for 5 voices (from Book 6),
Madrigal
1614 SV 110
ca. A che tormi il ben mio, madrigal for 5 voices (from Book I),
Madrigal
1587 SV 25
ca. A quest'olmo, a quest'ombre, madrigal for 6 voices, 2 viol-
Madrigal
1619 ins and 2 recorders/flutes (from Book 7), SV 119
ca. A un giro sol de' bell'occhi lucenti, madrigal for 5 voices
Madrigal
1603 (from Book 4), SV 84
ca. Ab aeterno ordinata sum, motet for bass (from Selva Baroque
1640 morale e spirituale), SV 262 Motet
ca. Adoramus te, Christe, motet for 6 voices & continuo, SV Baroque
1620 289 Motet
ca. Ah dolente partita, madrigal for 5 voices (from Book 4), SV
Madrigal
1603 75
ca. Ah, che non si conviene romper la fede?, madrigal for 2
Madrigal
1619 voices (from Book 7), SV 125
Ahi che si parte il mio sol adorno, for 3 voices, SV 290 Choral Music
ca. Ahi, com'a un vago sol cortese giro, madrigal for 5 voices
Madrigal
1605 (from Book 5), SV 101
ca. Al lume delle stelle, madrigal for 2 sopranos, tenor & bass
Madrigal
1619 (from Book 7), SV 138
ca. Alcun non mi consigli, madrigal for 3 voices (from Book 9),
Madrigal
1651 SV 169
ca. Alle danze, alle gioie, madrigal for 3 voices (from Book 9),
Madrigal
1651 SV 174
ca. Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins
Madrigal
1638 & 4 violas (from Book 8), SV 146
 ca. Altri canti di Marte, madrigal for 6 voices and 2 violins
Madrigal
1638 (from Book 8), SV 155
ca. Amarili onde m'assale, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali á 3 voci), SV 231
ca. Amor che deggio far, madrigal for 2 sopranos, tenor, bass,
Madrigal
1619 2 violins and chittarone/harpsichord (from Book 7), SV 144
ca. Amor per tua mercè vatene a quella, madrigal for 5 voices
Madrigal
1587 (from Book 1), SV 26
ca. Amor s'il tuo ferire, madrigal for 5 voices (from Book 1),
Madrigal
1587 SV 37
ca. Amor, se giusto sei, madrigal for 5 voices (from Book 5),
Madrigal
1605 SV 103
ca. Amorosa pupilletta, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali á 3 voci), SV 238
ca. Angelus ad pastores ait, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 222 Motet
ca. Anima del cor mio, madrigal for 5 voices (from Book 4), SV
Madrigal
1603 91
ca. Anima dolorosa, madrigal for 5 voices (from Book 4), SV
Madrigal
1603 90
ca. Anima mia, perdona, madrigal for 5 voices (from Book 4),
Madrigal
1603 SV 80
ca. Ardo e scoprir, ahi lasso, io non ardisco, madrigal for 2
Madrigal
1638 tenors (from Book 8, & Book 9), SV 158
ca. Ardo si ma non t'amo, madrigal in 3 sections for 5 voices
Madrigal
1587 (from Book 1), SV 39
ca. Ardo, avvampo, mi struggo, madrigal for 8 voices and 2 vi-
Madrigal
1638 olins (from Book 8), SV 152
ca. Armatevi, pupille, madrigal for soprano (from Scherzi
Madrigal
1632 musicali), SV 247/2
ca. Armato il cor d'adamantina fede, madrigal for 2 tenors
Madrigal
1638 (from Book 8, 9, & Scherzi musicale), SV 150
ca. Audi, coelum, verba mea, motet for 7 voices (from Vespro Baroque
1610 della Beata Vergine), SV 206/9 Motet
ca. Augellin, che la voce al canto spieghi, madrigal for 3
Madrigal
1619 voices (from Book 7), SV 133
ca. Ave Maria, gratia plena, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 213 Motet
ca. Ave maris stella, for soprano, tenor & chorus (from Vespro Baroque
1610 della Beata Vergine), SV 206/12 Motet
ca. Baci soavi e cari, madrigal for 5 voices (from Book 1), SV
Madrigal
1587 27
ca. Batto, qui pianse Ergasto, madrigal for 5 voices (from
Madrigal
1614 Book 6), SV 115
Beatus Vir (I), motet for 6 voices, 2 violins, 3
ca. Baroque
violas/trombones and continuo (from Seva morale e
1640 Motet
spirituale), SV 268
ca. Beatus Vir (II), motet for 5 voices (from Seva morale e spir- Baroque
1640 ituale), SV 269 Motet
ca. Beatus Vir, motet for 7 voices & 2 violins (from Messa a Baroque
1650 quatro voci, et Salmi), SV195 Motet
ca. Begli occhi, all'armi, madrigal for soprano (from Scherzi Madrigal
1632 musicali), SV 247/3
ca. Bel pastor dal cui bel guardo, dialogue of a nymph & a
Madrigal
1651 shepherd for soprano & tenor (from Book 9), SV 168
ca. Bevea Fillide mia, madrigal for 5 voices (from Book 2), SV
Madrigal
1590 41
ca. La bocc'onde l'asprissime parole solean uscir, madrigal
Madrigal
1590 for 5 voices (from Book 2), SV 54
ca. Cantai un tempo, e se fu dolc'il canto, madrigal for 5
Madrigal
1590 voices (from Book 2), SV 59
ca. Cantata Domino canticum novum, motet, version for 2 Baroque
1615 voices, SV 292 Motet
ca. Cantate Domino canticum novum, motet, version for 6 Baroque
1615 voices, SV 292 Motet
1584 Canzonettas, for 3 voices, SV 1-21 Madrigal
ca.
Canzonette d'amore, (from Canzonettas for 3 voices), SV 2 Madrigal
1584
ca. Ch'io ami la mia vita, madrigal for 5 voices (from Book 1),
Madrigal
1587 SV 23
ca. Ch'io non t'ami, cor mio, madrigal for 5 voices (from Book
Madrigal
1592 3), SV 70
ca. Ch'io t'ami e t'ami piu de la mia vita, madrigal for 5 voices
Madrigal
1605 (from Book 5), SV 98
ca. Che dar più vi poss'io, madrigal for 5 voices (from Book 5),
Madrigal
1605 SV 99
ca. Chi vol che m'innamori, motet for alto, tenor, bass & 3 Baroque
1640 strings (from Selva morale e spirituale), SV 256 Motet
ca. Chi vol haver felice e lieto il core, madrigal for 5 voices
Madrigal
1638 (from Book 8), SV 162
ca. Chi vuol veder d'inverno un dolce aprile, (from Canzonet-
Madrigal
1584 tas for 3 voices), SV 14
ca. Chi vuol veder un bosco, (from Canzonettas for 3 voices),
Madrigal
1584 SV 20
ca. Chiome d'oro, bel thesoro, madrigal for 2 sopranos, 2 viol-
Madrigal
1619 ins and lute/harpsichord (from Book 7), SV 143
ca. Baroque
Christe, adoramus te, motet for 5 voices, SV 293
1620 Motet
ca. Clori amorosa, madrigal for 5 voices (from Scherzi
Madrigal
1607 musicale), SV 243
ca. Come dolce hoggi l'auretta spira, madrigal for 3 voices
Madrigal
1651 (from Book 9), SV 173
ca. Come farò, cuor mio, (from Canzonettas for 3 voices), SV
Madrigal
1584 11
ca. Confitebor tibi, Domine I, motet for 1 voice & 2 violins Baroque
1650 (from Missa á 4 voci et Salmi), SV 193 Motet
ca. Confitebor tibi, Domine I, motet for 3 voices & 5-part chor- Baroque
1640 us (from Salve morale e spirituale), SV 265 Motet
ca. Confitebor tibi, Domine II, motet for 2 voices & 2 violins Baroque
1650 (from Missa á 4 voci et Salmi), SV 194 Motet
ca. Confitebor tibi, Domine II, motet for 3 voices & 2 violins Baroque
1640 (from Salve morale e spirituale), SV 266 Motet
ca. Confitebor tibi, Domine III (Terzo alla francese), motet for 5 Baroque
1640 voices/or 1 voice & 4 strings (from Salve morale e spir- Motet
 ituale), SV 267
ca. Baroque
Confitebor tibi, Domine, motet for 4 voices, SV 295
1627 Motet
ca. Cor mio, mentre vi miro, madrigal for 5 voices (from Book
Madrigal
1603 4), SV 76
ca. Cor mio, non mori?, madrigal for 5 voices (from Book 4),
Madrigal
1603 SV 77
ca. Corse a la morte il povero Narciso, (from Canzonettas for 3
Madrigal
1584 voices), SV 12
ca. Credidi propter quod locutus sum, motet for 8 voices Baroque
1640 (from Selva morale e spirituale), SV 275 Motet
ca. Crucifixus (alternative parts for Credo section of Mass
Choral Music
1640 SV257), motet for 4 voices (from Selva morale), SV 259
ca. Crucifuxus, Et Resurrexit, Et iterum venturus est (alternat-
Mass Section
1610 ive parts for Credo section of Mass SV257), SV 259-261
ca.
Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94 Madrigal
1605
ca. Crudel, perchè mi fuggi?, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 55
ca. Damigella tutta bella, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali), SV 235
Darà la notte il Sol, madrigal for 5 voices (from Lagrime
1614 Choral Music
d'amante al sepolcro dell'amata), SV 111/3
Deh, bella e cara, madrigal for 5 voices (from Ch'io t'ami e
1605 Choral Music
t'ami), SV 98/2
ca. Deus tuorum militum sors et corona, motet for alto, tenor, Baroque
1640 bass & 2 violins (from Selva morale et spirituale), SV 280 Motet
ca. Deus tuorum militum sors et corona, motet for tenor & 2 Baroque
1640 violins (from Selva morale e spirituale), SV 278a Motet
ca. Di far sempre gioire amor speranza dá, madrigal for alto,
Madrigal
1651 tenor & bass (from Book 9), SV 170
ca. Dice la mia bellissima Licori, madrigal for 2 voices (from
Madrigal
1619 Book 7), SV 124
Ditelo, o fiume e voi ch'udiste, madrigal for 5 voices (from
1614 Choral Music
Lagrime d'amante al sepolcro dell'amata), SV 111/2
ca. Dixit Dominus (I), motet for 8 voices (from Messa a quatro Baroque
1650 voci, et Salmi), SV 191 Motet
ca. Dixit Dominus (II) (alla breve), motet for 8 voices (from Baroque
1650 Messa a quatro voci, et Salmi), SV 192 Motet
ca. Dixit Dominus I, motet for 8 voices, 2 violins & 4 Baroque
1640 violas/trombones (from Selva morale et spirituale), SV 263 Motet
ca. Dixit Dominus II, motet for 8 voices, 2 violins & 4 Baroque
1640 violas/trombones (from Selva morale et spirituale), SV 264 Motet
ca. Dixit Dominus, motet for 6 voices and 6 strings (from Ves- Baroque
1610 pers), SV 206/2 Motet
ca. Dolcemente dormiva la mia Clori, madrigal for 5 voices
Madrigal
1590 (from Book 2), SV 52
ca. Dolci miei sospiri, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali á 3 voci), SV 242
ca. Dolcissimi legami di parole amorose, madrigal for 5 voices
Madrigal
1590 (from Book 2), SV 42
ca. Dolcissimo uscignolo, madrigal for 5 voices (from Book 8), Madrigal
1638 SV 161
ca. Domine Pater et Deus vitae meae, motet for 3 voices (from Baroque
1582 Sacrae cantiunculae), SV 214 Motet
ca. Domine ad adiuvandum, motet for 6 voices (from Vespers), Baroque
1610 SV 206/1 Motet
ca. Domine, ne in furore tuo arguas me, motet for 6 voices, SV Baroque
1620 298 Motet
ca. Una Donna fra l'altre honesta e bella vidi, madrigal for 5
Madrigal
1614 voices(from Book 6), SV 109
ca. Donna, nel mio ritorno, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 47
ca. Donna, s'io miro voi, giaccio divengo, madrigal for 5
Madrigal
1587 voices (from Book 1), SV 38
Dorinda, ah dirò mio, se mia non sei, madrigal for 5 voices
1605 Choral Music
(from Ecco Silvio), SV 97/3
Dunque amate reliquie, madrigal for 5 voices (from
1614 Choral Music
Lagrime d'amante al sepolcro dell'amata), SV 111/6
ca. Duo Seraphim clamabant, motet for 3 tenors (from Ves- Baroque
1610 pers), SV 206/7 Motet
ca. E così a poc'a poco torno farfalla, madrigal for 5 voices
Madrigal
1605 (from Book 5), SV 105
ca. E dicea l'una sospirando, madrigal for 5 voices (Part 2 of
Choral Music
1590 Non si levav'ancor) (from Book 2), SV 40
ca. È questa vita un lampo, motet for 5 voices (from Selva Baroque
1640 morale et spirituale), SV 254 Motet
ca. Ecce sacrum paratum convivium, motet for solo voice and Baroque
1625 continuo, SV 299 Motet
ca. Ecco mormorar l'onde, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 51
Ecco piegando le ginocchie a terra, madrigal for 5 voices
1605 Choral Music
(from Ecco Silvio), SV 97/4
ca. Ecco vicine, o bella tigre, l'hore, madrigal for 2 voices
Madrigal
1619 (from Book 7), SV 127
ca. Ecco, Silvio, colei ch'in odio hai tanto, madrigal for 5
Madrigal
1605 voices (from Book 5), SV 97
ca. Eccomi pronta ai baci, Ergasto mio, madrigal for 3 voices
Madrigal
1619 (from Book 7), SV 135
ca. Ego dormio et cor meum vigilat, motet for soprano and Baroque
1625 bass, SV 300 Motet
ca. Baroque
Ego flos campi et lilium convallium, motet for alto, SV 301
1624 Motet
ca. Ego sum pastor bonus, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 209 Motet
ca.
En gratulemur hodie, motet for tenor & 2 violins, SV 302 Madrigal
1651
ca. Era l'anima mia già presso a l'ultim' hore, madrigal for 5
Madrigal
1605 voices (from Book 5), SV 96
Et iterum venturus est (alternative parts for Credo section
ca. Baroque
of Mass SV257), motet for 2 altos & bass (from Selva mor-
1640 Motet
ale), SV 261
ca. Et resurrexit (alternative parts for Credo section of Mass Baroque
1640 SV257), motet for 2 voices & 2 violins (from Selva morale), Motet
 SV 260
ca. Baroque
Exulta filia Sion, madrigal for soprano, SV 303
1629 Motet
ca. Exultent caeli et gaudeant angeli, motet for 5 voices, SV Baroque
1629 304 Motet
Ferir quell petto, Silvio, madrigal for 5 voices (from Ecco
1605 Choral Music
Silvio), SV 97/5
ca.
La fiera vista, (from Canzonettas for 3 voices), SV 3 Madrigal
1584
ca. Filli cara e amata, madrigal for 5 voices (from Book 1), SV
Madrigal
1587 29
ca. Fugge il verno dei dolori, madrigal for 3 voices (from
Madrigal
1607 Scherzi musicali a tre voci), SV 232
ca. Fugge, anima mea, mundum, motet for soprano, alto & Baroque
1620 violin, SV 305 Motet
Fuggi cor, canzonet Choral Music
ca. Fumia la pastorella, madrigal for 5 voices (from Book 1),
Madrigal
1587 SV 31
ca. Già mi credev'un sol esser in cielo, (from Canzonettas for
Madrigal
1584 3 voices), SV 15
ca. La giovinetta pianta, madrigal for 5 voices (from Book 3),
Madrigal
1592 SV 60
ca. Giovinetta ritrosetta, madrigal for 5 voices (from Scherzi
Madrigal
1607 musicali a tre voci), SV 241
ca. Gira il nemico insidioso, madrigal for alto, tenor & bass
Madrigal
1638 (from Book 8), SV 148
ca. Giù li a quel petto giace, (from Canzonettas for 3 voices),
Madrigal
1584 SV 17
ca. Gloria in excelsis Deo, motet for 7 voices, 2 violins & 4
Mass Section
1640 violas/trombones (from Selva morale et spirituale), SV 258
ca. Godi pur del bel sen felice, (from Canzonettas for 3
Madrigal
1584 voices), SV 16
ca. Hodie Christus natus est, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 218 Motet
ca. Hor ch'el ciel e la terra e'l vento tace, madrigal for 6 voices
Madrigal
1638 and 2 violins (from Book 8), SV 147
ca. Hor, care canzonette, (from Canzonettas for 3 voices), SV
Madrigal
1584 21
ca. I bei legami, madrigal for 3 voices (from Scherzi musicali a
Madrigal
1607 tre voci), SV 230
ca. Iam moriar, mi Fili, motet for soprano (from Selva morale e Baroque
1640 spirituale), SV 288 Motet
ca. In tua patientia, motet for 3 voices (from Sacrae cantiuncu- Baroque
1582 lae), SV 221 Motet
ca. Interrotte speranze, madrigal for 2 voices (from Book 7),
Madrigal
1619 SV 132
ca. Intorno a due vermiglie e vaghe labbra, madrigal for 5
Madrigal
1590 voices (from Book 2), SV44
ca. Io ardo, sì ma'l fuoco di tal sorte, madrigal for 2 sopranos
Madrigal
1594 & bass, SV 309
ca. Io mi son giovinetta, madrigal for 5 voices (from Book 4),
Madrigal
1603 SV 86
 ca. Io mi vivea com'aquila, (from Canzonettas for 3 voices), SV
Madrigal
1584 8
ca. Io son fenice e voi sete la fiamma, (from Canzonettas for 3
Madrigal
1584 voices), SV 19
ca. Io son pur vezzosetta pastorella, madrigal for 2 voices
Madrigal
1619 (from Book 7), SV 121
ca. Iste confessor Domini sacratus (I), motet for tenor & 2 Baroque
1640 violins (from Selva morale e spirituale), SV 279 Motet
ca. Iste confessor Domini sacratus (II), motet for 2 sopranos & Baroque
1640 2 violins (from Selva morale e spirituale), SV 279 Motet
ca. Jubilet tota civitas, motet for soprano (from Selva morale e Baroque
1640 spirituale), SV 286 Motet
ca. Justi tulerunt spolia impiorum, motet for 3 voices (from Baroque
1582 Sacrae cantiunculae), SV 229 Motet
ca. Laetaniae della Beata Vergine, motet for 6 voices (from Baroque
1650 Messa a quatro voci, et Salmi), SV 204 Motet
ca. Laetatus sum (I), motet for 6 voices, bassoon, 2 trombones Baroque
1650 & 2 violins (from Messa a quatro voci, et Salmi), SV 198 Motet
ca. Laetatus sum (II), motet for 5 voices (from Messa a quatro Baroque
1650 voci, et Salmi), SV 199 Motet
Lagrime d'amante al sepolcro dell'amata, madrigal in 6
ca.
sections for 5 voices and instruments (from Book 6), SV Madrigal
1614
111
ca. Lamento Della Ninfa, madrigal in 3 sections for 1-4 voices
Madrigal
1638 (from Book 8), SV 163
ca. Lamento d'Arianna, madrigal in 4 sections for 5 voices
Madrigal
1614 (from Book 6), SV 107
ca. Lapidabant Stephanum, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 207 Motet
ca. Lauda, Jerusalem, Dominum (I), motet for alto, tenor & Baroque
1650 bass (from Messa a quatro voci, et Salmi ), SV 202 Motet
ca. Lauda, Jerusalem, Dominum (II), motet for 5 voices (from Baroque
1650 Messa a quatro voci, et Salmi), SV 203 Motet
ca. Lauda, Jerusalem, Dominum, motet for 7 voices (from Ves- Baroque
1610 pers), SV 206/10 Motet
ca. Lauda, Sion, salvatorem, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 225 Motet
ca. Laudate Dominum in sanctis eius, motet for solo voice Baroque
1640 (from Selva morale e spirituale), SV 287 Motet
ca. Laudate Dominum, O omnes gentes, motet for bass (from Baroque
1650 Messa a quatro voci, et Salmi), SV 197 Motet
Laudate Dominum, omnes gentes (I), motet for 5 voices,
ca. Baroque
chorus, 2 violins & 4 violas/trombones (from Selva morale
1640 Motet
e spiritual), SV 272
ca. Laudate Dominum, omnes gentes (II), motet for 8 voices & Baroque
1640 2 violins (from Selva morale e spirituale), SV 273 Motet
ca. Laudate Dominum, omnes gentes (III), motet for 8 voices Baroque
1640 (from Selva morale e spirituale), SV 274 Motet
ca. Laudate, pueri, Dominum (I), motet for 5 voices & 2 violins Baroque
1640 (from Selva morale e spirituale), SV 270 Motet
ca. Laudate, pueri, Dominum (II), motet for 5 voices (from Baroque
1640 Selva morale e spirituale), SV 271 Motet
 ca. Laudate, pueri, Dominum, motet for 5 voices (from Messa Baroque
1650 a quatro voci, et Salmi), SV 196 Motet
ca. Laudate, pueri, Dominum, motet for 8 voices & organ (from Baroque
1610 Vespers), SV 206/4 Motet
ca. Lidia, spina del mio core, madrigal for 5 voices (from
Madrigal
1607 Scherzi musicali a tre voci), SV 244
ca. Longe da te, cor mio, struggomi di dolore, madrigal for 5
Madrigal
1603 voices (from Book 4), SV 92
ca. Luci serene e chiare, voi m'incendete, madrigal for 5
Madrigal
1603 voices (from Book 4), SV 81
ca. Lumi miei, cari lumi, madrigal for 5 voices (from Book 3),
Madrigal
1592 SV 73
ca. M'è più dolce il penar per Amarilli, madrigal for 5 voices
Madrigal
1605 (from Book 5), SV 100
Ma se con la pietà non è in te spenta, madrigal for 5 voices
1605 Choral Music
(from Ecco Silvio), SV 97/2
Ma te racoglie, o ninfa, madrigal for 5 voices (from
1614 Choral Music
Lagrime d'amante al sepolcro dell'amata), SV 111/4
Ma tu più che mai dura, madrigal for 5 voices (from Chi'io
1605 Choral Music
t'ami e t'ami), SV 98/3
1651 Madrigals (& canzonettas), Book 9, for 2 & 3 voices Madrigal
1587 Madrigals, Book 1, for 5 voices, SV 23-39 Madrigal
1590 Madrigals, Book 2, for 5 voices, SV 40-59 Madrigal
1592 Madrigals, Book 3, for 5 voices, SV 60-74 Madrigal
1603 Madrigals, Book 4, for 5 voices, SV 75-93 Madrigal
1605 Madrigals, Book 5, for 5 voices, SV 94-106 Madrigal
1614 Madrigals, Book 6, for 5 voices, SV 107-116 Madrigal
1619 Madrigals, Book 7, for 1,2,3,4 & 6 voices, SV 117-145 Madrigal
Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for
1638 Madrigal
1,2,3,4 & 6 voices, SV 146-167
ca. Magnificat (I), for 8 voices, 2 violins and 4
Magnificat
1640 violas/trombones (from Selva morale e spirituale), SV 281
ca. Magnificat (II), for 4 voices (from Selva morale e spirituale),
Magnificat
1640 SV 282
ca. Nisi Dominus aedificaverit domum, for 10 voices (from
Magnificat
1610 Vespers), SV 206/8
ca. Magnificat II, for 6 voices and organ (from Vespers), SV
Magnificat
1610 206a
ca. Mass de Cappella for 6 voices on Gomberti's motet "In Illo
Mass
1610 Tempore" (from Vespers), SV 205
ca. Mass for 4 voices da cappella, for 4 voices & organ (from
Mass
1650 Mass for 4 voices & Psalms), SV 190
ca. Mass for 4 voices da cappella, for 4 voices & organ (from
Mass
1640 Selva morale et spirituale), SV 257
ca. Mentre io miravo fiso de la mia donna, gl'occh' ardenti e e
Madrigal
1590 belli, madrigal for 5 voices (from Book 2), SV 50
ca. Mentre vaga Angioletta ogn'anima gentil cantando alletta,
Madrigal
1638 madrigal for 2 tenors (from Book 8), SV 157
ca.
Il mio martir tengo, (from Canzonettas for 3 voices), SV 6 Madrigal
1584
ca. Misero Alceo, madrigal for 5 voices (from Book 6), SV 114 Madrigal
1614
ca. Momento, et omnis mansuetudini eius, motet for 8 voices Baroque
1640 (from Selva morale e spirituale), SV 276 Motet
ca. Nigra sum sed formosa, antiphon for tenor (from Vespers), Baroque
1610 SV 206/3 Motet
ca. Ninfa che scalza il piede, madrigal in 3 sections for 2 & 3
Madrigal
1638 voices (from Book 8), SV 160
ca. Nisi Dominus aedificaverit domum (I), for soprano, tenor, Baroque
1650 bass & 2 violins (from Mass for 4 voices & Psalms), SV 200 Motet
ca. Nisi Dominus aedificaverit domum (II), for 6 voices (from Baroque
1650 Mass for 4 voices & Psalms), SV 201 Motet
ca. Nisi Dominus aedificaverit domum, for 10 voices (from
Choral Music
1610 Vespers), SV 206/8
ca. Non così tosto io miro, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali for 3 voices), SV 234
ca. Non è di gentil core chi non arde, madrigal for 2 sopranos
Madrigal
1619 (from Book 7), SV 118
ca. Non giacinti o narcisi, madrigal for 5 voices (from Book 5),
Madrigal
1590 SV 43
ca. Non m'è grave il morire, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 57
ca. Non partir, ritrosetta, madrigal for 2 altos & bass (from
Madrigal
1638 Book 8), SV 165
ca. Non più guerra pietate, madrigal for 5 voices (from Book
Madrigal
1603 4), SV 88
ca. Non si levav'ancor l'alba novella, madrigal in 2 sections for
Madrigal
1590 5 voices (from Book 2), SV 40
ca. Non sono in queste rive fiori così vermigli, madrigal for 5
Madrigal
1590 voices (from Book 2), SV 45
ca. Non vedrò mai le stelle, madrigal for 2 voices (from Book
Madrigal
1619 7), SV 126
ca. Non voglio amare per non penare, for 2 tenors and bass
Madrigal
1651 (from Book 9), SV 172
ca. O Domine Jesu Christe, motet in 2 sections & for 3 voices Baroque
1582 (from Sacrae cantiunculae), SV 219 Motet
ca. O Mirtillo, Mirtill'anima mia, madrigal for 5 voices (from
Madrigal
1605 Book 5), SV 95
ca. O Primavera, gioventù de l'anno, madrigal for 5 voices
Madrigal
1592 (from Book 3), SV 68
ca. O beatae viae, O felices gressus, motet for 2 sopranos, SV Baroque
1620 312 Motet
ca. O bone Jesu, O piissime Jesu, motet for 2 sopranos, SV Baroque
1622 313 Motet
ca. O bone Jesu, illumina oculos meos, motet for 3 voices Baroque
1582 (from Sacrae cantiunculae tribus vocibus), SV 226 Motet
O chiome d'or, neve gentil del seno, madrigal for 5 voices
1614 Choral Music
(from Lagrime d'amante al sepolcro dell'amata), SV 111/5
ca. O come è gran martire, madrigal for 5 voices (from Book Baroque
1592 3), SV 61 Motet
ca. O come sei gentile, caro augellino, madrigal for 2
Madrigal
1619 sopranos (from Book 7), SV 120
ca. O come vaghi, o come cari, madrigal for 2 tenors, SV 315 Madrigal
1624
ca. O crux benedicta, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 217 Motet
ca. O dolce anima mia, madrigal for 5 voices (from Book 3),
Madrigal
1592 SV 63
ca. O magnum pietatis opus, motet in 2 sections & for 3 Baroque
1582 voices (from Sacrae cantiunculae), SV 216 Motet
ca. O mio bene, o mia vita, madrigal for 2 tenors & bass (from
Madrigal
1651 Book 9), SV 178
ca. O rosetta, che rosetta, madrigal for 3 voices (from Scherzi
Madrigal
1607 musicali a tre voci), SV 237
ca. O rossignuol ch'in queste verdi fronde, madrigal for 5
Madrigal
1592 voices (from Book 3), SV 65
ca. O sia tranquillo il mare, madrigal for 2 tenors (from Book 8
Madrigal
1638 & 9), SV 159
ca. O viva fiamma, o miei sospiri ardenti, madrigal for 2 voices
Madrigal
1619 (from Book 7), SV 122
ca. Occhi miei, se mirar, più non debb'io, madrigal for 2
Madrigal
1594 sopranos & bass, SV 314
ca. Occhi un tempo, mia vita, occhi di questo cor fido
Madrigal
1592 sostegno, madrigal for 5 voices (from Book 3), SV 71
ca. Ogni amante è guerrier, madrigal in 4 sections for 1-3
Madrigal
1638 voices (from Book 8), SV 151
ca.
Ohimè ch'io cado, ohimè ch'inciampo, madrigal, SV 316 Madrigal
1624
ca. Ohimè il bel viso, madrigal for 5 voices (from Book 6), SV
Madrigal
1614 112
ca. Ohimè, dov'è il mio ben?, madrigal in 4 parts for 2 sop-
Madrigal
1619 ranos (from Book 7), SV 140
ca. Ohimè, se tanto amate di sentir dir ohimè, madrigal for 5
Madrigal
1603 voices (from Book 4), SV 85
ca. Parlo, miser'o taccio?, madrigal for 2 sopranos & bass
Madrigal
1619 (from Book 7), SV 136
ca. La pastorella mia spietata, madrigal for 3 voices (from
Madrigal
1607 Scherzi musicali a tre voci), SV 236
ca. Pater, venit hora, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 220 Motet
ca. Perchè fuggi tra salci, ritrosetta?, madrigal for 2 voices
Madrigal
1619 (from Book 7), SV 128
ca. Perchè se m'odiavi, madrigal for 2 tenors & bass (from
Madrigal
1651 Book 9), SV 175
ca. Perchè t'en fuggi, o Fillide?, madrigal for alto, tenor &
Madrigal
1638 bass (from Book 8), SV 164
ca. Baroque
Perchè, se m'odiavi, aria for soprano, SV 320
1634 Motet
ca. Perfidissimo volto, madrigal for 5 voices (from Book 3), SV
Madrigal
1592 69
ca. La piaga c'ho nel core, madrigal for 5 voices (from Book
Madrigal
1603 4), SV 82
ca. Piagn' e sospira, madrigal for 5 voices (from Book 4), SV
Madrigal
1603 93
ca. Più lieto il guardo, aria for soprano, SV 321 Baroque
1634 Motet
ca. Poi che del mio dolore, madrigal for 5 voices (from Book
Madrigal
1587 1), SV 30
ca. Presso un fiume tranquillo, dialogue for 7 voices &
Madrigal
1614 instruments (from Book 6), SV 116
ca. Prima vedrò ch'in questi prati, madrigal for 2 sopranos &
Madrigal
1605 bass, SV 322
ca. Pulchra es, amica mea, motet for 2 sopranos (from Baroque
1610 Vespers), SV 206/5 Motet
ca. Qual si può dir maggiore, (from Canzonettas for 3 voices),
Madrigal
1584 SV 1
ca. Quam pulchra es, motet for 3 voices (from Sacrae cantiun- Baroque
1582 culae), SV 212 Motet
ca. Quando dentro al tuo seno, madrigal for 3 voices (from
Madrigal
1651 Book 9), SV 171
ca. Quando l'alba in oriente, madrigal for 3 voices (from
Madrigal
1607 Scherzi musicali a tre voci), SV 233
ca. Quando sperai del mio servir mercede, (from Canzonettas
Madrigal
1584 for 3 voices), SV 10
ca. Quante son stelle in ciel, madrigal for 2 sopranos & bass,
Madrigal
1594 SV 324
ca. Quel augellin che canta si dolcemente, madrigal for 5
Madrigal
1603 voices (from Book 4), SV 87
ca. Quell'ombra esser vorrei, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 48
ca. Questa ordì il laccio, madrigal for 5 voices (from Book 1),
Madrigal
1587 SV 35
ca. Questi vaghi concenti, madrigal for 5 voices (from Book 5),
Madrigal
1605 SV 106
ca. Questo specchio ti dono, Rosa, madrigal for 5 voices
Madrigal
1590 (from Book 2), SV 56
ca. Qui rise, O Tirsi, madrigal for 5 voices (from Book 6), SV
Madrigal
1614 113
ca. Qui vult venire post me, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 228 Motet
ca. Quia vidisti me, Thoma, credidisti, motet for 3 voices (from Baroque
1582 Sacrae cantiunculae), SV 224 Motet
ca. Raggi, dov'è il mio bene, madrigal for 3 voices (from
Madrigal
1584 Canzonette a tre voci), SV 4
ca. Rimanti in pace a la dolente e bella Fillida, madrigal in 2
Madrigal
1592 sections for 5 voices (from Book 2), SV 74
ca. S'andasse amor a caccia, madrigal for 5 voices (from Book
Madrigal
1590 2), SV 49
ca. S'el vostro cor, madonna, madrigal for 2 voices (from
Madrigal
1619 Book 7), SV 131
Sacrae cantiunculae tribus vocibus, motets for 3 voices, Baroque
1582
SV 207-229 Motet
ca. Baroque
Salve O Regina, O Mater, motet for tenor, SV 326
1624 Motet
ca. Salve Regina (I), for 2 voices & 2 violins (from Selva Baroque
1640 morale e spirituale), SV 283 Motet
ca. Salve Regina (II), for 2 voices (from Selva morale e Baroque
1640 spirituale), SV 284 Motet
ca. Salve Regina (III), for 3 voices (from Selva morale e Baroque
1640 spirituale), SV 285 Motet
ca. Salve, crux pretiosa, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 223 Motet
ca. Sancta Maria, succurre miseris, motet for 2 sopranos, SV Baroque
1627 328 Motet
ca. Sanctorum meritis inclita gaudia (I), motet for soprano & 2 Baroque
1640 violins (from Selva morale e spirituale), SV 277 Motet
ca. Sanctorum meritis inclita gaudia (II), motet for tenor & 2 Baroque
1640 violins (from Selva morale e spirituale), SV 278 Motet
Scherzi musicali Cioè Arie, e Madrigali in stil recitativo,
1632 con una Ciaccona a 1 e 2, madrigals for 1 & 2 voices, SV Madrigal
246-251
Scherzi musicali a tre voci, arias & madrigals for 3 voices,
1607 Madrigal
SV 230-244
Se d'un angel' il bel viso, canzonet Choral Music
ca. Se nel partir da voi, vita mia, madrigal for 5 voices (from
Madrigal
1587 Book 1), SV 32
ca. Se non mi date aita, madrigal for 2 sopranos & bass, SV
Madrigal
1594 331
ca. Se per estremo ardore morir potesse un core, madrigal for
Madrigal
1592 5 voices (from Book 3), SV 66
ca. Se per havervi oimè , madrigal for 5 voices (from Book 1),
Madrigal
1587 SV 24
ca. Se pur destina e vole il cielo, for tenor & continuo (from
Madrigal
1619 Madrigals, Book 7), SV 142
ca. Se pur non mi consenti, madrigal for 5 voices from Book
Madrigal
1587 1), SV 28
ca. Se tu mi lassi, perfida, madrigal for 5 voices (from Book 2),
Madrigal
1590 SV 53
ca. Se vittorie si belle, madrigal for 2 tenors (from Book 8 & 9),
Madrigal
1638 SV 149
Second Vespers for the Feast of Santa Barbara (as recon- Sacred
1610
structed by Graham Dixon) Choral Music
Baroque
1640 Selva morale e spirituale, mass & motets, SV 252-288
Motet
ca. Sfogava con le stelle un infermo d'amore, madrigal for 5
Madrigal
1603 voices (from Book 4), SV 78
ca. Si ch'io vorrei morire, madrigal for 5 voices (from Book 4),
Madrigal
1603 SV 89
ca. Si come crescon alla terra i fiori, (from Canzonettas for 3
Madrigal
1584 voices), SV 18
ca.
Si dolce è'l tormento, madrigal for solo voice, SV 332 Madrigal
1624
ca. Si si ch'io v'amo, occhi vaghi, occhi belli, madrigal for 3
Madrigal
1651 voices (from Book 9), SV 176
ca. Soave libertate, madrigal for 2 voices (from Book 7), SV
Madrigal
1619 130
ca. Son questi i crespi crini?, (from Canzonettas for 3 voices),
Madrigal
1584 SV 7
ca. Sonata sopra 'Sancta Maria,' ora pro nobis, for soprano, 3 Baroque
 horns, 2 trombones, 2 violins & cello (from Vespers), SV
1610 Motet
206/11
ca. Sovra tenere herbette e bianchi fiori, madrigal for 5 voices
Madrigal
1592 (from Madrigals, Book 3), SV 62
ca. Spuntava il dì, motet for alto, tenor & bass (from Selva Baroque
1640 morale e spirituale), SV 255 Motet
ca. Stracciami pur il core, madrigal for 5 voices (from Book 3),
Madrigal
1592 SV 64
ca. Su su, su che'l giorno è fore, (from Canzonettas for 3
Madrigal
1584 voices), SV 9
ca. Su, su, su, pastorelli vezzosi, madrigal for 2 sopranos &
Madrigal
1638 alto (from Book 8), SV 166
ca. Surge propera, amica mea, motet for 3 voices (from Sacrae Baroque
1582 cantiunculae), SV 210 Motet
ca. Surgens Jesus, Dominus noster, motet for 3 voices (from Baroque
1582 Sacrae cantiunculae), SV 227 Motet
ca. T'amo mia vita!, madrigal for 5 voices (from Book 5), SV
Madrigal
1605 104
ca. Taci, Armelin, deh taci, madrigal for alto, tenor & bass, SV
Madrigal
1624 334
ca. Ti spontò l'ali amor, la donna mia, madrigal for 5 voices
Madrigal
1590 (from Book 2), SV 58
ca. Tornate, o cari bac, madrigal for 2 voices (from Book 7),
Madrigal
1619 SV 129
ca. Tra mille fiamme e tra mille cathene, madrigal for 5 voices
Madrigal
1587 (from Book 1), SV 33
ca. Troppo ben può questo tiranno amore, madrigal for 5
Madrigal
1605 voices (from Book 5), SV 102
ca. Tu dormi? Ah crudo core, for soprano, alto, tenor & bass
Madrigal
1619 (from Book VII), SV 137
ca. Tu es pastor ovium, motet in 2 sections & for 3 voices Baroque
1582 (from Sacrae cantiunculae), SV 215 Motet
ca.
Tu ridi sempre mai, (from Canzonettas for 3 voices), SV 13 Madrigal
1584
ca. Tutte le bocche belle in questo nero volto, madrigal for 5
Madrigal
1590 voices (from Book 2), SV 46
ca. Ubi duo vel tres congregati fuerint, motet for 3 voices Baroque
1582 (from Sacrae cantiunculae), SV 211 Motet
ca. Usciam, ninfe, homai fuor di questi boschi, madrigal for 5
Madrigal
1587 voices (from Book 1), SV 34
ca. Ut queant laxis resonare fibris, motet for 2 sopranos & 2 Baroque
1640 violins (from Selva morale e spirituale), SV 279a Motet
ca. La vaga pastorella sen va tra fiori, madrigal for 5 voices
Madrigal
1587 (from Book 1), SV 36
ca. Vaga su spina ascosa, madrigal for 2 tenors & bass, (from
Madrigal
1619 Book 7), SV 134
ca. Vaghi rai di cigli ardenti, madrigal for 3 voices (from
Madrigal
1607 Scherzi musicali a tre voci), SV 239
ca. Vago augelletto, che cantando vai, for 7 voices, 2 violins &
Madrigal
1638 bass (from Book 8), SV 156
ca. Vattene pur, crudel, con quella pace, madrigal in 3 sec-
Madrigal
1592 tions for 5 voices (from Book 3), SV 67
 ca. Veni in hortum meum, motet for 3 voices (from Sacrae can- Baroque
1582 tiunculae), SV 208 Motet
ca. Venite siccientes ad aquas Domini, motet for 2 sopranos, Baroque
1624 SV 335 Motet
ca. Venite, videte martyrem quam sit carus, motet for soprano, Baroque
1645 SV 336 Motet
Vespro della beata vergine, for chorus & instruments, SV
1610 Choral Music
206
ca. La violetta, madrigal for 3 voices (from Scherzi musicali a
Madrigal
1607 tre voci), SV 240
ca.
Vita de l'alma mia, (from Canzonettas for 3 voices), SV 5 Madrigal
1584
ca. Vivrò fra i miei tormenti e le mie cure, madrigal in 3 sec-
Madrigal
1592 tions for 5 voices (from Book 3), SV 72
ca. Voi ch'ascoltate in rime sparse, motet for 5 voices & 2 viol- Baroque
1640 ins (from Selva morale e spirituale), SV 253 Motet
ca. Voi pur da me partite, anima dura, madrigal for 5 voices
Madrigal
1603 (from Book 4), SV 83
ca. Volgea l'anima mia soavemente, madrigal for 5 voices
Madrigal
1603 (from Book 4), SV 79
ca. Vorrei baciarti, o Fill, madrigal for 2 voices (from Book 7),
Madrigal
1619 SV 123
ca. Zefiro Torna, madrigal for 2 tenors (from Book 9 & Scherzi
Madrigal
1632 musicali), SV 251
ca. Zefiro torna e'l bel tempo rimena, madrigal for 5 voices
Madrigal
1614 (from Book 6), SV 108

Vocal
ca. Con che soavità, labbra odorate, madrigal for sop- Madrigal for Solo
1619 rano and instruments (from Book 7), SV 139 Voice and Contiuo
ca. Currite populi, psallite timpanis, motet for tenor, Madrigal for Solo
1625 SV 297 Voice and Contiuo
ca. Ecco di dolci raggi, madrigal for tenor (from Madrigal for Solo
1632 Scherzi musicali), SV 249/1 Voice and Contiuo
ca. Eri già tutta mia, madrigal for soprano (from Madrigal for Solo
1632 Scherzi musicali), SV 248 Voice and Contiuo
ca. Et è pur dunque vero, madrigal for soprano (from Madrigal for Solo
1632 Scherzi musicali), SV 250 Voice and Contiuo
Exulta filia Sion, motet for 3 voices & continuo Vocal Music
ca. Io che armato sin hor, madrigal for tenor (from Madrigal for Solo
1632 Scherzi musicali), SV 249/2 Voice and Contiuo
ca. Lamento d'Olimpia, madrigal in 3 sections for Madrigal for Solo
1620 soprano, SV A2 Voice and Contiuo
ca. Maledetto sia l'aspetto, madrigal for soprano (from Madrigal for Solo
1632 Scherzi musicali), SV 246 Voice and Contiuo
ca. La mia turca che d'amor, madrigal for solo voice, Madrigal for Solo
1624 SV 310 Voice and Contiuo
O ciechi il tanto affaticar che giova, motet for 5
ca. Miscellaneous Vocal
voices & 2 violins (from Selva morale e spirituale),
1640 Music
SV 252
ca. O quam pulchra es, amica mea, motet for solo Madrigal for Solo
 1625 tenor, SV 317 Voice and Contiuo
Parnassus Musicus Ferdinandeus di G.B.
1615 Vocal Music
Bonometti (1615)
ca. Quel sguardo sdegnosetto, madrigal for soprano Madrigal for Solo
1632 (from Scherzi musicali), SV 247/1 Voice and Contiuo
ca. Madrigal for Solo
Salve Regina, motet for tenor, SV 327
1625 Voice and Contiuo
ca. Se i languidi miei sguardi (Lettera amorosa), Madrigal for Solo
1619 madrigal for soprano (from Book 7), SV 141 Voice and Contiuo
Su le penne de' venti, (Prologue to "La Maddalena"
ca. Solo Voice(s) and
by Gio. Battista Andreini), for tenor & 5
1617 Small Ensemble
instruments, SV 333
Symbolae Diversorum Musicorum di L. Calvo
1620 Vocal Music
(1620)
ca. Tempro la cetra, madrigal for tenor & strings (from Madrigal for Solo
1619 Book 7), SV 117 Voice and Contiuo
Voglio di vita uscir, madrigal for soprano (in Madrigal for Solo
manuscript) Voice and Contiuo

Opera
ca. Combattimento di Tancredi e Clorinda, dramatic cantata Italian Baroque
1638 (from Book 8), SV 153 Opera
Italian Baroque
1607 La favola d'Orfeo, opera, SV 318
Opera
Italian Baroque
1642 L' Incoronazione di Poppea, opera in 3 acts, SV 308
Opera
Italian Baroque
1640 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325
Opera

Ballet
Ballo delle ingrate, semi-dramatic ballet (from Book 8),
1638 Baroque Ballet
SV 167
Movete al mio bel suon le piante snelle, semi-dramatic
ca. 1638 Baroque Ballet
ballet (from Book 8), SV 154
ca. 1619 Tirsi e Clori, ballet (from Book 7), SV 145 Baroque Ballet