This video is a lesson on the 6th diminished scale and its application to chord voicings and harmonizing melodies. It discusses the scale's construction, voicings for guitar, connecting chords using the scale, and practicing techniques like interval sets, contrary motion, and moving through different keys. The instructor provides examples of "borrowing" chords from the scale and using long and short voicings to vary chord progressions.
This video is a lesson on the 6th diminished scale and its application to chord voicings and harmonizing melodies. It discusses the scale's construction, voicings for guitar, connecting chords using the scale, and practicing techniques like interval sets, contrary motion, and moving through different keys. The instructor provides examples of "borrowing" chords from the scale and using long and short voicings to vary chord progressions.
This video is a lesson on the 6th diminished scale and its application to chord voicings and harmonizing melodies. It discusses the scale's construction, voicings for guitar, connecting chords using the scale, and practicing techniques like interval sets, contrary motion, and moving through different keys. The instructor provides examples of "borrowing" chords from the scale and using long and short voicings to vary chord progressions.
This video is a lesson on the 6th diminished scale and its application to chord voicings and harmonizing melodies. It discusses the scale's construction, voicings for guitar, connecting chords using the scale, and practicing techniques like interval sets, contrary motion, and moving through different keys. The instructor provides examples of "borrowing" chords from the scale and using long and short voicings to vary chord progressions.
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0:00 - Intro
0:20 - Barry Harris
0:54 - What is the 6th Diminished scale? 1:20 - (the major 6th diminished) 3:33 - Chord Voicings
3:57 - (the drop system)
5:44 - The Four Voices
6:03 - (close position voicings for guitar) 6:48 - (shell voicings) 7:15 - The Other Scales 8:12 - The Diminished Family Theory 10:58 - (8 note diminished scale) 14:08 - Connecting Chords: C6 to F6 15:32 - (Bb6 to F6) 16:00 - (biiio7) 17:32 - Where The 6th Diminished Came From 19:26 - Applying The Scales 20:07 - (the important minor) 21:25 - (the tritone's minor) 22:22 - (tip: where not to put the diminished chords) 22:45 - The 6th Chord Options 24:38 - Harmonising Melodies With Movement 27:10 - (6th against diminished in contrary motion) 28:30 - (melody in the bass) 28:58 - Major to m7b5 move/relationship 36:18 - Practising The Scale 36:49 - (interval sets) 37:47 - (contrary motion) 39:12 - (interval sets + contrary motion) 39:35 - (contrary motion + filling in the scale) 40:36 - (filling in the scale + moving through keys) 41:00 - (left hand move) 42:14 - (barry move suited for guitar) 43:12 - (breaking up the block chords) 44:35 - Single Note Lines 46:53 - The Borrowing Concept 50:27 - (borrowing example 1) 53:39 - (borrowing example 2) 55:59 - No longer a “ii V” player 56:35 - The Short & Long Voicings 1:00:14 - (tip: on piano) 1:00:28 - (tip: on guitar) 1:02:43 - (long short changing key) 1:03:04 - (practising through different keys) 1:03:32 - (minor) 1:03:57 - (applying to a ii, V) 1:04:29 - (different inversions) 1:05:46 - (including b6) 1:06:16 - Outro 1:07:08 - Example Performance (Autumn In New York)