Barry Harris 6th Diminished Scale FULLY EXPLAINED

Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 3

0:00 - Intro

0:20 - Barry Harris


0:54 - What is the 6th Diminished scale?
1:20 - (the major 6th diminished)
3:33 - Chord Voicings

3:57 - (the drop system)

5:44 - The Four Voices


6:03 - (close position voicings for guitar)
6:48 - (shell voicings)
7:15 - The Other Scales
8:12 - The Diminished Family Theory
10:58 - (8 note diminished scale)
14:08 - Connecting Chords: C6 to F6
15:32 - (Bb6 to F6)
16:00 - (biiio7)
17:32 - Where The 6th Diminished Came From
19:26 - Applying The Scales
20:07 - (the important minor)
21:25 - (the tritone's minor)
22:22 - (tip: where not to put the diminished chords)
22:45 - The 6th Chord Options
24:38 - Harmonising Melodies With Movement
27:10 - (6th against diminished in contrary motion)
28:30 - (melody in the bass)
28:58 - Major to m7b5 move/relationship
36:18 - Practising The Scale
36:49 - (interval sets)
37:47 - (contrary motion)
39:12 - (interval sets + contrary motion)
39:35 - (contrary motion + filling in the scale)
40:36 - (filling in the scale + moving through keys)
41:00 - (left hand move)
42:14 - (barry move suited for guitar)
43:12 - (breaking up the block chords)
44:35 - Single Note Lines
46:53 - The Borrowing Concept
50:27 - (borrowing example 1)
53:39 - (borrowing example 2)
55:59 - No longer a “ii V” player
56:35 - The Short & Long Voicings
1:00:14 - (tip: on piano)
1:00:28 - (tip: on guitar)
1:02:43 - (long short changing key)
1:03:04 - (practising through different keys)
1:03:32 - (minor)
1:03:57 - (applying to a ii, V)
1:04:29 - (different inversions)
1:05:46 - (including b6)
1:06:16 - Outro
1:07:08 - Example Performance (Autumn In New York)

You might also like