Artbook LUS

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1
THE ART OF
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LLC BLINI GAMES

2019
2 3
Chapter 1
CHARACTERS
5
Chapter 2
I TEMS
17
Chapter 1
Chapter 3
ALTARS
CHARACTERS
25
Chapter 4
L OCATIONS
29
Chapter 5
MONSTERSfkjbcvmb,n
AND N PC fkjbcvmb,n
49
Chapter 6
G REAT OLD ONES
55
4 5
Detective
JOHN MURPHY
A hard-bitten Private Eye, Murphy hails from New
Orleans police department where he served under
the celebrated Inspector Legrasse. Murphy is tough,
straight talking and has a keen eye for facts and tar-
gets. Legrasse had a profound effect on Murphy. It
wasn’t just the art of detection Murphy learned from
the Old Man.
6 7
Professor
DR. CLAWSTONE
fkjbcvmb,n fkjbcvmb,nmilitary-funded research bore

Dr. Clawstone’s
fruit no one could have imagined. The remains of
a device codenamed “Tillinghast” progressed his
research into the ways biological organisms in-
teract with energy fields by decades. The combat
applications were immediately apparent...
8 9
Witch
ELIZABETH DES FLÈCHES
For some time, now, Elizabeth des Flèches has felt a
tugging in her blood. Hailing from the town of Ximes in
Averoigne in southern France, Elizabeth was raised in
accordance with the old ways. Despite the many church-
es and monasteries, as a child, she and her mother picked
their way along the worn paths between them to kneel
among the ruins of Druidic temples.
10 11
Thief
MICHELLE RICCI
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is looking for two things: a quick score,
and any news as to the whereabouts of her brother.
Ever since that one Spring, when Angelo went to meet
up with friends for a reunion in Kingsport, Ricci has
made a conscious effort to live in the now and take what
she can from it. Her older brother taught her well as
they grew up together, hustling, scamming, pickpock-
eting and shoplifting.
12 13
Ghoul
ELIOT LOSS
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Eliot Loss should have stayed away. Away
from the Art Club. Away from that boozy
lout and his weird tails. Away from Oliver
and his gaga grandfather. And most of all...
more than everything else...
1144 15
Chapter 2
ITEMS
16 17
Items Items
In the inventory of the character, you can store a limited number of items -
use the free space reasonably.
18 19
Items Items
Each of the two stores uses its own currency and has its own range of unique prod-
ucts. Also, in the stores you can sell items you do not need. But not every item sold
will be valued by the owner of the store the same way.
20 21
IItems
tems Items
The Writer
Someone in Yellow
...Huh. It’s a play, the second act appears to be torn out. Someone’s written on the
back cover ‘do not read this, fear the pallid mask’
22 23
Chapter 3
ALTARS
24 25
Altars Altars
Ia! The Sea Knight Dagon! Ia! The she-goat Shub-Niggurath!
ghfh
Ia! High Priest Cthulhu! Ia! The envoy Nyarlathotep!
26 27
Altars
Chapter 4
LOCATIONS
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Ia! The king of all – Azathoth!
28 29
Mansion Mansion
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And here you are inside.

You are enveloped by the twilight and the smell of old furniture. The walls of this old
mansion are thick enough and impenetrable for extraneous sounds. They reliably keep
their secrets, and only distant rustles and your heartbeat are audible.
3300 31
Hospital Hospital
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A hospital much like any other in appearance, but there’s an uncanny chill
to the white of the walls, and the cleanliness seems deceptive. You feel as though
if you ran a finger under any surface that you’d find clotted blood, festering
out of sight and out of mind.
3322 33
Cemetery Cemetery
There’s no way of mistaking a necropolis. You find yourself within an intricately de-
signed cemetery the size of a city, surrounded with elaborate tomb monuments.
Your eyes open upon a burying-ground where black gravestones protrude through the
earth like the decayed fingernails of a gigantic corpse. Where you can make out the
moon between the trees, the branches seem to scratch it full of hate.
34 35
Catacombs Catacombs
“The nethermost caverns,” wrote the mad Arab, “are not for the fathoming of eyes
that see; for their marvels are strange and terrific. Cursed the ground where dead
thoughts live new and oddly bodied, and evil the mind that is held by no head.
Great holes secretly are dug where earth’s pores ought to suffice, and things have
learned to walk that ought to crawl.
36 37
Innsmouth Innsmouth
From outside of Arkham Hammond’s Drug Store in old Market Square you catch a lift
with a beaten up, heavily rusted grey bus. It takes a left into High Street, and is soon
speeding by stately old mansions and colonial farmhouses, passing the Lower Green
and Parker River, and finally emerging into a long, monotonous stretch of open shore
country. The bus suddenly rattles to a stop, and the pale, glassy eyed driver orders
you out on to the street.
38 39
Desert Desert
Sand piles against every surface, grains of it on everything you touch. It finds its
way into the corners of your eyes, your nostrils, your ears and between your lower
lip and your gums. Heat hits you from above and from below, radiating and reflect-
ing back upon you. The Sand City is aptly named.
40 41
Jungle Jungle
Jungle vines reach everywhere and entangle everything. Your eyes constantly focus
and refocus attempting to see clearly through the tangled maze of leaves. Occasion-
ally, your feet catch on creepers. With so much life comes ample death.
42 43
Ice city Ice city
The blinding white, so bright that you feel it in your teeth, for a moment threatens
to overpower you. The biting cold is, for once, a merciful distraction. Nearly clos-
ing your eyes completely, you grit your teeth and shift your weight onto the balls of
your feet and lean into the wind. Antarctica demands your full attention.
44 45
Other world R’lyeh
Were you to try to describe the sight before you, you might be tempted to start with
The soft purr of a cat seems to fill your ears, vibrating your sinuses and making you the images of futurism. You are assailed with impressions you cannot immediately
aware of the skin of your scalp. Only then do you realize that that purr is a vibration correlate. There are vast angles and surfaces you assume are made of stone, or maybe
created by your own body trembling. You fight for control, and for a second all the bone. For a while you fancy you are inside some beast’s great belly, like Jonah. Then
colors around you bleed into each other, and your knees nearly give way. As quickly as it the hieroglyphs that sometimes catch the light on every surface make you think again.
came, the moment passes, and you ready yourself, and tell yourself it was nothing. Euclid had no words for the shapes, and you beg fate they are inanimate.
46 47
Chapter 5
MONSTERS AND NPC
48 49
Monsters Monsters
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Monsters NPC
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Chapter 6
GREAT OLD ONES
54 55
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The Earth is adrift in a mysterious and limitless cosmos to which mankind is as ig-
norant as it is insignificant. Those who have left their humanity far behind whisper
of the Great Old Ones. Gods, Titans and Monsters that comprise and control the very
fabric of our malignant reality. In their wake there is only insanity and death. This is
why the stories of the rare few to stand against them go untold...
56 57
CTHULHU
58 59
SHUB-NIGGURATH
60 61
DAGON
62 63
NYARLATHOTEP
64 65
AZATHOTH
66 67
68 69
Thank you for playing Lovecraft’s Untold Stories!
© 2019 by LLC Blini Games

Games, Balkanskiy 3 (Ast
(Astra), office 2. Saint Petersburg, Russia. Lovecraft’s
Untold Stories, LLC Blini Games and their respective logos are trademarks of LLC Blini Games.
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All other trademarks, logos and copyrights are property of their respective owners.
All rights reserved.
Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn
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fkjbcvmb,n

LLC BLINI GAMES

fkjbcvmb,n fkjbcvmb,nmilitary-funded research bore

fkjbcvmb,n Michelle Riccifkjbcvmb,n

Ia! The Sea Knight Dagon! Ia! The she-goat Shub-Niggurath!

Ia! High Priest Cthulhu! Ia! The envoy Nyarlathotep!

Ia! The king of all – Azathoth!

And here you are inside.

© 2019 by LLC Blini Games

Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn

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