The document discusses several movements and poets in contemporary poetry from the 1950s onwards. It covers The Movement poets led by Philip Larkin, Ted Hughes and his animal poems, influential women poets like Sylvia Plath and Elizabeth Bishop, Seamus Heaney's fusion of Irish history and mythology, the Beat Generation including Jack Kerouac and Allen Ginsberg, post-colonial poets from former British colonies like Derek Walcott, and more recent poets continuing modernist traditions or making poetry more accessible.
The document discusses several movements and poets in contemporary poetry from the 1950s onwards. It covers The Movement poets led by Philip Larkin, Ted Hughes and his animal poems, influential women poets like Sylvia Plath and Elizabeth Bishop, Seamus Heaney's fusion of Irish history and mythology, the Beat Generation including Jack Kerouac and Allen Ginsberg, post-colonial poets from former British colonies like Derek Walcott, and more recent poets continuing modernist traditions or making poetry more accessible.
The document discusses several movements and poets in contemporary poetry from the 1950s onwards. It covers The Movement poets led by Philip Larkin, Ted Hughes and his animal poems, influential women poets like Sylvia Plath and Elizabeth Bishop, Seamus Heaney's fusion of Irish history and mythology, the Beat Generation including Jack Kerouac and Allen Ginsberg, post-colonial poets from former British colonies like Derek Walcott, and more recent poets continuing modernist traditions or making poetry more accessible.
The document discusses several movements and poets in contemporary poetry from the 1950s onwards. It covers The Movement poets led by Philip Larkin, Ted Hughes and his animal poems, influential women poets like Sylvia Plath and Elizabeth Bishop, Seamus Heaney's fusion of Irish history and mythology, the Beat Generation including Jack Kerouac and Allen Ginsberg, post-colonial poets from former British colonies like Derek Walcott, and more recent poets continuing modernist traditions or making poetry more accessible.
The poetry of the Movement (1950s) represented a further move away from Modernism. The Movement poets, the most representative of whom was Philip Larkin wrote in a rational, comprehensible way and used traditional verse forms and meters. Larkin’s poems captured the years of austerity and despair which came after the World War II in their depiction of everyday life in sad urban and suburban environments. This poetry was typically personal, insular, apolitical and anti-intellectual. His poems dealt with the material problems of existence: money, sex, failing health, growing old and dying. For these problems, Larkin felt, there were no adequate spiritual or intellectual solutions. Formally speaking, Larkin has had a major influence on the work of many of the younger contemporary poets who emerged during the 80s. Ted Hughes He is most famous for his animal poems, which show the influence of D. H. Lawrence. Through his portraits of different animals he explores the paradoxes of the natural world which is characterized by a combination of life-affirming vitality and cruelty. Hughes is thus a poet of nature in its most savage and pure state, though his works also draws on mythological sources. Women poets Most of the significant women poets of the 20th century have not been British. Sylvia Plath, the American wife of Ted Hughes, is perhaps the most widely known woman poet of this century. Her poems combine precise imagery with incredible emotional intensity and describe her own mental breakdown, linking it to the chaos of the modern world. She began a style of confessional female poetry which had a great influence on the women poets who came after her. These range from the Canadian Margaret Atwood to the British Carol Ann Duffy. Less widely known than Plath but certainly of equal importance is Elizabeth Bishop who produced poetry of great complexity and intellectual concentration. Central among her concerns are physical and emotional displacement and the difficulties of knowing and imposing order upon reality. She also took poetic discourse beyond its traditional borders often using prose and mixed techniques, which have led her to be considered as postmodern. Seamus Heaney and Irish poetry Seamus Heaney was much influenced by Hughes, particularly by the way his poems combined acute observation of nature with mythology and by his dense and highly imitative language. His own poems are a fusion of myth, personal reminiscence and contemporary Irish history and concentrate on exploring the problems in Northern Ireland in terms of their cultural and historical roots. In this respect he is also influenced by Yeats. The Beat Generation The 50s saw the emergence of a group of American writers who were later labeled the Beat Generation. Jack Kerouac, whose cult novel On the Road, was published in 1957, became the spokesman of the movement. As well as literary figures, the beats son became living symbols of rebellion and unconventional lifestyles. Through their experimental writing techniques influenced by the pre-war avant-garde and by the rhythms of jazz, they launched an assault on the puritanical conservatism of post-war America, embracing eastern philosophies and religions, such as Buddhism and Hinduism and ancient cults. The most influential poet of the group was Allen Ginsberg, whose poems form an exhaustive catalogue of the wonders and horrors of the post-war world. Post-colonial poets In contemporary times the range of poetic expression has broadened to include pots from Britain’s former colonies. Just as Britain has lost his status as a world political power so too has it lost its linguistic authority. It is symptomatic that many of the mayor voices of the second half of the 20 th century have been American. Poetry has always explored and expanded the limits of language so it seems natural that this is best done by people who come from a different cultural and linguistic tradition yet who write in English. To find the mayor poets in English of our times we must look to the West Indies of Derek Walcott or the Nigerian poet and dramatist Wole Soyinka
The inheritors of Modernism
One significant development of poetry in recent years has been its desire to make itself readable for a wider audience, which has led to a refusal of modernist-type difficulty on the part of many younger poets. However the modernist flame has been revived by a group of poets including Ian Sinclair, Brian Catling and Barry MacSweeney whose work is extremely challenging and which returns to the use and creation of hermetic symbolic systems.