Sustainable Architecture and The Plurali
Sustainable Architecture and The Plurali
Sustainable Architecture and The Plurali
In our review of the literature concerning sustainable architecture, we find a remarkably diverse
constellation of ideas that defy simple categorization. But rather than lament the apparent
inability to standardize a singular approach to degraded environmental and social conditions, we
celebrate pluralism as a means to contest technological and scientific certainty. At the same time,
we reject epistemological and moral relativism. These twin points of departure lead us to propose
a research agenda for an architecture of reflective engagement that is sympathetic to the
pragmatist tradition.
Introduction approaches with some emphasizing performance want to explore, even celebrate the diversity of
over appearance, and some appearance over per- contemporary debate about sustainable architec-
Imagine ourselves as architects, all armed with formance.’’2 This situation often provokes deep ture.5 We want to develop the thesis that the
a wide range of capacities and powers, depression among some architects. For example, challenge of sustainability is more a matter of sit-
embedded in a physical and social world full of James Wines despairs that ‘‘A major proportion of uationally specific interpretation than of the setting
manifest constraints and limitations. Imagine the architectural profession has remained oblivious of objective or universal goals. This is not to sug-
also that we are striving to change that world. to the magnitude of its irresponsible assaults on the gest, as radical relativists might, that environmental
As crafty architects bent on insurgency we have land and resources,’’ while contemporary architec- problems are merely imaginary or that they are no
to think strategically and tactically about what tural practice tends to ‘‘confuse, rather than rein- more important than any other social problem. As
to change and where, about how to change force, a progressive image of earth friendly Steven Yearley has argued, to ‘‘show that a social
what and with what tools. But we also have architecture.’’3 Of course, other architects disagree. problem has been socially constructed is not to
somehow to continue to live in this world. That Harry Gordon argues the opposite that undermine or debunk it,’’ and even more impor-
is the fundamental dilemma that faces everyone tantly, ‘‘The detachment required from social sci-
interested in progressive change.1 After decades of intense effort by designers, ence should not become an excuse for cynical
architects, individuals, and organisations, inaction.’’6 Instead, we wish to engage the search
The diversity of images of what sustainable archi- a tectonic shift in design thinking has occurred: for more sustainable architecture with debates
tecture might be—that is, what it might look like, sustainability is now becoming mainstream. about culture and nature in the social sciences.
where it might be located, what technologies it Some might even say it has become a societal The key question for David Harvey, and for us,
might incorporate, what materials it might be con- design norm.4 is ‘‘what kind of architecture do we collectively
structed from, and so on—is quite bewildering, and want to create for the socio-ecological world in
rather than diminishing over time appears to be So, the debate rages on between what are which we have our being?’’7 While Harvey is talking
accelerating. Three decades of debate about sus- often called light green and deep green architects. here about architecture ‘‘in the broadest possible
tainable architecture and a search for some form of In this essay, we want to take a different stance. sense’’ about how we organize our societies, the
consensus around universal best environmental Rather than argue that we need revolution or ref- question resonates just as strongly for building
practice appear to have failed. As Hagan puts it, ormation, more or less technology, more or less design. The challenge then is both conceptual and
‘‘environmental architecture, in other words, is pious behavior, to embrace or abandon the city, or practical: how to become ‘‘insurgent architects,’’
environmental architectures, a plurality of to develop clearer definitions or standardization, we bent on creating alternative futures, while also
2. The nearby Römer district—the reconstructed, faux medieval context into which the Commerzbank was thrown. (Courtesy of Steven A. Moore.)
of this long public conversation is what Bryan Through this article, we argued for diversity in ways vague label for an amazingly diverse array of ideas
Pfaffenberger calls a ‘‘technological drama’’—a of seeing and practicing sustainable, green, that have grown around the contemplation of the
discourse in which there are ‘‘technological state- regenerative, or ecological architecture. In doing so, relationship between human beings and their
ments and counter-statements’’ that eventually we have been influenced by David Schlosberg’s surroundings.’’65 Drawing upon a pragmatic logic
reconstitute norms as new ways of living—in this proposal for a ‘‘critical pluralism.’’64 For Schlosberg, similar to the above, Schlosberg argues, therefore,
case, new modes of constructing and inhabiting tall ‘‘Environmentalism’’ is simply a convenience—‘‘a that ‘‘pluralism demands engagement.’’66 Critically,
buildings.62 The technological drama enacted in the ‘‘dilemma’’ of difference will not be overcome
Frankfurt articulated tools like absorption simply by liberal tolerance but by what he calls
4. The Commerzbank atrium which provides daylight and natural
chilling, diurnal thermal mass storage, stack effect ventilation to the building interior. (Courtesy of Steven A. Moore.)
‘‘agonistic respect,’’ which makes it tactically
atrium ventilation, and daylighting, but these possible for those who may hold thoroughly allergic
technological tools were employed not in the metaphysical beliefs—deep ecologists and eco-
name of efficiency itself but in the name logical modernists, for example—to act together in
of how Frankfurters said they want to live achieving a particular limited goal, if not a totalizing
(see Figure 4). utopian order. By responding to Schlosberg’s call to
Pluralist practice is, then, seeking out the ‘‘acknowledge’’ and ‘‘recognize’’ the diversity of
synthetic opportunities that are latent in the con- practices that might point to alternative sustainable
flicting imaginations of citizens. futures, we may begin to chart an agenda for future
research that would challenge the orthodox iso-
Sustainable Architecture in a lated categories of building design, building sci-
Pluralist Universe ence, social science, and industrial ecology and
‘‘engage’’ in critical transdisciplinary research.67
As pluralism indicates that no one perspective Our agenda, preliminary as it is, includes four
may lay claim to epistemic, moral or rational proposals for action.
authority, the task of theory is to examine what First, as must be clear by now, we find
each perspective provides, how to adjudicate significant resources of salient theory in the
among them, and how to reconcile conflicting writings of those who are productively blurring the
perspectives in democratic practice.63 distinction between critical theory, pluralism, and