Fallen Angels

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使
Fallen Angels,
looking at Hong Kong through Wong Kar-wai’s lens
Wong Kar-wai; 王家衛

Born: July 17, 1958, Shanghai

moved to Hong Kong when he was 5

his mom was a fan of movies so as a child he


went to the cinema everyday

he never attended film school, but has a


graphic design diploma

he first began his career as a screenwriter,


by 1987 the Hong Kong film industry was
at a peak and he debuted as a director for
his first film As Tears Go By, which was a
critical success & Wong was named “Hong
Kong New Wave”
Christopher Doyle; 杜可風
Born: May 2, 1952, Sydney

he left australia when he was 18 &


travelled around Asia
has no formal training in
cinematography
best known for his collaborations
with Wong Kar-wai in films such as
In The Mood For Love, Chungking
Express, Happy Together, 2046…..
Prequel
Chungking Express 重慶森林 (1994)

Fallen Angels was originally conceived by Wong as


the third story for 1994's Chungking Express
was cut after he decided to develop the story further
into its own feature film and borrowed elements
of Chungking Express
Wong tried to differentiate it from Chungking, and
along with cinematographer Christopher Doyle, they shoot
mainly at night and used extreme wide-angle lenses,
keeping the camera as close to the talents as possible
to give a detached effect from the world around
them.
distance with long lenses, but the characters
seems close to us.
Fallen Angels 墮落天使 (1995)
dir. wong kar-wai
The movie is composed of two stories that have little to
do with each other except for a few casual run-ins when
some of the characters happen to be in the same place at
the same time. Both stories take place in Hong Kong.

Fallen Angels’ soundtrack features “Forget Him” sung


by Shirley Kwan, its a reworking of the classic
by Teresa Tang, and one of the very few
"contemporary" Cantopop songs ever used by Wong
Kar-wai in his films. This song is used as a message
from the hitman to his partner.
Other scores that were played in the film from scene to
scene samples “Karmacoma” by Massive Attack &
“Speak My Language” by Laurie Anderson.
The Flying Picket’s version of the popular 80s Yazoo
song “Only You” was played in the ending.
Shooting
with
Wide-
Angle
Lenses
Effects
Doyle uses a lot of tilted camera angles, it
makes the focus really shallow, making the
characters seem more isolated from the world

he also used handheld cameras in order to


follow the characters’ movements closely, to
increase tension, it also makes it easier for him
to film in the narrow streets of Hong Kong,
giving the viewer the sense of a compressed
space.

Wong liked to use green filtered light to denote


a kind of social sickness in his loneliest
characters, green is life, green is also
representing a morbid state.
the Hong
Kong in
Wong
Kar-
wai’s
eyes
“When I look at 'Fallen Angels,' I
realize it is not a film that is truly about
Hong Kong. It's more like my Hong
Kong fantasy. I want Hong Kong to be
quiet, with less people.”
Wong Kar-wai
"
Most of my films deal with people who are stuck in certain routines and habits that don't make them happy. They want to change, but they need something to push them. I think it's mostly love that causes th
em to break their routines and move on.

"

-Wong Kar-wai

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