How To Do Multimodal Critical Discourse Analysis
How To Do Multimodal Critical Discourse Analysis
How To Do Multimodal Critical Discourse Analysis
To cite this article: Cunxin Han (2015): How to Do Critical Discourse Analysis: A Multimodal
Introduction, Australian Journal of Linguistics, DOI: 10.1080/07268602.2015.1033673
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Australian Journal of Linguistics, 2015
http://dx.doi.org/10.1080/07268602.2015.1033673
Book Review
There is little doubt that language is the most important, but never the only, means
by which we communicate and create meaning; other resources for representing
meaning include images and architecture. O’Halloran (2004: 1) states, ‘To date, the
majority of research endeavours in linguistics have tended to concentrate solely on
language while ignoring, or at least downplaying, the contributions of other meaning-
making resources’. Because of this, Machin and Mayr’s book is a timely contribution.
In fact, David Machin had already written an introductory book on multimodal
analysis (2007); the book under review is simply more ‘critical’ than that one. There
are many books dedicated to the study of Multimodal Discourse (MD) or Critical
Discourse Analysis (CDA), but very few on the integration of them, i.e. Multimodal
Critical Discourse Analysis (MCDA). This book therefore deserves attention from
those who have an interest in MD and/or CDA.
Apart from the introduction and conclusion, the book consists of eight chapters. In
the introduction, Machin and Mayr state that their goal is twofold. On the one hand,
they intend to ‘present a set of tools often used by critical discourse analysts and show
how these can be used to analyse a range of media texts’ (p. 1). Also, they will
introduce ‘a set of methods for more precisely analysing visual communication’
(p. 1). In addition to stating the goals of the book, the authors concisely review the
history of Critical Linguistics, CDA and MCDA. At the end of the introduction, they
present the layout of the book.
Chapter 1 introduces some major concepts and principles on which the authors’
approach is based. They acknowledge that their MCDA analysis is indebted to the
work of Halliday (1978, 1985). First, they explain what a ‘Social Semiotic view of
language’ (p. 15) is. They assert that such a view ‘emphasises the way that we should
see all communication, whether through language, images, or sounds, as accomp-
lished through a set of semiotic resources, options and choices’ (p. 15). Then, they
move on to examine how semiotic choices can be used to signify covert and
unspecified broader sets of associations. Finally, they explain how everyday identity
interplays with discourse, semiotic choices and signification.
basic choice in words and iconography can be used to create a field of meaning.
This can serve to both foreground and background, or even suppress, some
meanings or to connote and symbolise others. This mapping proves an ideological
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interpretation of events and social practices, which imply identities and actions
even if not overtly stated. (p. 56)
(p. 10). Then, some counter-criticisms by van Dijk, Fairclough and Wodak are
presented. Finally, some possible solutions in response to the criticisms are discussed,
including employing ‘ethnographic methods in CDA’ (p. 216).
This book is a genuine contribution to studies on CDA/MCDA. However, it does
have some limitations. First, it is no surprise to see it contributes little to theory, as its
emphasis is put on an introduction to the methods and tools of CDA/MCDA; it
borrows from the theoretical frameworks of Halliday’s Systemic Functional Grammar
and the visual grammar proposed by Kress and van Leeuwen. Second, an analysis of
visual representation is not found in Chapters 6 and 7. This will undoubtedly reduce
the coherence and reference value of the book. Third, it is impossible to gauge how
general the linguistic findings reported on in the book may be, since the studies
involved are all based on relatively small quantities of language data.
Despite these problems, the book excels in the following ways. First and foremost,
it has developed a critical approach to analyzing visual communication, which seemed
inaccessible before. In the second place, it is particularly useful for CDA/MCDA
practitioners in that it provides a large number of case studies along with various texts
and images for reference. It may help learners acquire the ‘set of tools’ for CDA/MCDA
quickly and subsequently conduct their own studies. Next, Machin and Mayr cite not
only linguists, but also some authors who wrote about visual representations, e.g.
Roland Barthes, which adds much credibility to their interpretation of images.
Finally, the authors are right to say that ‘what can be most difficult in carrying out
Critical Discourse Analysis is the critical analysis of texts that we agree with, which
are in accord with our own ideological viewpoint’ (p. 47). With this in mind, they
managed to avoid their own biases in analysis by checking constantly whether their
ideological stances would affect the interpretation of texts or images.
To sum up, this book is a very practical introduction to CDA/MCDA; it will be
useful not only for students and scholars of media and cultural studies (the groups
targeted by the authors), but also for those who are interested in textual linguistics. It
has certainly achieved the goals which were set out in its introduction.
4 Book Review
References
Caldas-Coulthard C 1994 ‘On reporting reporting: the representation of speech in factual and
factional narratives’ in M Coulthard (ed.) Advances in Written Text Analysis London:
Routledge. pp. 295–308.
Halliday MAK 1978 Language as Social Semiotic London: Edward Arnold.
Halliday MAK 1985 Introduction to Functional Grammar London: Edward Arnold.
Machin D 2007 Introduction to Multimodal Analysis London: Hodder Arnold.
O’Halloran KL 2004 ‘Introduction’ in KL O’Halloran (ed.) Multimodal Discourse Analysis: systemic
functional perspectives London: Continuum. pp. 1–7.
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