Заруб Літ 7 Кл.1 Сем Матеріали До Уроків
Заруб Літ 7 Кл.1 Сем Матеріали До Уроків
Заруб Літ 7 Кл.1 Сем Матеріали До Уроків
One of the oldest forms of poetry is a special kind of narrative poem known
as the ballad. As a rule, ballads are concerned with sharp conflicts and deep human
emotion. Once in a while, however, a ballad will deal with the funny side of life.
The first ballads were songs made up by bards and minstrels who travelled
from town to town, earning their living by singing their stories to entertain groups of
people common people in town marketplaces as well as nobles in manor houses and
castles. Sometimes listeners would join in on the refrain and occasionally listeners
would dance to the music of the ballad.
The minstrels who composed the early ballads used to be uneducated people,
as a rule. As a result, the language of the early ballads is fairly simple. The ballads
passed on orally from one minstrel to another and from one generation to another.
And so, there are several variations of the same ballad. But even though names and
details may differ, the basic story may remain unchanged. It was not until the
middle of the 1700s that scholars began to write down the early ballads in the forms
we read them today.
Ballads differ from ordinary narrative poems in these ways:
1) They usually involve common, everyday people (although there are ballads
about nobles, too.
2) They deal with physical courage or tragic love.
3) They contain little characterization or description. The action moves forward
mainly through dialogue.
4) Much of the story is told indirectly. The reader has to fill it from what the
words imply.
Ballads tell a reader their stories in stanzas. Each stanza has four lines. The
fourth line rhymes with the second. The first and the third lines of the stanzas have
four accented sounds (syllables).
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Task 1
Decide if the statements are true or false:
1. One of the oldest forms of poetry is a special kind of narrative poem known
as the novel.
2. Ballads are concerned with sharp conflicts and deep human emotion.
3. Ballads never deal with the hilarious side of life.
4. The minstrels who composed the early ballads used to be highly educated
people.
5. The language of the early ballads is fairly complicated.
6. It was not until the middle of the 1800s that scholars began to write down
the early ballads in the forms we read them today.
Task 2
Choose the correct answer:
1. One of the oldest forms of poetry is a special kind of narrative poem known
as the …
a) The novel;
b) The story;
c) The ballad.
2. The first ballads were songs made up by bards and minstrels who travelled
from town to town, …
a) Doing the sightseeing;
b) Exploring the country;
c) Making their living.
4. It was not until the middle of the 1700s that scholars began to … the early
ballads in the forms we read them today.
a) Make out;
b) Take note of;
c) Act out. 2
2.Ballads about Robin Hood
Vocabulary:
villain – злодій, злочинець, негативний герой
outlaw – бандит, грабіжник, людина поза закону
archer – лучник
reign – правління
to graze – пастися
landowner – землевласник
to excell - стати майстернішим за інших
contribution – внесок
to betray – зрадити
Task 1
Answer the questions
1. Who did the big castles use to belong to?
2. What grew in forests?
3. What was forbidden?
4. Who was responsible for administering justice and keeping the peace?
5. What happened to Robin’s family?
Task 2 Choose the correct answer:
1. Robin Hood …
a) really existed;
b) didn’t really exist;
c) remains an enigma for historians.
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2. Sherwood Forest is …
a) the place where Robin lived;
b) the oldest forest in England;
c) the biggest forest in England.
3. The Norman barons were all engaged in …
a) the service of the clergymen;
b) royal service;
c) the service of the nobles.
4. The laws were always hard on the … and favoured the …
a) Normans, Saxons
b) Chinese, Saxons
c) Saxons, Normans
5. The sheriff had put a big price on Robin’s head, not a Saxon in all
Nottingham … .
a) praised him;
b) let him down;
c) told him off.
Vocabulary:
to glorify – прославляти
gloriously – славно, чудесно
bishop - єпископ
to insult – ображати
sumptuous feast – розкішний бенкет
impenetrable – незрозумілий, безпросвітний, непрохідний
to descend – сходити, спускатись
to turn out – виявитись
In folk ballads about Robin Hood, the hero's justice and his love for the
common people were glorified: “For thirteen years, Rob lived gloriously in the
wilderness. He considered everyone who was disadvantaged to be his best friends,
and the rich were scared to death of his hunting horn. " According to the legend, he
acted with his gang in the Sherwood Forest near Nottingham and fought for justice.
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In the legend, the enemies against Robin Hood are, first of all, the Bishop of
Herford and the Sheriff of Nottingham. They sometimes set dangerous traps, but
each time the "forest brothers" win because the sympathies of ordinary people are
on their side. He was not an ordinary robber. In ballads, he often supported the
notion of justice.
Robin states: “I have never insulted a person who is responsible and honest,
I attack someone who lives for someone else's place. I never shed the blood of a
plowman ... ". That is why Robin Hood's attacks on churches, fiery abbots, and
members living behind other poor workers are so widespread. Robin Hood and his
comrades followed the code of the knight. They vowed to protect the disadvantaged
and the aggrieved, to treat women with respect. They fought only in cases where it
was necessary to restore justice. Robin Hood and his comrades defended the ideals
of morality, honor and justice. Interestingly, dying in the arms of his friend Little
John, Robin Hood did not allow revenge. That is courageous, accepting death; he
did not want others to die because of it.
Long, long ago the biggest part of England was covered with thick green
forests. Not far from Nottingham the gang of robbers hid in the impenetrable
Sherwood Forest. They were dressed in the clothes of green colour. All of them
could shoot arrows and were perfect shooters.
The ringleader of those men was fearless Robin Hood. Robin Hood and his
followers known as the Merry Men were famous for their noble deeds. They tried to
protect poor people from the cruelty of their masters. Very often they took money
from the rich to give it to the poor.
Robin Hood descended from the earldom of the Huntingdons. But after his
parents` death all the rich lands of this noble family were taken away. Family
tragedy made Robin go to Sherwood Forest. With a great bitterness in his heart he
had to leave his birthplace and his beloved Maid Marion, whom he had known from
his childhood, whom he wanted to marry. But a little bit later Marian joined her
beloved and trustful friend Robin Hood and his brave Merry Men. She fearlessly
fought side by side with Robin Hood. They got married not in the church but under
the canopy of the legendary Sherwood Forest.
Once in Sherwood Forest Robin Hood met a strange knight. It was Guy
Gisborn. As it turned out he got the order to catch the robber, Robin Hood. The
bloody fight set in between Guy Gisborn and Robin Hood in which the brave Robin
Hood took the victory. He put on the knight`s clothes and made his way to rescue
his friend Little John who was captured by the sheriff. Sheriff gave an order to hang
Little John as Robin Hood`s accessory. The moment hangman stretched his hand to
his victim, the sounds of the hunting horn were heard. That was Robin Hood who
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hurried to save his friend. Thanks to Robin`s quick wit and courage Little John
survived. They gave a sumptuous feast for their friends to celebrate success.
Little John stayed with Robin Hood to the end. That was he who closed
Robin`s eyes when merciless death came to the noblest and the most fearless Price
of Thieves. Robin Hood died. But the memory about his glorious deeds and his
noble kind heart lives in the ballads and in the hearts of those people who like
freedom, truth and justice. On the Robin Hood`s grave under the huge oak tree Little
John put a big stone and carved the words devoted to his friend.
Task 1
Actualization of basic knowledge and skills
- Who can be called a real knight?
- Are there real knights nowadays?
Task 2
Answer the questions:
1. Who did Robin Hood support?
2. What qualities of the hero were described in the ballads?
3. What did he fight for in Sherwood Forest?
4. What does the expression "forest brothers" stand for?
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4.Old English Ballads
Vocabulary:
Vocabulary:
date (back) - сягати, відноситися
sermon - настанова, проповідь
chivalry - рицарство, благородство та відвага
annal - хроніка подій (одного року)
outwith - за межами, крім того
exhortatory - повчальний
didactic - інструктивний, наставницький
seafaring - мореплавство, мандри, навігація
vernacular - написані на рідній мові
Scottish literature is one of the oldest literatures in Europe. In Scottish
literature you will meet some of the world’s major authors and most essential
writing. And you will be introduced to aspects of Scotland and Scottish life which
are available nowhere else: there are authors and works here that are simply
unimaginable out with Scotland. Scottish literature has often been described in
historical periods and specific cultural movements.
Old English literature, or Anglo-Saxon literature, encompasses the surviving
literature written in Old English in Anglo-Saxon England, in the period after the
settlement of the Saxons and other Germanic tribes in England (Jutes and the
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Angles), after the withdrawal of the Romans, and "ending soon after the Norman
Conquest" in 1066.These works include genres such as epic poetry,
hagiography, sermons, Bible translations, legal works, chronicles and riddles.
There are about 400 surviving manuscripts from the period.
The Anglo-Saxon Chronicle is a collection of annals in Old English, from
the 9th century, that chronicle is the history of the Anglo-Saxons. The poem Battle
of Maldon also deals with history. This work is dedicated to the Battle of Maldon
of 991, when the Anglo-Saxons failed to prevent a Viking invasion. Oral tradition
was very strong in early English culture and the literary works were written to be
performed.
Epic poems were very popular, and some, including Beowulf, have survived
to the present day. Beowulf is the most famous work in Old English, and has
achieved national epic status in England, despite being set in Scandinavia.
Beowulf is the conventional title and its composition is dated between the
8th and the early 11th century. Nearly all Anglo-Saxon authors are anonymous:
twelve are known by name from medieval sources, but only four of those are known
by their vernacular works.
Cædmon is the earliest English poet whose name is known and his only
known surviving work Cædmon's Hymn probably dates from the late 7th century.
The poem is one of the earliest examples of Old English and is one of three
candidates for the earliest example of Old English poetry. It is also one of the
earliest recorded examples of sustained poetry in a Germanic language.
The poem, The Dream of the Rood, was inscribed upon the Ruthwell Cross.
Two Old English poems from the late 10th century are The Wanderer and The
Seafarer. Both have a religious theme and Richard Marsden describes The Seafarer
as "an exhortatory and didactic poem, in which the miseries of winter seafaring are
used as a metaphor for the challenge faced by the committed Christian "Classical
antiquity was not forgotten in Anglo-Saxon England, and several Old English
poems are the adaptations of late classical philosophical texts.
Vocabulary:
to accept – приймати
torment – муки, страждання
sorrow – журба, смуток
abrupt – раптовий, різкий
predicament – скрутне становище
to evade – ухилятися
to cajole – улещувати, задобрювати
to plead – благати
to denounce somebody – доносити на когось, обвинувачувати когось
profound – проникливий
to unburden – полегшити тягар
to aid – допомогти
to conform to – відповідати (напр. бажанням)
bitter – гіркий
to threaten – погрожувати
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This is a play with one central character: King Lear. His character is
complex. During the play Lear changes in a deep and radical way. Through great
torment and the endless jar of right and wrong, he comes to a better knowledge of
himself and the world. His most complete moment of happiness occurs when he is
reconciled with Cordelia and looking forward to being with her. It is followed
almost immediately by his most profound moment of sorrow, when his new
understanding with Cordelia comes to an abrupt end with her murder. He dies of a
broken heart.
The energy of his speeches makes it possible to forget that Lear is a very old
man. He is over 80, and it is under the pressure of growing old that he decides to
divide his kingdom. He wants to unburden himself of the cares and business of
government and keep only the prestige, honours, titles and ceremonies. This is a
tragic mistake. This fatal decision is very much Lear's free choice, determined not
by any outside force, but by his character. Lear even ignores all the warnings of
others. This is not simple stubbornness, but a denial of reality that is the beginning
of his madness.
For Shakespeare, the division of a kingdom means civil war and is an image
of chaos. Power cannot be separated from responsibility. Lear seeks to enjoy the
pleasures of power without accepting its pains. This is an indication of his
selfishness.
King Lear is self-centred, pre-occupied throughout the play with his own
predicament and his own feelings. He is child-like in his manner of wanting his
own way and in wanting to destroy the world when it does not conform to his
wishes. Only after his madness, he begins to show concern for other people, he
urges Kent and the Fool to go into the hovel before him, behaviour rare in a king.
Nevertheless, even when he is at last reconciled with Cordelia, he has difficulty in
saying that he is sorry.
Lear has a desperate need to be loved. It is his daughters' ingratitude that he
finds most bitter. The private fact of love is not enough for him; he demands a
public statement of his daughters' affections and even wants them to compete with
each other in their declarations. He does not offer affection to them, only the
command: love me. As it is in the nature of love that it can only be freely given, it
is not surprising that all three daughters, in their different ways, evade his
command.
Lear's need to be loved is so great that he not only threatens, cajoles and
pleads with his daughters to care for him, but also studiously ignores the true
nature of their behaviour. He pretends that the world is other than it is.
Shakespeare shows us in "King Lear" the full sense of the word madness,
which means both anger and insanity. After going mad, Lear gradually begins to
re-absorb the world. He starts to see his daughters as they are.
Despite all his weaknesses, Lear inspires great loyalty, not only in Cordelia,
but in the Fool, Kent and Gloucester. All risk their lives to aid Lear, they stand by
him even when he rejects them. They recognize the good in him and serve to
remind us of it. Lear is not betrayed by his friends. Throughout the play he is
13
surrounded by people ready to help him. It shows us that his struggle is primarily
with himself. He is responsible for his fate.
His madness causes Lear to question his own nature and that of the world.
When in the first scene of the play Cordelia refuses to say anything, Lear does not
inquire into her motives, but only asks if she means it and then, when she says she
does, denounces her. Later, as he feels what it is to be without power, he changes.
As part of his search for self-knowledge, Lear re-examines the society in which he
lives.
The Scottish author is mostly known for his novel “Treasure Island”, and for
the gothic novella “Strange Case of Dr Jekyll and Mr Hyde”, which our upcoming
London Story Tour is based on. Here are ten quick facts to get to know him better.
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1) Stevenson was born in Edinburgh in 1850 and his family’s profession was
lighthouse design – a career he would later turn down to pursue writing instead.
2) As a child, Robert Louis Stevenson often suffered from respiratory illnesses,
something that followed him through life and resulted in him being extraordinary
thin. Due to being chronically ill, he was privately tutored at home during long
periods of time and began writing stories already as a young child. His father was
immensely proud of his writing and paid for Robert’s first publication at 16, entitled
“The Pentland Rising: A Page of History, 1666”.
3) Stevenson had a temporary falling out with his parents after his father had
found a pamphlet in his room which contained the constitution of the Liberty,
Justice and Reverence Club, of which Stevenson and his cousin Bob were members.
The constitution began: “Disregard everything our parents have taught us”.
4) He met his American future wife, Fanny Van de Grift Osbourne, in France in
1876 when he was 26 years old. Three years later he left Europe on a steamship to
join Fanny and her children in San Francisco, but his health almost caused him to
die before he got there. He had to stop in Monterey in California, where some local
ranchers nursed him back to health. It was not until almost six months after his
journey had started that he once again met Fanny in San Francisco. He later wrote
about the experience in “The Amateur Emigrant”. It seems like a great experience
for his writing, but it took a great toll on him physically.
5) The couple married and spent their honeymoon in an abandoned mining camp
in Napa Valley, a place which was later turned into a park and named after Robert
Louis Stevenson. This trip is described in Stevenson’s “The Silverado Squatters”.
6) Stevenson wrote “Strange Case of Dr Jekyll and Mr Hyde” while spending the
summer in Bournemouth with his family. Fanny later told Stevenson’s biographer
that the story had come to her husband in the shape of a nightmare. She had woken
him up when he had cried out in horror, but when he woke, he was annoyed: “Why
did you wake me? I was dreaming a fine bogey tale!”. Robert wrote the first draft of
the short story in three days, and after having received notes from Fanny, he burned
it and rewrote it in three to six days.
7) He was always on the hunt for a climate that suited his poor health and in 1888
he and his family boarded a ship headed for the eastern and central pacific. They
spent three years travelling around and during their time at the Hawaii islands, he
became good friends with King Kalākaua and the king’s niece Princess Victoria
Kaiulani. The family also spent time at the Gilbert Islands, Tahiti, New Zealand and
the Samoan Islands. During this period, Stevenson completed “The Master of
Ballantrae”, composed two ballads based on the legends of the islanders, and wrote
“The Bottle Imp”.
8) Robert Louis Stevenson died at the age of 44 in 1894. He was talking to his wife
while opening a bottle of wine when he suddenly collapsed. It is believed that he
died from a cerebral hemorrhage. Stevenson is buried on Mount Vaea on Upolu,
close to the family home – which today is a museum dedicated to the author. 15
9) The 1880s were notable for both Stevenson's declining health (which had never
been good) and his prodigious literary output. He suffered from hemorrhaging lungs
(likely caused by undiagnosed tuberculosis), and writing was one of the few
activities he could do while confined to bed. While in this bedridden state, he wrote
some of his most popular fiction, most notably Treasure Island (1883), Kidnapped
(1886), Strange Case of Dr. Jekyll and Mr. Hyde (1886) and The Black Arrow
(1888).
10) The idea for Treasure Island was ignited by a map that Stevenson had drawn
for his 12-year-old stepson; Stevenson had conjured a pirate adventure story to
accompany the drawing, and it was serialized in the boys' magazine Young Folks
from October 1881 to January 1882. When Treasure Island was published in book
form in 1883, Stevenson got his first real taste of widespread popularity, and his
career as a profitable writer had finally begun. The book was Stevenson's first
volume-length fictional work, as well as the first of his writings that would be
dubbed "for children." By the end of the 1880s, it was one of the period's most
popular and widely read books.
16
8.Heather Ale: A Galloway Legend
Vocabulary:
heather – вереск
ale - ель
to brew – варити, готувати
moorland – болото, місцевість, яка поросла вереском
to hum – гудіти, чинити гамір
dare – насмілитися
9. Chapter 18
Vocabulary:
stockage – запас, збереження запасів
squire – землевласник, суддя, молодий дворянин, зброєносць
ashore – на березі
cannonade – вогонь, обстріл
musket – мушкет, вогнепальна зброя
carpenter – тесляр
a) Tom Redruth
c) Joyce
b) Hunter
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4. The flag showed the pirates...
a) where they were.
b) that they were ready to fight with them.
с) that they were not afraid of them.
Vocabulary:
anchorage – якірна стоянка
current - течія
hawser – трос, канат
board – палуба
to carry out – здійснювати
squire – зброєносець, суддя, молодий дворянин
I was a fool if you want to know, and I was certainly going to do a foolish
thing. But the plan which I had in my head wasn’t a bad plan. I was going to go to
Ben Gunn's white rock and see if Ben Gunn's boat was there or not. I knew I had
no right to leave my friends, and I knew they couldn't let me go. So my plan was to
run away when nobody was watching. That was a wrong way, and it made my plan
wrong. But you will remember that I was only a boy at that time. Well, I soon
found a good moment to run away, when the squire and Gray were helping the
captain with his bandages. I climbed over the stockade, and before they saw that I
was absent, I was already far away from my friends and the log-house.
That was certainly a second foolish thing that I did. It was even worse than
the first, when I went ashore with the pirates. This time there were only two strong
24
men in the log-house - Gray and the squire. But, like the first foolish thing I did, it
helped to save all of us.
I ran towards the sea at once. It was already late in the afternoon, but the sun
was still shining brightly, it was warm and there was a cool wind. I enjoyed the
walk. At last I came to the anchorage and saw the Hispaniola. The Jolly Roger was
hanging from her mast. I saw one of the boats near the ship. Silver was sitting in it.
He was talking to two other pirates who were standing on board the ship. But the
ship was too far away from me and I couldn't hear anything. Suddenly I heard the
most terrible cry, but I soon remembered the voice of Silver's parrot, Captain Flint,
and I even saw the bird as she sat on the pirate's shoulder.
Soon the boat left the ship and returned to the shore. The two pirates on the
deck turned and went down, into the cabin, maybe. At the same time the sun went
down. It became darker and darker. I saw I must lose no time if I wanted to find
Ben Gunn's boat that evening.
The white rock was quite near that place, but it took me some time to get to
it. Sometimes I had to crawl on all fours l under the low trees. It was almost night
when I got to the place. Under the rock I found a little tent, and there, under the
tent was Ben Gunn's boat – a home - made, rude, lop-sided boat. It was very small,
even for me. I couldn't understand how Ben Gunn could get into it. So, now, that I
knew the boat was there under the white rock you will think I was going to return
to the log-house. But I was not. At that time I already had a new plan in my head,
and I liked the new plan so much that I had to carry it out at all costs.
My plan was to get to the ship at night, in Ben Gunn's boat, cut the hawser
that held the anchor and let the wind and the currents carry the Hispaniola into the
open sea, away from Treasure Island. "After today's fight", I thought, "the
mutineers will understand that the best thing for them is to return on board the ship
and go away to sea. I won't let them do that. I'll cut the Hispaniola’s hawser, and
when they come to the anchorage in the morning, they will not find the Hispaniola
there. That will be a fine thing". That was what I thought. I knew that the two
mutineers on board the ship had no boat, and I could do what I was planning with
little risk. When it was quite dark, I carried Ben Gunn's boat to the water.
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Answer the questions:
1. What did the main character enjoy?
2. Which plan did he have?
3. What did he find under the rock?
4. What did he have to carry out at any costs?
5. What did he carry to the water?
6. What will the mutineers have to understand?
Vocabulary:
eager – охочий, спраглий
consistently – постійно
deceitful – оманливий
recklessness – азарт, авантюра, ризик
genuinely – щиро
to boast of - вихвалятися
• Jim Hawkins: The first-person point of view, of almost the entire novel. Jim is
the son of an innkeeper near Bristol, England, and is probably in his mid teens. He is
eager and enthusiastic to go to sea and hunt for treasure. He is a modest narrator,
never boasting of the remarkable courage and heroism he consistently displays. Jim
is often impulsive and impetuous, but he exhibits increasing sensitivity and wisdom.
• Long John Silver: The cook on the voyage to Treasure Island. Silver is the
secret ringleader of the pirate band. His physical and emotional strength are
impressive. Silver is deceitful and disloyal, greedy and visceral, and does not care
about human relations. Yet he is always kind toward Jim and genuinely fond of the
boy. Silver is a powerful mixture of charisma and self-destructiveness,
individualism and recklessness. The one-legged Silver was based in part on
Stevenson's friend and mentor William Ernest Henley.
• Dr. David Livesey: The local doctor and magistrate. Dr. Livesey is wise and
practical, and Jim respects but is not inspired by him. Livesey narrates a few
chapters of the novel. Some years previously in 1745, he had participated in the
Battle of Fontenoy, during which he was wounded in action. Livesey exhibits
26
• Squire John Trelawney: A local wealthy landowner; his name suggests he has
Cornish origins (a traditional Cornish rhyme states "By Tre, Pol and Pen, Ye shall
know all Cornishmen"). Trelawney arranges the voyage to the island to find the
treasure. Trelawney is excessively trustful, and is duped by Silver into hiring pirates
as his crew.
• Billy Bones: The old seaman who resides at Jim's parents' inn. Billy, who used to
be Flint's first mate, is surly and rude. He hires Jim to be on the lookout for a one-
legged man, thus involving the young Jim in the pirate life. Billy's sea chest and
treasure map set the whole adventure in motion. His gruff refusal to pay his inn bills
symbolizes the pirates' general opposition to law, order, and civilisation. His illness
and his fondness for rum symbolise the weak and self-destructive aspects of the
pirate lifestyle. He dies of a stroke as a result of drinking too much rum.
• Benjamin "Ben" Gunn: A former member of Flint's crew who became half
insane after being marooned for three years on Treasure Island, having convinced
another ship's crew that he was capable of finding Flint's treasure. Helps Jim by
giving him the location of his homemade boat and kills two of the mutineers. After
Dr. Livesey gives him what he most craves (cheese), Gunn reveals that he has found
the treasure. In Spanish America, he lets Silver escape, and in England spends his
share of the treasure (£ 1,000) in 19 days, becoming a beggar until he becomes
keeper at a lodge and a church singer "on Sundays and holy days".
Walter Scott
Vocabulary:
novel - роман
lame - кульгавий
to depict - відображати
outlaw - розбійник
beggar - злидар
to reveal - виявляти
accidentally - випадково
devoted - відданий
defender - захисник
Walter Scott is the creator of the English historical novel. He is one of the
greatest writers in English literature. His life was a romance and a tragedy. Walter
Scott was born in 1771 in Edinburgh. Although he lost the use of his right leg
when he was only 18 months old and was lame all his life, Scott grew up a strong
man, he was the first to begin a fight and the last to end it. Grown up, he often
walked twenty or thirty miles across the countryside, meeting people whom he
afterwards depicted in his books. Scott followed his father's profession and became
a lawyer. Though he was a hard worker at his profession, he found time to dream
about the past, to study his country's history, legends and folklore. He was never
tired of searching for old people who had fought in long-ago battles or could retell
stories of Scotland's wars or its struggle against the English.
His first success was a volume of ballads, which was published in 1802
under the title of "Border Minstrelsy". In 1805 his next outstanding work "Lay of
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the Last Minstrel" was published. Then came his finest novels “Ivanhoe", "Rob
Roy", "The Heart of a Midlothian", "Kenilworth" and others. His knowledge of the
history of his people, their customs, dress, architecture and folklore made past ages
live again in his novels. His characters are highland chiefs, princes, knights,
plowmen (ploughmen), soldiers, outlaws, gypsies, and beggars. But depicting
outstanding historical persons, kings and princes, Scott shows that their life,
actions and fate always depended on the people as a whole. Like every great
national writer. Walter Scott gave us true pictures of the life of the whole nation
and the struggle between the upper and lower sections in it. The best of them were
translated into the Russian language. their edition running into thousands of copies.
Walter Scott died in 1832, He was the founder of the historical novel.
Appealing to the past Walter Scott choses the period of sharp social and national
conflicts: fighting of Scotland highlanders for their independence, the revolution of
the XVII century, fighting between Saxons and Normans, conflicts of two political
forces (Puritans and Catholics) and so on. The novel usually begins with the side
episodes, in which the peculiarities of life and manners of epoch are revealed and
the political situation in the country is shown. Dozens of characters,
representatives of the various strata of society create that picturesque historical
background on which the plot of a novel is developing.
The historical persons (leaders of the parties, military leaders, kings) are
shown on the second or third background, as a rule. In the centre there is always an
imaginary character, a little idealized, not an outstanding man, but a person of
average abilities and of low social status, who accidentally gets into the vortex of
events; as if plot lines of: historical and imaginary characters cross on him and the
essence of the other shown conflict is discovered as Walter Scott saw it.
The history of Walter Scott is not the history of kings and military leaders.
That's why not outstanding persons but common people are in the centre of his
novels. Feudal peasants in "Ivanhoe", Scotland highlanders in "Rob Roy" and other
novels, craftsmen in "Perth Beauty" exercise influence on the course of events.
Although his political views were conservative, he was an advocate of "fair
monarchy" and against a revolution.
The main signs of historical genre are:
1. The colour of time and locality.
2. The description of interior.
3. Time limits and historical events.
4. Some historical persons and truthfulness of life and manners details.
One of the most popular works of Walter Scott is his novel "Ivanhoe" (1820)
in which he appeals to the period of early Middle Ages, depicting events of the last
years of the XI century. It was the period when feudal relations were firmly
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established, the enslaving of peasants by landowners and church was finished.
The first characters readers meet on the pages of the novel are peasants Turt
and Wamba. They open the whole gallery of characters presenting the lower class
of the society. Devoted patriots of England are ordinary people- "green army" of
people's leader Robin Hood. The type of this national hero, the half-- legendary
leader of peasant rising, fair and courageous defender of oppressed people is one of
the great artistic achievements of Walter Scott. The main historical character-
Richard The Lion Heart is shown on the 3rd background but as a progressive
leader. The historical events are shown in their real everyday life in this novel.
“Ivanhoe”
Vocabulary:
conqueror -загарбник
medival - середньовічний
wretched – жалюгдний, огидний
to subdue – оволодіти, знизити
to usurp – незаконно захопити
breach – вторгнення, розрив
to reconcile – примиритися
to seize -захопити
to restore – відновити
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The action of the novel is set in medieval England during the Crusades. The
author has introduced characters from all classes of feudal society and has shown
how class interests give rise to a bitter struggle. The central conflict of the novel
lies in the struggle of the Anglo-Saxon landowners against the Norman barons,
who cannot come to an understanding. The breach between them is widened by
their speaking different languages. Scott shows what a wretched thing it is to have
no rights in the land of one's birth. There is no peace among the Norman
conquerors either. The struggle for power does not cease. Prince John tries to usurp
the throne of his brother Richard, at that time engaged in a Crusade.
The characters of the two brothers show the two tendencies that caused the
Normans to split: one side wished to seize all the land and subdue the Anglo-
Saxons completely, while the other tended to cooperate with the remaining Anglo-
Saxon land-owners. The latter tendency was progressive, because it led to the birth
of a new nation. At the head of the remaining Anglo-Saxon knights we find a
thane, Cedric the Saxon. He hopes to restore their independence by putting a
Saxon king and queen on the throne. The queen is to be Rowena Irou'i:nəl, a young
lady said to be descended from Alfred the Great, and the future king, Athelstane of
Coningsburgh. But Cedric has a son, Wilfred of Ivanhoe, who upsets his father's
plans by falling in love with Rowena. Cedric disinherits his son, and Ivanhoe goes
on a Crusade where he meets King Richard, and they become friends On their
return to England, Richard with the help of the Saxons and the free archers of
Robin Hood, fights for his crown against Prince John and wins. Cedric finally
understands how impossible it is to restore Saxon power and becomes reconciled
to the Normans. The two chief events of the novel are the great tournament at
Ashby-de-la-Zouche and the siege of Torquilstone, the castle of Sir Reginald
Front-de-Beuf.
A wonderful gallery of characters is set before our eyes; they may be
classified into three groups, according to the manner of their portrayal. The first
group is formed by those characters which are typical of the historical period
described by Scott. Such are Cedric the Saxon. Athelstane of Coningsburgh, Prince
John and the Normans, Isaac of York, and others. Each of them is endowed with a
psychology typical of his epoch and social standing.
We may say that all these characters are drawn realistically. Let us see, for
instance, how Scott depicts two serfs, Gurth the swineherd and Wamba the jester.
The former, conscious of being oppressed, is hostile to his master, Cedric the
Saxon; however, when need arises, he remains true to feudal ethics and fights for
the rescue of his master; for this he is granted his freedom, which he accepts with
great joy.
The clever and sharp-tongued Wamba (in writing of him Scott was
doubtlessly influenced by Shakespeare's fools) prefers to remain a serf when
freedom is offered to him. This action of granting freedom to a serf is not an
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attempt of the author to idealize feudal relations; it helps the reader to understand
his deep penetration into class psychology. Gurth is a peasant, a toiler, and such
men always long to be free and work on their own land. Wamba, on the other hand,
is a servant - one of a privileged kind, but still a servant. He is, most probably, a
hereditary jester: his father was named Witless (foolish) which is doubtless a
jester's nick- name. Wamba's psychology has been formed by his servile position,
and if he received his freedom, he would gain practically nothing, for he is not fit
to till the soil and knows no trade.
The second group of characters comprises those described in the romantic
manner. These are the fierce Templar, Sir Brian de Bois Guilbert, Rebecca, and
Ulrica, that sinister and tragic old woman. The fatal passion which Sir Brian
experiences for the beautiful Rebecca puts him among the demonic romantic
heroes, and, villain though he is, his deep and fiery emotions inspire respect and
even admiration in the reader. And the least interesting representatives of the
group, as usually happens in Scott's works, are the hero and heroine, Wilfred of
Ivanhoe and the Lady Rowena.
The characters of the third group are those created in the folklore tradition. It
goes without saying that Robin Hood, Friar Tuck and other outlaws are among
their number. But the interesting thing is that the figure of King Richard is drawn
in the same tradition. We may state with absolute assurance that a king of that kind
never existed in all the history of the world; in him Scott gives substance to the
dream which the common people cherished for many centuries: their ideal of what
a really good king should be. That is why King Richard resembles the hero of a
legend or a ballad rather than a character in a novel. The book is written with the
great descriptive skill for which Scott is justly famous. We feel drawn into the
atmosphere of the period and very soon become convinced that life in the 12th
century was such as we see it on the pages of the book. All the typical features of
Scott's creative method are concentrated in "Ivanhoe".
The author introduced characters from all classes of feudal society. The
central conflict of the novel lies in the struggle of the Anglo- Saxon landowners
against the Norman barons. The breach between them is widened by speaking
different languages. There is no peace among the Norman conquerors either. The
struggle for power does not cease. Prince John tries to usurp the throne of his
brother Richard, who was at the Crusade at that time. The characters of the two
brothers show the two tendencies that caused the Normans to split: one side wished
to seize all the land and subdue the Anglo- Saxons completely; while the other
tended to cooperate with them. Cedric the Saxon, the head of the remaining Anglo-
Saxon knights, hopes to restore their independence by putting a Saxon king or
queen on the throne. The queen is to be Rowena, young lady is said to be
descended from Alfred the Great. But Cedric has a son, Wilfred of Ivanhoe, who
upsets his father's plans by falling in love with Rowena. Cedric disinherits his son,
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and Ivanhoe gets on a Crusade where he meets King Richard, and they become
friends. On their return to England, Richard with the help of the Saxons, fights for
his crown against Prince John and wins. Cedric finally understands how impossible
it is to restore Saxon power.
Answer the questions :
1. Which characters did the author introduce?
2. What does the central conflict lie in?
3. What is the beach widened by?
4. What are two tendencies that caused the Normans to split?
5. How did Cedric the Saxon hope to restore the power?
6. Why did Cedric disinherit his son?
7. Was it possible to restore Saxon power?
8. What did Cedric finally understand?
James Aldridge
Vocabulary:
Check yourself:
Vocabulary:
orders - накази
squadron – військовий підрозділ, ескадра, батальйон
to refuel - дозаправитися
military troops – збройні сили
wagon – автофургон, джип, вагон
to pat – легко поплескати по плечу
headquarter штаб – квартира
Eighty squadrons went to Greece. This was going on in the last days of
October when the Italian army entered Greece.
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When Eighty Squadron stayed in Heliopolis and was waiting for orders, the
command sent it to Greece. The first five Gladiators went to Athens, stopping on
Crete for refueling. The next five followed two days later. The last five were new
planes and they had to be tested before they could also be sent to Greece...
The summer was ending. It was getting colder at night and stayed colder
long in the mornings. There was no moon, and the Italian planes had stopped
bombing. One afternoon the British officers were waiting in a bar where they
usually drank beer. They were waiting for Hickey, their squadron leader, to come
back from Headquarters in the city. When he came he told them they were all
going to Greece. They wanted to talk about it, but couldn't because it was still
secret.
Later when John Quayle and Hickey were walking back to Headquarters,
Hickey told him that Eighty Squadron would be the only British squadron in
Greece. "No other British military troops here," he said. It was a long flight, and
they stopped on Crete to refuel, then came to Greece. Hickey was waiting for them
with the station wagon and they drove into Athens. There were surprising scenes:
people greeted them as they went quickly the two miles into town. The wagon was
gray with dust, and this made it look military. When the Greeks saw that it was
British, they shouted happily at them everywhere.
A great crowd suddenly gathered as they took their things off the wagon to
carry them into the hotel. Quayle's bag was taken out of his hand. He was patted on
the back. He had to fight his way with Hickey to get in the door of the hotel. It was
fine; he heard them shouting: "English, English aeroplanes!" The English pilots
were happy and they felt that the Greeks were fine people. And when they walked
down the street, people followed them and talked happily to them in Greek. When
there was an air raid alarm on the first day and they did not go into the cover," the
police tried to push him and Hickey there. The people were astonished that the
English pilots were not up in the air to keep the Italian planes away. But no Italian
planes came over the city and the Greeks were even happier and a well-dressed
Greek said to Hickey: "They, the Italians, will not come now. No, we can be happy
now. You are fine men. We are glad you are here. They, the Italians, will not come
now. Oh, no!" It was like a film; the next day and night were mad and fantastic.
The five British planes went up in a wide circle over Athens and did not leave it.
Quayle looked around at his planes. They were shining now in the high sunlight.
He could see the pilots, Gorel, Brewer, Richardson and Tap, under him. Quayle
looked around. Suddenly he saw Italian bombers,' slow and dark, in a wide line.
They had seen the Gladiators because they were going up. They were going
straight for the city to do the bombing.
Gladiators were only good for shooting down Italian fighters. Seldom could
one Gladiator alone shoot down a bomber; he had to get two or three attacks,
which wasn't often. A squadron of Gladiators had a chance, because one by one
they could come up to a single bomber and shoot the pilot or an engine, but it had
35
to be very close to the enemy plane. Quayle could see one Gladiator moving down
on the Italian bomber, and the bullets flying past the bomber, and the bomber's
bullets passing into the Gladiator, but the Gladiator moved up and went over to the
left. Smoke was coming from the engine of the Italian bomber and it was losing
height. It was out of control and soon fell down into the sea.
Find in the text and read aloud sentences to prove that the following facts are
true:
1. The British command which had promised to help the Greeks against the
invasion of the fascist Italian and German armies sent to Greece very few
planes.
2. The Greek people were happy when they saw the British airmen arriving in
Athens.
3. The British airmen wanted to help the Greeks. 4. There were not enough planes
to keep the fascist bombers away.
Answer the questions:
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