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    Рапсодія «до світла» міра шентюрк

    Uploaded by

    Daria Luzhkova
    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Рапсодія «до світла» міра шентюрк

    Uploaded by

    Daria Luzhkova
    32 views4 pages
    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    32 views4 pages

    Рапсодія «до світла» міра шентюрк

    Uploaded by

    Daria Luzhkova
    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    Рапсодія


       

    "До світла"

        


    Міра Шентюрк

    

                                
    Maestoso

      
        
              

     

     
    agitato cresc.

       


       
         
         
               
       
    4

    
        
          
        


       


      

             
                  
    7 Allegro

         

     
    agitato cresc.


           
                    
    9

         
      


         
       
    
    11

          
        
         
      

                   
    2

            
    13

     
         
     


       

          
                               
    15

          
                

      
    agitato cresc.

       


           
                    
    19

         
      


     
                
           

    21

       
      
         
     


       
         
         
    
    23


     rit.
      
         
          
    dim.

     


     
       
              

             
      
       
    25 a tempo

             
        
             
     espress.

     

     
          
    3

          
                
    27

    
        
      
                   
        


      
             

      
          
     
          
    29

         
        
         
            
    
     




    
      
                

     
    31


          
              
                       
     
       


    
            

                  
      
    34

          
                       
       
     cantabile

      
    cresc.

        


            
     
                    
    41

      
                          
           
    




          
      
              
     
    48 a tempo

            
         
         
         


    espress.

     
    rit.

     
       
    4

              
           

            
    51

            
       
        
                
     


     
        
               
                  
    53

     
     
               
         
      
     
       


    
         

      
            
    55

      

         
               
     
           
     

       
      
    


       
     
      
            
      
    57

     
           
     

      
              
       
       

     

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