This passage seems to belong to the descriptive functional style.

It vividly
portrays a location, emphasizing its physical characteristics, geographical
placement, and ambiance. The detailed descriptions of the hotel, the
surrounding landscape, and the imagery of the French Riviera create a visual
picture for the reader. There's an emphasis on sensory details, such as colors,
textures, and the atmosphere of the setting, to immerse the reader into the scene.
The text appears to be an excerpt from a novel, specifically from F. Scott
Fitzgerald's "Tender is the Night." It's a narrative, part of a larger story,
describing the setting and providing atmospheric details to set the scene for the
reader.
In this excerpt from "Tender is the Night" by F. Scott Fitzgerald, the author
primarily uses authorial or third-person narration to describe the setting and
evoke the atmosphere. There's no explicit dialogue in this particular passage,
and the narration is mainly descriptive, painting a vivid picture of the location
without directly involving character interactions or conversations.
The compositional form is descriptive prose, with the author employing
vivid imagery and detailed descriptions to convey the scene and ambiance of the
French Riviera, the hotel, the landscape, and the surrounding area.

The main thought or central idea conveyed in this passage revolves around
the description of the setting, particularly the vivid depiction of a grand hotel on
the French Riviera and its surroundings during different times of the year. The
key words and sentences expressing this main thought include:
Logical parts:
● Introduction of the setting: "On the shore of the French Riviera..."
● Description of the hotel and its surroundings: "stood a large, proud,
rose-coloured hotel."
● Changes in the hotel's occupancy and atmosphere over time: "Now it
has become a summer resort..."
 ● Contrast in occupancy in 1925: "it was almost deserted after its
English clientele went north in April."
● Description of the beach and its connection to the hotel: "The hotel
and its bright tan prayer rug of a beach were one."
● Depiction of the morning scenery: "In the early morning the distant
image of Cannes..."
Key words and sentences:

● "stood a large, proud, rose-coloured hotel"

● "Now it has become a summer resort of notable and fashionable
people"
● "only the cupolas of a dozen old villas rotted like water lilies among
the massed pines"
● "The hotel and its bright tan prayer rug of a beach were one."
● "In the early morning the distant image of Cannes, the pink and
cream old fortifications, the purple Alp that bounded Italy, were cast
across the water"
● These sentences and phrases highlight the main idea of the passage,
emphasizing the luxurious hotel, its changing clientele, the ambiance of
the beach, and the picturesque scenery of the French Riviera.
Overall, the subject matter encapsulates the richness of this particular spot
on the French Riviera, capturing its visual splendor, historical changes, and the
mood or atmosphere associated with it during different periods.
The general tonality of this passage leans towards being descriptive,
evocative, and somewhat nostalgic. There's a sense of vividness in the
descriptions, painting a rich and detailed picture of the setting. The tone is
observant and reflective, as the narrator depicts the scene with a level of detail
that suggests familiarity and appreciation for the beauty and atmosphere of the
location.
 This contrast hints at changes over time and may evoke a sense of
wistfulness or reflection on the passage of time.
Overall, the tone combines elements of admiration for the setting, a focus
on detail, and a subtle undertone of reflection or nostalgia, creating a rich and
immersive reading experience.
In this particular excerpt from "Tender is the Night," the tragic elements
are subtly implied through the contrast between the past and the present state of
the hotel. There's a sense of melancholy or tragedy in the depiction of the
once-deserted hotel in 1925 after its English clientele left, hinting at a loss of its
former glory or a bygone era. The deserted state might evoke a feeling of
sadness or a sense of tragedy related to the transient nature of popularity or
success.
In this passage from "Tender is the Night," F. Scott Fitzgerald employs a
rich semantic structure that intertwines denotative and connotative meanings to
create vivid imagery and evoke a specific atmosphere.
Denotative Meaning: Fitzgerald uses words that directly describe the
physical attributes of the setting, such as "large," "rose-colored," "distant,"
"purple," "clear," and "shallows." These words convey straightforward
descriptions of size, color, distance, and clarity without implicit or additional
meanings.
Connotative Meaning: Alongside denotative descriptions, there are words
that carry deeper connotations, creating an emotional or evocative layer to the
text. For instance:
"stood a large, proud, rose-coloured hotel" implies grandeur and perhaps a
sense of elegance or sophistication.
"almost deserted" implies a sense of abandonment or desolation, hinting at
a loss of former glory.
"bright tan prayer rug of a beach" infuses religious connotations into the
description of the beach, possibly implying reverence or sanctity.
 "purple Alp that bounded Italy" uses color to evoke a sense of majesty or
grandeur associated with the mountains.
Fitzgerald's choice of words not only describes the physical aspects of the
setting but also conveys emotional nuances and associations, adding depth and
atmosphere to the narrative. The interplay between denotative and connotative
meanings enriches the text, allowing readers to visualize the scene while also
sensing the emotional undertones embedded within the descriptions.
Conversely, the text doesn't explicitly present comic elements in this
passage. However, one might find a contrast between the former emptiness of
the hotel and its current status as a bustling summer resort slightly ironic or
perhaps even mildly humorous, highlighting the fickleness or cyclical nature of
trends and clientele.
In this passage from "Tender is the Night," F. Scott Fitzgerald employs a
stylistically diverse vocabulary that includes literary, neutral, and non-literary
layers, enhancing the descriptive richness of the text.
Literary Layer: Fitzgerald utilizes a literary style characterized by
eloquent and evocative language. Examples include:
"stood a large, proud, rose-coloured hotel"
"bright tan prayer rug of a beach"
"purple Alp that bounded Italy"
These phrases exhibit a poetic quality, employing vivid imagery and
metaphorical language to describe the setting, enhancing its beauty and
grandeur.
Neutral Layer: Alongside the literary elements, there are portions of the
text that use more straightforward, neutral language to describe factual details:
"about half-way between Marseille and the Italian border"
"five miles away"
These phrases provide clear and factual information about the geographical
location without elaborate or embellished language.
 Non-literary Layer: In some instances, the text employs simpler or more
colloquial language that doesn't possess the ornate qualities of literary prose:
"almost deserted after its English clientele went north in April"
"only the cupolas of a dozen old villas rotted like water lilies"
These phrases are more direct and descriptive, focusing on conveying
events or situations without the heightened literary style found in other parts of
the passage.
Absolutely, let's break down how F. Scott Fitzgerald employs Emotive
Language and Stylistic Devices on multiple levels to convey tonality,
characterize, and convey the author's concepts in this passage.
Lexical Level:
EM: Fitzgerald uses emotionally charged words to evoke specific feelings
or atmospheres, like "proud," "notable," "dazzling," and "deserted." These
words help set the tone and mood of the scene.
SD: Metaphors and similes ("tan prayer rug of a beach," "cupolas... rotted
like water lilies") create vivid mental images, enhancing the descriptive quality
of the passage.
Grammatical Level:
EM: Emotionally charged adjectives ("large," "rose-colored") amplify the
emotional impact of the description.
SD: The use of parallelism or repetition ("stood a large, proud,
rose-coloured hotel") adds a rhythmic quality and emphasizes the grandeur of
the hotel.
Syntactical Level:
EM: Sentence structures with varied lengths and rhythms can evoke
different emotional responses. For instance, longer, flowing sentences can create
a sense of grandeur or nostalgia, while shorter, abrupt sentences might convey a
more urgent or intense mood.
 SD: Fitzgerald's use of juxtaposition ("almost deserted after its English
clientele went north in April; only the cupolas of a dozen old villas rotted like
water lilies") contrasts different scenes or situations, creating a sense of change
or contrast.
Phonetic Level:
EM: Certain sounds or phonetic patterns can evoke emotions. Alliteration
or consonance might create a soothing or harmonious effect, while harsher
sounds like plosives or fricatives might evoke tension or urgency.
SD: Onomatopoeia or the use of sound words might be employed to create
a sensory experience. However, in this particular passage, there isn't a strong
focus on phonetic elements.
In this excerpt from "Tender is the Night" by F. Scott Fitzgerald, several
themes and issues are subtly raised, carrying both social and aesthetic relevance:
Social Class and Cultural Shifts: This highlights societal changes and the
shifting dynamics of wealth, influence, and trends over time.
Transient Nature of Popularity: The fluctuation in the hotel's occupancy
suggests the ephemerality of fame, success, and societal trends.
Historical Context and Setting: The passage provides a glimpse into the
historical context of the French Riviera during the 1920s. It captures the
transformation of the region from a deserted state to a bustling summer
destination, offering insights into the cultural, social, and economic aspects of
that era.
Aesthetic Descriptions and Nostalgia: The descriptive richness contributes
to the aesthetic appeal of the narrative, inviting readers to immerse themselves
in the ambiance of the setting.