Ian Mcewan

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McEwan, in full Ian Russell McEwan, British novelist,

short-story writer, and screenwriter whose restrained,


refined prose style accentuates the horror of his dark
humour and perverse subject matter.

McEwan earned renown for his first two short-story


collections, First Love, Last Rites (1975; film 1997) and
In Between the Sheets (1978), both of which feature a
bizarre cast of grotesques in disturbing tales of sexual
aberrance, black comedy, and macabre obsession. His first novel, The Cement Garden (1978; film
1993), traces the incestuous decline of a family of orphaned children. The Comfort of Strangers
(1981; film 1990) is a nightmarish novel about an English couple in Venice.
In the 1980s, when McEwan began raising a family, his novels became less insular and
sensationalistic and more devoted to family dynamics and political intrigue: The Child in Time
(1987) examines how a kidnapping affects the parents; The Innocent (1990; film 1993) concerns
international espionage during the Cold War; Black Dogs (1992) tells the story of a husband and wife
who have lived apart since a honeymoon incident made clear their essential moral antipathy; The
Daydreamer (1994) explores the imaginary world of a creative 10-
year-old boy. The novel Amsterdam (1998), a social satire
influenced by the early works of Evelyn Waugh, won the Booker
Prize in 1998. Atonement (2001; film 2007) traces over six decades
the consequences of a lie told in the 1930s. The influence of
Virginia Woolf’s Mrs. Dalloway (1925) is evident in Saturday
(2005), a vivid depiction of London on February 15, 2003, a day of
mass demonstrations against the incipient war in Iraq. On Chesil
Beach (2007) describes the awkwardness felt by two virgins on their
wedding night. Climate change is the subject of McEwan’s satirical
novel Solar (2010). Sweet Tooth (2012) is the Cold War-era tale of a
young woman recruited by MI5 to secretly channel funding to
writers whose work reflected Western values. The Children Act
(2014) centres on a judge who must rule on the medical treatment of
a teenage Jehovah’s Witness whose parents object to him receiving
a blood transfusion on the basis of their religious beliefs. Drawing
inspiration from Hamlet, McEwan next wrote Nutshell (2016),
which is narrated by a fetus whose adulterous mother plots with her lover to kill the baby’s father.
McEwan also wrote for television, radio, and film, including The Imitation Game (1980), The
Ploughman’s Lunch (1983), Last Day of Summer (1984), and The Good Son (1993). Several of his
screenplays were adapted from his novels and short stories. In addition, McEwan wrote librettos for
a pacifist oratorio, Or Shall We Die? (first performed 1982; published and recorded 1983), and an
opera, For You (first performed and published 2008), both with composer Michael Berkeley. In 2000
McEwan was created CBE (Commander of the British Empire).

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