11+ Sutton SET - Mock 2022 - English Paper 09-07-22
11+ Sutton SET - Mock 2022 - English Paper 09-07-22
11+ Sutton SET - Mock 2022 - English Paper 09-07-22
11+ Sutton
SELECTIVE ELIGIBILITY TEST (S.E.T.)
MOCK 2022
English
50 minutes
Instructions:
Your time will start when you turn over the page.
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Page 1
Section A
1. A Collegue
B Colleague
C Coleague
D Colegue
E Colleeg
2. A Experince
B Experiance
C Experence
D Expereiance
E Experience
3. A Passtime
B Pasttime
C Pastime
D Pasthyme
E Passthyme
4. A Receive
B Recieve
C Receve
D Reseeve
E Resieve
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Page 2
5. A Accidentlly
B Accidently
C Acksidentally
D Accidentally
E Acidentally
6. A Agknowledgement
B Acknowledgement
C Acknowledgemant
D Acknowlegement
E Acknowlegment
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Page 3
Section B
The extract below is from Flight of a Starling, by Lisa Heathfield.
Read the extract carefully and then answer the questions that follow.
He stops the car in a space at the side of the track and when he turns the engine off
real silence appears. For a moment, we don’t move, but then Dean is unclicking his seat
belt, opening his door.
5 We get out of the car and Dean holds my hand as we cross over to the other side.
‘Careful here,’ he says, holding back a bramble, and I follow him to where there’s a thin
break in the sharp bushes. At the end there’s a fence and Dean kneels down, lifting the
wire high enough for me to crawl through.
‘Sorry. It’s not exactly elegant,’ he says. If Ma could see me now, scraping my knees,
10 my clean palms pressed flat to the earth.
Dean clambers through after me, all legs and arms pushing through the wire as I hold
it open for him.
‘Quick,’ he says. He takes my hand again and we run over the bumpy ground, across a
wide-open field.
15 ‘What if a farmer shoots us?’ I’ve read it in books, I’ve heard it in the songs Da sang to
us as children.
‘There aren’t any farmers,’ Dean laughs. ‘It’s just a nature reserve.’
‘A what?’
‘For people to walk around, look at the animals and plants and everything. It’s too early
20 so it’s closed now, which means everyone misses the best bit.’
He keeps hold of my hand as we wade through the long grass, with stalks almost white
where they brush against us. The sky is rushing to get light. Here, the new day feels
like a whole new world, the trees behind us pushed strong through the ground in the
night, the sky painted on for the first time. I could live here. Stay here. Grow my own
25 home up from the earth and have its bricks hold steady.
‘Look.’ Dean sounds like an excited child as he pulls me down to crouch next to him.
‘There.’ He’s pointing to the land moving in front of us.
‘Starlings.’ He looks at me, his eyes bright. And I see now, the tiny feathered bodies
30 swaying together.
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Page 4
‘What won’t?’ But as I say it, a few of the starlings lift gentle from the ground. Within a
second, they all follow, a rush of thousands and thousands of wings swooping them up.
35 I can hear their feathers, a heavy rumble as they rise higher. Suddenly, they all turn
together, as if they all just know.
‘They’re amazing, aren’t they?’ Dean only glances at me before he’s back watching
them. They peak at the top, then shoot down so low. A smudge of paint thrown dripping
40 into the sky.
The racing black cloud suddenly bends and twists, changing colour from black to grey.
They’re like nothing I’ve ever seen, nothing I knew existed, these tiny black stars
45 meeting to make a whole. I feel so small, but as big as the world all at once.
‘Of me?’ I don’t take my eyes off the starlings. I don’t want to miss any of it. Any of the
shapes of their dance.
‘The way they move like it’s impossible,’ Dean says. ‘The way you fly, in your circus.’
50 So this is what the audience sees. Now it’s my breath held as I watch them leap and
twist symmetrical in the air. Our eyes watch them, so they won’t fall.
55 Thousands of feathers fold and beat against the bodies above us, knowing exactly what
to do. Our circus birds, bending in the white.
‘Look,’ Dean says. He’s pointing to the edge of the group, to a bigger shape tracking
them closer. ‘A hawk.’
‘Is it trying to get them?’ But I know it is. It’s waiting for its time, a mistake, for a
60 starling to forget its way and lose the others.
‘I think it’s why they stay so close together.’ Dean says. ‘So the hawk can’t get them.’
‘Do you think some of them are tired?’ I ask. ‘That they want to stop, but they have to
keep following?’
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Page 5
C The narrator does not notice the noise of the car until it stops.
Select the TWO words that describe how the narrator’s mother would be
likely to react if she saw her now.
A Unsurprised
B Disapproving
C Pleased
D Shocked
E Resigned
E She has seen news stories about people being shot by farmers.
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Page 6
Select the TWO most accurate words to describe how the narrator is
presented in these lines.
A Naïve
B Knowledgeable
C Unworldly
D Pretentious
E Foolish
12. Select the TWO most accurate words to describe the time of day when the
events in the extract take place.
A Dawn
B Dusk
C Noon
D Daybreak
E Sunset
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Page 7
C The narrator imagines that the trees popped up, fully formed, overnight.
B The narrator has mistaken the rippling surface of a lake for land.
C The author wants to show that the narrator is mistaken about the
bricks of her new home holding steady.
E The narrator crouches down so suddenly that it feels like the ground is
dropping away.
A He is seventeen or older.
C She wants to know how the starlings all knew to change direction at
the same time.
D She wants to know how the starlings all managed to take off without
crashing into each other.
E She wants to know how the starlings produced the deep, reverberating
noise that she heard.
17. Select the TWO most accurate words to describe how Dean feels when he
sees the starlings.
A Awed
B Admiring
C Alarmed
D Apathetic
E Agitated
18. Look carefully at lines 38–40. Which of these statements are true?
19. Select the TWO most accurate words to describe the word ‘peak’ in line 39.
A Noun
B Verb
C Adjective
D Homophone
E Onomatopoeic
20. Which of the following quotes from the extract refer to the starlings?
D ‘A smudge of paint’
22. Select the TWO words that Dean would most likely use to describe the
narrator’s circus act.
A Trickery
B Extraordinary
C Unfeasible
D Unbelievable
E Perilous
23. Select the TWO most accurate words to describe how the narrator feels in
lines 57–64.
A Concerned
B Detached
C Empathetic
D Pitiless
E Objective
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Page 11
Section C
The poem below is Starling, by Rob Cowen.
Read the poem carefully and then answer the questions that follow.
Starling
We forget that you once shimmered through frozen air; ripple bird.
Shape-shifter, dusk-dancer. Murmurer, sky-writer,
Endlessly becoming on the darkening gold:
Animals, patterns, waves.
10 And how we, wonderstruck, witnessed a nightly unity against death.
E The poet thinks we have forgotten how many starlings there used
to be.
D Starlings are the only birds that can be seen on our rooftops.
27. Select the TWO words that could be used in place of ‘rare’ in line 15
without changing the meaning of the sentence.
A Odd
B Sparse
C Remarkable
D Scarce
E Exquisite
28. What behaviours displayed by the starlings does the poet think we could
learn from?
29. Select the TWO most accurate words to describe the starling as it is
portrayed in lines 26–30.
A Yobbish
B Harassing
C Uninhibited
D Exuberant
E Austere
30. How does the poet feel about the decline in the starling population?
Section D
Answer the following questions using BOTH the extract and the poem.
31. Select the TWO themes that are common to BOTH texts.
A Loss
B Unity
C Optimism
D Nature
E Religion
32. Think about the styles of the extract and the poem. Which of these is true
about BOTH?
33. Think about the similarities between the two texts. Which of these is
NOT correct?
D They both draw a parallel between the narrator and the starlings.
E They both refer to the different shapes that flocks of starlings form.
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Page 16
34. Think about the differences between the texts. Which of these is
NOT correct?
A The starlings come together to fly at sunrise in the extract but at night
in the poem.
B The starlings are in a natural setting in the extract, but they interact
with the manufactured environment in the poem.
End of Test