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    ABRSM Music Theory Past Papers GRADE 7 (Ejemplo Gratis)

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    Ana Díez
    This document contains a practice test for ABRSM Grade 7 Music Theory consisting of 5 sections with multiple choice and short answer questions. It provides model answers to the questions, which analyze excerpts from works by Haydn and Elgar, identifying chords, intervals, ornamentation, and other musical elements. Completing the practice test and reviewing the model answers can help students prepare for the ABRSM Grade 7 Music Theory exam.

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    ABRSM Music Theory Past Papers GRADE 7 (Ejemplo Gratis)

    Uploaded by

    Ana Díez
    87 views11 pages
    This document contains a practice test for ABRSM Grade 7 Music Theory consisting of 5 sections with multiple choice and short answer questions. It provides model answers to the questions, which analyze excerpts from works by Haydn and Elgar, identifying chords, intervals, ornamentation, and other musical elements. Completing the practice test and reviewing the model answers can help students prepare for the ABRSM Grade 7 Music Theory exam.

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    ABRSM Music theory past paperS GRADE 7 (Ejemplo gratis)

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    This document contains a practice test for ABRSM Grade 7 Music Theory consisting of 5 sections with multiple choice and short answer questions. It provides model answers to the questions, which analyze excerpts from works by Haydn and Elgar, identifying chords, intervals, ornamentation, and other musical elements. Completing the practice test and reviewing the model answers can help students prepare for the ABRSM Grade 7 Music Theory exam.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    87 views11 pages

    ABRSM Music Theory Past Papers GRADE 7 (Ejemplo Gratis)

    Uploaded by

    Ana Díez
    This document contains a practice test for ABRSM Grade 7 Music Theory consisting of 5 sections with multiple choice and short answer questions. It provides model answers to the questions, which analyze excerpts from works by Haydn and Elgar, identifying chords, intervals, ornamentation, and other musical elements. Completing the practice test and reviewing the model answers can help students prepare for the ABRSM Grade 7 Music Theory exam.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 11

    ABRSM Grade 7 Music Theory | Free Practice Test

    Time limit: 3 Hours Total points available: 100


    Pass: 66/100 Merit: 80/100 Distinction: 90/100

    Q1. HARMONISATION [15 POINTS]


    Indicate suitable chords for a continuo player by figuring the bass as necessary at the places marked *.
    5-3 chords should be left blank, unless they are part of a 6/4 – 5/3 progression, or need any chromatic
    alteration. All other chords should be indicated, as well as any suspended dissonances.

    © 2023 www.mymusictheory.com

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    Q2. CHORALE [15 POINTS]
    Using this harmonic outline (A), reconstruct this (adapted) Bach chorale on stave B.

    © 2023 www.mymusictheory.com
    ABRSM Grade 7 Music Theory | Free Practice Test

    Q3. COMPOSITION - CHOOSE EITHER 3A OR 3B [20 POINTS]


    A. Complete the oboe part of this composition.

    B. Use the given chord progression to make an 8-bar composition for either violin or horn (at concert
    pitch). You may use the given opening or write your own.

    Instrument:

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    © 2023 www.mymusictheory.com
    ABRSM Grade 7 Music Theory | Free Practice Test

    Q4. SCORE
    Look at the score on the next page, which is from a keyboard piece, then answer the questions below.
    a. Name the interval in the box marked A in bar 19.____________________ [2]

    b. Name the interval in the box marked B in bar 25. ____________________ [2]

    c. Name the decoration marked C in bar 8. ___________________________ [2]

    d. Name the decoration marked D in bar 20. __________________________ [2]

    e. From bar 16 onwards, find an incomplete diminished 7th chord in the [2]
    subdominant key and mark it with the letter E.

    f. From bar 16 onwards, find a rising 2-bar sequence and mark it with a [2]
    bracket and the letter F.

    g. Identify the chord marked G in bar 2. ___________________________ [2]

    h. Identify the chord marked H in bar 12 and state the prevailing key. [4]

    ____________________________________________________
    i. Write out the right-hand part of bar 13 as it should be played. [3]

    j. The extract contains syncopation in the right-hand – True or False? [2]

    k. Which of these composers is most likely to have written this music? [2]
    Debussy Haydn Mahler Chopin

    © 2023 www.mymusictheory.com

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    © 2023 www.mymusictheory.com
    ABRSM Grade 7 Music Theory | Free Practice Test

    Q5. ORCHESTRAL SCORE


    Look at the score on the next page, which is from an orchestral piece, then answer the questions below.
    a. Give the meaning of arco. (e.g. bar 8, double bass) __________________ [2]

    b. Give the meaning of unis. (e.g. bar 7, 1st violins) ____________________ [2]

    c. Give the meaning of (e.g. bar 1, timpani) __________________ [2]

    d. Write the horn parts (1, 2, 3 and 4) in bar 8 at concert pitch. [4]

    e. Give the full name of the boxed harmonic interval on the third beat of bar [2]
    5 of the viola part.

    f. Give the full name of the boxed harmonic interval on the third beat of bar [2]
    7 between the cor Anglais and 1st bassoon.
    g. Identify the chord sounding on beat 2 of bar 4. [2]

    h. Identify the chord sounding on beat 4 of bar 8. [2]

    i. In which period was this music most likely composed? [1]


    1650-1750 1750-1850 1850-1950
    j. All the intervals in bar 2 of the 2nd violin part are perfect 4ths – True or [2]
    False?
    k. The horns are muted throughout this extract – True or False? [2]

    l. The divisi viola parts cross – True or False? [2]

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    © 2023 www.mymusictheory.com
    ABRSM Grade 7 Music Theory | Free Practice Test

    © 2023 www.mymusictheory.com

    Would you like model answers to these exercises, plus lots more exercises, lessons and tips?
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    Answers to Q1-3 will vary. Answers to Q4 and Q5:

    Q4.
    Source: Partita in D , Hob XVI/14, 2nd movement, by Joseph Haydn.

    a. Diminished 5th

    b. Minor 6th

    c. Pedal (tonic)

    d. Lower chromatic auxiliary note


    Bar 17

    e.

    Bar 18

    f.

    g. ivc

    h. Ia, Bb major

    i.

    j. True

    k. Haydn

    © 2023 www.mymusictheory.com
    ABRSM Grade 7 Music Theory | Free Practice Test

    Q5.
    Source: Symphony no.2, 2nd movement, by Sir Edward Elgar

    a. Bowed/with the bow

    b. Together/all players

    c. Drum roll

    d.

    e. Minor 6th

    f. Compound perfect 4th / perfect 11th.

    g. ivc

    h. VIb

    i. 1850-1950 (the date of composition was 1911)

    j. False (Ab-D is an augmented 4th)

    k. False (naturale is an indication to remove the mute)

    l. True (bar 8)

    © 2023 www.mymusictheory.com

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