Sukkksesh

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SUCCESSION
Episode #110
Written by
Jesse Armstrong
Directed by
Mark Mylod
DOUBLE PINK PAGES PRODUCTION DRAFT – 3/10/18

DOUBLE BLUE PAGES PRODUCTION DRAFT – 3/4/18
FULL DOUBLE WHITE PRODUCTION DRAFT – 3/1/18
YELLOW PAGES PRODUCTION DRAFT - 2/28/18
PINK PAGES PRODUCTION DRAFT - 2/26/18
FULL BLUE PRODUCTION DRAFT - 2/26/18
OFFICIAL WHITE PRODUCTION DRAFT- 2/24/18
Copyright © 2017 Sourdough Productions, LLC. ALL RIGHTS RESERVED. No portion
of this script may be performed, published, sold or distributed by any means, or quoted or
published in any medium, including any website, without prior written consent. Disposal
of this script copy does not alter any of the preceding restrictions.
SUCCESSION
EPISODE 110 – DOUBLE PINK PAGES PRODUCTION DRAFT
3/10/18
CAST LIST
LOGAN ROY BRIAN COX
KENDALL ROY JEREMY STRONG
MARCIA ROY HIAM ABBASS
GREG HIRSCH NICHOLAS BRAUN
SHIV ROY SARAH SNOOK
ROMAN ROY KIERAN CULKIN
CONNOR ROY ALAN RUCK
TOM WAMBSGANS MATTHEW MACFADYEN
RAVA ROY NATALIE GOLD
FRANK VERNON PETER FRIEDMAN
COLIN SCOTT NICHOLSON
SOPHIE ROY (k) SWAYAM BHATIA
IVERSON ROY (k) QUENTIN MORALES
JESS JORDAN JULIANA CANFIELD
GERRI KELLMAN J. SMITH CAMERON
WILLA JUSTINE LUPE
STEWY HOSSEINI ARIAN MOAYED
SANDY FURNESS (O.S.) LARRY PINE
NATE ASHLEY ZUKERMAN
GIL EAVIS ERIC BOGOSIAN
MRS WAMBSGANS KRISTIN GRIFFITH
MR WAMBSGANS JACK GALPIN

TABITHA CAITLIN FITZGERALD
CAROLINE HARRIET WALTER
AMIR DARIUS HOMAYOUN
CHARLOTTE ANNA WILSON-JONES
MATT NICK MILLS
JONAS MICHAEL IZQUIERDO
VICAR TBD
DENIS* TIM BERRINGTON
DODDY TOM MORLEY
PHOTOGRAPHER* CAMBRIDGE JONES

SUCCESSION
EPISODE 110 – DOUBLE PINK PAGES PRODUCTION DRAFT
3/10/18
SET LIST
INTERIORS EXTERIORS
CHURCH CHURCH
DODDY’S CAR COUNTRY LANE
EASTNOR CASTLE DODDY’S CAR

DINING ROOM
GOTHIC DRAWING ROOM HILL OVERLOOKING THE CASTLE
GREAT HALL
GRAND STAIRCASE EASTNOR CASTLE APPROACH
KENDALL’S ROOM
KENDALL’S WAR ROOM EASTNOR CASTLE
KITCHEN GROUNDS
LOGAN’S ROOM KENDALL’S ROOM
MARQUEE ENTRANCE
ROMAN & TABITHA’S ROOM LAKESIDE
TOILET MAIN GATE
SHIV & TOM’S ROOM
RIVER/LAKE BANK
KENDALL’S CAR
SHIV & TOM’S CAR
WEDDING CAR
WOODLAND
Ep 110 - Double Pink Pages - 3.10.18 1.
Who Do You Love? by Bo Didley plays over:
1 OMITTED 1
2 OMITTED 2
3 EXT. EASTNOR CASTLE - MAIN GATE. DAY (D2) 3
Shiv and Tom’s car is returning to the castle.
Across the road outside the main castle entrance are

freelance photographers looking for celebrities and shots of
the media mogul and his family.
A cop with a motorcycle stationed to avoid traffic congestion

waves them through.
Security guys from their own team, discreet, black suit, some
in fluorescent jackets wave them in.
There are also 10-12 English on-lookers drawn to take a look

by the commotion. A younger couple with a camera phone.
4 OMITTED 4
5 OMITTED 5
6 EXT/INT. EASTNOR CASTLE. DAY (D2) 6
Confetti is thrown.
All of the close friends and family mill around, waiting *

their turn for the photos to be taken. (Depending on weather)
On the stone steps at the castle, or in another characterful
spot:
Groups assemble. We pick out and jump cut between photos of:
The bride and groom, confetti being thrown;
Now the bride and groom and MR. WAMBSGANS & MRS. WAMBSGANS
and CAROLINE, LOGAN & MARCIA.
STEWY whispers to KENDALL as he looks over.
(CONTINUED)
Ep 110 - Full Double White Production Draft - 3.1.18 2.
6 CONTINUED: 6
STEWY
There he blows! The fucking
Brontosaurus. Always wants to fuck
but can never get hard.
KENDALL
Yeah yeah.
Kendall looks at Stewy.
STEWY
What? Good to demonize the enemy
before you have to kill him, man.
The photographer wants to assemble the next group.
PHOTOGRAPHER
And the siblings and partners?
CONNOR is near Shiv and Tom.
CONNOR
Just to say, I want Willa in this.
Shiv and Tom look at one another.
SHIV
Um, okay? I’m not sure ...
TOM
I’m not sure if that’s appropriate?
Connor ignores.
CONNOR
Oh no, that’s fine, it is
appropriate.
TOM
Is it appropriate? Or could it be
problematic?
CONNOR
No it won’t be problematic.
They don’t want an incident, Connor seems so oblivious it’s

like he’s just not getting it.
TOM
Um?
Tom looks to Shiv. She’s going to explain, she wants to make

it all clear but smiles and explains softly --
(CONTINUED)
6 CONTINUED: (2) 6
SHIV
Connor, she’s been a call girl and
one day that might come out and it
could hurt my profile, or Tom’s
profile so I don’t want to be
horrible but, you get it, okay?
Connor leans in --
CONNOR
(whispered, with a smile)
Okay. I get it, but, if you don’t
allow it I’m going to punch Tom in
the face and rip my shirt open and
take a fucking dump on the ground
here and go ape shit because she’s
the woman I love. You get it?
Tom and Shiv look at one another. Connor smiles at WILLA.
Roman sidles up to Tom as Shiv goes to talk to CHARLOTTE to

include Willa.
ROMAN
Um, dude, I’d like Tabs in this
one, okay?
TOM
Oh really?
ROMAN
Uh-huh. Yes. I’m pretty into her.
And it might be nice.
TOM
Okay. It’s just --
ROMAN
It’s just what Tom?
TOM
I - we - - obviously, shared a
moment
(nothing from Roman, he
whispers, almost mouths)
She sucked me off, so?
(Roman looks at him)
No, no. I mean. No. Fine. Sure.
It’s all good.
(CONTINUED)
Ep 110 - Double Blue Pages - 3.4.18 4.
6 CONTINUED: (3) 6
ROMAN
Thank you.
CUT TO:
7 EXT/INT. EASTNOR CASTLE. DAY (D2) 7
The photo is taken.
Tom is quite aware of TABITHA.
Tom and Shiv quite aware of Willa.
After the photo’s done, Kendall stalks off.
COLIN comes over to Logan and Tom. Whispers.
Logan looks up. There’s a drone buzzing high in the sky. Tom
approaches.
SHIV
Okay?
TOM
Uh-huh. They think it’s just a
hobbyist but they’re doing a sweep
for paps.
SHIV
Good because, Gil, will be - eager,
to keep things discreet.
COLIN
We’ll take care of it.
LOGAN
If you find anyone? Don’t be too
gentle. Few bruises. Something
broken, something blue, yeah?
Tom laughs. He sees Greg who looks wary of Tom.
8 INT. EASTNOR CASTLE - KENDALL’S WAR ROOM. DAY (D2) 8

Kendall arrives back. Inside Stewy is reading carefully. When
he focuses, he really focuses. He has a pen in his hand, has
made a couple of last minute adjustments. Jess is on the
laptop.
(CONTINUED)
8 CONTINUED: 8
KENDALL
Hey!
STEWY
Hey.
KENDALL
(re: the letter)
So? That it?
STEWY
Uh-huh. I just added we’re not
subject to any financing
conditions?
Stewy hands it over. Kendall reads.
KENDALL
Okay, yeah print, 3 of these.
Jess starts to print but can’t get things going so she starts
checking his connection and the printer.
STEWY
And so, now, I guess - the only
question is like - who actually -
you know -- delivers it to him?
Kendall smiles then, realizes --
KENDALL
Are you serious?
STEWY
Well -- yeah we can’t just send him *
a fucking Dominos with this as an *
extra topping. We have to be *
certain he’s had eyes on it -- *
KENDALL
I know but I assumed - you?
STEWY
Oh. Right, I assumed you?
KENDALL
Fine. I just guess, if like we were
planning to fuck your Dad to death,
to make our fortune, I might offer -
to actually do the fucking?
STEWY
Are you scared?
(CONTINUED)
8 CONTINUED: (2) 8
KENDALL
Fuck you. No. Are you?
Stewy looks at him. Leaves it a beat.
STEWY
Yes. I am scared. Little bit. So if
I’m scared and you’re not scared, I
guess, you should do it?
KENDALL
Seriously?
STEWY
(Stewy looks at Ken)
We could ask, Jess to?
Jess tries to remain professional, but lets out a little tiny

noise. She remains looking at the printer, but when we clock
her looks like - um, really?
KENDALL
Fine. Fuck it - I can cope.
(then to Jess)
Okay. Are we ready or what?
Jess is looking at the printer.
JESS
Sorry, it should be printing.
KENDALL
But it’s not?
JESS
(realizing)
Oh - shit.
KENDALL
What?
JESS
I think it’s connected to a a
different printer - on their wifi
network.
STEWY
Are you fucking serious?
KENDALL
Where is it, Jess?
(CONTINUED)
8 CONTINUED: (3) 8
JESS
I don’t know. It doesn’t say.
KENDALL
Oh Jesus! You need to find it Jess.
Now!
The door starts to open. There are papers all over the place.
KENDALL (CONT’D)
Hey what the fuck!! No! Hello?!
Hello?
There is IVERSON.
KENDALL (CONT’D)
Oh. Hey. Hey how are you going
kiddo? Sorry. Sorry son.
IVERSON
Sorry? Mom said we could come? *
KENDALL
Sorry son. Sorry. *
Iverson retreats, hurt. Kendall goes to follow. Stewy looks *

at him, maybe not now? But Kendall needs to make it out -- *
KENDALL (CONT’D)
One minute.
9 EXT/INT. EASTNOR CASTLE - KENDALL’S WAR ROOM. DAY (D2) 9
Rava is there with Sophie and a sad Iverson, getting *

comforted. Kendall looks out from the doorway. *
KENDALL
Hey, I’m sorry kiddo. *
Kendall’s twitchy, looking back to see if Jess is there.
RAVA *
They thought you could show them *
the place? But - Are you okay? *
KENDALL
Sure. Yes. I’m sorry Iver. *
(CONTINUED)
9 CONTINUED: 9
RAVA
Okay.
(looking at him, all
anxious)
It’s like five in the afternoon *
Ken? You okay? *
KENDALL
I’m great. I’m good. Just - some
big moves.
Jess heads out - anxious.
RAVA
(as always)
Sure. Well, see you later. *
He looks like, yeah, you’ll hear, baby.
KENDALL
Okay. Okay. Listen - I’ll see you *
later. Okay? *
Kendall watches them go.
STEWY
Okay. Jess thinks she has it. But
you should go, in case.
He has a print out of the letter. He folds and puts it in the

envelope.
STEWY (CONT’D)
You good? We doing this.
KENDALL
Yeah I’m doing this.
(then)
You’ll email Gerri and the board?
STEWY
Just tell me when it’s delivered.
KENDALL
You don’t think I can deliver it?
STEWY
No. I know. It’s just. You know,
only 15 percent of men, when it
comes to it, actually shoot an
undefended enemy soldier. There’s
an instinct not to kill.
(CONTINUED)
9 CONTINUED: (2) 9
KENDALL
I’m good.
Kendall takes a breath. Then starts to walk. We stay with him

down the steps and on, round the back of the castle.
We trace his walk from behind and catching his face as he

walks past: caterers wheeling in booze and ice; sees the
extra waiting staff pulling up and parking, including maybe
DODDY, Greg’s pal. He walks round to the entrance to the
castle.
We get a sense of the geography - how tucked away Kendall’s

entrance is.
Round the front - cars bringing guests who are staying at

local hotels are arriving to bring people into cocktail hour.
He passes people. He walks briskly, can’t dawdle, doesn’t
dare in case he stops entirely. He’s preparing a face to meet
the faces that he meets.
Jess appears. She has the letter printed from another printer
in her hand. She gives him a look of relief.
Up the main stairs into the castle and the Great Hall, past
Charlotte’s acolytes. At the entrance there are the tables
where phone’s can be left - each in a numbered square inside
a bag, watched over by a security person. GERRI is there
arguing:
GERRI
Would it be possible to make an
exception at all? I really need my
phone?
(looks like a problem, she
leans in)
I’m the Godmother and senior legal
counsel I’ll be fucking keeping it,
goodbye.
Kendall smiles a brittle smile, on he passes, through the

great hall, prepared for cocktails and --
Into the staircase hall where Roman is with Shiv in her

wedding dress, still talking to her about the launch. We
catch a bit of him as Kendall passes:
SHIV
No. Phallocentric bullshit. I don’t
want a big fucking - dick blasting
off at my wedding, okay?
(CONTINUED)
9 CONTINUED: (3) 9
ROMAN
It’s not a big dick Shiv, okay?
It’s not the fault of rockets or
dicks, that they happen to be
aerodynamic in shape, okay?
He’s pointing to the snooker room. Roman catches Kendall’s

eye as Kendall keeps going - up the stairs.
Past more staff and guests descending. Past Tabitha coming

down to join Roman.
He heads along the corridor and on to Logan and Marcia’s

room. The paper feeling weird between his fingers.
The blood pumping in his ears --
He approaches. Now he could fail. Can he pull the trigger?
He hesitates, just for a beat then knocks.
10 INT. EASTNOR CASTLE - LOGAN’S ROOM. DAY (D2) 10
Marcia opens the door.
MARCIA
Hello?
KENDALL
Hey. Is my father available?
MARCIA
What is it?
KENDALL
It’s - I just need to have a word.
She looks at him.
MARCIA
Logan! It’s Kendall.
LOGAN (O.S.)
(friendly)
Tell him if he wants to stop me
buying papers and stations, he can
fuck off, we’re good to go.
Logan is messing with his bow tie in the bathroom. There is

something potentially humiliating about how we find him.
Shirt on but no trousers.
(CONTINUED)
10 CONTINUED: 10
LOGAN (CONT’D)
Come through son!
All’s good for Logan. Shiv is on board and Gil neutralized.

Kendall doesn’t want to do it this way. A member of staff or
wedding planner arrives to check with Marcia that she’s happy
with a detail of the arrangements.
KENDALL
Do you want to, come out Dad?
LOGAN
Come in. I’m not on the can.
(Kendall enters)
Nice service right? Shame it wasn’t
Catholic but there you go. Fucking
all those kids will hurt the brand.
KENDALL
Hey. This isn’t a nice thing, I’m
afraid.
Logan clocks him and his manner for the first time.
LOGAN
Hello?
KENDALL
Um. Yeah. Read this.
He offers the envelope.
LOGAN
What is it?
Logan looks at the envelope. Kendall tries to retreat into

the part of himself that is a businessman making an offer.
KENDALL
It’s - it’s - a proposal, to buy
Waystar for $140 a share. We’re
asking you to come to the table -
open the books.
LOGAN
Ugh?
KENDALL
It’s great value for shareholders.
LOGAN
Huh?
(CONTINUED)
10 CONTINUED: (2) 10
KENDALL
Yeah. There it is, I’m not going to
get into feelings.
LOGAN
It’s - this is - a - fucking bear-
hug?
KENDALL
That’s right.
Kendall offers the letter. If Logan will take it, maybe he

can go?
LOGAN
Guh.
KENDALL
Well, fine. We have the financing.
Let’s see what everyone thinks.
Let’s keep it professional. You
know, it’s just the situation that
has arisen and you’re very tough
and so am I, as your son, so, I
think this is just the way it has
to be with us.
Logan just looks at him. Won’t take the envelope.
KENDALL (CONT’D)
We know several major investors are
in favor. We go public with the
letter tomorrow. So then we’ll have
to see - to see - what the arbs
make of it?
Logan looks at him.
LOGAN
Who?
KENDALL
It’s me and Stewy. And Sandy.
(Logan flashes his eyes,
shakes his head)
He’s some of the cash so. I’m not
sorry for what I’m doing which is -
correct, but I am sorry for how it
makes you feel.
Logan doesn’t react – it’s a lot of information to take on

board and he’s not mentally prepared his defenses. He refuses
to react: it’s scary to see.
(CONTINUED)
He is in new territory and feels any reaction may betray him.

He’s so emotionally overloaded he shuts down.
KENDALL (CONT’D)
I’m sorry it had to be now. It was
out of my hands. External factors.
He puts the letter down. Maybe somewhere slightly damp and

the envelope starts to absorb water. Kendall picks it up
again.
KENDALL (CONT’D)
Here.
LOGAN
No. Fuck off.
(scrambled)
I haven’t got pants on!
Logan takes it and throws it in the toilet.
LOGAN (CONT’D)
Do you even know what you’re doing
this for?
KENDALL
I - ideas. I have - wanted to do
things.
LOGAN
Uh-huh?
KENDALL
To save the business and and and do
- do things that are --
LOGAN
You can’t even fucking say it.
KENDALL
I can say it.
(then)
Do, some, good, things.
LOGAN
‘Do good things’
(then)
Be a fucking nurse.
Logan laughs.
Kendall exits through the bedroom where Marcia is admiring

AMIR who has recently arrived, the door still open.
(CONTINUED)
MARCIA
Look at my little prince!
AMIR
Hey.
KENDALL
Hey.
Kendall walks on down the corridor as Logan calls for Marcia.
LOGAN (O.S.)
(shouted)
Marcia!
Marcia, right afterwards in the bathroom.
Logan is fishing in the toilet for the letter. Pulling it

open.
LOGAN
Gerri! Where’s Gerri. Karl.
MARCIA
Karl’s in New York, Logan what is
it?
(re: the toilet bowl)
Get out of there!
LOGAN
I need Gerri, I need Karl. I need --
MARCIA
What is it?
LOGAN
Bear hug, then they’ll go - it’ll -
a, hostile. It makes sense. It
fits.
MARCIA
Today?
LOGAN
I don’t know.
(opening the wet and
tattered paper)
I don’t fucking know. It’s not a
good position I am in.
(CONTINUED)
11 CONTINUED: 11
He rests on the bed or on the side of the bath. Marcia can

see him wobbling.
LOGAN (CONT’D)
If he has financing, and major
shareholders? And - I’m here. By
tomorrow? I need - I need a lot of
things I don’t have --
MARCIA
You’re alright. It’s okay Logan.
Take a breath.
(calling him through)
Amir!
LOGAN
And I’m tired. I’m tired.
Marcia looks at him.
MARCIA
Logan. Amir, in here now please!
12 EXT. EASTNOR CASTLE. DAY (D2) 12
People are ferried from their hotels to the castle -

different gangs of people arrive.
13 INT. EASTNOR CASTLE - GREAT HALL. DAY (D2) 13
The guests have assembled, post wedding. In their black tie

/evening wear. Cocktail time in the great hall of the castle,
champagne goes around.
We might join with Amir who heads down looking for Gerri - he
spots her and hones in.
GIL is near Gerri, they are being discreet but discussing how
Waystar and Gil’s accommodation with one another can work.
Amir whispers in Gerri’s ear. Her face falls and she retreats
with an apology upstairs.
Connor is crashing around. Likes the look of Gil as a target

for conversation.
CONNOR
Hey. Senator Eavis, Connor Roy!
Huge skeptic. Massive skeptic.
(CONTINUED)
13 CONTINUED: 13
GIL
Good to know.
Gil’s met guys like this lots, entitled, right away he’s
looking around, looking for the exit.
CONNOR
Big problems with you and
everything you stand for my friend!
Connor looks pleased with his pronouncement. Waits for a

response, Gil looks around for someone else to talk to.
As Shiv comes over with Roman:
SHIV
(to Gil)
You okay?
CONNOR
I look at you and I see Weimar.
Hyper-inflation. I look at your
face and, no offense, but I see
dead babies.
SHIV
Con?
GIL
Very interesting. I’d have to
disagree. Would you excuse me?
CONNOR
Of course. Great to joust a little!
Shiv and Connor watch him retreat.
CONNOR (CONT’D)
That’s the best he can do?
SHIV
He’s going to be President, Con.
CONNOR
Really? But I just wiped the floor
with him in a debate?
Connor heads off, shaking his head.
Tom is saying hello to Mr. Wambsgans and Mrs. Wambsgans.
On Shiv and Roman. He’s still smarting about the rocket.
(CONTINUED)
ROMAN
Is it him? You don’t want a rocket *
launch cos of him? Would it help if *
it was a rocket full of - muslim - *
granola? *
SHIV
Roman. It would just be fucking *
weird. Don’t be a little kid. *
She’s hit him where it hurts. *
ROMAN
‘Oh I’m so adult and important *
because I work for a man with *
glasses.’ *
She sighs. Roman’s frustrated his sister won’t relate to him. *
ROMAN (CONT’D)
Is he a Jew by the way?
SHIV
Oh come on man. *
ROMAN
What? It’s just a simple, friendly, *
slightly racist question.
She doesn’t smile.
ROMAN (CONT’D)
You used to be fun. When did you *
become one of them Shiv? *
SHIV
One of who?
(CONTINUED)
ROMAN
The fucking dancey bullshit people. *
SHIV *
Yeah well sorry if I don’t want to *
come to your freewheelin’, good *
time, n-word shouting hoedown. *
ROMAN
The n-word, the b-word, the c-word. *
The world isn’t a fucking nursery
school. And people don’t like being *
taught.
SHIV
Wait, have you been watching our *
channels? I thought you knew not to *
do that, with your IQ? *
ROMAN
(his phone goes)
Excuse me. I actually have to go
watch a satellite launch in Japan
that I’m actually in charge of?
That I re-organized for you. But
you’re too fucking carbon neutral
to enjoy.
Roman heads off.
SHIV
Fine. Go on! Fuck off.
Roman starts to make a call.
14 INT. EASTNOR CASTLE - TOILET. DAY (D2) 14

Roman slips into the toilets by the main stairs. His phone to
his ear. Another iPhone in his hand.
ROMAN
(into phone)
Okay. Good. It’s streaming.
(MORE)
(CONTINUED)
14 CONTINUED: 14
ROMAN (CONT'D)
It’s good. It’s good. I got it.
Wish everyone luck yeah? In
Japanese obviously.
He watches the image on his iPhone for a beat.
Booster ignite. Plumes of smoke.
Then ... with no noise, the rocket starts to lift then - an

explosion and it falls or folds in on itself.
It blows up on the launch pad.
He’s in the vestibule. A guest exits one of the two little

bathrooms.
Roman watches for second. Traumatized, unable to believe.
Then after a beat or two, he just slips the phone back into
his pocket.
Considers. Walks out of the toilet and returns to the party.

Looks out into the crowd.
15 INT. EASTNOR CASTLE - KENDALL’S WAR ROOM. DAY (D2) 15
Stewy’s waiting as Kendall returns.
STEWY
So. What happened? Tell me what the
fuck happened?
KENDALL
I did it.
STEWY
You did it? Fuck. Okay. What did he
do?
KENDALL
He threw it in the toilet.
STEWY
He threw it in the toilet?
KENDALL
That’s a detail for our next letter
to shareholders right?
STEWY
Look at you, you stone cold killer
fuck!
(CONTINUED)
15 CONTINUED: 15
An appeal to a friend --
KENDALL
It was horrible. It was pretty
fucking horrible Stew.
STEWY
Yeah. I couldn’t - My Dad? I
couldn’t imagine. Hey - shall we -
Jess? Will you give us a moment?
Jess heads out. Stewy has a little baggie.
STEWY (CONT’D)
Celebrate?
Kendall considers. Maybe a chemical hit can make him feel not
utterly terrible?
16 INT. EASTNOR CASTLE. DAY (D2) 16
Connor is with Willa.
CONNOR
So, Willa. Listen. I think I might
have found a job I want to do.
WILLA
Okay? What is it?
CONNOR
President of the United States.
WILLA
Okay. Wow.
CONNOR
Yeah?
(he looks at her)
You don’t look excited?
WILLA
Sure. It would be a fun project.
CONNOR
Is this the play?
(CONTINUED)
16 CONTINUED: 16
WILLA
No.
CONNOR
Because I loved it.
WILLA
Sure. You just don’t want to waste
your money putting it on? But
running for President, that’s a
sound investment?
CONNOR
Plus I’d be planning to spend on
you know, making sure your
‘history’ was, cleaned up?
(looks at her)
The President, Willa. That’s big.
WILLA
Sure. But there’s nothing more
powerful than art?
CONNOR
No, sure. Apart from the power of
the Executive Branch.
WILLA
Drama can change minds.
CONNOR
Sure but, I’d control the Federal
Reserve?
Roman emerges. Looks around - there’s Tabitha. Plus Caroline.
CAROLINE
Roman. Meet Denis Linton.
Roman turns off his phone.
ROMAN
Ugh huh?
CAROLINE
Denis is Police and - what - *
Commissioner? He knew your father *
and me back when he did something *
even more boring, right Denis? *
ROMAN
Uh-huh, thanks for looking after *
us! *
(CONTINUED)
They shake hands. Roman’s distracted, turns off his buzzing *

phone. *
TABITHA
Hey so how was it - the launch?
ROMAN
I’m sorry? What? *
TABITHA
How did it go?
CAROLINE
Roman’s been coordinating a *
satellite launch? How did it go? *
A beat. Roman considers
ROMAN
Oh, great. It went great.
Roman’s phone starts pinging as he gets inundated with texts

and emails telling him his rocket’s exploded. He turns his
phone off.
TABITHA
Okay, well, great! Congratulations
Rome!
Roman raises his glass and they all clink.
ROMAN
Thank you! It’s exciting!
Upstairs, Logan is with Gerri. He’s been kicked into action.

Colin is in there. Marcia and Amir too. And another
assistant/member of support staff.
He gets help putting his evening wear on.
LOGAN
Cancel everything else. I fly out -
- find out if I can leave now.
GERRI
Now?
(CONTINUED)
17 CONTINUED: 17
LOGAN
Options. Now. In three hours, in --
are my pilots on the clock - check
who’s got the hours to fly me home,
or scheduled.
MARCIA
You don’t want to look panicked?
LOGAN
Huh. Tomorrow maybe. Gerri? What’s
the -- where are you on that --
GERRI
Um, emergency phone board meeting
for later, tonight? Or is that
tomorrow?
LOGAN
Tomorrow.
GERRI
They’re going to have deeper
pockets, better prep.
LOGAN
Find out where that fucking
shrunken Californian raisin is.
GERRI
The President? I think that’s
smart.
Now he’s ready to go ...
LOGAN
Come on - come on! The financials
are hard. We need political
support. Let’s get down there. Come
on, let’s get going!
18 INT. EASTNOR CASTLE - GRAND STAIRCASE. DAY (D2) 18

Logan comes down the stairs, flanked by Marcia and Gerri,
Amir and his assistant.
As he makes it down, there are Kendall and Stewy.
He takes a glass of champagne. Sips, defiant. A good

fortifying glug.
And moves towards where they stand.
(CONTINUED)
18 CONTINUED: 18
Stewy and Kendall can’t quite believe it. Everything feels

hyper real. What’s he going to do, what’s he going to say?
He drinks. They stop their conversation.
He arrives, with Marcia and Amir and Gerri.
LOGAN
Look at you.
Kendall looks at him.
STEWY
Logan, for tonight, shall we --
LOGAN
Oh for tonight? For tonight?
A server, Doddy, appears
DODDY
Can I top you up?
LOGAN
Nuh.
Logan tosses his head to send him away but it could also be a
nod to say yes.
Doddy goes to fill his glass.
All his simmering, controlled resentment blows up and he goes

to stop him pouring with a hand that knocks the bottle which
then spills on to his jacket.
LOGAN (CONT’D)
What the fuck!
He flings his arm up towards Doddy, it might connect, but

only very slightly.
LOGAN (CONT’D)
Jerk.
DODDY
I’m sorry I didn’t mean to --
LOGAN
Yeah well you did. Fucking prick.
Do as you’re told. Go on - get out
of here.
A senior staff member comes over.
(CONTINUED)
DODDY
(explains to them)
I thought he said yes but he said
...
Doddy tries to return to Logan to apologize.
DODDY (CONT’D)
(quietly)
I’m sorry I thought you ...
LOGAN
Stop mumbling. Don’t look at me.
Fuck off.
(to the supervisor)
Where do you get these people,
they’re fucking amateurs. Get out.
I’m soaked through. Get him out I
don’t want to see him again. Ever.
Okay?
As Doddy is led away, Kendall clocks him.
Nearby: Gerri is looking at her phone and crosses to Roman.

He sees her coming --
ROMAN
Could you perhaps fetch me a
stronger beverage?
Tabitha goes looking for a waiter. Roman knows exactly what’s

going to happen, but nevertheless is committed to his
pretense:
ROMAN (CONT’D)
Hi. Yes? Can I help?
GERRI
Um. I’m very busy on - another
matter. Are you across this? I’ve
had forty calls about the launch.
ROMAN
Well that’s weird, because I
haven’t had any?
GERRI
Yeah. It blew up.
ROMAN
It blew up?
(CONTINUED)
GERRI
Yes it exploded on the launch pad.
ROMAN
Okay. Wow. They should have told
me. That’s - naughty. And how bad
is it? Is it bad?
GERRI
Well yeah it is bad.
ROMAN
And are - people are there people
who are -- from the launch site?
GERRI
I don’t know. Yes. The scale means
there are likely casualties. It’s
very unclear.
ROMAN
Does Dad know?
GERRI
No. Have you spoken to him?
ROMAN
No. Will you tell him?
GERRI
No, well it’s not a good time so -
I guess he’s concentrating on -
enjoying Shiv’s wedding day.
ROMAN
Right. So, can they deal? Out there
can I - I mean, this is a little
detail in my world Gerri. Not to be
horrible?
GERRI
You were the lead exec, I
understood.
ROMAN
I was somewhat aware of the
endeavor.
GERRI
Well, yes they can deal, but we
need to be prepared for any
comeback. I mean I’m just thinking
legally --
(CONTINUED)
ROMAN
Uh-huh.
(then decides)
Because I did put on quite a lot of
pressure to accelerate the launch
even though there were concerns.
GERRI
You did?
ROMAN
Yes I did.
GERRI
Oh fuck.
ROMAN
I thought it would be nice. For it
to happen on Shiv’s wedding day.
Like fireworks? Big fireworks.
GERRI
Well you got that right.
ROMAN
I’m just telling you because I sent
quite a lot of emails and I - you
know - there’s no use hiding that
because - I mean I’m just going to
say, that’s for you as General
Counsel to know. So you can protect
me.
GERRI
Well I can try. But, fuck. You’re
looking at potential corporate
manslaughter.
Roman looks sick.
19 INT. EASTNOR CASTLE - KITCHEN. EVENING. (N2) 19

Out back: Doddy is being paid off. Colin is there with an
assistant and an NDA.
COLIN
You just sign there.
20 INT. EASTNOR CASTLE - MARQUEE. NIGHT (N2) 20

Guests are seated at the many tables in the marquee.
(CONTINUED)
Ep 110 - Double Blue Pages - 3.4.18 28-29.
20 CONTINUED: 20
ROMAN
Ladies and gentlemen. I give you.
The bride and groom!
Shiv and Tom come on in.
Later: We pick up sections of speeches:
(NB: WE won’t hear all of these speeches - but cherry pick as

we move around the room on other people).
ROMAN (CONT’D)
So. Yes. It’s me. I am the best
man. And truly, I am the best man.
No disrespect to Tom’s oldest
friends, I’m just superior to them.
I’d like to welcome Tom to the
family. I don’t feel like I’m
losing a sister, more that I’m
gaining another, uglier, more
ladylike sister. What can I tell
you about Tom? Very little, nothing
really sticks. He was born and grew
up, in - um America. The middle. In
an Applebees. I should imagine.
I’ve never asked. His parents are
here. I’d point them out but
they’re basically nobodies. What?
Folks, I don’t want to be mean -
it’s what a best man’s speech is.
They’re actually incredibly lovely
people. Just poor and
uninteresting. I’m kidding! But I
imagine what you really want to
know is what went on at the
bachelor party?
Roman looks at Tabitha. Who smiles at him. She doesn’t give a

shit. Tom clocks it. Tries not to look terrified.
ROMAN (CONT’D)
Yeah nothing he was well-behaved!
Tom looks relieved. Then mock indignant.
ROMAN (CONT’D)
Although he did get a blow job. I’m
kidding! No. I’m not. I am. Am I?
No I am. I’m being horrible. It’s
the job.
(CONTINUED)
Now Logan is giving a speech. We hear snippets of:
LOGAN
(looking at Kendall)
... I wouldn’t have missed this for
the world. This is a very memorable
day. A day I’ll never forget, as
long as I live. I wanted it to be
perfect. For my daughter. And it
is. Nothing could ruin this. It
means so much to be surrounded by
everyone we love and trust and hold
dear. Because nothing is more
important than family.
As Logan sits down to applause, Gerri comes over.
GERRI
What about we do London, tomorrow?
LOGAN
Uh-huh.
(CONTINUED)
GERRI
And I’ve put together the list of
investor calls. Karl is making
initial contact.
MARCIA
And a Poison pill? Should you
consider?
Okay. Marcia is part of this? Gerri looks at her.
GERRI
Yup. I’ll have the options on a
poison pill defense. President in
25. The EU Commissioner in the
morning. Yes?
LOGAN
Yeah.
GERRI
And have you told the others?
LOGAN
The others?
GERRI
The kids?
LOGAN
No.
(why would I?)
Is there an advantage?
GERRI
Well. I don’t - no also, to, to
just to tell them?
That thought hadn’t registered with Logan.
SHIV
Okay. Who wants to hear about the *
bachelorette party? Well, unlucky. *
Because there’s nothing to tell. We *
ate chocolates and watched rom coms *
while sewing. And no one will tell *
you different. Because we killed *
the strippergram. No but seriously. *
I want to thank my Dad. We’ve had
the occasional little difference
but I’m happy to say we see eye to
eye on most things. *
(MORE)
(CONTINUED)
Ep 110 - Double Pink Pages - 3.10.18 31A.
SHIV (CONT'D)
I’d also like to thank my brothers
but they’ve basically been a pain
in the ass my whole life so I’m not
going to.
(MORE)
(CONTINUED)
SHIV (CONT'D)
No, I’m grateful to them being
here, especially given how busy
they are. Roman had to launch a
rocket today.
Roman looks sheepish.
SHIV (CONT’D)
And Kendall’s spinning a million
plates.
Shiv looks at Kendall.
SHIV (CONT’D)
And Connor is basically an older
Bruce Wayne, who knows what that
enigmatic man is really up to.
I wouldn’t be who I am without
having them as role models showing
me so clearly what not to do. And *
I’d like to thank Tom. For being my
rock. You’re a good guy, Wambsgans, *
and I like hanging out with ya.
FRANK appears behind Kendall.
FRANK
So you did it?
Gerri and Logan and Marcia looking over at Stewy and Kendall.
Shiv and Tom clocking the looking.
Tom is giving his speech.
TOM
I love my wife. I love saying she’s
my wife. I just love the word
‘wife’.
(some of this for Nate’s
benefit?)
Wife, wife, wife, wife, wife, wife,
wife. She’s my wife! And she’s my
life. And I love her very much. And
I’m going to stop talking now
because I feel like I’m going to
cry and it would be crazy to cry
because I’m just so happy. Thank
you all for being here. I love you
all.
(CONTINUED)
Then Caroline:
CAROLINE
My daughter didn’t want me to
speak. She finds me embarrassing.
But I just wanted to say - I know
we haven’t always seen eye to eye.
It’s difficult when your father has
stolen you away across the
Atlantic! And I know I can be
difficult - she can be difficult
too - but I hope you also know that
I think you are a brilliant,
strong, extraordinary young woman
Siobhan. And I know you probably
think I’m deliberately trying to
make you cry or, steal the
limelight. But I just wanted to
tell you in front of everyone that
you are special and, after my own
fashion, I love you. And I wanted
to say that publicly because I’m
getting on, and I might not be in
good enough health to say it when
you remarry. That’s a joke! I
wanted to end on a little joke! Oh,
and I love you, Tom. And you have
exquisite taste!
Later: Shiv and Tom are dancing. To ‘All of Me’. *
Logan approaches. He cuts in, as is traditional.
Tom goes over to his mother and invites her to dance.
Tom’s father approaches Marcia.
MR WAMBSGANS
I believe it’s traditional to
invite you to dance?
The dance finishes.
Shiv heads off - once she is in the crowd a little, Gerri

whispers to Logan.
Nate intercepts Shiv.
(CONTINUED)
Ep 110 - Double Pink Pages - 3.10.18 33A.
21 CONTINUED: 21
NATE
(whispered)
Hey excuse me. Can I get just two?
SHIV
Thanks for the text message. What
the fuck was that? ‘I won’t do it
if you don’t.’ Is that a kind of
anti-proposal?
NATE
Look I just spoke to Gil and it
sounds like, well, he thinks he’s
being very subtle and all but
something has happened and I
wondered what the fuck that was?
SHIV
What’s happened with what?
He looks at her.
NATE
In terms of burying whatever it is *
we know about and not being scared *
of ATN anymore? *
She plays it dead straight.
SHIV
Oh, okay, that’s an interesting
change of perspective?
He looks at her.
NATE
I brought you in, what did I do?
SHIV
I’m going to make him win.
NATE
He’s going to win anyway.
SHIV
I might not agree.
NATE
Well yeah. Look, I don’t want to
play the bleeding heart but --
there’s a reason I work with him
and it’s because
(MORE)
(CONTINUED)
Ep 110 - Double Pink Pages - 3.10.18 33B.
NATE (CONT'D)
(he’s embarrassed to state
his good intentions)
- inequality and --
Shiv clocks his weakness and mocks --
SHIV
(mocking voice)
‘inequality’.
(then)
If you can’t handle it, fuck off.
Tom clocks Shiv and Nate in heated consultation. Starts to

head over.
NATE
Who are you?
SHIV
I’m Shiv fucking Roy. And I’m going
to have two grateful people: the
President and my Father.
Logan makes it to Shiv.
LOGAN
Okay. I’m sorry, honey. I’m sorry.
But you need to talk to your
brother. I think you all need to
chat.
Elsewhere: Connor snakes through the party.
CONNOR
Um. Kendall? Could I grab a word
with you?
KENDALL
Uh-huh? What is it?
CONNOR
Oh just a thing, just a little
thing. Would you mind? In private?
Gerri is over talking to Shiv, and then going to Roman.
23 INT. EASTNOR CASTLE - GOTHIC DRAWING ROOM. NIGHT (N2) - 23

CONTINUOUS
Kendall walks in, led by Connor.
CONNOR
I’m - sorry bro. I didn’t give you
the full, full picture.
There inside are Shiv and Roman.
KENDALL
Oh. Okay. Okay.
SHIV
So what the fuck? Dad told us. How
could you?
KENDALL
It, it was out of my hands Shiv --
I
ROMAN
You’re a real piece of work, you
know that? You act like you’re a
fucking - guy, a decent guy, but
seriously?
KENDALL
Look - we can talk. There’s no need
to talk to me like I’m --
SHIV
I think we get to talk to you any
way we fucking like.
(CONTINUED)
23 CONTINUED: 23
KENDALL
The fact is I was forced into this
position against my wishes.
ROMAN
Boo-hoo. Boo-fucking-hoo.
KENDALL
You can talk to me. I’ll answer any
questions you have.
ROMAN
Yeah I have a question. What the
fuck in the name of all the fuck in
the universe do you think you’re
doing?
KENDALL
I’m trying to save the company.
ROMAN
By fucking us, forever?
KENDALL
If this works, which undoubtedly it
will you’ll all be very very very
rich and maybe it’s for the best
for this to no longer be a family
operation.
ROMAN
Well no, because for one thing, our
inheritance is all in stock so
after this, if Dad goes loco - and
pisses it all away, nothing.
CONNOR
Kendall, we’re - we’re - this is.
Look, I can say it because I don’t
even care, but the fact is, right
now we’re somebodies, we’re people,
any doofus can have a few million
bucks!
KENDALL
Oh come on!
SHIV
This is a unilateral decision. To
fundamentally alter the nature of
the family, on my wedding day. Do
you have any conception of how
fucking selfish you are?
(CONTINUED)
ROMAN
This isn’t about a dress.
SHIV
Fuck off.
CONNOR
He’s right. It’s about the next -
one thousand years.
KENDALL
The Thousand year Reich? Uh-huh?
That will endure for eternity? Dad
is fucked? You’re all - fucking -
guarding a trash can full of
diapers. Wake up. This is - just a
little maneuver. You don’t need to
get sentimental.
SHIV
Look, I’m no fucking blushing bride
- but the, the lack of thought, I
can’t believe it. To do this to
Dad, today?
KENDALL
Oh, let’s not pretend Shiv? This
isn’t about Dad. This is because
you like the power. It gets you
close to the polls you like to
grease. And Rome you couldn’t get a
job in a fucking burger joint let
alone a Fortune 500 without some
nepotism and - Con, you like the
glamour it gives to a fucking -
freak in the desert.
CONNOR
No. I could actually do with the
assistance of the family firm on my
ambitions to become President.
KENDALL
Uh-huh. Uh-huh. Exactly. You’re all
living in a fucking dream world.
Logan enters.
LOGAN
Hello. How’s the torture going?
(CONTINUED)
KENDALL
I ought to go. This - is I
shouldn’t even, talk to you.
LOGAN
I don’t think there’s any reason
not to, legal or otherwise?
KENDALL
I’m not getting into it.
LOGAN
You don’t think you owe us an
explanation?
KENDALL
I don’t owe you anything.
LOGAN
Ha! What have you had your whole
life that I didn’t give you?
KENDALL
I don’t --
LOGAN
I blame myself. I spoiled you and
now you’re fucked. I’m sorry,
you’re a hothouse flower and you’re
nothing. You’re curdled cream.
Maybe you can write a book or, or
collect sports cars - or something *
but for the world, no I’m sorry,
you’re not made for it. You can’t
stand it.
Kendall considers then walks out past his father.
KENDALL
You’re a fucking beast.
24 INT. EASTNOR CASTLE - KENDALL’S WAR ROOM. NIGHT (N2) 24

Kendall puts his key card to the door, comes in. Stewy is
watching the TV.
STEWY
Hey. Okay? I think Logan came
calling to my room. I thought it
was safest just to hole up here --
(CONTINUED)
24 CONTINUED: 24
KENDALL
Right. Listen, we got - we got some
more?
There can only be one thing he’s talking about.
STEWY
Uh-huh? Shall we both, just,
(lay off?)
you know, could be a big day
tomorrow?
KENDALL
Sure. You got a little though? In
case we want - for tomorrow?
STEWY
(yes, but)
Um? I’m not sure?
KENDALL
You wanna look?
Stewy looks at him, have you got this under control?
STEWY
We’re good, right?
KENDALL
We’re good.
STEWY
Sandy wants a check in at 2 and at
4 and at 6 GMT. Okay?
Kendall puts his phone on the side. Taps it.
KENDALL
Wise. Wise.
(then)
I could just do with a
straightener?
Stewy makes a decision.
STEWY
Okay. Well I’m all out. I think.
Sorry, But we’re good?
Kendall really wants a line of something but he also knows

it’s not cool to push it. Will make him look out of control.
(CONTINUED)
KENDALL
Fine. Okay. Fine. Well, catch you
later.
25 EXT. EASTNOR CASTLE - KENDALL’S ROOM. NIGHT (N2) 25
Kendall heads out - hungry for stimulants. Eager to get away

from himself.
26 OMITTED 26
27 INT. EASTNOR CASTE - MARQUEE. NIGHT (N2) 27
Connor is talking to Roman.
CONNOR
And wow shit, did anyone die?
ROMAN
We don’t know. But it will be fine.
(he watches the band)
And dude, were you kidding, about
the Presidential thing?
CONNOR
No. Why?
ROMAN
Because I think it’d be a disaster.
CONNOR
Screw you. No. I think I could do
it. *
(CONTINUED)
27 CONTINUED: 27
ROMAN *
Right. I mean, what would you even -
want to do.
CONNOR
Well. I would launch a campaign, *
against the Great Dangers.
ROMAN
Which are?
CONNOR
Honestly, from my readings, and
sadly you cannot say this because
the permitted public debate has
shrunken to the size of a fucking
nut. But, frankly, Onanism and
Usury.
ROMAN
Excuse me, Harry Potter?
CONNOR
This isn’t for public consumption,
it’s from my readings.
ROMAN
Cuck-oo.
CONNOR
And I want to not pay tax.
ROMAN
Well, tell me about it.
CONNOR
As a protest. Like Thoreau. He had
it right, let me tell you. He had
it all right.
Gerri is heading towards them.
(CONTINUED)
GERRI
Roman, if I leave for New York
after the cake is cut will you stay
up tonight as link man?
He angles her away.
ROMAN
Did you hear yet?
GERRI
About?
ROMAN
Japan? How many dead?
GERRI
Oh yeah, did you not hear? None. *
ROMAN *
None? None at all?
GERRI
Two guys lost thumbs and there
might be an arm they won’t be able
to save. But they might.
ROMAN
Are you kidding? It’s just an arm?
A couple of fucking thumbs?
GERRI
Yeah so sad but --
ROMAN
Are you kidding? Jesus. We’re not
going to ruin a party over a couple
of fucking thumbs!
GERRI
And the good news is, we’re in a
good insurance position on the
satellites.
ROMAN
Okay, see? I’m making us money!
(CONTINUED)
GERRI
Uh-huh. This will overall probably
be revenue neutral.
Tom is approaching --
TOM
How we all going? Sorry about
‘everything’.
ROMAN
Hey, Tom, guess who didn’t kill
anyone? But only maybe lost a
coupla thumbs?
TOM
I don’t --
Tom looks blank. Roman points both his thumbs at himself.
ROMAN
This guy!
TOM
Great? Well congratulations.
Tabitha joins them.
ROMAN
Tabs. It’s alright, it’s okay,
nobody died!
TABITHA
Oh. Okay? That’s nice.
ROMAN
Yeah I kinda always wondered if I
was a psychopath but apparently
not. I’m actually relieved. We have
to celebrate!
TABITHA
Okay, sure! How?
ROMAN
I dunno. Wanna go try to launch my
rocket?
(he raises his eyebrows)
Eyebrow eyebrow.
28 INT. EASTNOR CASTLE - MARQUEE. NIGHT (N2) - 11:50PM 28
Kendall wanders the party.
He sees person after person he doesn’t want to talk to:

Gerri, his Mom, Shiv, Tom, Connor, Roman, Willa, Tabitha. A
buzz has gone round, people look at him accusingly, he feels.
He wants another bang of something to keep his head straight.
29 EXT. EASTNOR CASTLE GROUNDS. NIGHT (N2) - CONTINUOUS 29
Kendall walks out of the party or get some head space.
He marches through the gardens. Greg’s smoking a cigarette.
KENDALL
Hey.
GREG
Hey. So, I heard.
KENDALL
Yeah well.
GREG
Right.
(then, chancing it)
I just wanted to say - good luck.
KENDALL
Good luck?
GREG
Just - you know, the place has got
to change I feel.
KENDALL
It has right?
GREG
It just does.
KENDALL
Uh-huh.
GREG
All that - the old shit, the nasty
politics, the - the stuff at the
cruise lines and all that?
Kendall doesn’t want to hear.
(CONTINUED)
29 CONTINUED: 29
GREG (CONT’D) *
You know about that?
No reaction.
GREG (CONT’D)
Yeah, cos I helped clean it up, but
you know?
KENDALL
So listen, do you know where I can -
I wouldn’t mind a - do you have
some, something something?
GREG
I wish! But you know. I kept hold
of a few little bits and pieces
just in case I got into trouble you
know?
Kendall looks at him.
GREG (CONT’D)
So I would think, I’d think anybody
would be wise to keep me in a good
role?
KENDALL
I see you.
Greg isn’t going to push it.
GREG
Some of the guys smoke weed out the
back. I think.
He starts to head off. *

KENDALL
I see you Greg. I like it, you
fucking little operator.
30 INT. EASTNOR CASTLE - ROMAN & TABITHA’S ROOM. NIGHT (N2) 30

Tabitha looks at Roman.
(CONTINUED)
30 CONTINUED: 30
TABITHA
Well that was - nice.
ROMAN
Uh-huh.
TABITHA
It was, it was fine.
ROMAN
‘It was fine?’ She whispered,
exhausted from their lovemaking.
What every man longs to hear.
TABITHA
I mean, considering neither of us
came, it was - it was an
occasionally enjoyable way to pass
20 minutes.
She’s making him laugh. It doesn’t feel so heavy.
ROMAN
Two stars.
They giggle.
TABITHA
You know, you could do anything
Rome, if this goes down, with your
brother.
ROMAN
Yeah?
TABITHA
Yeah. One lousy lay doesn’t mean
it’s all over?
ROMAN
The thing is. I could do anything?
I have the money? It’s just
figuring out what.
TABITHA
What did you Major in at College?
ROMAN
I went to college, but I wasn’t
really paying attention.
TABITHA
Right?
(CONTINUED)
ROMAN
I just wish I knew everything,
about something. One thing, to
build on. Then I could just - bang -
fuck them all!
TABITHA
Rome you don’t need to take over
the world tomorrow. You need to
build up. And get all the way to
the edge, and then when you’re
right there, you wait for it to
happen. And when it does, it feels
great.
ROMAN
I like you and the words you say.
31 INT. EASTNOR CASTLE - SHIV AND TOM’S ROOM. NIGHT (N2) 31
Tom and Shiv get through the door.
SHIV
So, do you wanna talk about the
take-over, and how it effects --
TOM
You look amazing.
SHIV
Because I mean you’re in on merit
and if he succeeds I think it will
be tough but in terms of --
TOM
I don’t care about that.
SHIV
I mean if Gil takes off I think -
well - maybe I don’t even want to
go back inside and our five year
plan looks a little different?
TOM
Shush. Shiv, let’s just fuck.
SHIV
I have bad news about my hymen.
(CONTINUED)
31 CONTINUED: 31
TOM
Shiv, I wanted to get married to
you not for our plan or - because -
look, you’re hard and you’re tough
but you know, but I want in, I want
in on you. And I don’t care. Let’s
go and be sheep farmers in New
Zealand!
SHIV
Sheep farmers?
TOM
I mean. You can Scuba?
SHIV
Yes?
TOM
Let’s teach scuba! Let’s just get
out.
Shiv looks at Tom. There’s something she’s been meaning to

say.
SHIV
I should say something Tom. I
should have said. But I’ve had a
little number?
TOM
A little number?
SHIV
And I think we both agreed we were
grown ups. I mean I think we had an
unspoken agreement, that we were --
TOM
Right. Did we?
SHIV
I think I always implied, you know?
TOM
Right. Okay. Do you want to say
who?
SHIV
And if I’ve hurt you, and I’ve got
it wrong, I’m so fucking sorry.
(CONTINUED)
TOM
Was it Nate?
SHIV
But I think, from this point on, I
want everything to be really open
and honest.
TOM
Right.
(then)
Can I send him home?
SHIV
Sure.
(re: Nate)
Although, what if people ask why
he’s being sent home?
TOM
Can I at least spit on his
cheesecake?
SHIV
Tom. I just think - I’m not sure.
I’m not sure I’m a good fit for a
monogamous marriage.
TOM
Right?
SHIV
Yeah?
TOM
Okay.
SHIV
Is that okay? Is that okay to say
to you?
TOM
Of course.
(beat)
I mean I kind of wish I guess maybe
we’d talked about it before our
wedding night?
SHIV
Yeah, maybe that would have been
wise.
(CONTINUED)
TOM
Hey. Well.
SHIV
I just think, you know, I needed
you, very much, I was not in good
shape when we hooked up and I think
the business angle, works, we know
that. We have a plan on that.
TOM
Uh-huh.
SHIV
But in terms of the relationship.
Is there an opportunity for
something different from the -
whole, box-set death-march? A
different shape of relationship?
Could that be exciting?
TOM
Right? Maybe. I guess.
SHIV
Right? It’s exciting?
TOM
It’s exciting.
SHIV
We’ve pulled everything else down.
But love’s the last one, it’s the
last fridge magnet left.
TOM
Right. How do you mean?
SHIV
I mean ‘love’ is about 28 different
things - it’s a lumpy sack. And it
needs to get emptied out because
there’s a lot of ugly products in
that Santa sack. Fear and jealousy
and control and revenge - and they
get such a pretty fucking wrapping
in that stocking, it looks so nice,
but you open it up --
TOM
No. I’m sure. You’re right. You
are. Love, it’s - it’s bullshit.
(MORE)
(CONTINUED)
TOM (CONT'D)
(then)
But - I do love you.
She looks at him. Smiles spread.
SHIV
I love you too.
They start to kiss passionately.
32 EXT. DODDY’S CAR. NIGHT (N2) 32
Kendall wanders around, Doddy is smoking a joint by his car.
KENDALL
Hey?
DODDY
Hey.
KENDALL
What you got on the go there?
DODDY
Oh. Nothing?
He hides it.
KENDALL
It’s cool. I can just smell it from
down there. You know. It’s fine.
Smells like - the kind bud.
DODDY
Uh-huh
KENDALL
Did you - did I see you get some
shit earlier? You okay?
DODDY
Oh yeah. Yeah. They paid me up.
KENDALL
For the full shift?
DODDY
Uh-huh. And a sweetener, it’s
actually great because now I can
just go home.
(CONTINUED)
32 CONTINUED: 32
KENDALL
Nice.
(then)
Dude would it be weird to ask --
DODDY
Do you wanna?
He offers the joint.
KENDALL
Um. Sure. But also, I just
wondered, for the party, big party
and you don’t have a connection for
some - powder do you?
Tom heads in. He’s got a super-charge of new life.
Nate is talking to Connor and Willa.
NATE
Look, I’m not really the strategist *
for you. I mean, do you see *
yourself as a Democrat because --
CONNOR
Don’t box me in Nate!
Tom arrives.
TOM
Hey dude, can I get in?
NATE
Um, we’re just talking --
TOM
Nevertheless.
Tom positions himself to cut Nate off.
NATE
Okay?
(CONTINUED)
33 CONTINUED: 33
TOM
Yeah. Hey how you doing man?
NATE
Um, good.
TOM
Yeah, so I’m really sorry man. But
there’s been a bit of a mix up with
the accommodation.
NATE
Oh, right?
TOM
Yeah. I’m sorry, but there’s
nowhere for you to stay.
NATE
Okay, well. I’m sure I’ll figure
something out?
TOM
Right. But it might be smart for
you to leave directly, to find
something?
NATE
Are you serious?
TOM
I’m serious, yeah.
NATE
I get the message, it’s fine.
Okay? Let’s just keep things cool.
I think you need to stay calm.
We’re grown ups, Shiv’s a grown up.
TOM
Uh-huh. And I think you need to go
fuck yourself, and if I ever see
you in the same room as Shiv again
I will pay men to break your legs
and if I go to jail, which I won’t,
so be it.
NATE
Okay. Look, fine, I’m going to head
out. I’ll just finish this and -
(CONTINUED)
TOM
My Mom and Dad made a contribution
towards the wine so I’d rather you
didn’t drink any more.
(then)
Excuse me.
He stops a server.
NATE
Are you kidding?
TOM
Put it back Nate. Put my wine back.
NATE
Oh come on!
TOM
Put it the fuck back.
Something about Tom’s manner suggests Nate shouldn’t protest

too much.
After a beat, shaking his head, Nate tries to pour as much of

the wine as he can back into the bottle as Tom watches.
Connor and Willa watch, haven’t heard the exchange so it

looks quite odd.
CONNOR
Waste not want not I guess?
Connor smiles at Willa. She doesn’t smile back.
CONNOR (CONT’D)
Listen. I’ve been thinking. There
could be a financial upside to
Kendall’s buy up?
WILLA
Uh-huh? You gonna pursue the *
breathable vitamins? *
CONNOR
No, funding for my campaign? And *
you know - side projects. *
WILLA
Such as, what you have me bumped
off, to clean up your history?
(CONTINUED)
CONNOR
No! You’re unmurderable! No, I was *
thinking, if you agreed to be my *
putative First Lady. I’d see what *
theaters are available for the most *
exciting voice of her generation? *
That’s you, by the way. *
Connor offers his hand. Willa takes it. They shake.
34 INT. DODDY’S CAR. NIGHT (N2) - 12:00AM 34
In the little car. Doddy does a line.
DODDY
Oh yep!
Gives Kendall the note. Kendall looks at the crystals on the

phone.
KENDALL
Hold on -
(he dabs some on his
tongue)
What is this?
DODDY
Ket. Special K.
KENDALL
Oh no. No dude. K? I can’t - no I
need a different high tonight. I
was after some coke?
DODDY
Oh. Okay?
KENDALL
No?
DODDY
Well I know a kid. But no. This is
ket.
KENDALL
Right but you can get coke?
DODDY
Yeah, I should think.
KENDALL
Then let’s blow, is that cool?
(CONTINUED)
34 CONTINUED: 34
DODDY
I don’t know if I can drive, right
away?
KENDALL
No? I can drive?
Doddy opens the door to get out and buckles, falls right
over.
KENDALL (CONT’D)
I’ll drive. You okay?
DODDY
I’m fine.
35 INT/EXT. DODDY’S CAR. NIGHT (N2) 35
Kendall is peering through the windshield, driving not

brilliantly.
KENDALL
You okay bud, you gonna be able to
find the way?
DODDY
Oh yeah. Yeah.
But Doddy has his eyes closed.
KENDALL
Let’s get some air in.
Kendal lowers both their windows. They bump as Kendall

changes gear.
DODDY
You alright there?
KENDALL
Yeah, just fucking - stick shift.
DODDY
You used to an automatic?
KENDALL
Uh-huh. Plus I don’t drive that
much.
DODDY
No? Why not?
(CONTINUED)
35 CONTINUED: 35
KENDALL
Because I’m incredibly rich and I
get driven everywhere.
DODDY
You’re incredibly rich?
KENDALL
Yep. I’m loaded beyond your wildest
imaginations. How much farther?
DODDY
Should I kidnap you?
KENDALL
Yeah, if you could fucking walk,
you should kidnap me.
DODDY
I know a house?
KENDALL
Oh you know a house? It’s all
coming together. A place to fucking
keep me?
DODDY
Yeah, it’s got a cow shed, it’s
only a corrugated iron roof. So
it’s gonna be fucking cold like.
KENDALL
Hey, what do you care?
DODDY
Exactly. And so what - are you
addicted to coke. Is that why we’re
going?
KENDALL
I used to be an addict. But not
now.
DODDY
Not now?
KENDALL
The idea of addiction was a crutch
I needed. I needed to feel weak.
But now I’m strong. So. I’m free.
Which is nice.
(CONTINUED)
Kendall grinds the gears as he changes down, looks down at

the shift trying to find the gear.
Near a bridge, there’s an animal in the road. A fox or a dog.
Kendall’s looking down momentarily, Doddy grabs the wheel,

Kendall doesn’t realize why, he looks up and corrects, but
over-corrects and they’re suddenly out of control ...
They’re off the road into the dark, river, or water

illuminated in the pitch black.
Boom as they impact. Air bags deploy. All is confusion.
Then - a beat of calm. They’re in the water, in the dark,

lights maybe still on for a beat.
Suddenly aware of water rushing in around them from below.

But it hasn’t reached the open windows yet. Kendall looks
over Doddy is out of it - unconscious or dazed, lolling.
He has what seems like a little while to decide on what to

do.
Unclips seatbelt. Unclips Doddy’s seatbelt.
The car is going down faster now. Nose first, weighed down by
the engine.
The car is kind of floating, but filling with water fast.
Kendall tries the door, no. Now the water’s coming in fast
and starting to rush through the windows. Then climbs up,
puts his butt on the window sill and climbs out backwards as
the car starts to fill fast.
He pulls himself out as the car rocks. He’s focused on

himself and his own survival. Maybe we see Doddy’s body
thrown around from side to side as the car wobbles and
submerges the lights shorting out.
It’s dark and real. We can hardly tell what’s going on.
He makes it to the surface - shocked and cold.
36 EXT. RIVERBANK. NIGHT (N2) 36

Kendall swims to the side, it’s not far. Scrambles up the
bank thorns, grass, under his fingernails. Brambles. Gravel
under his hands.
The bank is grassy and over-grown, not muddy.
(CONTINUED)
36 CONTINUED: 36
He sits for a beat and watches the water.
He comes to after the moment of massive adrenalin. They are

in the middle of nowhere. Back route from the castle.
After a while, he goes back to the water’s edge. Starts to

walk in. He edges in but it’s cold and dark and scary.
But looking at where he might dive, it starts to feel

impossible. And foolish to go back in.
He retreats.
Sits. Watches. Gets up again to go into the water. But

retreats.
Eventually he walks up to the road. It’s dark. No houses with

lights on can be seen.
37 EXT. COUNTRY LANE. NIGHT (N2) 37
He feels utterly helpless. He starts to jog. Then stops,

walks back to the place where the car went off the road.
Then doubles back and starts walking back along the road.
It’s a trudge. His clothes are wet on him.
When does Kendall think “I don’t need to have been here”? is

it on his mind now as he looks back?
38 EXT. COUNTRY LANE. NIGHT (N2) 38
As he walks away, everything is almost exactly the same:

still surface on the water, nothing to show he was here.
Everything’s the same as it was.
He walks. On and on through the night.
Far in the distance, can he hear the sound of music from the
party?
He walks on.
Then from a way away he can hear the rumble of a car.
Rescue! Or is it? He steps to the side of the road. Thinks.
(CONTINUED)
38 CONTINUED: 38
There’s somewhere very convenient to get out of the way, a

bank or gate-way. He has to do almost nothing but maybe step
aside.
He sits down in a way that looks like he’s having a rest,

almost pretending the car’s not going past.
And then the car has passed, it’s lights illuminating the
road.
Kendall hardly had time to think. But as he watches the car

recede. He thinks, what am I doing? What did I do?
He stands up and once it is receding, steps into the road.
As he watches it go he realizes that this wasn’t just

grabbing some time to think.
This was the key moment.
He’s made a decision.
He starts to walk back towards the party with renewed

purpose.
‘Okay.’ He thinks, ‘this is what I’m doing.’
Maybe we cut a bit faster though his travels.
39 EXT. HILL OVERLOOKING THE CASTLE. NIGHT (N2) 39
He gets to a spot where he can look down on the castle

illuminated at night and it seems like going cross country
would be easier than following the road?
Maybe he cuts across a signed footpath? He does know the

countryside hereabout from childhood.
40 OMITTED 40
41 OMITTED 41
42 EXT. EASTNOR CASTLE - LAKESIDE. NIGHT (N2) 42

Eventually he makes it to the edge of the lake, moat which
separates him from the castle.
As he starts to make it, skirting the lake, wading in the

water. This is the easiest route ...
(CONTINUED)
42 CONTINUED: 42
Suddenly. A loud bang! He freaks. Ducks. What the fuck? Is he

being shot at?
Suddenly the stately sounds, blasting out from speakers

surrounding the castle to accompany the fireworks -
Handel’s ‘Sarabande’ plays loud.
Then another and another and there are explosions in the sky.
Fireworks.
As they blast off and the music plays he looks into the sky,
crouches and thinks:
What the fuck has he done?
The display seems to go on for a long time. Can he make out

figures in the distance enjoying it?
The music plays. Kendall shivers.
Eventually it is over and he walks along through the

shallows.
A43 EXT. EASTNOR CASTLE APPROACH. NIGHT (N2) A43
Eventually. He reaches a spot where he can see the road up to

the castle approach. But there are the flashlights or
security lights of a security point. On a bridge, causeway
or other entrance to the castle grounds.
He skirts away from the route that would take him to this
security point.
B43 EXT. WOODLAND. NIGHT (N2) B43

He makes it through woodland.
As he makes his way he sees a pair of security guards with

flashlights marching the perimeter. He crouches, waits for
them to pass. Skirts round further.
43 EXT. EASTNOR CASTLE. NIGHT (N2) 43

He crosses a field and a hollow and comes up past the area
where he met Doddy.
He feels he’s been away for a lifetime but there on the floor
is the roach end of the joint Doddy smoked earlier.
(CONTINUED)
43 CONTINUED: 43
Kendall looks at it on the floor as if it might be evidence

of something.
There’s the space where the car was.
44 EXT. EASTNOR CASTLE - KENDALL’S ROOM. NIGHT (N2) - 1:30AM 44
Kendall makes it back. He’s there. Some kind of safety.
Finally. He reaches in his jacket pocket for --
Oh fuck. It’s missing. Fuck. Checks all his pockets. Where’s

the key card?!
He tries the door.
This is unbelievable. He starts to walk away - get another

key?
No that would be bad.
He returns, cases the windows. He hears someone passing. But

when he looks, they’ve gone. (It was Amir, but we never see
him).
Then, surprisingly quickly he takes his coat or jacket and

places it over the pane of glass in the door, to muffle the
sound, and jabs his elbow in to smash the pane.
He reaches in to open the door. But catches his wrist as he

goes in - cutting it so that blood shows up. Not deep.
45 INT. EASTNOR CASTLE - KENDALL’S ROOM. NIGHT (N2) - CONTINUOUS 45
Kendall goes to the bathroom. Pulls his clothes off - dumps

them all in the bath and runs water on the mud and dirt.
Dabs at his wrist with a white towel.
There are business papers freshly couriered on the bed.
Does he have another wobble? Looks at the blood on the towel.

The broken window. His clothes sopping wet. He picks up the
phone. He dials 911. That’s not the right number.
Then his phone rings.
He answers on speakerphone.
SANDY (O.S.)
Hey. Kendall? Sandy Furness.
(CONTINUED)
45 CONTINUED: 45
KENDALL
Hey.
SANDY (O.S.)
How you going?
KENDALL
Fine. Tough.
SANDY (O.S.)
It will be tough. It will be.
KENDALL
Uh-huh.
SANDY (O.S.)
But look, I wanted to say kid,
you’ve done the hard part. I’m just
off the line with my buddies, and I
think this is - I don’t see how he
can stop this? Your chunk? We might
let Frank in, the coalition is
there kiddo. Get some sleep. It’s
going to be fun!
KENDALL
Great.
SANDY (O.S.)
Great!
KENDALL
Great.
SANDY (O.S.)
Okay. Good night.
KENDALL
Good night.
46 INT. EASTNOR CASTLE - KENDALL’S ROOM. NIGHT (N2) 46

Kendall pulls the stuff from the bath. Squeezes out the water
and lets it drain.
He showers. Puts on a fresh suit.
Picks up the spare key card from the side.
Looks in the mirror.
(CONTINUED)
46 CONTINUED: 46
Then, surprisingly, he trips down the steps with a certain

lightness.
He heads back towards the party ...
47 INT. EASTNOR CASTLE - MARQUEE. NIGHT (N2) - 2:00AM 47
As he returns he’s the sober guy at the party.
Everyone is a little drunk. The DJ is playing now.
He walks the perimeter of the marquee smiling at people.
It’s like a dream. No one missed him. Everything is the same.

Maybe it never even happened?
There is his Mom and Rory.
CAROLINE
Hello naughty one?
Kendall smiles. But he’s anxious. What?
CAROLINE (CONT’D)
Roman told me.
KENDALL
Right. Yeah, well. You know?
CAROLINE
I don’t think any the worse of you.
KENDALL
No?
CAROLINE
No.
KENDALL
Well, good.
CAROLINE
You know he did always have a
favorite, of you children.
KENDALL
Mom? No.
CAROLINE
You don’t want to know?
(CONTINUED)
47 CONTINUED: 47
KENDALL
C’mon.
CAROLINE
It was always the business. So, I
suppose this is just natural.
She smiles.
CAROLINE (CONT’D)
Rory, what about a dance. Are you
dancing Ken?
He walks round. There are Roman and Tabitha deep in

conversation. He’s making sure he’s seen.
KENDALL
Hey.
ROMAN
What?
Kendall is walking on, doing his rounds.
KENDALL
Hey Con. Good fireworks?
CONNOR
You mean the ones out here or the
indoor fireworks, you let off?
KENDALL
Yeah good one. You know. I’m sorry.
I am sorry.
Kendall smiles, walks on.
Then - on Kendall as he watches. A whack against his legs.

Bang. What the fuck is that?
Looks down - it is Sophie and Iverson.
KENDALL (CONT’D)
Hey hey hey? What are you two doing
up?
SOPHIE/IVERSON
We couldn’t sleep/We slept this
afternoon.
KENDALL
Look at you two!
(CONTINUED)
Rava is nearby, she can see Kendall is straight and normal.
RAVA
They wanted to dance?
KENDALL
Well, okay.
RAVA
You want to dance?
Kendall doesn’t know what to say.
RAVA (CONT’D)
Iver?
Iverson starts to dance with his Mom. Sophie with Kendall -

and they end up dancing all together holding hands in a
little circle as Roman and Tabitha, Connor and Willa,
Caroline and Rory, Tom and Shiv and many other guests dance
around them.
‘Road to Nowhere’ By Talking Heads (TBD).
Kendall is lost - between pretending to have a nice time with

his family and just feeling the edge of almost almost
actually enjoying his kids.
Then he feels something, looks down and sees speckles of

faint blood just visible on the sleeve of his white shirt.
48 OMITTED 48
49 INT. EASTNOR CASTLE - KENDALL’S ROOM. MORNING. (D3) 49

On Kendall. Asleep. His eyes flick open. A bad dream? One
blink. No. It’s all real. Radio on.
A verse of John Berryman’s ‘Dream Song 29’ starts to play:
‘There Sat Down Once A Thing On Henry’s Heart/ So Heavy ...’
He looks down. On the sheet a fleck of blood from his wrist
abrasion.
50 INT. EASTNOR CASTLE - DINING ROOM. DAY (D3) – 10:00AM 50

Kendall walks in. Everything is appealingly and terrifyingly
normal.
He makes his way to a brunch table.
(CONTINUED)
50 CONTINUED: 50
He looks around smiles. Breathes. Greg is nearby.
KENDALL
Hey. You good?
GREG
Yeah. Yeah. Pretty good.
KENDALL
Good. Okay.
GREG
There’s kinda a weird vibe - with
the serving folks. The hobbity
people?
KENDALL
Huh?
GREG
A caterer, a guy - crashed or got
high and nobody knows - some bad
shit went down.
KENDALL
Really?
GREG
But the word is the family line is
that we’re not going to let it
spoil anything?
KENDALL
Right. Oh, good. But he died?
GREG
Yeah a kid died, maybe.
KENDALL
Wow.
Kendall is looking at some eggs.
GREG
Yeah. Bad shit. How’s the scrambled
egg, has it congealed?
Then ... Kendall sees, from far away, coming at him like a
nightmare. Colin.
He’s making a bee-line for Kendall.
Kendall feels the world rushing in.
(CONTINUED)
He’s coming and coming. It seems to take forever.
COLIN
Kendall. Logan wants to have a word
with you?
51 INT. EASTNOR CASTLE - LOGAN’S ROOM. DAY (D3) – 10:30AM 51
Colin shows Kendall in. Logan is there. Marcia too.
LOGAN
Hey son.
KENDALL
Hey.
LOGAN
Thanks Colin.
Kendall watches him retreat.
LOGAN (CONT’D)
Did you have an acceptable evening?
KENDALL
Uh-huh. You know?
LOGAN
I was up all night organizing my
defense.
KENDALL
Right.
LOGAN
Look. So, um. I don’t know if you
know, but the caterer I had an
issue with, he died last night?
Kendall can’t get his face right sufficiently quickly. He

reacts not quite right.
KENDALL
Oh, that’s terrible.
LOGAN
Did you know?
KENDALL
I knew - I knew - I know, since, I
just heard. But it’s a shock.
(CONTINUED)
51 CONTINUED: 51
If Logan had any doubts about his son being involved they’re
over now.
LOGAN
Right. Well. Look. Our guys, one of
our guys found a key card to your
room near where this kid went into
the water.
KENDALL
Oh? Maybe he - maybe - maybe he?
LOGAN
Uh-huh. And Amir saw you last
night, rather damp. The police
officers are here - with Caroline.
MARCIA
We just wanted to check if you had
anything stolen last night?
KENDALL
Um - what as in?
LOGAN
Did you have anything stolen last
night?
KENDALL
I don’t think so?
MARCIA
You might want to check again.
KENDALL
Um --
LOGAN
This kid, I think he might be a
thief. Who broke into your room and
swiped your card?
KENDALL
Right?
LOGAN
Let me handle this son.
KENDALL
Right.
(CONTINUED)
LOGAN
I know the guys. They know our
guys. They’re all good guys. We can
let them know what was taken.
KENDALL
Right ... Dad --
LOGAN
Look, this is all quite stressful.
Why don’t you get in my car and
we’ll drive you to the plane and
you can just relax and maybe you
should go and straighten out in the
desert?
KENDALL
Um - I - I don’t know?
LOGAN
Yeah. I think that would be good.
KENDALL
Um. Right. I mean, nobody did
anything wrong and - you know. It
sounds like. So?
Logan nods and Marcia heads out.
LOGAN
Tell Sandy you’re out. Tell Stewy.
The thing looks like a shit show.
Go to the desert. Dry out. You’ve
been off balance.
KENDALL
There’s nothing - I don’t think. I
wasn’t there. So?
LOGAN
This could be the defining event of
your life. It’d eat everything. A
rich kid kills a boy. You’ll never
be anything else. Or --
Kendall looks at his Dad.
LOGAN (CONT’D)
Or it could be what it should be.
Nothing at all. A sad little detail
at a lovely wedding where father
and son were reconciled?
(CONTINUED)
Logan opens his arms.
LOGAN (CONT’D)
You’re a good kid. You could still
be a good kid.
Kendall has an urge to get that embrace that is so rarely

offered ...
He looks around the room. Everything is too vivid. *
‘My Heart Belongs To Daddy’ by Ella Fitzgerald, Live at

Zardi’s plays
52 OMITTED 52
53 OMITTED 53

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DOUBLE PINK PAGES PRODUCTION DRAFT – 3/10/18

LOGAN ROY BRIAN COX

KENDALL ROY JEREMY STRONG

MARCIA ROY HIAM ABBASS

GREG HIRSCH NICHOLAS BRAUN

SHIV ROY SARAH SNOOK

ROMAN ROY KIERAN CULKIN

CONNOR ROY ALAN RUCK

TOM WAMBSGANS MATTHEW MACFADYEN

RAVA ROY NATALIE GOLD

FRANK VERNON PETER FRIEDMAN

COLIN SCOTT NICHOLSON

SOPHIE ROY (k) SWAYAM BHATIA

IVERSON ROY (k) QUENTIN MORALES

JESS JORDAN JULIANA CANFIELD

GERRI KELLMAN J. SMITH CAMERON

WILLA JUSTINE LUPE

STEWY HOSSEINI ARIAN MOAYED

SANDY FURNESS (O.S.) LARRY PINE

NATE ASHLEY ZUKERMAN

GIL EAVIS ERIC BOGOSIAN

MRS WAMBSGANS KRISTIN GRIFFITH

MR WAMBSGANS JACK GALPIN

CAROLINE HARRIET WALTER

AMIR DARIUS HOMAYOUN

CHARLOTTE ANNA WILSON-JONES

MATT NICK MILLS

JONAS MICHAEL IZQUIERDO

DENIS* TIM BERRINGTON

DODDY TOM MORLEY

PHOTOGRAPHER* CAMBRIDGE JONES

DODDY’S CAR COUNTRY LANE

EASTNOR CASTLE DODDY’S CAR

Who Do You Love? by Bo Didley plays over:

3 EXT. EASTNOR CASTLE - MAIN GATE. DAY (D2) 3

Shiv and Tom’s car is returning to the castle.

Across the road outside the main castle entrance are

A cop with a motorcycle stationed to avoid traffic congestion

There are also 10-12 English on-lookers drawn to take a look

6 EXT/INT. EASTNOR CASTLE. DAY (D2) 6

All of the close friends and family mill around, waiting *

The bride and groom, confetti being thrown;

STEWY whispers to KENDALL as he looks over.

Kendall looks at Stewy.

The photographer wants to assemble the next group.

CONNOR is near Shiv and Tom.

Shiv and Tom look at one another.

They don’t want an incident, Connor seems so oblivious it’s

Tom looks to Shiv. She’s going to explain, she wants to make

Tom and Shiv look at one another. Connor smiles at WILLA.

Roman sidles up to Tom as Shiv goes to talk to CHARLOTTE to

7 EXT/INT. EASTNOR CASTLE. DAY (D2) 7

The photo is taken.

Tom is quite aware of TABITHA.

Tom and Shiv quite aware of Willa.

After the photo’s done, Kendall stalks off.

COLIN comes over to Logan and Tom. Whispers.

Tom laughs. He sees Greg who looks wary of Tom.