Qualitative Methods
Qualitative Methods
Qualitative Methods
Abstract: The article reviews the broad and diverse landscape of qualitative methods
in sociology in German-speaking countries. Historically, the development of qualita-
tive methods can be characterized by a strong focus on text-based, sequential ana-
lytical approaches such as objective hermeneutics, narrative analysis, and the docu-
mentary method. In the first section, we briefly sketch this development up to the turn
of the century. In the second section, we describe the changes in the qualitative
landscape after the millennium. Three major lines of development can be identified:
First, qualitative approaches have become institutionalized and canonized and have
been increasingly translated into English. Second, in conjunction with a heightened
interest in theories of practice, constructivism, and post-structuralism, other methods
have also gained ground in German-speaking countries, in particular ethnographic
approaches, grounded theory, and discourse analysis, which has resulted in a much
broader and diverse qualitative field. Third, this broader spectrum also encompasses
the inclusion of new data types, specifically visual data and especially images and
films. In the last section, we highlight current challenges and directions for future
research.
Introduction
When we speak of qualitative methods, we are referring to a broad and heterogeneous
research landscape that is not easy to capture in a comprehensive fashion. Among
these methods are ethnographic approaches, different forms of observation, various
interviewing techniques, and the collection of documents or archival data. At the
same time, a host of methods are used for analysis that rest on various theoretical
assumptions and methodological positions. Among them are symbolic interactio-
nism, the sociology of knowledge, phenomenology, ethnomethodology, and con-
structivism to name a few major approaches (Schützeichel, MICROSOCIOLOGY, this
volume). In adhering to the “interpretive paradigm,” most of these approaches share
some common ground despite many contentions: Their defining feature is the pivotal
role assigned to the understanding of meaning (Sinn-Verstehen). Qualitative research
aims to systematically reconstruct such meaning or, in other words, involves what in
German has been coined as a methodically controlled understanding of the other
(“methodisch kontrolliertes Fremdverstehen”; Arbeitsgruppe Bielefelder Soziologen,
1973). Qualitative approaches emphasize that making sense of action and meaning
always relies on processes of interpretation and understanding.
OpenAccess. © 2021 Betina Hollstein and Nils C. Kumkar, published by De Gruyter. This work is
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https://doi.org/10.1515/9783110627275-021
302 Betina Hollstein and Nils C. Kumkar
suffering”) and the sequence of such biographical process structures over the life
course (Schütze, 2008). Central to this method is the distinction between different
communicative schemes of representing past experiences and perceptions (i.e., ex-
tempore (impromptu) autobiographical narratives), in which individuals recount
events in an unrestricted way on the one hand and offer descriptions and argumen-
tations that are more strongly bound to social frames and the current situation on the
other. To account for these differences, Schütze developed a specific method of data
collection, the narrative interview (ibid.), which became a dominant means of col-
lecting biographical data in German-speaking countries (Huinink/Hollstein, LIFE
COURSE, this volume). The aim of this method is to primarily elicit (“trigger”) auto-
biographical stories with narrative stimuli, later followed by questions that prompt
argumentations and evaluations. By comparing passages from extempore narratives
with current interpretations documented in descriptions and argumentations, re-
searchers are able to account for reinterpretations of experiences and events (Schütze,
2008: 171f.).
Objective hermeneutics, sometimes also called structural hermeneutics, was de-
veloped by Ulrich Oevermann and colleagues at the Max Planck Institute for Human
Development in Berlin (Oevermann et al., 1987 [1979]; cf. Garz and Kraimer, 1994;
Wernet, 2014). It is perhaps the most elaborate sequential analytical method. Origi-
nally applied in a study on socialization and interaction processes in families, this
method aims at reconstructing the inner logic and genesis of action and interaction
systems. By drawing on structuralist thinking and George Herbert Mead’s writings,
and in explicit opposition to the classic hermeneutic tradition, this method builds on
the distinction between “subjective” (i.e., intended, conscious) meaning and so-called
“latent” meaning that structures the subjects’ actions and interactions “behind their
backs.”
Another strand of research that is particularly prominent in the German-speaking
community is one that rests on the sociology of knowledge (Karstein/Wohlrab-Sahr,
CULTURE, this volume). For example, the documentary method, a socio-genetic ap-
proach that follows the ideas set forth in Karl Mannheim’s work and was developed in
the late 1980s by Ralf Bohnsack (2014a), builds on the distinction between explicit and
implicit (atheoretical, incorporated) knowledge. This method aims to reconstruct the
implicit knowledge of social actors and the orienting frames guiding their actions,
(i.e., structures of meaning “beyond the literal or referential meaning content, but also
beyond the communicative intentions of the interlocutors”) (ibid., 218). The docu-
mentary method focuses on collective orientation patterns and so-called “conjunctive
experiences” that are shared by specific milieus or groups. To grasp these collective
orientations, researchers typically employ non-directive group discussions with sub-
jects who share a similar social background (cf. Loos and Schäffer, 2001).
Until the mid-1990s, text-based analytical methods clearly dominated the quali-
tative research landscape (cf. Garz and Kraimer, 1994; Hitzler and Honer, 1997).
Whereas qualitative research is often associated with ethnography in the Anglo-Saxon
world, ethnographic approaches were less visible and clearly subordinate in German-
304 Betina Hollstein and Nils C. Kumkar
speaking sociology at that time. However, ethnographic studies did exist (cf.
Hirschauer and Amann, 1997), such as Karin Knorr-Cetina’s ethnography on the
“manufacture of knowledge” in U.S. scientific labs, a study quite significant in the
establishment of so-called laboratory studies (1981); Roland Girtler’s study on police
work (1980); Bruno Hildenbrand’s ethnography of families with schizophrenic family
members (1983); or Jörg Bergmann’s ethnomethodological study on gossiping as a
discrete form of indiscretion (1987).
In her article on the state of the Germanophone field of qualitative methods before
2000, Monika Wohlrab-Sahr concluded that a canonization of the different ap-
proaches was to be expected in the years that followed (Wohlrab-Sahr, 2000: 215), a
prognosis that turned out to be true. Before 2000, familiarizing oneself with the dif-
ferent approaches often required one to personally join workshops and seminars held
by the respective groups or to piece together their methodological development by
working one’s way through the chapters on methods in written reports on research
projects, in collected volumes, and unpublished manuscripts (ibid.). Today, a number
of textbooks and monographs is readily at hand. For example, the manual Einführung
in die Interpretationstechnik der objektiven Hermeneutik (Introduction to the Interpre-
tation Technique of Objective Hermeneutics) first published in 2000, provides the
reader with an accessible beginner’s guide to objective hermeneutics (Wernet, 2009).
A compilation of major articles by Fritz Schütze (2016) is available, too. Ralf Bohn-
sack’s Praxeologische Wissenssoziologie (Praxeological Sociology of Knowledge; 2017)
offers a thorough discussion of the approach’s theoretical development and its epis-
temological foundations.
At the same time, we can detect an increasing awareness of the commonalities of
reconstructive and sequential analytical approaches. Bohnsack’s Rekonstruktive
Sozialforschung (Reconstructive Social Research), first published in 1991 and now
available in its ninth edition (2014b), introduces students and researchers to the
general methodological stance of reconstructive social research, arguing for a theo-
Qualitative Methods 305
At the very least, it does seem like a stretch to qualify the work of a Chinese social scientist, pub-
lished in the English language, as ‘Germanophone qualitative social research’ simply because she
uses the documentary method’s approach to the interpretation of films (Hao, 2016).
For example, Schütze (2008) or Oevermann et al. (1987). See also the impressive list of foreign-lan-
guage publications in the recently updated bibliographical list for the documentary method: https://
www.hsu-hh.de/systpaed/wp-content/uploads/sites/755/2020/01/LitdokMeth20-01-07.pdf/). A pio-
neering work was Qualitative Methoden: Ein Handbuch by Uwe Flick, Ernst von Kardoff, and Ines
Steinke (2000; translated into English in 2004).
306 Betina Hollstein and Nils C. Kumkar
In the last two decades, not only has the spectrum of methods expanded considerably
but so have the types of data that are analyzed beyond the hitherto dominant focus on
verbal data. One area in which differentiation and transfer to new data types is
especially prominent is visual sociology (i.e., the analysis of visual data, especially
images and films). This is also an area of innovation that developed in close contact
with the international and chiefly Anglophone discourse: whereas the founding texts
of the reconstructive methods sometimes took decades before they made their way
into the international arena, the debate on the analysis of visual data was either al-
ready interwoven with the broader visual turn in sociological methods or at least
translated for international collected volumes early on (e.g., Pauwels and Mannay,
2019; Knoblauch et al., 2008).
The central challenge that visual materials pose for reconstructive approaches is
the synchronicity of the image (moving and still alike). All these approaches rely on
sequential analytical methods for the interpretation of texts (be they interview tran-
scripts, group discussions, conversations, or actual literary texts) to reconstruct
meaning as it unfolds in time. This basic premise conflicts with the seemingly banal
truth that an image is defined by the synchronicity of everything that is ‘in its frame.’
As Foucault writes, citing Condillac, “to my gaze ‘the brightness is within the rose’; in
my discourse, I cannot avoid it coming either before or after it” (Foucault, 1994: 82),
The software programs Atlas-ti, MaxQDA, and Feldpartitur (for the analysis of video data) have all
been developed in Germany.
308 Betina Hollstein and Nils C. Kumkar
and this is true not only for the still but also for the moving image.While video records
events and replays them in time, every ‘scene’ it depicts (or every still that it is frozen
into) remains a composition of simultaneously existing elements.
This challenge is solved in various ways. Whereas hermeneutic approaches based
on the sociology of knowledge (Raab, 2008) reestablish the principle of sequentiality
by insisting on temporally structured processes of producing and especially reading
an image, other methods proceed differently. For example, the documentary method,
which builds on the science-of-arts approaches of Max Imdahl and Erwin Panofsky,
interprets the meaning of the image through the (synchronous) compositional levels of
planimetric composition, perspective projection, and scenic arrangement (Bohnsack,
2019), thereby putting special emphasis not so much on the processes of producing
and reading but rather on the mimetic habitual aspect of experiencing the visual, the
implicit understanding through (and not about) the image. Such a compositional
(instead of sequential) approach proves especially well suited to understanding pic-
tures as data whose special property is the synchronic unity of contradicting elements.
In objective hermeneutics, by contrast, the question of whether compositional aspects
are taken into account depends on the type of images (Oevermann, 2014). Two books
that contain analyses of one particular picture—the famous photo of high-ranking
members of the Obama administration sitting in the situation room at about the time
when Bin Laden was killed—illustrate the different approaches (Kauppert and Leser,
2014; Przyborski and Haller, 2014). For instance, in his analysis, Oevermann eschews
planimetric or other compositional aspects because he considers aesthetic composi-
tion to play only a minor role in photos of this kind (2014). He concentrates first and
foremost on the immanent content of the photo and refers to any knowledge and
context information beyond what is actually depicted (such as the names and status of
the depicted persons) only at the very end of his analysis. In this analysis, his focus is
on “making sense of what is observable” and the question of which other situations
are portrayed in a similar way. These thought experiments result in rather surprising
findings, such as that the mise en scène could also be a sports event, where people are
engaged but not personally affected—which in light of the actual context (an exe-
cution) contributes to its downplaying and legitimatization (ibid.). Other analyses that
take into account the complex formal composition, perspective, and scenic choreo-
graphy, such as the analysis by Aglaja Przyborski, which employs the documentary
method (2014), or by Roswitha Breckner, which applies segment analysis (2014), reveal
additional facets of the discrepancies between the factual status of the depicted actors
and their position in the image (such as between Obama’s real-life status as POTUS
and his rather insignificant position in the photograph itself), thus shedding light on a
specific representation of political power.
Combining visual data with other documents can prove especially productive
(Knappertsbusch/Langfeldt/Kelle, MIXED-METHODS AND MULTIMETHOD RE-
SEARCH, this volume). For example, Kumkar (2018: especially 109–183) triangulates
the documentary interpretation of the imagery used in propaganda from Occupy Wall
Street and the Tea Party with an interpretation of group discussions with activists. He
Qualitative Methods 309
demonstrates that these methods can help to understand how images, via the si-
multaneity of contradictory elements, allow their recipients to have their cake and eat
it too, so to speak. On the one hand, the images encourage the onlooker to identify
with the implicated subject position by referring to their ‘negative’ emotions (like
aggression), which are often repressed in the discourse of the respective groups. On the
other hand, the images offer a symbolic relief from these negative emotions by
transposing them into heroic postures (e.g., signing up for a greater cause).
Overall, visual sociology has become a lively and innovative part of qualitative
methods with applications that draw on a wide spectrum of visual data and encom-
pass political photos, advertisements, or fine art. For instance, everyday photography
(e.g., Breckner, 2017; 2021; Müller, 2018) or genograms (Hildenbrand, 2004) have been
used in biographical and family research. In addition, visual tools have been in-
creasingly employed in data collections, such as in the qualitative analysis of personal
and organizational social networks (e.g., Schönhuth et al., 2013; Häußling, SOCIAL
NETWORKS, this volume).
Finally, the analysis of videos and films of different sorts has also become an area
of broad interest in which reconstructive sequential analytical approaches have pro-
ven especially productive (e.g., Knoblauch et al., 2006; Kissmann, 2009; Knoblauch
and Schnettler, 2012; Tuma et al., 2013).
advancements, with the most prominent probably being the development and wide-
spread use of software programs such as Atlas/ti, MaxQDA, or Feldpartitur, discussion
and methodological innovation with regard to the collection and interpretation of
digitalized data has just started within the German-speaking qualitative community.
This is especially true if compared with the discussion on big data, computational
social sciences, and data mining that has been led by scholars in the quantitative
realm (Barth/Blasius, QUANTITATIVE METHODS, this volume).
Empirical studies in substantive areas of research are increasingly tapping into
virtual reality, digital (especially Internet) data, and the use of social media. Particular
mention should be made of media and communication research (Hepp, MEDIA AND
COMMUNICATION, this volume), the sociology of technology (Rammert, TECHNOL-
OGY AND INNOVATION, this volume), or network and migration research, such as
Heike Greschke’s ethnographic study on the everyday life and use of virtual space of
migrants (2009).
However, methodological reflections on this special type of data and what it
means for qualitative methods—particularly in terms of its specific analytical benefits
—still remain a subordinate field of discussion. Notable exceptions in this regard are
contributions on the use of asynchronous written online communication for quali-
tative inquiries (Schiek and Ullrich, 2017), the interpretation of Instagram posts
(Schreiber and Kramer, 2016), YouTube videos (Geimer and Burckhardt, 2017), or
photos on Facebook (Breckner, 2021), and more general discussions of virtual
(Marotzki et al., 2014) or Internet data (Rammert and Schubert, 2006; Schirmer et al.,
2015; Müller, 2018).
Since large amounts of digital data, especially on the Internet, are qualitative
(textual or visual) data, methods specifically designed for the proper analysis of such
data with the aim of understanding its meaning and demonstrating a high degree of
sensitivity toward the context of its production and interpretation have much more
potential than has been realized so far. In this context, ethnographic approaches and
sequential analytical methods as developed in German-language sociology seem to be
especially powerful tools to not only address and better understand digital traces and
the limits of big data analysis but also to foster fruitful cooperation across fields and
disciplines—for instance, between sociology and cognitive and computational sci-
ences. There is a lot of work ahead to be sure, but there is also a strong foundation on
which to build.
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