Ninja V User Manual 160922

USERMANUAL
NINJA V User Manual

© ATOMOS 2022. TM ®All trademarks and registered trademarks are the property of
their respective owners.
Specifications are subject to change without notice. All information assumed correct at
time of publishing.
This user manual assumes that you are using AtomOS firmware version
10.82 or later. Visit my.atomos.com to update the AtomOS firmware for
your NINJA V
Contents
NINJA V User Manual 1
Introduction 6
Safety Instructions 7
Software License Agreement 9
Registering your product 11
International Hardware Limited Warranty 12
Warranty Exclusions 13
User Manual Conventions 14
What’s included 15
NINJA V Connections 16
Best Practice 19
HDMI cables 31
Media 32
Master Caddy Docking Station 35
Standard 1/4” or 3/8” Mount/Arm 37
Mounting options 38
Choosing your power source 39
Powering On and Off 43
Inserting and Removing Media 45
Mounting disks in the Master Caddy II 47
Mounting Disks in Master Caddy III 49
AtomX Expansion Modules 52
ATOMOS CONNECT 57
AtomOS 10 Operating System 73
The Main Screen - Home Screen 74
The Main Screen - Information Bar 76
The Main Screen - Monitoring Features 79
Home screen and menu functions 81
The NINJA V Menu system 86
Source Menu 87
Input Source 89
Input via AtomX SDI Expansion Module 91

Input via Atomos CONNECT 93
Trigger 95
Device 96
Remote 97
Camera Output 102
Cross Conversion 105
Output Menu 107
Output via AtomX SDI Expansion Module 110
Record Menu 112
RAW over HDMI 116
SDI RAW 117
Sony Metadata Crop 118
Pulldown 119
H.265 (HEVC) 122
Wi-Fi Menu 123
Ethernet Menu 128
Connect Menu 132
Connect Menu - Atomos Cloud Studio 144
Connect Menu - Capture to Cloud 146
Connect Menu - Atomos Stream 161
Timelapse Menu 192
Timecode Menu 197
Timecode Menu - Wireless Timecode & Sync 201
Sync Config Menu 205
Sync Network Menu 209
File Menu 210
Audio Menu 213
Mic/Line Menu 216
Media Menu 218
Date Menu 220
Power Menu 221
Activation Menu 224

AtomX Menu 230
Info Menu 233
The AtomRemote App 235
Connecting to AtomRemote 236
Using the AtomRemote app 243
AtomRemote - Input, Monitor and Output 253
AtomRemote - Record menu 261
AtomRemote - Monitor Assist Settings 263
Using the AtomX CAST 265
Attaching AtomX CAST to your NINJA V 266
Powering the AtomX CAST 267
Connecting the AtomX CAST to your Computer 268
CAST - Main Screen 269
CAST - Function Icons F1- F4 272
CAST - Input Menu 275
CAST - Output menu 277
CAST - Overlays menu 279
CAST - Picture in Picture (PiP) menu 282
CAST - Switcher Menu 284
CAST - Audio menu 287
Setting up for recording 290
SmartControl 292
Understanding HDR and Log 294
File Recovery 297
Monitoring Features 298
Zoom 301
Waveform (WFM) and Vectorscope 302
Focus Peaking, Zebra and False Color 305
Frame Guides, Safe Areas & Anamorphic De-Squeeze 308
Frame Grab and Onion Skin 312
Settings Menu 315
Waveform tab 316

Focus Peaking tab 317
Zebra tab 320
LUTs tab 321
Monitor tab 327
Display tab 331
Frame Guide tab 333
Onion Skin tab 335
Playback mode 336
Playlists 341
Video Format menu 345
Playback - Output Menu 347
Playback - Audio menu 348
Edit Mode 349
Markers and Tagging Icons (SmartLog) 352
Using Edit tools during recording, playback and monitoring 356
Using Extended Tags 359
Exporting Tags 360
Connecting media 361
Importing clips 364
SmartLog with Final Cut Pro 370
Adjusting ProRes RAW settings in Final Cut Pro 373
Technical Specifications 377

Introduction
Thank you for choosing the ATOMOS NINJA 5 inch 4Kp60 HDR Monitor Recorder. Featur-
ing a super high-resolution screen in a lightweight aluminium alloy chassis, and an array
of essential production tools including waveform monitoring, vectorscope, focus assist
and the world’s leading support for HDR monitoring; NINJA V will give you the creative
and commercial advantage you’ve been looking for.
With NINJA V you can record up to 6Kp30 in Apple ProRes RAW, and 4Kp60 and HDp120
video, and integrate these new formats seamlessly into the timeline of your existing
ProRes RAW or ProRes projects. Rounding out the powerful codec arsenal is Apple ProRes,
Avid DNx as well as the option to upgrade to H.265, which provides a highly efficient com-
pressed codec option.
This user manual will get you up to speed with all the amazing features packed into the
NINJA V that will assist you during a shoot and speed up your workflow on set and in post
production.
Stay up-to-date with the latest information and software by registering your product
today at my.atomos.com
Visit www.atomos.com/support to learn about supported cameras and media, read FAQ's,
submit support tickets and more.
Safety Instructions
The NINJA V is designed to a high standard but there are some things you should be
aware of to prolong the life of the unit and for your own safety.
Using the NINJA V safely

Although the NINJA V is very lightweight compared to all the devices it replaces, it is still a
solid object that could cause injury if misused.
l Always make sure that the NINJA V is mounted securely and is unable to fall onto any-
one nearby. This is especially important when there are children present who might
be tempted to pull on cables.
l Always ensure that cables that run to the NINJA V are clearly visible and do not
present a trip hazard.
l Do not place on uneven or unstable surfaces.
l Do not insert anything but a NINJA V Master Caddy II or AtomX SSDmini in the drive
slot on the rear of the NINJA V.
l Do not touch the NINJA V screen with sharp, metallic or abrasive objects.
l Do not expose to strong electrical or magnetic fields.
l Do not expose to liquids, rain or moisture.
l Do not dispose of the NINJA V in municipal waste and do not incinerate it, always fol-
low local regulations for safe disposal.
Care of disk drives

Spinning disks and SSDs are very sensitive to damage from static electricity. Please
observe all the usual electrostatic discharge (ESD) precautions when handling them.
Please see the section on mechanical shock and vibration later in this manual for inform-
ation about how to handle and care for your disk drives
HDMI cables
Please remember that almost all HDMI cables do not use locking connectors
and will simply pull out if they are jerked or tripped over. Please ensure
your cables make a secure connection and avoid flexing them excessively to
maintain reliability.
Software License Agreement
IMPORTANT, PLEASE READ CAREFULLY. THIS IS A LICENSE AGREEMENT.
This ATOMOS software, related documentation, any included sample images files (the
“Software”), is protected by copyright laws and international copyright treaties, as well as
other intellectual property laws and treaties. The Software is licensed, not sold.
This End User License Agreement (“EULA”) is a legal agreement between you (either an
individual or a single entity) and ATOMOS with regard to the copyrighted Software
provided with this EULA. Use of the Software provided to you by ATOMOS in whatever
form or media, will constitute your acceptance of these terms, unless separate terms are
provided by the software supplier, in which case certain additional or different terms may
apply. If you do not agree with the terms of this EULA, do not download, install copy or
use the Software. By installing, copying or otherwise using the Software, you agree to be
bound to the terms of this EULA. If you do not agree to the terms of this EULA, ATOMOS is
unwilling to license the Software to you.
1. Eligible licensees. This Software is available for license solely to purchasers of the
ATOMOS NINJA V, who have purchased a unit manufactured by ATOMOS NINJA V
and purchased through an ATOMOS authorized reseller, with no right of duplication
or further distribution, licensing or sub- licensing.
2. License Grant. ATOMOS grants you a personal, non-transferable and non-exclusive

right to use the copy of the Software provided with this EULA. You agree you will not
copy the Software except as necessary to use it with the ATOMOS NINJA V. You
agree that you may not copy the written materials accompanying the Software. Modi-
fying, reverse engineering, translating, renting, copying, transferring or assigning all
or part of the Software or any rights granted hereunder, to any other persons or
reverse engineering the hardware on which the Software runs, is strictly prohibited.
The software is licensed, not sold. You acknowledge that no title to intellectual prop-
erty in the Software is transferable to you. You
further acknowledge that title and full ownership rights to the Software will remain
the exclusive property of ATOMOS and/or its suppliers, and you will not acquire any
rights to the Software, except as expressly set forth above. All copies of the software
will contain the same proprietary notices as contained in or on the Software. All title
and copyrights in and to the Software (including but not limited to any images, anim-
ations, video, audio, text incorporated), the accompanying printed materials, and
any copies of the Software are owned by ATOMOS or its suppliers.
3. Reverse engineering. You agree that you will not attempt, and if you are a cor-
poration, you will use your best effort to prevent your employees and contractors
from attempting to reverse compile, derive circuits, modify, translate or disassemble
the Software and/or the ATOMOS NINJA V in whole or in part. Any failure to comply
with the above or any other terms and conditions contained herein will result in the
automatic termination of this license and the reversion of the rights granted
hereunder by ATOMOS.
ATOMOS reserves the right to terminate this license without prejudice to any addi-
tional recourse ATOMOS may have against you if you violate any of its terms and con-
ditions.
Notice
Copyright © 2022 ATOMOS Global Pty Ltd (‘referred to as ATOMOS’). All rights reserved.
All information in this document is subject to change without notice. No part of the doc-
ument may be reproduced or transmitted in any form, or by any means, electronic or
mechanical, including photocopying or recording, without the express written permission
of ATOMOS. A reference to ATOMOS includes its related entities, subsidiaries and parent
company.
Image credit on NINJA V display and all other instances: https://un-

splash.com/@freestocks
Trademarks
NINJA V and ATOMOS are registered trademarks of ATOMOS. Apple, the Apple logo,
AppleShare, AppleTalk, iPod, iPod Touch, Mac, and Macintosh are registered trademarks
of Apple Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple
Inc. DNxHD, DNxHR and Avid logo are registered trademarks of Avid Technology, Inc. All
other trademarks are the property of their respective holders.
REGISTRATION + WARRANTY UPGRADE Register within 12 months of purchase date

to upgrade your standard 1 year warranty to a 3 year warranty. Visit:
my.atomos.com.
Registered users receive updates of all AtomOS updates upon release.

Registering your product
Register your NINJA V at my.atomos.com within twelve months of purchase to upgrade to
a 3 year warranty.
Registering your product ensures you receive communication on all future updates.
International Hardware Limited Warranty
ATOMOS warrants that:
l The main product, not including the IPS screen, or any external accessories, will be
free from defects in materials and workmanship for a period of 1 year from the date
of purchase; or 3 years upon completion of product registration within 1 year from
the date of purchase at www.atomos.com
l The TFT/LCD, SSD Docking Station, Master Caddy II and Cable will be free from
defects in materials and workmanship for a period of 1 year from the date of pur-
chase.
l This warranty is exclusively for the benefit of the original purchaser and is not
assignable or transferable.
l If during the warranty period the product is shown to be defective ATOMOS may at its
option:
a. Replace the goods or supply equivalent ones,
b. Repair the goods,
c. Pay the cost of replacing the goods or of acquiring equivalent ones and
d. Paying the cost of having the goods repaired;
The customer must notify ATOMOS of any defect in the goods in writing prior to the expiry
of the warranty periods set out above. The customer will be solely responsible for return-
ing the goods to ATOMOS or its authorized distributor. Upon acceptance of a warranty
claim by ATOMOS, where ATOMOS repairs or replaces the goods, it will be responsible for
reasonable shipping costs incurred in sending the goods to the Customer, provided that
customer is located in a country in which ATOMOS has an authorized distributor or repair
center or agent.
Warranty Exclusions
This warranty applies only to defects in workmanship and does not cover defects caused
by:
l Neglect;
l Improper or negligent acts or omissions;
l Repairs or attempted repairs;
l Tampering with or modification of the goods;
l Connection to incompatible equipment or power sources;
l Exposure to water or weather;
l Exposure to magnetic fields or corrosive liquids or substances;
l Physical damage
Except as stated in this warranty, ATOMOS, it’s vendors, agents, resellers and dis-
tributors disclaim in their entirety all other warranties, express or implied, including
without limitation all warranties of merchantability or fitness for a particular purpose. The
remedies outlined in this warranty are the exclusive remedy a customer from defective
goods, which are subject to the warranty.
ATOMOS does not warrant that the goods will operate in a manner that is error free, or
uninterrupted. The goods are not intended to be the primary or only data storage device
for data – customers are solely responsible for back up and protection of data.
REGISTRATION + WARRANTY UPGRADE Register within 12 months of purchase date

to upgrade your standard 1 year warranty to a 3 year warranty. Visit:
my.atomos.com.
Registered users receive updates of all AtomOS updates upon release.

User Manual Conventions
To keep things simple but clear, we’ve only adopted two conventions in this manual
A helpful tip, suggestion or something to note because it’s not obvious at

first.
An important note or warning

What’s included
Your NINJA V includes base accessories to get you started, such as a mains power supply
and a media Master Caddy. Additionally you will need a 2.5” Solid State Drive (SSD) or
AtomX SSDmini, a compatible HDMI cable (Camera out/NINJA V in) and compatible bat-
teries. Optional AtomX accessories including power and accessory kits are also available.
Visit the ATOMOS website for the latest accessory options.
What's in the box:

l NINJA V
l 1 x Master Caddy II + screws
l International DC power supply
l Battery Eliminator
l NINJA V Quick Start Guide

NINJA V Connections
Mic/Line in (1)
A 3.5mm input jack is located under the power button. Channel selection and volume for
headphone monitoring is via the audio controls section, accessible by touching the audio
meters in the top right side of the screen (monitoring mode) or in the bottom right of the
screen (homescreen mode).
Headphone/audio out (2)

A 3.5mm headphone jack is located above the remote port. Channel selection and volume
for headphone monitoring is via the audio menu page on your NINJA V. To access this
menu, tap the audio meters in the upper right side of the touchscreen (monitoring mode)
or in the bottom right of the screen (homescreen mode). For more details refer to the
"Audio Menu" on page 213 section.
When monitoring any channels please ensure that the headphone selection
is set to the stereo pair you’d like to monitor.
Remote/Calibration Port (3)

The calibration 2.5mm jack on the right hand side (looking from the front), allows for the
connection of the Calibrite ColorChecker Display Pro / Display Plus calibration device. The
calibration unit utilizes the optional USB to serial adapter cable. The latest version of the
ATOMOS Calibration software is available at www.atomos.com/support
For optimal calibration it is recommended that your NINJA V is powered for
30 minutes prior to calibration.
For remote operations via this port, ATOMOS supports both LANC in Sony and Canon
format. The NINJA V uses LANC Client so a LANC controller must first be attached to a
camera and the output taken out via a Y cable to the NINJA V.
AtomXpansion Port (4)

Enhance your NINJA V through the built-in modular AtomXpansion port. Bi-directional
high speed video, audio and power are available. Expansion modules dock into the bat-
tery slot and can be stacked, passing power and offer advanced connections and func-
tions. www.atomos.com/accessories
HDMI in (5)
The video input is a full size HDMI 2.0a connection used to receive the video. This con-
nection also supports embedded audio and timecode if your camera or device sends these
out over HDMI. The image is both displayed and recorded to the ATOMOS mon-
itor/recorder storage media.
Embedded Audio
Most mirrorless cameras and camcorders send 2 channels of audio over HDMI but the
NINJA V can record up to 8 channels of digital audio embedded in the HDMI signal if sup-
ported.
HDMI Out (6)

This is for connection to an external monitor or other device with an HDMI input. It carries
a loop-through of the incoming HDMI signal in record and standby mode, and the play-
back signal when the NINJA V is in playback mode. This output is 2.0a and can carry
either a 4K or HD signal (with the option to down convert the 4K input to HD).
Video Scale Convert
Video out also has the option for a downscale to be applied allowing your 4K input to be
converted to a 1080 HD output for use with existing HD equipment. DCI signals with a
17:9 aspect ratio have the option to be cropped to 16:9 to support a wider range of out-
put displays.
3D LUT Output
3D LUTs can be applied to the outputs of the NINJA V and LUTs can also be selected to be
applied to the outputs and routed out to other equipment via the HDMI connections.
HDR Output
The NINJA V can read the incoming HDR information frame from compatible cameras that
indicates if a signal is HLG or PQ. You can set the NINJA V to automatically detect this and
loop this out. You can also convert between a Log input to HDR display standards or
between HLG <> PQ, and Dolby. For more information refer to Understanding HDR and
Log in the Monitoring and Recording section.
Best Practice
Understanding the basic controls and 'housekeeping' functions will save
you time in the future. Before you start enjoying your NINJA V it will help to
set the date and time, the 'device name' and file naming conventions.
Date & Time

It is vital you set the correct date and time on your NINJA V to ensure that the metadata
for your files is correct. To access the Date tab, tap the input indicator from the home
screen Information bar.
Then swipe the menu tabs to the left to navigate to the Date tab.
Swipe left to reveal more tabs that contain settings. If you cannot find the
menu you are looking for, swipe left or right.
Use the -+ icons for each setting to set the time and date used on the NINJA V. For more
information refer to the Date page in the Using the NINJA V section.
Format Media
Make sure your drive is correctly inserted and all data from previous shoots has been
securely backed-up. Touching the Storage Capacity Indicator on the home screen will
take you to the Media Menu.
The Media menu provides information on the drive currently inserted. To format the drive
tap the Format button (below).
When you first insert a drive you may be presented with 'Invalid media'.
This means that the drive has not yet been formatted and you simply need
to format your drive before using it.
If you do not see your hard drive information, there may be a problem with
the connection or drive. Try removing the drive and reattaching the drive.
Ensure correct alignment of your media.
The NINJA V uses the exFAT file system for broadest compatibility.
Secure Erase Format

For drives that carry the ATOMOS Logo such as the G-Technology 4K SSD, Angelbird
4KRAW, AtomX SSDmini by Angelbird and Sony, an option for Secure Erase is also presen-
ted. For more information refer to Secure Erase Format in "Media Menu" on page 218
Unit Name
You can also modify the unit name for your NINJA V. Creating a unique name for each
NINJA V you are using can be very useful when using multiple devices or with multicam
shoots. Practicing good file management during production will save you valuable time in
post production.
The unit name serves two main purposes:
l Drive Naming: Giving the unit a unique name aids with identification. Once you have
given it a name all drives subsequently formatted in the NINJA V will bear this name
as a prefix.
l File Naming: The current unit name appears at the start of the recorded clip name:
NINJAV_S001_S001_T001
To access the unit name, tap the input indicator from the home screen Information bar.
Then navigate to the FILE TAB where you can change the unit name.
How to change the Unit Name:
l Using the < > icons at Unit Name, select the letter to update. The character you are
updating will display in the Letter indicator.
l Tap the Letter - + icons to change the character. When the correct letter is displayed,
use the select control to move to the next character.
File Naming
The File menu also allows you to adjust the Scene and Shot number that will form part of
the recorded clip filename: NINJAV_S001_S001_T001
How to modify the File Name:
l Use the - + icons at Scene and Shot, to increase or decrease the numerical values.
l Once you have finished making changes, tap on Apply.

When changing the drive please ensure that you take note of the last scene
and take number so you can append this, as formatting a drive will reset the
scene and take counter to 001,001,001.
Screen Lock
Lock the Display Screen
You can lock the display of the NINJA V by tapping the power button. This will ensure no
changes can be made by mistakenly touching the screen. Tap the power button again to
unlock the unit.
Images on screen will indicate whether tapping the power button has locked or unlocked
the screen.
The lock screen can be combined with the Display Off function so that when
the screen is locked, the display is turned off. The Tally light on the front of
the unit will still display Rec (Red) or idle (green) status. The Display Off
function can be found in the Monitor menu. For more information refer to
'Display Off' in the "Monitor tab" on page 327 section.
AtomOS Updates (Firmware)
From time to time we will issue AtomOS (firmware) updates for your NINJA V. This is the
software that runs inside your NINJA V and is available from our support page, along with
the release notes for each AtomOS release.
How to update AtomOS (Firmware)
1. Tap the battery icon at the top right of the home screen on your NINJA V to open the
Power menu screen, then select the Info tab. The Info menu page lists the AtomOS
version and other important information about your NINJA V. Take note of the
AtomOS version that is installed. In the image below the AtomOS version is 10.67.
2. Visit atomos.com/product-support and check the current AtomOS version for

NINJA V which will be listed at the top of the page. In the image below AtomOS
10.72.1 is greater than the AtomOS version number displayed on the NINJA V in the
image above, so a firmware update is required. Click Download Firmware Update to
download the update.
The firmware release notes will list the date of release for each firm-
ware version.
3. Insert a compatible, formatted drive into your Docking Station and connect it to your
computer.
Always format your drives in the NINJA V first. It formats the drive for
optimal performance for video
4. Unzip the downloaded zip file and copy the ATOMNJV.FW file to the root of the drive
in the docking station.
Ensure that the firmware update file is on the root of the drive, and not
in a folder on the drive.
Make sure that the firmware file is not renamed when your computer
unpacks the ZIP file. If you have other firmware in the same folder, the
file may become renamed to ATOMNJV-1.FW when unzipping and the
update will not work.
5. Eject the drive (according to operating system guidelines).
6. Insert the drive with the ATOMNJV.FW file into the NINJA V. Use a freshly charged
battery or connect to mains power. It is very important that your NINJA V does not
lose power during a firmware update.
ATOMOS strongly recommends that your NINJA V is plugged into mains
power before commencing the firmware update. If using batteries for
power, ensure that they have plenty of charge and that you do not
interrupt your NINJA V while its firmware is upgrading. You will see a
progress bar to the lower half of the screen. When it is finished, the
NINJA V will restart and you will be able to use the device as normal.
This process can take up to 5 minutes.
7. Press the Power Button to power the NINJA V on. The AtomOS update process will
begin automatically.
If you place the .FW file on the drive and insert it into the NINJA V
whilst it is turned on, the device will recognize the firmware update and
ask if you’d like to apply the update. If you select 'OK' the device will
shut down and begin the update process. Once the update has com-
pleted, your NINJA V will delete the .FW file and power down.
8. If your NINJA V is already powered on, you will be prompted to perform the AtomOS
update when a drive containing a new AtomOS version is inserted.
9. The ATOMOS logo will appear. After a few seconds the AtomOS update will start.
10. During the AtomOS update, an ‘updating firmware’ screen will appear. The update
will take a few minutes.
11. When the AtomOS update is finished, the NINJA V will:

a. Delete the ATOMNJV.FW file from your drive.
b. Power itself down.
12. Power your NINJA V on and check that the AtomOS version is the version expected
(menu>info tab).
For further information and troubleshooting on updating AtomOS, click here.
IMPORTANT: Problems when installing AtomOS
Very rarely, the firmware update process can go wrong. This might be
because of an incomplete or corrupted download. In the unlikely event of
your NINJA V becoming unresponsive, there is a built-in recovery mech-
anism. All you have to do is press and hold the on/off button for 10
seconds. If you do this your NINJA V will revert to its factory condition, and
you will be able to retry the firmware update later (taking due precautions
to identify and remove possible reasons for the failure of the previous
attempt)
HDMI cables
ATOMOS makes a range of professional HDMI cables which are ideal for connecting
between your camera and NINJA V. For 4Kp50/60p and RAW recording we advise the use
of ATOMOS HDMI 2.0 cables. For more information and to purchase ATOMOS
HDMI cables, visit the HDMI Cables page on the ATOMOS website.
In terms of third party HDMI cables, they are not all created equal and there are a variety
of different qualities available. Please make sure you test your cables prior to shooting.
This is particularly important when recording 4Kp50/60 and RAW. Many cables will claim
to be high speed but will lack the required shielding on both cable and connector to main-
tain a high quality signal. If the signal contains errors that affect your recording, your
NINJA V may not lock to these inputs.
Take care to use HDMI cables of the appropriate grade and ensure that you protect them
from damage. Signal issues can often result from damaged HDMI cables, or from using
cables that are too long.
Also check your connectivity at both the camera connector and the recorder
/ monitor connector to make sure you have a firm connection, to avoid sig-
nal drop outs.
If the HDMI cable is removed whilst you are recording, the 'Skippy' icon will
be displayed. Tap the Skippy icon and it will disappear, ready for the next
notification.
Media
Which drives should you use?
There are quite a large number of drives available on the market, and newer models
appear all the time. To avoid potential data loss and/or write/read errors, ATOMOS only
recommends the use of AtomX SSDmini, approved SSD media and CFAST II media only.
For the most up-to-date information on compatible drives, please visit: www.atom-
os.com/drives
Spinning Disk Drives (HDD's) are not recommended for use with your
NINJA V. They are not suitable for 4K recording or for use in environments
or situations where they are subject to harsh vibration or mechanical
shocks. They are also not suitable for external recording beyond 1080p30.
Master Caddy II does NOT fit into the NINJA V media slot when ATOMOS
CONNECT is attached. Only Master Caddy III, AtomX SSDmini or AtomX
CFast Adapter should be used in this scenario.
Solid State Drives (SSDs)

Widely available 2.5” SSDs are the basic storage media for ATOMOS Monitor Recorders.
We work closely with leading drive manufacturers to qualify as many options as possible.
Before using these drives, they need to be mounted in the Master Caddy II or Master
Caddy III. For more information refer to "Mounting disks in the Master Caddy II " on
page 47.
To purchase Master Caddy II units, visit atomos.com/accessories/master-caddy-ii-5pack

AtomX SSDmini
ATOMOS has teamed with the world’s leading media manufacturers to design SSD media
that is better suited to our ever evolving Monitor Recorders. The AtomX SSDmini is a little
over 1/4 inch tall and 3” long. It is also 20% shorter than traditional SSDs, yet keeps the
standard SATA III connector.
It fits directly into the NINJA V without the need for a Master Caddy II and is compatible
with all ATOMOS recorders and docking stations. AtomX SSDmini is backward compatible
with previous ATOMOS devices by adding a clever extension handle (SSDmini adapter).
These tiny, slimline SSDs are a true innovation by our close drive partners Nextorage and
Angelbird. 1 TB AtomX SSDmini by Angelbird pictured.
To purchase an AtomX SSDmini, visit the Nextorage SSDmini or Angelbird SSDmini pages
on the ATOMOS website.
To purchase an SSDmini handle adapter, visit atomos.com/accessories/ssdmini-handle
AtomX CFast Adapter

The AtomX CFast adapter from Angelbird, utilizes the AtomX SSDmini form factor and
allows you to use CFast 2.0 Type I cards for recording on ATOMOS NINJA V. When com-
bined with the Angelbird AV PRO CF – CFast 2.0 memory card, you can capture RAW in
high resolution and high frame rates. You can even utilize older CFast type 1 cards to
upload and store 3D LUTs.
To purchase an AtomX CFast Adapter, visit atomos.com/accessories/atomx-cfast-adapter

Secure Erase
4KRAW, AtomX SSDmini by Angelbird and Sony, an option for Secure Erase is presented.
This allows for the entire drive including the drive cache to be formatted. This will erase
ALL content on the drive meaning nothing can be recovered. It will wipe all data off the
drive (which may also be useful as a additional security measure) and reset it back as
close as possible to factory conditions. The benefit of this feature is that it helps to main-
tain maximum drive performance, and therefore should be used when available.
Backing up and archiving

Remember that no storage media, including tape, optical disks, spinning disks and flash
memory, is completely immune from failure. You should bear this in mind when deciding
how to manage your recorded content. At the very least, you should consider the con-
sequences for you and your business if your storage media were to suffer from a sudden
failure, and you should back up your content accordingly.
Deleting files
To ensure the integrity of data writes and to avoid situations such as fragmentation, the
ATOMOS operating system on the NINJA V does not support the deletion of files. We also
do not advise removing or deleting files randomly from the disk on your computer. Often
files are left in the trash or garbage partition of the drive occupying drive cache and this
can affect drive performance. It’s advised that you archive your content and reformat the
drive before each shoot. For more details refer to the Using the NINJA V - Best Practice
section.
Master Caddy Docking Station
The Master Caddy Docking Station allows you to connect your media to your computer for
editing directly from the drive or to copy the files to your own storage system. There are
two ATOMOS Powered Docking Station models, the ATOMOS Powered Docking Station
with USB 3.1 Gen 1 & 2.0 and the ATOMOS USB-C 3.1 Powered Docking Station. Both
models support a single drive caddy at a time and efficiently offload the drive contents dir-
ect to your computer via integrated USB cables.
ATOMOS Powered Docking Station models:

l ATOMOS Powered Docking Station with USB 3.1 Gen 1 & 2.0.
The integrated USB cable features one USB 3.0 and one USB 2.0 connector, with
the latter provided for compatibility with older computers. Also provides support
for an ATOMOS RAID Caddy power cable for connecting a RAID caddy.
To purchase the ATOMOS Powered Docking Station with USB 3.1 Gen 1 & 2.0, visit
the Docking Station page on the ATOMOS website.
The Master Caddy Docking Station is a sophisticated device supporting

two different data interfaces: USB 2 and USB 3. When using the Master
Caddy Docking Station you may need to connect both USB connectors.
This is because when it has to power a disk drive and its interface elec-
tronics, the Docking Station may consume more power than is avail-
able from a single USB port.
When connecting the Powered Docking Station with USB 3.1 Gen 1 &
2.0 to a computer, a USB Type-C to USB Type-A Adapter may be
required.
l ATOMOS USB-C 3.1 Powered Docking Station
The integrated USB cable features one USB-C 3.1 connector for use with com-
puters with a USB-C connection.
When connecting the AtomX USB-C 3.1 Docking Station II with older
computers a USB 3.0 Male to Type C Female adapter is required
All NINJA V media can be connected to a docking station:

l AtomX SSDmini,
l Master Caddy II with SSD media installed,
l AtomX CFast adapter with CFAST II media inserted.
For the most up-to-date information on compatible drives, please visit: www.atom-
os.com/drives
Master Caddy 1 drives can connect to a Master Caddy Docking Station, but
are NOT compatible with the NINJA V due to the compact latch design.
Standard 1/4” or 3/8” Mount/Arm
Below are some examples of tripod and hot shoe mounts, available from most camera
and video specialists. A secure mount will greatly enhance usability and security of HDMI,
power, remote and audio connections.
Your NINJA V has 3/8-16 connectors with 1/4-20 adapters and an ARRI style anti-rota-
tional pin system on the top and bottom of the unit. Select the mount type that best suits
your input device, application and conditions. For more information on the mounting
points on the NINJA V refer to the "Mounting options" on the next page section.
Mounting options
The NINJA V is designed for versatility, and includes multiple mounting options. The unit
has 3/8”-16 screw mounts on the top and bottom, and comes with removable 1/4”-20
adapters installed in both locations. This allows you to have the option for a 3/8”-16 or
1/4”-20 screw mount on the top and bottom of your NINJA V.
The 1/4” adapter is easily removed for mounting on 3/8” fixtures. To remove it, use a flat
head screwdriver to gently loosen the adapter and store your adapter in a safe location.
The mounting points on the top and bottom of the unit feature ARRI style anti-rotational
pins, which allows for secure mounting of your NINJA V to a wide range of arms, mounts,
cages and gimbals. It is compatible with the latest mounting solutions from companies
such as Shape, SmallRig and Wooden Camera.
For information and to purchase the ATOMOS AtomX 5″ NINJA V Cage by SmallRig, visit
the 5" NINJA V Cage page on the ATOMOS website.
Ensure you do not over tighten the screw mounts as this may cause dam-
age. Do not insert a 1/4-20” or 3/8”-16 thread longer than 5mm or you will
risk causing damage to the aluminum chassis.
Choosing your power source
The NINJA V can be powered by the included AC-powered Battery Eliminator, or by using
a compatible DC battery. If you are the owner of other ATOMOS devices, the batteries you
have for these devices (NP-F/L Series) will be compatible with your NINJA V.
Battery Eliminator
Included in the NINJA V box is a Battery Eliminator. This connects directly to the battery
slot of your NINJA V and allows you to connect the included power supply for an AC power
connection. It is also compatible with the ATOMOS coiled DC to D-Tap cable.
To purchase a Battery Eliminator, visit the Battery Eliminator page on the ATOMOS web-
site.
The Battery Eliminator is suitable for use with ATOMOS devices only.
Batteries
We recommend the use of optional ATOMOS NP-F type batteries and the ATOMOS Power
Kit with the NINJA V. The NINJA V can also use standard NP-F/L-Series compatible bat-
teries. Charge new batteries before using them, using a compatible battery charger. To
attach the battery, gently slide it down into the slot until it locks into position. To remove
a battery, push the latch to release it.
To purchase ATOMOS NP-F type batteries, visit the 5200mAh (4 cell) or 7800mAh (6 cell)
pages on the ATOMOS website.
Choosing the right battery for your application
Battery
Size Cells
Life*
5200mAh 4 Up to 2 hrs
7800mAh 6 Up to 3 hrs
Battery Continuous
-
Eliminator AC
Source
D-Tap -
dependent
* Battery life tested during Monitor/Record 4Kp60 operation.
Before any type of disposal the battery should be discharged completely.

Tape the contacts with electrical tape and package so as to prevent con-
tacts accidentally coming together at any time.
Incineration must be performed by an approved and permitted waste treat-

ment facility that handles lithium ion batteries. If you are not sure if your
waste facility can handle lithium ion batteries, contact them and verify if
they are permitted or not.
ATOMOS Fast Battery Charger (optional)
The ATOMOS Fast Battery Charger has been designed to rapidly charge NP-F type bat-
teries, yet be lightweight so that is easy to travel with. To purchase an ATOMOS Fast Bat-
tery Charger , visit atomos.com/accessories/fast-battery-charger-power-supply
Fast charging of the battery is possible up to 80% capacity and the remain-
ing 20% will then charge at a slower rate to maintain optimal battery life.
In the unlikely event of a charge error the first and last red LEDs will flash
quickly.
Attaching a Battery or a Battery Eliminator
Once locked into position, NINJA V batteries and modular accessories are
held in place tightly to ensure that they cannot work loose. You may have to
be quite firm with the battery latches to remove batteries and accessories,
so we suggest that you familiarize yourself with the force required so that
you can do this quickly in the field.
12V-3A AC power supply

The included 12V-3A AC power supply connects to the Battery Eliminator to supply power
to your NINJA V. When you have an AtomX CAST connected to your NINJA V, the power
supply connects to the DC input on the AtomX CAST to provide power for both NINJA V
and AtomX CAST.
DC to D-Tap Coiled Cable

The DC to D-Tap Coiled Cable is an optional ATOMOS accessory. It is designed to allow
you to power your device from an external battery system with a D-Tap port. Simply con-
nect the D-Tap connector to your power source.
To purchase a DC to D-Tap Coiled Cable, visit ATOMOS coiled DC to D-Tap cable.
Ensure that the output of the power source does not exceed 16.8V DC.
Powering On and Off
Turning ON power to the NINJA V

The Power button is located on the top right hand side of the unit (as you look at the
screen). With a power source connected, momentarily press the Power button. After a
couple of seconds you will see the ATOMOS logo then the NINJA V Home Screen.
Turning OFF power to the NINJA V

To turn the unit off, tap the battery icon on the top right of the home screen to open the
Power menu screen.
On the Power menu screen press the green Power icon for 4 seconds.Four seconds can
seem like a long time, but this is intentional to make sure that the NINJA V can’t be turned
off accidentally.
The icon will turn red when touched to indicate activation of the button. The unit will then
power off. You can also do a forced power down by pressing the physical Power button on
the side of your NINJA V for four seconds.
For more information on the Power menu see the "Power Menu" on page 221 section.
Do not press and hold the power button in on the NINJA V while the unit is
off. This will place the device in to a Firmware recovery mode. If you acci-
dentally do this, simply turn the device off again or remove the power
source.
Take note to respect the air flow and do not obstruct the cooling vents of
the unit.
Inserting and Removing Media
Inserting Media
On the rear of the unit is a 2.5” slot designed for your media. To insert an AtomX
SSDmini, Master Disk Caddy II/III or the AtomX CFast adapter, gently push the media
into the slot until it stops at the end of the drive slot.
Removing Media
The SSDmini, Master Caddy II/III and the AtomX CFast adapter are all hot-swappable, so
you can remove the media at almost any time – even while the unit is turned on. But don’t
do it while recording or you will get a corrupted file that may be unplayable. To remove
media, simply pull it out from the slot by holding the top and bottom tabs on the media
itself.
The NINJA V disk slot does NOT have a release latch for media. It is a fric-
tion-fit system. Simply pull the SSDmini / Master Caddy II out using the top
and bottom tabs on the caddy itself.
The AtomX SSDmini Handle is available as an optional accessory, and can

be attached to your AtomX SSDmini. This allows it to be used with existing
ATOMOS Master Caddy II devices, and also reduces handling and potential
damage to the disk casing.
AtomX SSDmini is backwards compatible with previous ATOMOS recorders.
The original Master Caddy 1 is NOT compatible with NINJA V as the keyways
are on one side only.
Mounting disks in the Master Caddy II
If you choose to use your own disks instead of using a pre-built AtomX SSDmini, then it
needs to be installed into a Master Caddy. The Master Caddy is a plastic shell that holds
your disk in place, and has two variants - Master Caddy II and Master Caddy III.
Master Caddy II is still supported on NINJA V, however, if you are using an ATOMOS
CONNECT with your NINJA V, then you must mount your disks in a Master Caddy III to
ensure that the disks can be inserted into the media slot when an ATOMOS CONNECT is
attached to your NINJA V.
For more information on using Master Caddy III, refer to "Mounting Disks in Master Caddy
III" on page 49
How to mount a disk into Master Caddy II

Insert the disk into the caddy, and secure with the four supplied screws. These screws
should be tightened so the screw heads are flush with the casing of the caddy. The caddy
is light and the disk just needs to be held securely.
Don’t over-tighten the screws. There are no connections to make because sliding the
Master Caddy II into the NINJA V or the docking station makes all the connections for you.
The Master Caddy can’t be inserted the wrong way round. Always make sure that the disk
connector faces the slot in the NINJA V. Push the Master Caddy II into place, but never
force the disk just in case something isn’t set up or aligned properly. For information on
attaching media to a Master Caddy Docking Station see "Connecting media" on page 361.
There is very little that can cause problems, but if there is an issue it is likely that the
Master Caddy isn’t properly flush with the drive inside. A quick visual check will confirm
this.
Spinning disks and SSDs are very sensitive to damage from static elec-
tricity. Please observe all the usual precautions when handling them and
NEVER touch the exposed SATA connector as static electricity may be harm-
ful to your disk.
Master Caddy II drives are backwards compatible with previous ATOMOS
recorders, however Master Caddy 1 is not forward compatible with the
NINJA V due to the compact latch design
How to Mount Disks in the Master Caddy II

Mounting Disks in Master Caddy III
If you choose to use your own disks instead of using a pre-built AtomX SSDmini, then it
needs to be installed into a Master Caddy - a plastic shell that holds your disk in place.
Master Caddy III was introduced with the release of the ATOMOS CONNECT accessory,
and must be used when ATOMOS CONNECT is attached to the NINJA V. If you have used
Master Caddy II before with other ATOMOS products, you will notice that Master Caddy
III has a slimmer, lighter weight design to ensure that the disks can be inserted into the
media slot when an ATOMOS CONNECT is attached to your NINJA V. A Master Caddy III
and screws are provided in the box when you purchase an ATOMOS CONNECT.
For information on drives that are compatible with your NINJA V, refer to the compatible
drive page at atomos.com/compatible-drives
How to mount a disk into Master Caddy III

When inserting the disk into the Master Caddy III, ensure that the SATA connectors of the
drive line up with the gap in the plastic shell. If they do not line up with this gap, turn the
drive over.
Correct alignment
Incorrect alignment
It is important to properly align the drive correctly with this gap in the
Master Caddy III, so that the drive can connect to the SATA connectors on
NINJA V when inserted.
SSDs are very sensitive to damage from static electricity. Please observe all
the usual precautions when handling them and NEVER touch the exposed
SATA connector as static electricity may be harmful to your disk.
With the drive inside the Master Caddy III, use the four supplied screws to secure the
drive in place. These screws should be tightened so the screw heads are flush with the cas-
ing of the caddy. The caddy is light and the disk just needs to be held securely.
Take care not to over-tighten the screws.

When inserting the Master Caddy III into the media slot on your NINJA V, ensure that the
SATA connectors on the disk line up with the SATA connectors on your device. Gently
push the Master Caddy III into place, but never force the disk just in case something isn’t
set up or aligned properly.
If you experience difficulty when inserting the Master Caddy III to your device, the drive
may not be sitting correctly in the Master Caddy or the screw heads may not be flush with
the casing of the caddy. A quick visual check will confirm this. Remove the drive and re-
insert it in the Master Caddy III.
For information on attaching media to a Master Caddy Docking Station see "Connecting
media" on page 361
Master Caddy II is still supported on NINJA V when an ATOMOS CONNECT is

not attached to your NINJA V. For information on using Master Caddy II,
refer to "Mounting disks in the Master Caddy II " on page 47
AtomX Expansion Modules
AtomX expansion modules attach to the AtomXpansion port on your NINJA V, and provide
additional connections and functionality.
AtomX SDI Expansion Module
The AtomX SDI Expansion Module (A) adds the quality and convenience of SDI con-
nectivity to your NINJA V, which allows you to monitor and record SDI video up to 4Kp60
from a range of professional cameras and video sources. The two BNC connectors (B)
allow for input and output connections, so you can send video to or receive video from
any SDI device. This provides flexibility for any video or film production to allow all crew
including directors, cinematographers, assistants and focus pullers to monitor and replay
identical and calibrated content in HDR at the same time.
To use the AtomX SDI Module with your NINJA V, firmware version 10.1 or
later needs to be installed.
The AtomX SDI Expansion Module also allows you to cross convert signals between HDMI
and SDI. This means that where HDMI sources are connected to your NINJA V, an SDI sig-
nal can be output from both of the BNC connectors on your AtomX SDI Expansion Module.
Where an SDI video signal is connected to your AtomX SDI Expansion module, you can
output an HDMI signal over the HDMI Out connector on your NINJA V. Cross conversion
happens automatically, and does not need to be enabled. For more information on cross
conversion refer to "Cross Conversion" on page 105.
For more information or to purchase an AtomX SDI Module, visit atom-
os.com/accessories/atomx-sdi
To use the cross conversion feature, firmware version 10.6 or later needs to
be installed on your NINJA V.
SDI RAW
You can add the SDI RAW feature to your NINJA V by purchasing the optional SDI RAW
upgrade at my.atomos.com
After activating the feature on your NINJA V, you can use the AtomX SDI Expansion mod-
ule to record RAW over SDI from compatible cameras. Refer to Activation section for
more information on the activation process.
To use the AtomX SDI Module for SDI RAW, firmware version 10.6 or later
needs to be installed on your NINJA V.
When RAW over SDI is enabled on a connected camera, your NINJA V will
automatically detect the RAW signal and prompt you to select ProRes RAW
as the recording codec.
AtomX SYNC Expansion Module

The AtomX SYNC Expansion Module (C) adds professional wireless timecode and sync to
any HDMI camera or source, making it easy to integrate consumer cameras into multicam
productions. This allows for perfect synchronization with a range of other products includ-
ing iOS devices, professional audio recorders and cameras. The ATOMOS UltraSync ONE
and UltraSync Blue can also be used to bring multiple cameras and devices into perfect
sync.
The result is that your footage and audio from multiple sources will be perfectly aligned
when you bring it into your NLE timeline. You can sync and/or control any number of
NINJA V units equipped with AtomX Sync modules on the same network at ranges of
200m+. AtomX Sync also has a built-in battery extender that allows for continuous power
when swapping batteries, ensuring uninterrupted operation of the NINJA V during a
shoot.
For more information or to purchase an AtomX SYNC visit atom-

os.com/accessories/atomx-sync
To use the AtomX SYNC Module with your NINJA V, firmware version 10.4
or later needs to be installed.
AtomX CAST
The AtomX CAST (D) is a modular companion that transforms the NINJA V into a 4 input
HDMI switcher. The combination of the NINJA V and AtomX CAST becomes the Ninja
CAST, a fully functional stand-alone switcher with an integrated high quality 5” HDR touch-
screen monitor with multi-view, broadcast quality recording and physical buttons - that
can be used anywhere and does not require a computer to function. The flexible control
options allow you to use either the touchscreen or the physical buttons to 'switch'
between sources when deciding what should be on screen at any one time for broadcast.
Ninja CAST appears as a high-quality webcam to your computer, and it works imme-
diately with your video applications like Zoom, Teams and Skype without the need to
install drivers on the computer. Create broadcast quality multicamera programs and use
features like logos, graphics and picture in picture to enhance your online meetings,
presentations, conferences, remote learning/training, virtual conferences or demon-
strations.
To purchase an AtomX CAST visit atomos.com/accessories/atomxcast

To use AtomX CAST with your NINJA V, firmware version 10.71 or later
needs to be installed.
ATOMOS CONNECT
ATOMOS CONNECT attaches to the AtomXpansion port on your NINJA V and provides addi-
tional connections and functionality. It features a 12G-SDI input, ATOMOS AirGlu™ wire-
less sync timecode technology for direct, long-range communication between devices,
multiple power options to accommodate a variety of on-set scenarios, plus Wi-Fi 6 and
Gigabit Ethernet. When attached to the NINJA V, the ATOMOS CONNECT transforms pro-
fessional cinema, mirrorless, and DSLR cameras into fully connected devices that support
a range of advanced cloud-based workflows. For more information on cloud-based work-
flows refer to the "Connect Menu - Atomos Cloud Studio" on page 144 section.
To use the ATOMOS CONNECT with your NINJA V, ensure you have AtomOS
firmware version 10.8 or later installed. Visit atomos.com/support to down-
load firmware for your device.
ATOMOS CONNECT Connections
a. RJ45 Ethernet Port

1Gbe Ethernet for a high-speed robust hardwired network connection.
b. RF Antenna Connector
Connect the supplied RF antenna for AirGlu™ wireless SYNC functionality.
c. Tally Light
Red Tally light on the rear of the unit will flash when recording. Tally light can be
enabled/disabled in the "Monitor tab" on page 327.
d. SDI Connector
The SDI input connector is 12G compliant and backwards compatible with 6G, 3G and
1.5G signals.
e. WiFi Antennas
Connect the two supplied WiFi antennas in this position. Wi-Fi 6 provides high per-
formance wireless connection and mobile hotspot support
f. Battery Slot
Attach NP-F / L-Series batteries or a Battery Eliminator to supply power.
You cannot attach or 'stack' AtomX modules to the Battery Slot (f) on the
ATOMOS CONNECT accessory.
g. Battery Release
Press and slide an attached power source away from the unit to remove it.
h. Thumb screws
Use the provided thumb screws to securely attach the CONNECT to the left side of your
NINJA V.
Take care not to over tighten the thumb screws.
Attaching / Removing ATOMOS CONNECT

The ATOMOS CONNECT attaches to your NINJA V in the same way that you attach
AtomX modules to your NINJA V.
To attach the ATOMOS CONNECT to your NINJA V:
1. Line up the rear part of the ATOMOS CONNECT with the AtomXpansion port of
NINJA V.
2. Gently slide ATOMOS CONNECT into the AtomXpansion port until it clicks into place.
When mounting ATOMOS CONNECT, make sure that it clicks into place.
3. Tighten the thumbscrews (h) to secure ATOMOS CONNECT in place.
Take care not to over tighten the thumb screws.
To remove ATOMOS CONNECT from your NINJA V:
Ensure that any inserted media is removed from your NINJA V before
attempting to remove the ATOMOS CONNECT from your NINJA V.
1. Loosen the thumbscrews completely (h).

2. Press the release button on the NINJA V and gently slide the ATOMOS CONNECT
upwards and away from the NINJA V.
Attaching the Antennas to ATOMOS CONNECT
There are three antennas inside the ATOMOS CONNECT box. Two of the antennas are
identical in size and shape and one is smaller in length. The two longer antennas are the
Wi-Fi antennas, and the smaller antenna is the RF antenna.
1. Unscrew the Antenna mount covers from the positions indicated, and store them in a
safe place. When the antennas are not attached, these covers should be screwed in
place to protect the antenna connectors.
2. Screw the 2 x Wi-Fi antennas into the Wi-Fi connectors on the top of
ATOMOS CONNECT.
3. Screw the smaller antenna into the RF connector on the back of ATOMOS CONNECT.
Attaching Power to ATOMOS CONNECT
The ATOMOS CONNECT can be powered by the DC Power Supply and Battery Eliminator
that were supplied with your NINJA V, an optional D-Tap to DC Barrel Coiled Cable
(ATOMDTPCB2) or NP-F / L-Series type batteries. Connect your chosen power source to
the battery slot (f) to provide power in the same way you would attach a power source to
your NINJA V.
Connecting a power source to the ATOMOS CONNECT supplies power for

both NINJA V and CONNECT.
The first time you power on your NINJA V with ATOMOS CONNECT attached,
you will be prompted to select your region of use. Tap Region to cycle
through the options and then tap on Confirm. This message will also appear
after performing a factory reset and after installing new AtomOS firmware.
To attach an NP-F / L-Series type battery to ATOMOS CONNECT
l Place the battery in front of the retaining lug, align with the connectors and slide the
battery into the battery slot (f) until it clicks into place
To attach a Battery Eliminator to ATOMOS CONNECT
l Gently slide the Battery Eliminator into the battery slot (f) until it clicks into position.
l Secure the DC power supply to the DC jack on the Battery Eliminator.
l Alternatively, secure the optional ATOMOS D-Tap to DC Barrel Coiled Cable

(ATOMDTPCB2) to the DC jack and connect the other end to a D-Tap power source.
To remove a Battery Eliminator or battery from ATOMOS CONNECT
l Press the battery release (g) and gently slide the power source upwards to remove it.
Connecting to the Atomos Cloud
For information on how to connect to Wi-Fi or Ethernet networks, refer to the "Wi-Fi
Menu" on page 123 and "Ethernet Menu" on page 128 pages. For information on the
Atomos Cloud Studio and the procedure for connecting to the Atomos Cloud, refer to "Con-
nect Menu" on page 132 and "Connect Menu - Atomos Cloud Studio" on page 144
AtomOS 10 Operating System
With the AtomOS 10 Operating System, you get the ultimate touch interface for mon-
itoring and recording and an operating system that has a clean, intuitive and elegant
design. It’s simple and straightforward, but at the same time it provides access to the
complete range of features. No complicated sequences of buttons. No endless menus
crowded with text. It’s optimized for the AtomIC hardware platform. And it’s extremely
responsive with fast boot up times.
The Main Screen - Home Screen
The ATOMOS 10 home screen is designed for unobstructed monitoring at all times. The
clean and uncluttered design of ATOMOS 10 concentrates the attention on the image, not
on the device’s operation. From the muted main button controls through to flexible his-
togram size and positioning, all on-screen controls are non-obtrusive and incredibly intu-
itive to use. Monitoring tools are only one-touch away, and allow for a better view of your
subject while adjusting monitor-assist functions such as focus peaking and false color,
Record, Playback, Monitoring and Edit features are easier than ever to use.
Monitor Mode / Home
REC (Record): Press to begin recording. Jump to Record Home Screen.
PLAY: Jump to the most recently recorded clip on the Playback Home Screen.
MON (Monitor): Press once to show Monitoring Features and Information Bar. See the
following pages for activating Monitoring features. Press again to return to home.
EDIT: Press to show Editing Features and Information Bar. Press again to return.
TIMECODE: Shows the selected timecode such as embedded, time of day or rec run.
LUMA WAVEFORM: Luma Waveform is a constant on your home screen, to allow for
greater control over monitoring without compromising the subject.
AUDIO: Audio Meters. Touching the Audio meter will open the Audio Menu.
TIME REMAINING: Time Remaining on Disk (at current record settings). Changing
Recording Format will change Time Remaining.
BATTERY: Touch to access Power Menu. Battery Indicator shows power level and flashes
red when power is running low.
SETTINGS (red): Touch to access all Recording settings, including input, out-
put, file, media, gamma, gamut, and more.
Touch MON (Monitor) to reveal Monitoring Features and the Information Bar.
When activated the Monitor button will have two surrounding rings. For more
information refer to "The Main Screen - Monitoring Features" on page 79
At any time you can remove the overlays by touching the center of the
screen. Touch again to bring them back.
The Main Screen - Information Bar
At the top of the NINJA V screen is the area referred to as the Information Bar.
It displays the settings of your input device/camera, current settings of your NINJA V,
media, audio, disk capacity and more. Touching any of these areas will take you to the rel-
evant menu and allow you to make changes to your setup.
Alternatively you can access these setting by tapping the Record Settings icon. Tapping
the Settings button will open the Record Settings menu, from where you will be able to
navigate to the required tab. Swipe left to see more tabs.
The content in the Information Bar is dependent on what mode you are in, for example
Recording and Monitoring will display the Video Input type, but if you are in Play mode,
Video Input will show the resolution and frame rate of the video clip currently cued or play-
ing.
Monitor Mode / Features
In the image the NINJA V has an input and an output, and is ready to record the signal or
play the last recorded file from disk.
VIDEO INPUT: (Rec & Mon mode) Resolution and frame rate from input device
VIDEO INPUT: (Play & Edit mode) Resolution and frame rate of current playback clip
INPUT GAMMA: Displays the current input gamma. Tap to open Input menu to ensure it
matches the output coming from your camera or other input device. RAW inputs will auto-
matically be set to match the camera output. For some cameras further options can be
selected. During playback mode this setting will be determined by the metadata of the
recorded content.
VIDEO OUTPUT: This menu displays the active video resolution and frame rate being
output from the HDMI Out.
MONITORING MODE: Displays the monitoring display mode that has been selected.
Native, Rec709, HLG, PQ or the name of the 3D LUT selected. Touch to change settings.
CODEC (RECORDING FORMAT): Shows the recording format. Touch to change set-
tings.
METERS: (Audio Meters): Touching the audio meters will open the Audio Menu.
MEDIA INFO: This shows the remaining recording time based on the chosen codec and
remaining capacity of the drive.
BATTERY: Touch to access Power Menu. Battery Indicator shows power level and flashes
red when power is running low.
NETWORK STATUS
When you are in Connect mode, the following network status icons will appear in the
Information Bar. These icons represent Wi-Fi and Ethernet connections, and will appear
white when active.
SETTINGS (yellow): Touch to access Monitoring Feature settings.
Touch MON again to return to previous screen.
The EDIT button works in a similar fashion to the Mon button, as it is not
possible to have Monitor and Edit active simultaneously.
The Main Screen - Monitoring Features
At the bottom of the Monitoring screen are the Monitoring Features, accessible by tog-
gling the MON icon. Monitoring Features do not affect your recorded file and can be
turned on and off, or adjusted whilst recording (unless you choose to burn a LUT into your
footage). Not all Monitoring features are available at first glance – to reveal all Monitoring
features, swipe monitoring icons to the left. The icons will behave in a carousel like man-
ner and you can swipe left and right to access any of the features. At the bottom right is
the Settings button. Press the yellow Settings icon to adjust the settings and behaviors of
the Monitoring Tools.
Main Controls
REC (Record): Tap to begin recording / Return to Record Home Screen.
PLAY: Jump to the most recently recorded clip / Enter Playback Home
Screen.
MON (Monitor): Whilst on the monitoring features screen press once to

revert to home screen view. For Monitor settings press the Settings button.
Any Monitoring functions you have enabled will remain active until deac-
tivated.
EDIT: Press to show Editing Features and Information Bar.
Press again to return to home. Any Monitoring functions you have activated
will remain active until they are turned off.
SETTINGS (yellow): Touch to access Monitoring Feature Settings. Set scope
sizes, adjust transparency, LUTs, Focus Peaking and more.
Monitoring Feature Activation Icons
For more information on the monitoring tools, refer to the Monitoring Features section.
Home screen and menu functions
REC (Record)
This is the icon you touch to begin a recording. Touch it again to stop a recording. While
recording the Rec icon changes to a Stop icon and a red frame is present around the
screen.
Standby
Recording
No input / No media
The Rec icon is dimmed and disabled if there is no valid video input. It also
appears in where there is no media, the disk is not formatted or the disk is
full. The button is dimmed because you cannot record.
PLAY
Touch this icon to play previously recorded clips and touch it again to pause playback.
When you press the green Play button the NINJA V will switch to playback mode and auto-
matically play the last recorded clip.
Playback Mode
Playback Home screen
Touching the folder icon will reveal the available playlist.
NINJA V uses a unit name, scene, shot and take convention to name the clips. Select the
clip you want to play by touching the file name and this will start to playback. To exit the
playlist simply touch close, or any other button. Touching close will take you to the pre-
vious window.
Close Screen
Tap to close the screen.
Folder level up
Tap to navigate one level up in the folder structure.
Playlist Options
Tap to enable Playlist options. For more information on using playlists, refer to "Playlists"
on page 341
No disk / disk not secure
The Play button will be dimmed and disabled if there is no disk, where there
is a poor connection or the disk is not correctly formatted and during record-
ing. See the "Best Practice" on page 19 section for more information.
MON (Monitor)
Pressing MON reveals Monitor Assist icons as shown in "The Main Screen - Monitoring
Features" on page 79 section. These features are explained in detail in the Monitoring
Features section.
EDIT
You can use the edit tools during recording and playback. Pressing EDIT takes you into a
number of options. For more information refer to the "Edit Mode" on page 349 section.
The NINJA V Menu system
Tap on the Input, Output, Codec, Media or Battery indications in the Information bar at
the top of the home screen to open the menu related to that item.
Menu pages contain information as well as settings that can be adjusted.
Across the top of the menu page that opens are menu tabs that link to the other menu
pages. Swipe the menu tabs to the left or right to see all of the menu tabs and tap on the
one you wish to enter.
Swipe left to reveal more tabs that contain settings. If you cannot find the
menu you are looking for, swipe left or right.
Source Menu
The Source menu allows you to select your Input Source, depending on your signal con-
nection and how you are using your NINJA V.
Select your Input Source

Select your Input Source from the options below. Once you have made a selection, tap
OK and your NINJA V will power down and reboot in the selected mode. Press cancel to
return to the selection screen.
HDMI
Selects the HDMI input on your NINJA V. This mode should be used for standard NINJA V
operation when you do not have AtomX CAST connected.
SDI
For SDI sources connected to an AtomX SDI Module or ATOMOS CONNECT that is
attached to your NINJA V. To be available for selection, an an AtomX SDI Module or
ATOMOS CONNECT needs to be connected before turning on the NINJA V.
AtomX CAST
Select to use the features of the AtomX CAST. To be available for selection, the AtomX
CAST module needs to be connected to the NINJA V before powering it on.
When AtomX CAST is connected to your NINJA V, the AtomX SDI option will
be greyed out since you cannot use the SDI module when the AtomX CAST
is attached.
RAW inputs are not supported when using the AtomX CAST for switching.
If you power on NINJA V after using the AtomX CAST mode, you may see a
warning notifying you that an AtomX CAST module has not been detected.
You will be advised to Power Off your NINJA V and attach the module, or to
change modes and operate without the module.
Input Source
The source section allows you to select the input signal connection type, and related set-
tings.
Input
When you have an AtomX SDI module or ATOMOS CONNECT attached to your NINJA V,
you will be able to tap on Input to switch between HDMI and SDI inputs. For more inform-
ation refer to "Input via AtomX SDI Expansion Module" on page 91 and "Input via Atomos
CONNECT" on page 93
You can only switch from HDMI input to SDI input when the AtomX SDI
Expansion Module or ATOMOS CONNECT is connected to your NINJA V.
Signal
The resolution and frame rate of the selected input source is displayed. No Input will be
displayed when there is no input connected.
HDMI Standard
When connected to an HDMI source, tap on HDMI Standard to toggle between the fol-
lowing:
l HDMI 1.4,
l HDMI 2.0 and
l Compatibility Mode.
Compatibility Mode (HDMI)
This mode improves the signal locking process when working with HDMI signals from
specific cameras. After selecting compatibility mode, remove and re-insert the HDMI
cable to the camera.
Compatibility mode should be enabled when recording from a Z CAM E2

series camera via HDMI, for all frame rates and resolutions in ProRes, DNx
and ProRes RAW. It should also be enabled when recording video from a
Canon 1DX MIII via HDMI, in 4Kp50 and 4Kp60 modes in ProRes and DNx.
Compatibility mode for HDMI should not be used for any HDMI RAW signals
except for Z CAM E2 series cameras and the Canon EOS R5.
Input via AtomX SDI Expansion Module
The AtomX SDI expansion module adds 12G SDI I/O to your NINJA V with 2 x industry
standard full size BNC connectors. When you have an AtomX SDI module attached to your
NINJA V, you will be able to tap on Input to switch to SDI as your input. You will then be
prompted to reboot your NINJA V so that it can to change to the SDI input. Tap Confirm
and wait for your device to reboot in SDI source mode.
Once in this mode, the input menu will resemble the image shown above. The AtomX SDI
Module does not need to be activated before use, however to use the SDI RAW feature
you will need to activate this feature. Refer to the "Activation Menu" on page 224 section
for more info.
You can only switch from HDMI input to SDI input when the AtomX SDI
Expansion Module or ATOMOS CONNECT is connected to your NINJA V.
To use the AtomX SDI Module with your NINJA V, firmware version 10.1 or
later needs to be installed. To use SDI RAW, firmware version 10.6 or later
Mode
When connected to an SDI source, tapping on Mode will toggle between the following
modes:
l Single Mode: For single SDI sources, where a single SDI input on either the Channel
1 or Channel 2 connector.
l Dual Mode: Selects both SDI connectors to deliver the input signal as a dual-link
connection, where two SDI cables are connected for dual link 1.5G/3G and 6G stand-
ards.
l Auto Select: Your NINJA V automatically detects the correct mode to use, based on
the signal that it is receiving.
Channel Source / Link Status

In Single Mode, a Channel Source indicator will appear and display the currently selected
channel. Where you have two different SDI sources connected, you can tap Channel
Source to switch between SDI connector 1 and 2. Single link SDI connections will auto-
matically be configured based on the signal input between 12G/6G/3G/HD.
In Dual mode, a Link Status Indicator will display the status of your signals. Channel 1
and/or 2 will be red when the signal is not present, whilst they will both be green when
both receiving a signal.
Compatibility Mode (SDI)

Where SDI has been selected as your input, a Compatibility Mode toggle switch will be vis-
ible under Source. This mode improves the signal locking process over SDI, when working
with specific cameras that use a slightly different version of the 12G standard. For more
information refer to atomos.com/support
Input via Atomos CONNECT
With the ATOMOS CONNECT attached, you will be able to tap on Input in the Input Menu
to switch to SDI as your input. The Source Menu will open, where you can select SDI. A
note will advise that changing input source will take a few seconds. Tap Ok and wait for
your device to switch to SDI source mode. Once in this mode, the input menu will
resemble the image shown above.
The ATOMOS CONNECT features a connector for 12G SDI input, which allows you to mon-
itor and record SDI video up to 4Kp60 from a range of professional cameras and video
sources.
To use the ATOMOS CONNECT with your NINJA V, firmware version 10.8 or
later needs to be installed. To use SDI RAW, firmware version 10.6 or later
To use the SDI RAW feature with ATOMOS CONNECT you will need to activate this fea-
ture. Refer to the "Activation Menu" on page 224 section for more information.
Compatibility Mode (SDI)

Where SDI has been selected as your input, a Compatibility Mode toggle switch will be vis-
ible under Source. This mode improves the signal locking process over SDI, when working
with specific cameras that use a slightly different version of the 12G standard. For more
information refer to atomos.com/support
Trigger
Source (Trigger Source)

The NINJA V can be remotely triggered to record from your camera. For HDMI inputs, tap
Source to cycle through the following trigger sources:
l HDMI: If HDMI timecode is selected, you have the choice to start and stop recording
remotely from the source camera timecode.
l None: Select to disable the record trigger.
l Timecode: For older cameras or cameras that don’t have Start/Stop flags for trig-
gering recording, the rolling timecode trigger will trigger recording automatically on
the NINJA V when it detects rolling timecode on the camera.
l Camera Manufacturer: When you have an AtomX SDI module attached, and have
selected SDI at Input, you will be able to tap Source to cycle through camera man-
ufacturers as well as Timecode or None as the source of a trigger.
Trigger (On/Off)
Where you have selected Timecode as the trigger source, you can enable or disable the
trigger by tapping the ON/OFF switch.
Note that where you have selected a camera manufacturer, you cannot dis-
able the trigger
Device
l Manufacturer: Displays the camera or device manufacturer.
l Name: HDMI Devices will display an EDID Device name if the information is available
from the HDMI device connected. Not all cameras carry an EDID device name. For
cameras such as the Panasonic LUMIX GH5 this will display as ‘Unknown’.
Remote
Remote Mode
Tap to cycle through the options:
l Camera Controls: Allows you to control supported cameras via the screen of your
NINJA V. Refer to the section below for ATOMOS Camera Menu Control for ZCAM Ser-
ies cameras.
l Calibration: Every brand of monitor in the field and in the editing suite naturally
drifts in color over time. ATOMOS have partnered with calibration leader Calibrite to
open up professional monitor calibration to all filmmakers. For information on how to
calibrate your NINJA V and to purchase a Calibrite i1 Display Pro, visit atom-
os.com/accessories/x-rite-i1-display-pro
l Lanc: For remote operations via the Remote/Calibration Port, ATOMOS supports
both LANC in Sony and Canon format. The NINJA V uses LANC Client so a LANC con-
troller must first be attached to a camera and the output connected via a Y cable to
the NINJA V.
Calibration and LANC will appear as one option: 'Calibration/LANC'
ATOMOS Camera Menu Control for Z CAM Series cameras

When using your NINJA V with Z CAM E2 series cameras, you can control your camera via
the screen of your NINJA V.
How to enter camera control mode on NINJA V to control a Z CAM camera:
1. Use an HDMI cable that supports 4Kp60 to connect the output of the Z CAM to the
HDMI input of your NINJA V.
2. Connect the 3.5mm end of an ATOMOS USB-C to Serial LANC cable to the
Remote/Calibration Port on your NINJA V, and the USB-C end of the cable to the USB
Type-C port on the Z CAM.
3. Power on your Z CAM and navigate to RAW over HDMI in the Record menu, to ensure
that it is turned off.
RAW over HDMI must be disabled for camera menu control to work.
4. Power on your NINJA V and select Compatibility Mode in the Input menu at HDMI
Standard. Remove the HDMI cable from the Z CAM and re-attach it to ensure that the
signal is locked correctly.
5. Tap on Remote Mode on the Input page to select Camera Controls, then tap on the
blue Camera icon on the bottom of the screen to enter camera control mode.
6. Your NINJA V will display the Z CAM camera settings and a camera battery status
icon across the top of the screen, with audio meters and a Menu icon on the right
hand side. The information that is normally displayed across the top of the screen like
video input, media, timecode and battery status will now be displayed on the bottom
of the screen.
How to control a Z CAM camera with camera control mode on NINJA V:
Once you have entered the camera control mode, you can manually adjust the settings of
your ZCAM from the display of your NINJA V. Tap one of the settings across the top of the
screen like aperture, shutter speed, ISO or WB to bring up the adjustment arrows below
the selected setting. Tap on the left or right arrow to adjust the values for the setting.
Auto ISO / Auto WB
When you adjust the settings for ISO or WB, an additional Auto ISO or Auto WB icon
will appear on the right side of the screen. If you tap on this icon, it will enable the auto-
matic ISO or automatic WB mode respectively. The icon will have a white border, and
an ‘A’ will be displayed beneath ISO or WB when enabled. Tap the icon again to disable
the automatic mode.
Access the Z CAM Menu from the display of NINJA V
Tapping on the Menu icon on the right side of the screen will bring up some icons that
replicate the physical buttons on the top of the ZCAM. The operation of these buttons
are the same as the physical buttons.
Tap on the Menu icon in this view to bring up the Z CAM menu on your NINJA V screen.
This is the same menu that appears on the screen of the Z CAM when you press the
physical Menu button on the Z CAM. Tap on the icons to navigate through the ZCAM
menu system and adjust settings, the same way you would when using the physical
buttons on the ZCAM. Tap on the Menu icon again to hide the menu, and tap on the
Return arrow icon on the right side of the screen to return to the previous screen.
Camera Output
Choose to use Log/HDR, camera type, Gamma, Gamut or enable HDMI HDR auto if
required. Your NINJA V will recognise most cameras when correctly attached via a com-
patible HDMI cable.
For the best image processing results it is essential to match the NINJA V
settings to the camera/input settings.
Log/HDR
Turn on to enable HDR image processing inside the NINJA V. Bring the control of post into
your shoot - record, preview and review using HDR.
Camera
Tap to scroll through to the manufacturer of the camera providing the input. Sony, Fuji-
film, Canon, Panasonic, ARRI, RED and JVC.
Gamma
For each manufacturer there may be a number of different Log curves available and you
can scroll through to the correct selection by tapping the Gamma icon.
Gamut
Select the Color Gamut of the input. This is not applicable to all cameras but again ensure
that this matches the input of the camera to ensure accurate monitoring.
Legalize
The legalize function allows you to convert a full range video signal into a legal range sig-
nal to suit legal range NLE editing workflows. This setting is designed for use with inputs
in SDR or REC.709 that are set to or are fixed in FULL range, but recording or monitoring
is needed in ‘legal range’. The terminology used by manufacturers when referring to
levels can vary, but all refer to the range of values contained within an image file:
8-bit val- 10-bit

Terms
ues values
Full / Data /
0-255 0-1023
Extended
Legal /
Video / Lim- 16-235 64-940
ited
If you are working in SDR/Rec709 and have a full range video signal coming in, it is best
practice to turn the Legalize function ON, on your NINJA V. For Log inputs, the conversion
to LEGAL range should NOT be applied. Log outputs from the cameras utilize FULL range
signals in order to gain the maximum level of data and preserve dynamic range. The
majority of Log base workflows are derived from Cineon, Kodak’s original Cineon Film DI
system. E.g. Sony, Canon and Panasonic all use FULL range levels.
Do not apply the Legalize function to a LEGAL range signal as this will cre-
ate an incorrect correct color pipeline. The result will create an image that
is of lower contrast and look like Log but without the additional dynamic
range of Log - as the camera output was already defined as a Rec.709 /
BT.1886 gamma.
The legal range toggle is not available when using Atom HDR. Atom HDR is
used for log workflows and when engaged the Legalize option will not
appear.
The legalize option is not available for ProRes RAW video.

HDR Auto
HDR is detected when there is a compatible input signal. It is important that this is OFF if
the camera is not outputting HLG or PQ. It should not be used for regular Log.
About Log/HDR
A better understanding of Log and HDR will enhance your workflow and ultimately allow
you to capture maximum amount of detail during recording, and save you time in post
production. To understand more about the importance of this function please refer to the
"Understanding HDR and Log" on page 294 section.
Cross Conversion
When an AtomX SDI Expansion module or ATOMOS CONNECT is attached to your
NINJA V, you can cross convert signals between HDMI and SDI.
This means that where HDMI sources are connected to your NINJA V, an SDI signal can be
output from both of the BNC connectors on your AtomX SDI Expansion Module. In this
scenario, both BNC connectors on the module can be used for two simultaneous SDI out-
puts, which allows you to output the same signal to two monitors.
The SDI connector on ATOMOS CONNECT is an Input only, so HDMI signals

connected to your NINJA V cannot be output via SDI with an
ATOMOS CONNECT.
Where an SDI video signal is connected to your AtomX SDI Expansion module or
ATOMOS CONNECT, you can output an HDMI signal over the HDMI Out connector on your
NINJA V.
Whilst converting the signals listed above, you can use the Output Options in the Output
menu to downscale and crop the signals. The HDR section provides options for outputting
HDR versions of the signals after cross conversion. For more information refer to the "Out-
put Menu" on page 107 section.
To use the cross conversion feature, firmware version 10.6 or later needs to
be installed on your NINJA V. Once you have installed this firmware, cross
conversion will happen automatically and does not need to be enabled.
Cross conversion of SDI RAW video inputs is possible, once your NINJA V
has been activated for RAW at my.atomos.com. For more information refer
to the "SDI RAW" on page 117 section.
Output Menu
This menu displays the active video format being output over HDMI, or SDI when the
AtomX SDI module is attached. A 4K to HD down conversion can be applied to the output,
which allows you to send a 4K input signal to a HD device. When working in HDR a signal
will be output with the HDR flag to activate the correct settings on a compatible HDR dis-
play. This can be useful if you wish to monitor log footage in the studio.
VIDEO OUT
This section displays the resolution of the Input. When processing options are applied
below it will be adjusted accordingly.
HDMI Output
Displays the resolution and frame rate of the HDMI Output from your NINJA V. When you
have an AtomX SDI Module connected, the resolution and frame rate of the SDI Output
will be displayed. For more information refer to the "Output via AtomX SDI Expansion
Module" on page 110 section.
OUTPUT OPTIONS
4K to 2K Output
Allows you to scale 4K or UHD inputs for output. This will scale 4K to 2K and UHD will be
scaled to HD 1080p.
DCI Crop
When enabled, this setting trims the 17:9 DCI input to 16:9 converting the signal to UHD.
When 4K to 2K Output is On, the output will down scale to HD.
HDMI timecode
Allows for the embedded timecode or in unit generated timecode to be looped out. The
option is present to allow you to turn the timecode as this can disrupt some consumer
equipment that is not intended to receive embedded timecode. Tap to toggle between
on/off.
SDI Compatibility Mode
This option will appear when you have an AtomX SDI Module connected. For more inform-
ation refer to the "Output via AtomX SDI Expansion Module" on page 110 section.
HDR
Here you are able to set a conversion from your LOG input to a HDR display standard such
as HLG or PQ. You can also define the output color gamut from your camera’s gamut to a
display standard for BT2020, DCI-P3 or Rec709.
HDR Out
Enable or disable HDR on the output.
HDR Type
Allows you to select the HDR type to output. Tap to cycle through PQ, HLG and Dolby
Vision Tunnels.
Gamut
Allows you to select the Gamut of the signal that is output. Tap to cycle through Rec.709,
BT.2020 and DCI-P3.
LUT Out
Allows you to loop out LUTs that are applied to your image, so that they are also applied
to the Output signal.
Output via AtomX SDI Expansion Module
SDI Output
In the VIDEO OUT section of the Output menu page, the SDI module will automatically
detect the resolution and frame rate of the SDI input when connected. The NINJA V
detects the active input Channel Source and configures the other connector as an Output.
SDI 3G Type
Allows you to specify the ‘SDI 3G Type’ for compatibility with equipment that expects a
specific type of 3G-SDI video. Tap to cycle through the options:
l Level A,
l Level B or
l Auto.
You can only output SDI when the INPUT is in ‘SINGLE’ or ‘AUTO SELECT’
mode.
SDI Compatibility Mode

Some video devices use a slightly different version of the 12G standard, which can cause
issues with their ability to detect a video signal that is output from an ATOMOS device.
Enabling SDI Compatibility Mode will cause your NINJA V to send out a video signal in the
format that these devices expect. Tap the switch to toggle between On and Off.
Record Menu
Space Remaining
Indicates the expected recording time remaining on the inserted media at the current set-
tings. Changing your recording settings may extend or decrease your available recording
times.
Pre-Roll (On/Off)
Whilst enabled, the input is constantly being recorded, with approximately the last 8
seconds in HD and 2-3 seconds in 4K being cached into memory. The frame rate and
codec selected will determine the number of seconds being cached for Pre-Roll. Using a
lower bit rate codec setting and shooting at a lower frame rate will increase the length of
Pre-Roll.
When the record button is pressed or trigger is sent, the buffered Pre-Roll data in memory
will be written out to the start of the recording. This means if you are a few seconds slow
hitting the record button when something interesting happens you will still capture the
shot.
With this option turned on you will see a red Pre-Roll icon flash in the top left hand corner
of the display.
A white circular arrow will also appear around the record button.
With Pre-Roll mode activated the Recorder is constantly caching frames

internally to the unit and as such any feature that can not be changed whilst
recording is disabled. This includes audio channel select, 3D LUT record,
codec, disk options etc.
CODEC (Recording Format)

Codec Format
To select a codec tap on the currently displayed codec to toggle between the options:
l Apple ProRes®,
l Apple ProRes RAW,
l Avid DNxHD® and
l H.265 (HEVC)
After selecting a codec, you will be prompted to tap Confirm to switch to that codec.
If you select an optional codec like Avid DNx, ProRes RAW or H.265, you will
be prompted to activate the codec at my.atomos.com as these codecs must
be activated before use.
Compression
Tapping on this setting allows you to toggle the compression for the currently selected
codec.
Apple ProRes
Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422
& LT).
Avid DNx
Avid DNx requires free activation via my.atomos.com and includes DNxHD with four
levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four
levels of compression (HQX, HQ, SQ and LB). DNxHD 220x/DNxHR HQX are 10-bit,
whilst all others variants are 8-bit and DNxHD36 is a proxy codec.
Apple ProRes RAW
Apple ProRes RAW also requires free activation via my.atomos.com and includes two
compression options: ProRes RAW and ProRes RAW HQ. Compression artifacts are
very unlikely with ProRes RAW, and extremely unlikely with ProRes RAW HQ.
H.265 (HEVC)
H.265 (HEVC) is an optional codec that requires paid activation via my.atomos.com
and provides three compression options HQ, MQ and LQ (High Quality, Medium Quality
and Low Quality). For more information on using H.265 (HEVC) refer to the "H.265
(HEVC)" on page 122 section.
Record Format
Displays the resolution and frame rate that is being recorded to your media.
Record Bit Depth
When the H.265 codec is selected, an additional Record Bit Depth setting will be available
on the Record page. Tap to cycle through the options which include 8-bit 4:2:0, 8-bit
4:2:2 and 10-bit 4:2:2.
PULLDOWN
Pulldown Format
Tap to cycle through pulldown formats. For more information refer to "Pulldown" on
page 119
RAW over HDMI
When connected to a supported camera via HDMI, you will be able to record RAW data
over HDMI.
When RAW over HDMI is enabled on a connected camera, your NINJA V will automatically
detect the RAW signal and prompt you to select ProRes RAW as the recording codec.
Refer to the documentation for your camera on how to enable RAW over
HDMI from the camera.
SDI RAW
You can add the SDI RAW feature to your NINJA V by purchasing the optional SDI RAW
upgrade at my.atomos.com.
After activating the feature on your NINJA V, you can use the AtomX SDI Expansion mod-
ule or ATOMOS CONNECT to record RAW over SDI from compatible cameras. Refer to the
"Activation Menu" on page 224 section for more information on the activation process.
When RAW over SDI is enabled on a connected camera, your NINJA V will
automatically detect the RAW signal and prompt you to select ProRes RAW
as the recording codec.
firmware version 10.8 installed. Visit atomos.com/support to download firm-
ware for your device.
To use the AtomX SDI Module for SDI RAW, firmware version 10.6 or later
needs to be installed on your NINJA V.
Sony Metadata Crop
To help with your video editing workflow, you can crop the RAW video captured from cer-
tain cameras like the Sony Alpha A7sIII, Sony Alpha 1 and Sony FX3 when recording
ProRes RAW.
So for example, when recording 4.2K ProRes RAW video on the A7sIII the resolution is
4264 x 2408. Using the metadata crop feature will allow you to record the signal as 4240
x 2385, which has an aspect ratio of 16:9. This means that you can use the 4.2K footage
in a 16:9 timeline in your NLE without having to be concerned whether the scaling of the
image is correct.
Sony Metadata Crop will appear in the Record menu, when you have an HDMI RAW video
signal that supports this feature and ProRes RAW is selected as the recording codec.
Pulldown
Pulldown Format
The record menu allows you to apply pulldown removal if recording from a source that
applies pulldown to the output signal. Tap Pulldown Format to cycle between the options.
For 3:2 Pulldown removal, movement in the frame may be required to accur-
ately lock signal, simply wave your hand in front of the camera to achieve
lock.
What is Pulldown?
Many professional and consumer cameras available today do not send true 1080p24,
1080p23.98, 1080p25, 1080p29.97 or 1080p30 signals to their HDMI outputs. Instead
they send 1080i59.94 in NTSC regions (e.g. USA, Japan), and 1080i50 in PAL regions
(e.g. Europe) In order to convert the signal from the internal recording format to
1080i5994 or 1080i50, they use a process called 3:2 or 2:2 pulldown.
Camera Set- NINJA V

Pulldown
ting Receives
1080p23.98 3:2 1080i59.94
1080p24 3:2 1080i60
1080p25 2:2 1080i50
1080p29.97 2:2 1080i59.94
1080p30 2:2 1080i60
You will of course want the NINJA V to record the actual frame rate such as 1080p23.98,
not the1080i59.94 to disk. In many cases, it is not possible for the NINJA V to detect
when pulldown has been applied to the video, so you will have to set the correct mode of
removal on the NINJA V to match the setup of your camera.
With some cameras, the NINJA V can detect and remove the pulldown automatically, in
which case the mode you expect (e.g. 1080p23.98) will display on the NINJA V and you
will not have to do anything further.
If there is no input detected, then toggle the input by pressing the screen until you see
the input you wish to record.
ATOMOS is adding auto-detection support for more cameras, please check

for firmware updates regularly at www.atomos.com
1080p23.98 or 1080p24
If you have set 1080p23.98 or 1080p24 in your camera and your NINJA V displays
1080i59.94 or 1080i60, then you can easily remove the pulldown by following these
steps:
1. Select the Input Menu from the top Left and toggle the blue arrow underneath Record
repeatedly until you see 1080p23.98 (or 1080p24) displayed. You may not get a
green tick in this column immediately.
2. Your NINJA V needs to analyze the video for about 1 second, in order to detect the
pulldown sequence and remove it.
3. If it is not automatically detected after 1 second, wave your hand from side to side in
front of the lens, or wave the camera from side to side for a few seconds. The
NINJA V will detect the pulldown cadence in the movement, and you will see a green
tick along with the video displayed on the screen.
3:2 pulldown detection is difficult, it is not impossible to detect on com-

pletely still video. This is why you should wave your hand in front of the
lens.
If you lose the input detection – for example you unplug the HDMI cable or
go to Playback mode, you will need to wave your hand or the camera again,
when the signal is restored to the NINJA V.
Some cameras use a variant of pulldown removal, for example Panasonic

Advanced pulldown. The NINJA V does NOT support this format, and it will
not be detected.
Standard Panasonic pulldown is supported, ensure in the Panasonic camera

settings that pulldown is not set to Advanced.
1080p25, 1080p29.97 or 1080p30

For these modes, access the Record Menu tab and simply press the Record Format
options repeatedly until your 1080p desired format is displayed. There is no need to wave
your hand or the camera, as 2:2 pulldown removal does not require moving video.
Pulldown is only applicable to interlaced HD signals, not 4K

H.265 (HEVC)
H.265 (HEVC) is a highly efficient compressed codec that combines excellent image qual-
ity with a small file size, which makes it ideal for streaming and for the sharing of files. It
is also well suited to situations where there is no time or budget for color grading, as you
can ‘bake in’ Rec. 709 or a custom LUT to the file so that you can share files immediately
at the end of a shoot.
H.265 is also an excellent option for recording high quality proxy files in an ARRI or RED
SDI workflow, where RAW is being recorded internally on the camera. Your H.265 proxy
recordings can also use the same file names as the RAW files, so that you can start editing
with the proxy files immediately and then use the RAW files for the final color grade.
For information on using Red/Arri file names for your recordings, refer to the "File Menu"
on page 210 section.
Activating the H.265 (HEVC) codec for your NINJA V

You can add the H.265 (HEVC) codec to your NINJA V codec options by purchasing the
optional upgrade through your my.atomos.com account. Once the upgrade is purchased
and has been installed, you can select H.265 as a recording codec on the "Record Menu"
on page 112 page. Refer to the "Activation Menu" on page 224 section for more inform-
ation on the activation process and using my.atomos.com.
Wi-Fi Menu
When the Atomos CONNECT accessory is attached to your NINJA V and the device is in
Connect Mode, you can access settings on the Wi-Fi menu tab. This menu provides set-
tings for connecting your device to a Wi-Fi network, so that you can connect to Atomos
Cloud Services. For more information on Connect Mode refer to the "Connect Menu" on
page 132 section.
An Atomos CONNECT must be attached to your NINJA V and the device

must be in Connect mode before the Wi-Fi Menu page appears in the menu
system.
How to connect to a Wi-Fi network:

1. Navigate to the Wi-Fi Menu page on your NINJA V.
2. Tap the toggle switch at Wi-Fi to enable Wi-Fi.
The WiFi on/off status is saved on reboot

3. The network name (SSID) of the available Wi-Fi networks will be displayed at Avail-
able Networks, along with the signal strength for each network and a padlock icon
where a password is required to join the network. Tap and drag the list to scroll
through the listed networks.
4. Tap on one of the network names to select it. A Join Network box will appear with the
SSID, the security type and a field for the password. Tap on the password field to
enter the password for the selected network.
5. A keyboard will appear so that you can enter the password for the selected network.
Enter the password for the network and tap on Ok. Tap on the Eye icon in the pass-
word field to toggle the visibility of the password on and off.
6. You will now be connected to the chosen Wi-Fi network, and a green tick will appear
next to the network name. The MAC address will also be listed.
7. Now that you are connected to a network, the Connect Menu page will be updated
with a green circle and the word 'Connected' at Network. Refer to the "Connect
Menu" on page 132 section for information on connecting to the Atomos Cloud.
It may take up to 10 seconds for Wi-Fi connections to be re-established
when switching between record and playback mode.
When toggling Wi-Fi on and off, the On/Off toggle may not be immediately
responsive. A dialogue message may suggest a system reboot to fix the
issue.
Ethernet Menu
When the Atomos CONNECT is attached to your NINJA V and the device is in Connect
Mode, the Ethernet menu tab will appear in the menu system. This menu provides set-
tings for connecting your device to a network via Ethernet, so that you can connect to
Atomos Cloud Services. For more information on Connect Mode refer to the "Connect
Menu" on page 132 section.
An Atomos CONNECT must be attached to your NINJA V and the device

must be in Connect mode before the Ethernet Menu page appears in the
menu system.
How to connect to an Ethernet network

1. Plug an Ethernet cable from your network into the Ethernet connector on your
Atomos CONNECT.
2. Navigate to the Ethernet Menu page on your NINJA V.
3. Tap on IP Configure to cycle through DHCP and Static. Select DHCP to configure the
network connection details automatically. Your router will then automatically pop-
ulate the DNS, IP address and Subnet Mask fields.
To use DHCP, your network needs to have DHCP enabled, so that it can
automatically assign an IP address.
4. If you prefer to manually configure the network, select Static at IP Configure. Tap in
one of the empty fields and a keyboard will appear so that you can enter the
IP address, Subnet Mask and Router. Tap Confirm once you have finished entering
these details.
5. Once you have connected to an Ethernet network, a green circle and the word Con-
nected will be displayed at Ethernet. The device MAC address will also be displayed.
6. The Connect Menu page will be updated with a green circle and the word 'Connected'
at Network. Refer to the "Connect Menu" on page 132 section for information on con-
necting to the Atomos Cloud.
It may take up to 10 seconds for Ethernet connections to be re-established
when switching between record and playback mode.
Connect Menu
The Connect Menu allows you to pair your NINJA V with Atomos Cloud Studio. It also dis-
plays the details of services you have connected to.
Networking and cloud features are only available when an Atomos

CONNECT is attached to your NINJA V, and the device is in Connect Mode.
Once in Connect mode, the WiFi and Network menu page tabs will be avail-
able, and you can pair your device with Atomos Cloud from the Connect
Menu.
CONNECT MODE
The first time that you open the Connect Menu page with an Atomos CONNECT attached
to your NINJA V, you will see the grey Connect icon on-screen. To use the network and
cloud features of ATOMOS CONNECT, Connect mode must be enabled. Tap the Connect
mode icon to enter Connect mode.
The Connect mode button will only appear when an Atomos CONNECT is
attached to your NINJA V.
This screen will also be displayed after performing a factory reset, or

installing new AtomOS firmware.
Once you are in Connect mode, the status of the network connection and the connection
to Atomos Cloud are displayed. The Wi-Fi and Network Menu Page tabs will appear in the
menu system and the Wi-Fi and Ethernet icons will appear in the information bar as well.
Whilst in Connect mode, tapping the connect button will allow you to manu-
ally turn the connection to Atomos Cloud Studio on or off.
Connecting to the Atomos Cloud

Before connecting to the Atomos Cloud, your device must first be connected to a network.
Refer to the "Wi-Fi Menu" on page 123 and "Ethernet Menu" on page 128 pages for fur-
ther information on how to connect to a network. When connected to a Wi-Fi or Ethernet
network, the corresponding icon will appear white in the information bar under Network.
Once you have successfully connected to a network, you can follow the steps below to
pair the device to the Atomos Cloud from the Connect Menu.
How to Pair your device to the Atomos Cloud
1. Confirm that your device is connected to a network. The network connection status is
displayed under Network as either Connected or Disconnected, with a green or grey
circle to indicate the status visually.
2. Tap on Pair.
3. The device communicates with Atomos Cloud Studio and is assigned a unique three-
word combination, which is displayed on your NINJA V screen with a QR code.
4. Scan the QR code to connect to Atomos Cloud Studio on your mobile device, or nav-
igate to atomos.cloud on a desktop browser . Enter your details and tap/click Next to
sign up for an Atomos Cloud Studio Account. Tap/click on Sign In if you already have
an Atomos Cloud Studio Account, and follow the prompts to sign in.
5. Follow the guidelines to create a suitable password.
6. Check your email inbox for an email from Atomos with a six digit verification code. It
will be sent to the email address used to create your Atomos Cloud Studio Account.
Make sure you check your Junk-mail folders as well. Enter the verification code on
screen when prompted and tap/click Next.
7. The main page will then open on the Devices tab. This screen displays the CONNECT
devices that have been paired with your Atomos Cloud account. Tap/click on Pair
Device in the center of the screen.
8. A window will appear with spaces to enter the three word code that was shown on
your Atomos device. Enter the three words in the spaces provided and tap/click on
Next.
9. Give your device a nickname to help identify it.

10. The device has now been paired with your Atomos Cloud account. The Devices tab
will update to show an image of the device you paired and it's details. The three word
code is displayed on the image of the device and the device type appears at Device.
When your device is connected to Atomos Cloud, a green circle will appear next to
the device nickname at the top of the device box.
11. The Connect Menu page of your NINJA V will also update to display Connected at
Atomos Cloud with a green circle to indicate the status visually. The name used to cre-
ate an Atomos Cloud Account will be displayed at Account, and the current device
mode will be displayed at Device Mode. This will be either Frame.io C2C mode or Live
Stream mode. Destination lists the name of the project selected as a destination.
12. Next you will need to configure the services for this device at atomos.cloud. Tap on
the + symbol next to Add Destination in the device box to add a destination.
13. A new window opens displaying the destination options. Click to select a destination
and you will be prompted to enter your credentials and other settings for that des-
tination.
Adjusting settings for paired devices
Tapping/clicking on the three dots in the upper right corner of the device image box dis-
plays options to change the nickname or unpair the device.
Unpairing your device from the Atomos Cloud
If you decide that you would like to unpair a device from your Atomos Cloud Account,
select Unpair Device from the drop-down menu. A dialog box will ask you to confirm your
decision.
Unpairing a device will also disconnect any associated services that you
may have connected to.
Before performing a factory reset, ensure that you have unpaired your
device from the cloud
Adjusting Settings
If you would like to make changes to your Atomos Cloud Account, tap/click on Account on
the left side of the screen to open the Account tab. This page allows you to change your
password, edit your profile details or sign out of the Atomos Cloud Studio Account.
Connect Menu - Atomos Cloud Studio
ATOMOS Cloud Studio is a powerful collection of new cloud-based video production ser-
vices, including ATOMOS Capture to Cloud and ATOMOS Stream. This allows anyone with
a compatible camera or device to make use of these tools to share media and collaborate
in real-time.
Create an Atomos Cloud Studio account at cloud.atomos to get started.
ATOMOS Capture to Cloud

Cloud-based workflows are rapidly growing in popularity and have proven their effi-
ciencies on thousands of productions. Atomos Capture to Cloud adds new dimensions to
these systems by allowing any HDMI or SDI equipped camera or device to be connected
to online services.
This provides a powerful, flexible, and immediate way to share content from devices or
clips from a camera to remote team members. By removing the need to manually offload
cards and wait for rushes to be reviewed, this workflow will continue to break down the
traditional divisions between production and post, to bring teams closer together
wherever they are.
Frame.io Camera to Cloud (C2C)
Online review and collaboration platforms like Frame.io have become essential and have
transformed the relationship between production and post by eliminating the delay
between these stages. Frame.io Camera to Cloud is an ecosystem of C2C Connected
Devices that connect Frame.io to the production set, by uploading video and audio from
your camera on set to Frame.io between each take.
When it is paired with ATOMOS CONNECT, your NINJA V becomes a Frame.io C2C Con-
nected Device, that connects directly into the Frame.io C2C ecosystem. This allows any-
one with a compatible camera or device with HDMI or SDI to use Frame.io Camera to
Cloud as well as the review and collaboration tools within Frame.io.
With Frame.io for Creative Cloud now included in the Creative Cloud subscription, even
more filmmakers, streamers, and video content creators will have access to the powerful
features of Frame.io.
The dual recording feature of the NINJA V creates matching “hero” Avid DNxHR/HD or
Apple ProRes 422 and "proxy" 1080p HEVC (H.265) files, so that the proxies can be
shared and securely backed-up even as it is being recorded.
ATOMOS Stream
Allows you to live stream to popular platforms like YouTube, Facebook Live, LinkedIn
Live, Microsoft Stream, Twitch and more. The integrated system supports a wide range of
cameras that sets a new benchmark for flexibility and points of entry. Customers can
choose to work with high-end digital cinema cameras and mirrorless, DSLR, USB cameras
or even iOS devices.
ATOMOS Stream is designed to make sharing live video to popular online platforms
easier, by making the process of configuring the stream more straightforward and more
secure.
Connect Menu - Capture to Cloud
ATOMOS Capture to Cloud provides a powerful, flexible, and immediate way to share clips
from a camera or device to remote team members using services like Frame.io Camera to
Cloud (C2C).
Using Frame.io Camera to Cloud (C2C)

When it is paired with an ATOMOS CONNECT, your NINJA V can become a Frame.io C2C
Connected Device that connects directly into the Frame.io Camera to Cloud ecosystem.
This ecosystem connects Frame.io to the production set, by uploading video and audio
from your camera on set to Frame.io between each take.
Selecting Frame.io as a destination in Atomos Cloud Studio allows you to use Frame.io
Camera to Cloud to upload proxy files directly into your Frame.io project. Having the
proxy files uploaded to Frame.io whilst you are recording them, means that an editor can
access these files from anywhere in the world, and begin editing immediately. For more
information on Frame.io Camera to Cloud, refer to https://frame.io/c2c/ or watch the
Frame.io Training Series at https://frame.io/c2c-training/
The dual record feature of the NINJA V, creates matching “hero” clips (at up to 4Kp30 ) in
either Avid DNxHR/HD or Apple ProRes, and 'proxy' 1080p HEVC (H.265) files so that a
clip can be shared and securely backed-up even as it’s being recorded. Once the edit is
completed in your NLE, you can easily relink to the high quality 'hero' files for final color
grading, visual effects or other post-production steps.
Setting up your Frame.io account
Before selecting Frame.io Camera to Cloud as a destination in Atomos Cloud Studio, you
need to have a Frame.io account already set up. Visit https://frame.io/ and follow the
prompts to create a Frame.io account.
You also need to have created a project that you can select as a media destination, and
ensure that in the settings for the project you have enabled C2C Connections. This
allows your NINJA V to connect directly into the Frame.io C2C ecosystem and upload
proxy files directly into your Frame.io project.
To enable C2C Connections, click the toggle switch at C2C Connections to ON when cre-
ating a new project from the web app, mobile web, or in the Frame.io iOS app.
You can also enable C2C Connections on an existing project by clicking on the three dots
in the top right corner and selecting Project Settings.
An Edit Project dialog box will open, where you can click to toggle the switch at
C2C Connections to ON.
Once you have enabled C2C Connections for your project, you can follow the steps below
to set Frame.io Camera to Cloud as a destination in your Atomos Cloud account.
To select Frame.io – Camera to Cloud (C2C) as a destination in ATOMOS

Cloud Studio, AtomOS 10.81.00 or later must be installed
Atomos devices cannot be paired from within Frame.io by using the 6 digit
code method. Your Atomos device MUST be paired to Frame.io via ATOMOS
Cloud Studio.
Setting Frame.io Camera to Cloud as a destination in Atomos Cloud Studio
1. Follow the steps in "Connect Menu" on page 132 to pair your device to the Atomos
Cloud. Once paired, click on Add Destination in the device box.
2. Select Frame.io from the options.
3. You will be prompted to log in to your Frame.io account.
4. You will then be asked to allow your Atomos Cloud account to connect with Camera to
Cloud enabled projects in your Frame.io account. Click on Allow to proceed.
5. You will then be returned to the Devices tab whilst your Atomos Cloud Studio account
pairs with Frame.io. Once paired, you will be able to select a Frame.io project to be
used as a media destination for your device. Your personal Frame.io projects will be
displayed, along with any projects that you have been invited to work on. Click on a
project to select it as the media destination and then click on Done.
Your Frame.io account and project need to be already set up in

Frame.io before you can select it. The project also needs to have the
C2C Setting enabled.
The security settings associated with your Frame.io account will dictate
the projects that you are permitted to select.
6. Frame.io will now appear at the bottom of the device box with a toggle switch to
enable/disable the Frame.io destination for this device. Click to toggle the switch to
On.
Toggling a destination On, will disable other destinations if they are

enabled.
Only one destination can be selected at a time.

7. Log into your Frame.io acount in a new browser window and navigate to the Frame.io
project that you selected to be used as a media destination for your device.
8. Click on the C2C Connections tab to view the Frame.io Camera to Cloud C2C Con-
nections. These are hardware devices and apps that connect directly into the
Frame.io C2C ecosystem. Atomos connected devices will appear here, and will have a
green dot on a device when the device is currently connected to Frame.io.
9. By default, the name of the device will be 'Atomos-Cloud' with an alpha numeric
sequence. Clicking on the three dots on the right hand side of the connection box will
display a menu that allows you to rename the connection. You may wish to use the
same name that you used in Atomos Cloud Studio, so that the device has the same
name on Frame.io. The other settings here allow you to pause, forget or set an expir-
ation for the connection.
10. The Connect Menu page on your NINJA V will update to indicate that the Device Mode
is Frame.io C2C. The selected Frame.io project will also appear at Destination.
11. A green circle will also appear in the top left of your NINJA V display, to indicate that
your device is currently connected to the cloud, and that the connection is idle. The
text next to the icon will confirm the status of the connection and if there are any
remaining files to be uploaded.
Tapping on the status icon will toggle the visibility of the status text On or Off. This
can be toggled whilst idle and also whilst files are uploading.
Uploading Proxy files to Frame.io

Now that you are connected to a Frame.io project, pressing the REC button will record a
clip as usual to the inserted media, as well as generate a 1080p, H.265 (HEVC) proxy file
that is saved to a PROXY folder on the inserted media. This proxy file will also be auto-
matically uploaded to the Frame.io project you selected.
After you stop recording, a green arrow will appear in the top left of your NINJA V display,
which indicates that the file is being uploaded to Frame.io. The text next to the icon
provides details on the progress of the upload and how many files are remaining.
Full-resolution “hero” clips (up to 4Kp30 ) can be recorded in either Avid

DNxHR/HD or Apple ProRes, whilst Proxies will be recorded at 1080p res-
olution in H.265.
To view the proxy file upload status queue, switch to playback mode and tap on the folder
icon to browse recorded files. Then tap on the shortcut to the PROXY folder at the bottom
of the screen to open the PROXY folder.
Note that the files will not continue to upload to your Frame.io project whilst
in playback mode.
In the Proxy folder, the proxy files displayed will have an icon to the right of each file to
indicate the status of the file.
This icon indicates that the file has been successfully uploaded to your
Frame.io project.
This icon indicates that the clip is queued for upload to your Frame.io
project.
This icon indicates that the proxy clip is a broken video file that has
been recovered, and will not be automatically uploaded to your
Frame.io project. These clips must be manually uploaded.
Once uploading has completed, your NINJA V will display the green circle icon again, to
indicate that the connection is idle.
If your device loses the connection with the network, the white circle icon is displayed
with the text Device Offline.
In the event that your device loses connection with the network whilst
shooting, the proxy clips will continue to be generated and saved to the
Proxy folder on inserted media. These proxy clips will be queued for upload,
and begin uploading to Frame.io when the network connection is restored.
Viewing uploaded clips in your Frame.io project

Uploaded clips will appear in a fixed folder structure organized by date in the media tab
inside your Frame.io project. Within a folder called Cloud Devices, media that has been
written on different dates will upload to the folder that corresponds with the date of
upload. The folder structure is as follows:
Cloud_Devices > Date > Device Type > Device

Now that the files from your NINJA V have uploaded to Frame.io, they can be moved,
copied, or shared like any other asset in your Frame.io project.
For more information on Frame.io Camera to Cloud, refer to https://frame.io/c2c/ or

watch the Frame.io Training Series at https://frame.io/c2c-training/
Adjusting settings for a Frame.io destination

Clicking on the three dots next to the Frame.io destination for the device, allows you to
change the settings for your Frame.io destination or to remove the Frame.io destination.
Connect Menu - Atomos Stream
ATOMOS Stream is designed to make live streaming to popular platforms like YouTube
Live, Facebook Live and Twitch easier. You can also choose to stream to a custom
RTMP destination, which allows you to connect and stream to destinations other than the
platforms listed.
You can choose to work with high-end digital cinema cameras, mirrorless cameras, DSLR,
USB cameras or even iOS devices and stream content live to these popular online plat-
forms through your Atomos Cloud Studio account.
In order to stream content from your Atomos Cloud Studio account to one of these plat-
forms, first you will need what is called a Stream Key. This is a unique code generated by
each platform, that provides information on where to send the video stream. The fol-
lowing provides guidance on generating a stream key and setting up for streaming on
each of the platforms.
Once you have successfully set up a live stream by following the steps below, the Connect
menu page on your NINJA Vwill display the information about the destination. Device
Mode is Live Stream, Destination is the destination you are currently connected to in
Atomos Cloud and Account Name will also be listed.
For guidelines on setting a custom RTMP destination on the platforms we've tested and
qualified as working, refer to our Custom RTMP Compatibility and Setup Guide article on
our support page https://atomos.zendesk.com/hc/en-us/articles/5489116635791-
Atomos-Cloud-Studio-Atomos-Stream-Custom-RTMP-Compatibility-and-Setup-Guide
Live Streaming is unavailable if ProRes RAW or H.265 are selected as the

record codec. Streaming is only available when using standard video inputs
like ProRes and DNx.
Changing resolutions and frame rate when Live Streaming mode is enabled
may result in the stream stopping. Switching between Record and play back
mode will allow the stream to restart. Press the LIVE button to stop the
stream before changing inputs, resolutions or frame rates.
Streaming to Facebook Live
Facebook requires that a desktop device be used to generate a Stream Key

for Facebook Live. If you only have access to a mobile device, you can
request the desktop version of the Facebook website from the mobile
browser. Then you can follow the steps below.
To create a live stream on Facebook:
1. Go to facebook.com/live/producer
2. In the Go Live box, click on Create Live Video.
3. The main settings page will open.

4. In the left side of the screen under Create Live Video, click on the drop-down arrow at
‘Choose where to post’, to select where the video will be posted. Options here include
posting on your timeline, posting to a page you manage and posting to a group.
5. Click on the drop-down arrow at ‘When are you going live?’, to select when you want
to go live. Select Now to go live when you are finished adjusting the settings. If you
select Later, you can enter the date and time that you want to go live.
6. On the right side of the screen, you can add a title and description for the stream. A
tick-box also allows you to select whether to add to your story.
7. At Select a video source, select Streaming Software.
8. Click on the Advanced Settings drop-down menu to view the advanced settings.
Toggle the switch at ‘Persistent Stream Key’ to On, so that you can use this stream
key every time you stream to Facebook Live from your NINJA V.
9. Click the Copy button next to the Stream Key to copy it.
10. In your browser, log into atomos.cloud and click on the ‘+’ symbol at Add Destination
for the NINJA V device you want to stream from.
11. Select Facebook Live in the popup box that appears.
12. In the next popup box, add a description for the stream. Right click in the Streaming
Key field and select Paste, to paste the Facebook Live streaming key that you copied.
Click on Done to save the destination settings.
13. Facebook Live will now appear as a destination at the bottom of the device box in
Atomos Cloud. Toggle the switch at Facebook Live to On.
14. Tap on the LIVE icon in the top left corner of your NINJA V display to start streaming
from your device.
15. You will be asked if you are ready to start live streaming. Tap on Confirm to proceed.
16. The LIVE icon will turn yellow to indicate that your device has begun to connect.
17. The LIVE icon will turn red once the stream has been acknowledged by the server.
This indicates that you are currently live streaming.
18. A preview screen will appear on the Facebook settings page with the image from your
camera
19. Click on the Go Live button, to start streaming to Facebook Live.
20. Tap the red LIVE button on your NINJA V display when you want to stop live stream-
ing to Facebook. You will be asked to confirm your decision. Tap Confirm to proceed.
21. Your device will stop streaming, and the LIVE button will turn white to indicate that
you are no longer streaming.
For more information and details on creating a Facebook Live stream, refer to
facebook.com/help/587160588142067
Streaming to YouTube Live

When using your NINJA V with ATOMOS CONNECT to stream to YouTube Live, your
CONNECT is viewed as an encoder, and must be set up in YouTube as such.
How to create a YouTube live stream with ATOMOS CONNECT
1. Navigate to youtube.com and sign in to your YouTube account. Create an account if

you do not already have one.
2. Click on the Create icon in the top right corner and select Go Live from the drop-down
to open the YouTube Live Control Room.
3. If you have not yet verified your YouTube channel, you will need to verify your chan-
nel before proceeding
NOTE: Before being able to live stream to YouTube, you need to enable
live streaming. YouTube requires that you have no live streaming
restrictions in the past 90 days and that you verify your channel.
Enabling a live stream for the first time may take up to 24 hours.
4. A pop-up may appear, asking you to choose when to go live. Options are Right Now
and at a Later Date. Click the Start icon in one of the boxes to proceed. If you select
Right Now, you will then need to select Streaming Software as the type of stream
from the next pop-up screen. The YouTube studio will open.
5. Click the Copy button next to the Stream Key to copy it.
7. Select YouTube Live.
8. In the popup box that appears, add a description for the stream and click on the
drop-down arrow at Server to select a server to use. Right click in the Streaming Key
field and select Paste, to paste the YouTube Live streaming key that you copied. Click
on Done to save the destination settings.
9. YouTube will now appear as a destination at the bottom of the device box in Atomos
Cloud. Toggle the switch at YouTube Live to On.
10. Tap on the LIVE icon on your NINJA V display.
14. A preview screen at the top of the YouTube Studio settings page will display the
image from your camera. The words LIVE and the elapsed time of the stream will be
displayed whilst you are live streaming to YouTube.
15. The Stream Settings tab below the preview screen allows you to adjust the stream
latency and other settings for the stream.
16. Tap the red LIVE icon on your NINJA V display to stop live streaming. You will be
asked to confirm your decision. Tap Confirm to proceed.
18. To end the live stream from within YouTube, click on End Stream in the top right
hand corner of the screen.
For more information and details on creating a YouTube live stream, refer to
support.google.com/youtube/answer/2907883?hl=en
Streaming to Twitch
1. Create a Twitch account at twitch.tv or log into your existing Twitch account.
2. Click on your profile picture icon in the top right corner of the screen and select Video
Producer.
3. The Video Producer interface will open.

4. Click on Settings in the pane on the left side of the screen, then click on stream from
the drop-down menu.
5. The Stream Key and Preferences window will open. Click on the copy button to copy
the stream key. Note that this window provides latency and other settings for that
can be adjusted.
7. Select Twitch.
8. In the popup box that appears, add a description for the stream and click on the
drop-down arrow at Server to select a server to use. Right click in the Streaming Key
field and select Paste, to paste the Twitch streaming key that you copied. Click on
Done to save the destination settings.
9. Twitch will now appear as a destination at the bottom of the device box in Atomos
Cloud. Toggle the switch for the Twitch destination to On.
10. Tap on the LIVE icon in the top left corner of your NINJA V display.
14. Click on Stream Manager in the side pane.

15. The Stream Manager page will open, and the image from your device will be shown
on-screen.
16. Below the image, a red dot and the word LIVE will be displayed when you are live.
The status/stability of the stream will also be indicated by a colored icon. The green
box with the word 'Excellent' is an example of this.
17. Hovering over the image will bring up some additional settings that can be adjusted.
18. Tap the LIVE icon on your NINJA V display to stop live streaming. You will be asked to
confirm your decision. Tap Confirm to proceed.
20. The word Offline will be displayed under the image in your browser when you are not
live streaming.
For more information on streaming to Twitch, refer to help.twitch.tv/s/

Timelapse Menu
This menu allows you to set up recording of a time-lapse sequence as a single video file in
ProRes, DNx or ProRes RAW from an HDMI or SDI source.
Time-lapse sequences are used to create dynamic videos showing changes in light or
movement in a scene over time. Images are captured at set intervals like 1 frame every
10 seconds and saved to the video file in sequential order, so when the time-lapse video
is played back at a frame rate of 24 frames per second, time is compressed and the
changes in the scene appear more pronounced. Examples of this are time-lapse record-
ings of a sunset or sunrise, or the construction of a building.
The options in this menu allow you to specify the settings for a time-lapse recording. An
example of common time-lapse settings might be as follows: capture 1 frame every 10
seconds for 20 minutes.
Note that if you select multiple frames/seconds to be captured in the first

setting in the example above, these frames/seconds will be captured
sequentially. So if you select 15 frames here, it will capture 15 frames as a
block every 10 seconds for a duration of 20 minutes.
Capture
The capture setting allows you to specify the number of frames/seconds to capture at
each interval.
Eg. Capture X frames/seconds.
+ / -:
Use these icons to adjust the numerical setting
Units:
Tap to cycle between the following options to be used as a unit:
l Frames
l Seconds
Every
This setting allows you to specify the intervals at which the capture should occur.
Eg. Every X seconds / minutes / hours.
+ / -:
Use these icons to adjust the numerical setting.
Units:
l Seconds
l Minutes
l Hours
For
This setting allows you to specify the duration that the capture should continue for.
Eg. For X frames / seconds / minutes / hours
+ / -:
Use these icons to adjust the numerical setting
Units:
l Frames
l Seconds
l Minutes
l Hours
Enable/Disable (On/Off)
When you are ready to begin your time-lapse recording, tap on the Enable/Disable toggle
to select the On setting.
When time-lapse recording is enabled and you have an input connected and media inser-
ted , the REC button will change to the time-lapse REC button. This allows you to see at a
glance whether you are in the standard record mode or time-lapse record mode.
Tap on the time-lapse REC button to begin recording. Your NINJA V will record the time-
lapse sequence as a single video file, using the codec and compression settings selected
on the Record page.
The following icon will also appear in the top right corner of your screen to indicate that a
time-lapse is being recorded.
During a time-lapse recording, the length of time that you have been recording will be dis-
played in the upper right corner of the screen. The timecode will display the actual num-
ber of frames captured.
Play Time
As you adjust the time-lapse settings, the Play Time in the bottom right updates to let you
know the duration of the final video based on the selected settings.
Note that the pre-roll feature is not supported when using time-lapse.
When you have finished using the time-lapse feature, make sure that you
use the Enable/Disable toggle to disable the time-lapse recording feature to
return to regular video capture mode.
If you want to stop the time-lapse recording before the set duration fin-
ishes, simply tap on the stop button.
Timecode Menu
Timecode Display: Displays the current timecode. The position of the timecode display
will depend on the screen mode you are using. In monitoring mode it appears in the cen-
ter top, below the info bar. In home screen mode the timecode display sits on the bottom
near the REC PLAY MON EDIT icons. Touching the Timecode display will take you to this
Timecode menu screen.
The timecode modes that are supported:
l HDMI (Embedded)
l Record Run
l Time of Day
l Auto Restart
l AtomX Sync
l Atomos CONNECT
Hour / Minute / Second / Frame
These settings will be enabled when using the Auto Restart mode, and allow you to define
a timecode that will be used for all clips whenever you press record. Use the - and + icons
above each unit to adjust the numerical values for the hour, minute and seconds sections.
Refer to Auto Restart mode below for more information.
Source
Tap to cycle through the timecode modes:
HDMI
HDMI/SDI embedded Timecode:
With this setting, the HDMI/SDI input will use the Timecode embedded in the input sig-
nal. The controls to adjust Timecode values are disabled in this menu as you will need
to adjust these on the camera. Note that not all HDMI/SDI sources embed Timecode.
Trigger from HDMI Timecode:
If HDMI timecode is selected and the camera is in REC RUN mode, the user has the
choice to start and stop recording remotely from the source camera timecode.
To enable rolling Timecode Start/Stop functions, simply set the HDMI Timecode switch
to on. When enabled, pressing the camera Record Stop/ Start button will make the
NINJA V start and stop recording simultaneously as the timecode starts and stops.
When using the camera in Free Run timecode, the rolling timecode trigger
might not work as expected.
Note that whilst camera triggers are also looped out on HDMI not all wire-
less systems carry the trigger on to other devices so it’s worth testing your
system before a shoot if you pan to use it in this way to record proxies.
Time of Day
With this setting, each new clip that is created will contain embedded Timecode starting
with the time of day when the recording is started. Please check that NINJA V clock has
been set correctly. This can be set in the "Date Menu" on page 220
If recording is stopped and then restarted while in this mode, there will be a
time gap between the last clip and the next one, equal to the length of time
the NINJA V has been out of record.
In Time of Day mode, the controls on the Timecode Setup Screen for adjust-
ing the start-point of the Ninja’s Timecode are not available, as the Time-
code is set by the Ninja’s internal clock.
Record Run
With this setting you set the starting timecode for the first clip. The following clips will
start at the frame immediately after the out point of the preceding clip. This will continue
for all clips that follow. This is also known as continuous Timecode.
Auto Restart
With this setting, the Timecode will reset to the timecode you have defined whenever you
press record. All your clips start with this same timecode. Use the - and + icons above
each unit to adjust the numerical values for the hour, minute and seconds sections.
AtomX SYNC
This setting will be available when you have an AtomX SYNC module connected to your
NINJA V. For more information refer to the AtomX SYNC Expansion Module section.
Atomos CONNECT
This setting will be available when you have an Atomos CONNECT attached to your
NINJA V. For more information refer to the "ATOMOS CONNECT" on page 57 section.
Use Drop Frame

Allows you to use drop frame timecode type.
HDMI Out Timecode

Allows you to output the timecode chosen here on the HDMI Output of the Ninja.
Additional settings will appear when you have an AtomX SYNC module con-
nected to your NINJA V. For more information refer to the AtomX SYNC
Expansion Module section.
Timecode Menu - Wireless Timecode & Sync
By attaching an optional AtomX SYNC module or Atomos CONNECT to your NINJA V, you
can take advantage of ATOMOS AirGlu™ wireless sync technology to simplify your multi-
camera productions. These accessories allow for wireless timecode synchronization with
other Atomos devices, cameras, audio recorders and timecode systems on set.
firmware version 10.8 installed. Visit atomos.com/support to download firm-
ware for your device.
The AtomX SYNC module also has a small battery inside it which acts as a hot swap con-
tinuous power battery extender, allowing you to keep your NINJA V running for approx-
imately 5 minutes while you change the main battery. For more information refer to the
AtomX SYNC Expansion Module section.
To use the AtomX SYNC Module with your NINJA V, firmware version 10.4
or later needs to be installed.
Region Selection
The first time you power on your NINJA V with an AtomX SYNC module or Atomos
CONNECT attached, you will be prompted to select a region. It is important to select the
correct geographical region here as these accessories adhere to strict guidelines for each
region.
TC Offset
Allows you to set a timecode offset value to account for audio delay when using the
AtomX SYNC module or Atomos CONNECT. Use the - and + icons to manually adjust the
amount of frames to delay. Where the Calibrate function has been used, the frame delay
will be displayed here. For more information refer to the AtomX SYNC Expansion Module
section.
Set Timecode
When AtomX SYNC or or Atomos CONNECT is selected as the source, Press the Set Time-
code button to open the Sync Network Timecode page. In this menu you can use the Set
From setting to select the timecode to use as the clock for the Server unit.
Set From
Tap to cycle through the options:
Time of Day: Each new clip that is created will contain embedded Timecode starting
with the time of day when the recording is started. Please check that NINJA V clock has
been set correctly. This can be set in the "Date Menu" on page 220
Manual: With this setting, the Timecode will reset to the timecode you have defined
whenever you press record. All your clips start with this same Timecode. Use the - and
+ icons above each unit to adjust the numerical values for the hour, minute and
seconds sections. TBC
Calibrate
Before using the AtomX SYNC module or Atomos CONNECT, it is important to use the cal-
ibration feature. HDMI cameras deliver their video and audio to your NINJA V with a small
delay, so calibration is necessary to identify the amount of delay that your camera has
and take that into account. This will ensure that your video, audio and timecode are in
sync, especially if you plan to use SYNC expansion modules or or Atomos CONNECT
accessories with multiple NINJA V’s on a multicamera shoot.
How to sync your video, audio and timecode
Follow these steps to sync your video, audio and timecode - and repeat for each NINJA
and SYNC module that is connected to a camera.
1. Navigate to the Timecode menu on your NINJA V.
2. Select AtomX Sync or or Atomos CONNECT as the timecode source. The following
screen will appear.
3. Using an HDMI cable, connect the HDMI output of your camera to the HDMI in con-
nector on your NINJA V.
4. Using an AUX cable, connect the headphone Out of your NINJA V to the mic/line in
connector on the camera and press Calibrate.
Your NINJA V calculates frame delays & displays it as shown below.
Tap ACCEPT to select the calibrated frame delay. The frame delay will be listed at
TC Offset on the Timecode menu page.
.
If you see ‘No Audio Detected’ on your NINJA V, check the audio settings on
your camera and tap ‘retry’.
It’s important to recalibrate every time that you change camera type, frame
rate or resolution.
Sync Config Menu
TIMECODE SYNC
This page allows you to define a network role for each NINJA on the network as either
Server or Client, so that Client units can connect to the timecode network created by the
Server unit. It also allows you to add other devices like audio recorders to the network via
Bluetooth. The settings that appear on this menu page will vary, depending on the net-
work role of the NINJA V. Some settings will only appear when your NINJA V is set to
Server mode, whilst others will only appear when it is set to Client mode. See Network
role below for more information.
The AirGlu RF - SYNC network menu may not display connected AirGlu
devices when using the ATOMOS CONNECT, but the client devices will
receive Timecode and display a SYNC Network ID.
Network Role
Tap to cycle between the options to set the network role for the NINJA V as either Server
or Client. The ‘Server’ unit will then provide the timecode source for all ‘Client’ units on
the network. For any other NINJA that you want to sync with, ‘Client’ should be selected
as the Network Role on it’s Sync Config page. This allows the Client units to connect to the
timecode network created by the Server unit.
Start Network
Once you have finished setting up your Server unit, tap Start Network to toggle the Sync
network on and off. Note that on Client units you will have a Join Network switch instead
of Start Network.
Join Network
When this setting is ‘on’, the client unit will connect to the Sync Network created by the
Server unit. Tap to toggle on and off.
RF Channel
Use the ‘-’ and ‘+’ to select an RF channel between 1-12. Changing the RF channel can
help in situations where you are experiencing interference from other devices. Ensure
that the RF channel on any Client units is set to the same RF channel as the Server unit.
Record Control
When this setting is enabled, tapping record on the Server Unit NINJA V will cause any
other NINJA V or GoPro on the network to start recording as well.
Network FPS
On Client units, Network FPS will be displayed and the frame rate will match the frame
rate of the server unit.
Signal
Provides information on the signal strength.
Network ID
Provides information on the Network.
Region
Tap to cycle through the options until you find your region and tap ‘confirm’ to accept the
new region or ‘cancel’.
Set Timecode
Press the Set Timecode button to open the Sync Network Timecode page.
Input
Tap to cycle through ‘Time of Day’, ‘Manual’ and ‘Input’. Select ‘INPUT’ and tap ‘Set Time-
code’. TBC
Set Device Name
Tap to change the name of your NINJA V unit. For more information refer to Unit Name in
the "Best Practice" on page 19 section.
BLUETOOTH
You can pair with up to six Bluetooth devices, like an iPhone or a Zoom F6 audio recorder,
so that they can connect to the timecode network. By connecting an ATOMOS Ultra Sync
Blue to the timecode network, you can pair it with Bluetooth devices that are much fur-
ther away from the AtomX SYNC module. For more information, see atom-
os.com/accessories
AirGlu Bluetooth is currently not enabled when using ATOMOS CONNECT,

and devices cannot be paired to receive Bluetooth.
Pair
Follow the manufacturers instructions for each device to set it up for Bluetooth pairing,
then Tap Pair to connect to the device. Once paired, the device will be listed in the "Sync
Network Menu" on page 209 page, along with the other connected NINJA V’s and other
devices. For information on pairing with an iOS device or Mac computer for use with the
AtomRemote app, refer to the "Connecting to AtomRemote" on page 236 section.
Unpair All
Tap to unpair all devices that are connected to the timecode network.
Free Pairs Available
The numerical figure indicates the number of Free Pairs that are available for Bluetooth
pairing.
For connected Client units, the timecode source should be set to AtomX
Sync on the Timecode page when using the AtomX SYNC Module or AirGlu
when using the ATOMOS CONNECT module.
Multiple NINJA units can be added to the timecode network. Simply repeat
this process on each unit.
Sync Network Menu
The Sync Network menu page displays all of the devices that you have added to the time-
code network. The columns in the table will list the details for each connected device in
the sync network.
iOS applications like UltraSync Blue Slate, Apogee Metarecorder, Mavis Pro Camera and
MovieSlate8Pro that are running on a device that is paired via Bluetooth will also be listed
here.
With the use of sync products from Timecode Systems, you can also synchronize with a
number of other devices like cameras and audio recorders. For more information, watch
the AtomX SYNC module video on ATOMOS Academy.
The AirGlu RF - SYNC network menu may not display connected AirGlu
devices when using the ATOMOS Connect, but the client devices will receive
Timecode and display a SYNC Network ID.
AirGlu Bluetooth is currently not enabled when using ATOMOS CONNECT,

and devices cannot be paired to receive Bluetooth.
File Menu
This menu allows you to change the unit name for your NINJA V. It also gives you the abil-
ity to dictate the scene and shot number that will be recorded.
Unit Name
Creating a unique name for each NINJA V you are using can be very useful when using
multiple devices or with multicam shoots.
The unit name serves two main purposes:
l Drive Naming: Giving the unit a unique name aids with identification. Once you have
given it a name all drives subsequently formatted in the NINJA V will bear this name
as a prefix. By default, the unit will be named NINJAV
l File Naming: The current unit name appears at the start of the recorded clip name:
< >:
Use the arrow icons to select a letter in the current unit name. The selected letter will
appear at the Letter setting.
Letter
- / +:
Use these icons to move forward or backwards through the letters of the alphabet. Doing
so will update the letter you selected with the arrows in the Unit Name setting.
Scene
Allows you to adjust the Scene number that will form part of the recorded clip filename:
- / +:
Use these icons to increase or decrease the numerical value for the Scene number up to
999. The value you select will be shown in the file name at the top of the screen during
recording,
Shot
Allows you to adjust the Shot number that will form part of the recorded clip filename:
- / +:
Use these icons to increase or decrease the numerical value for the Shot number.
Take
Takes that form part of the filename are automated: NINJAV_S001_S001_T001
Format
Tap to cycle through the file naming format options:
l Scene/shot/take: Allows you to accurately name planned shots as if you were

using a conventional slate.
l Rolling scene/shot/take: Adds the ability to maintain continuous rolling file nam-
ing and take counts after re-formatting a drive.
l Red/Arri: Selecting this option will allow your recordings to use the same name as
the files recorded in camera.
Red/ Arri file naming is only supported when the signal is connected via SDI
to the AtomX SDI Module or the ATOMOS CONNECT accessory. For more
information refer to the "Input via AtomX SDI Expansion Module" on
page 91 section and "ATOMOS CONNECT" on page 57 sections.
Audio Menu
In addition to selecting the Audio tab from the menu tabs across the top of the screen,
you can also access the Audio menu by tapping the audio meters (shown below) on the
record, monitor and playback home screens.
Audio Meters
The audio meters the display the audio levels for all active audio channels. This allows you
to monitor all channels visually
Headphone icons
To monitor the audio, tap the headphone icon next to the channel you wish to monitor
from the headphone output. Only one channel (stereo pair) may be monitored at any time
using headphones connected to the 3.5 mm headphone jack on your NINJA V.
Selecting the Monitor icon does not mean that track is selected to be recor-
ded. You need to select each channel using the record button. Tracks that
are selected to be recorded have colored Audio Meters. See image above.
REC icons
These icons allow you to select the channels of audio to record. Tap the record button for
each channel that you want to record and it will turn red to indicate the fact that it is being
recorded. You can record multiple channels of audio by tapping multiple REC buttons.
Orientation
Allows you to select the orientation for audio meters on the NINJA V display. Tap to cycle
through the options:
l Horizontal: Displays the 2 channels you are actively monitoring.
l Vertical: Displays 8 channels + 2 analog Channels.
Audio Embed
Allows you to embed the analog audio channels into the digital signal, so that when you
output the video signal over HDMI/SDI this audio is also output as part of the digital sig-
nal. The available options will depend on how many channels of audio are coming in. Tap
to cycle through the options.
When using the AtomX SDI Expansion module, your NINJA V can record 12
embedded audio channels, instead of the usual 8 channels of audio when
using HDMI.
If analog audio is recorded it will be placed as track 1-2 with embedded

audio moving to 3-4. Note if analog channels are turned on but no audio is
present, in many video players you will not hear silence as they often just
play the first stereo pair. In an NLE you can easily access all the recorded
tracks.
Mic/Line Menu
This menu page provides settings for analog audio that is connected
Analog Audio Meters

These meters display the audio levels for the left and right channels of analog audio.
Headphone icon
Tap the headphone icon to monitor the analog audio from the 3.5 mm headphone output
on your NINJA V. For more information on meters and monitoring, refer to the "Audio
Menu" on page 213 section.
Left Gain / Right Gain

- / +:
Use these icons to adjust the gain applied to the left and right analog audio channels.
Once you have selected the input line level that matches your input at Audio In, analog
gain can then be tuned by incremental increase or decrease of up to +/- 20dB individually
for both left and right channels.
Audio Delay
- / +:
Use these icons to adjust the audio delay by whole frames. This option allows you to delay
the analog audio with respect to the digital audio so that it is in sync with your video
source.
Audio In
Tap on Audio In to select the input line level that matches your input type.
Options available are:
l Mic Level (-40 dBu): Sets the analog input channel to Mic Level via the 3.5 mm
audio jack. Typically used when connecting microphones.
l Line Level (-10 dBu): Sets the analog input channel to Line Level via the 3.5 mm
audio jack. Typically used when connecting most other audio devices to your
NINJA V.
It is not possible to vary the gain if the signal input is from the HDMI con-
nection because this is digital and is embedded in the signal. You can usu-
ally adjust this from the camera, please see your camera manual for
operational details.
NINJA V Mic input supports dynamic and powered microphones only. When
using these, audio must be set as Mic Level
Calibrate
Allows you to measure the HDMI video delay from a camera and delay the analog audio
input to sync with the incoming video signal. For more information refer to "Timecode
Menu - Wireless Timecode & Sync" on page 201
Media Menu
MEDIA INFO
Brand
Displays the brand and other information like model number for inserted media. Inform-
ation about compatible media is available at: atomos.com/compatible-drives
If you do not see your media information, there may be a problem with the
connection or drive. Try removing the drive and reattaching the drive.
Ensure correct alignment of your media.
Capacity
Displays the total capacity of inserted media.

Format
Tap to format the media inserted in your NINJA V. A confirmation screen will ask you to
confirm that you want to format the media, and gives you an option to cancel if you
pressed the button by mistake. Make sure your drive is correctly inserted and all data
from previous shoots has been securely backed-up.
The NINJA V uses the exFAT file system for broadest compatibility across
MacOS and Windows.
When you first insert a drive you may be presented with 'Invalid media'.
This means that the drive has not yet been formatted and you simply need
to format your drive before using it.
Secure Erase Format

4KRAW, AtomX SSDmini by Angelbird and Sony, an option for Secure Erase is presented.
This allows for the entire drive including the drive cache to be formatted. This will erase
ALL content on the drive meaning nothing can be recovered. The benefit of this is to optim-
ize performance. It will wipe all data off the drive (which may also be useful as a addi-
tional security measure) and reset it back as close as possible to factory conditions.
Date Menu
TIME
Time Format
Tap to cycle between 12H and 24H time formats.
Hour/Minute/Second
- / +:
Use these icons for each setting to set the time used on the NINJA V. This will also change
the time of day Timecode.
DATE
Month/Day/Year
- / +:
Use these icons for each setting to set the date on the NINJA V.
Power Menu
Power Down
On the left of the screen is a power icon. Tap and hold this button for 4 seconds to per-
form a software shut down of the unit.
Tap to Lock/Unlock
This image provides information on how to lock and unlock the display of your NINJA V.
Battery
Using Batteries
The Battery icon on the right of the Power menu screen indicates the remaining power in
the attached battery. The numerical figure above the battery icon will indicate the remain-
ing power in volts whilst the green shading inside the battery icon provides a visual indic-
ation of the current power level.
Using the Battery Eliminator
When using the supplied Battery Eliminator, the remaining power indicator will remain
green and show 100% full. The displayed voltage will be determined by the input source.
Using the AtomX SYNC module
When you have an AtomX SYNC module attached to your NINJA V, a small battery icon
with the word ‘Sync’ will be displayed. This battery icon indicates the remaining power of
the module’s internal battery.
When a battery is running low the battery icon in the upper right corner of
the screen will flash and warning menus will appear at 25% and 10%.
Cooling
These settings provide manual controls for the fan inside your NINJA V. This means that
the fan can be set to a low speed, so that it’s whisper quiet during a take and then boos-
ted using Turbo mode to cool the system when it is no longer recording.
Cooling Mode
Allows you to set the cooling mode. Tap to cycle through the options:
l Low: Approximately 20% quieter fan during recording, but the record duration may
be limited.
l Medium: Approximately 10% quieter fan, while maintaining balance between lower
fan noise and extended record duration.
l Auto: Uses default fan operation. Optimized for uninterrupted recording.
While the fan modes will allow for quieter operation with shorter run times
in ambient temperatures below 25 °C/77 °F, it is advisable that you conduct
your own tests for the environmental conditions and rig setup.
Turbo Cool (On/Off)
Turning this mode on will enable boosted fan operation when the recording is stopped.
Using this in combination with Low fan mode helps maintain a good balance with record
durations. Tap the switch to toggle the Turbo Cool mode on or off.
Dim Display (On/Off)
Enabling this will dim the display brightness during takes to help with cooling. It also
helps maximize record times in Low fan mode. Tap to toggle the Dim Display mode on or
off.
Whilst using the Dim Display setting, the display brightness controller will
allow for temporary adjustments in the screen's brightness but will default
back to the level set by Dim Display options (approx 30%).
When your Ninja gets close to peak operating temperature, record times
may be reduced, and fan speeds will increase. Using a combination of Low
fan mode with Turbo Fan and Dim Display gives you the best balance of con-
tinuous record time and quiet operation.
Activation Menu
The Activation page allows you to activate the Apple ProRes RAW, Avid DNx and H.265
codecs, and other features like SDI RAW on your NINJA V.
If you don’t see the Activation menu tab, you will need to update your
NINJA V to firmware version 10.6 or above.
If you have previously activated these codecs, you do NOT need to activate
these codecs again.
Activating Codecs and Features

To activate codecs or features, use the camera on your smartphone to scan the QR code
on the Activation page. Tap on the notification that appears, and you will be taken to
my.atomos.com in your browser.
my.atomos.com
The my.atomos.com site allows you to manage all of your ATOMOS devices in one place.
By registering your products, you can then activate codecs and features, download user
manuals and firmware updates. Registration also extends your warranty from 1 to 3
years from the date of purchase. For more information on my.atomos.com refer to atom-
os.zendesk.com/hc/en-us/articles/5133805061007-Using-my-atomos-com
After scanning the QR code, my.atomos.com will open in your browser. You will be promp-
ted to register as a new user, or login if you are an existing user to your my.atomos.com
account. Once you have logged into your account, the ‘Register a Device’ page will open
and the following fields will already be pre-filled:
l Product name
l Activation ID (AID) (located in the Activation Menu tab on your NINJA V)
l Device ID (DID) (located in the Info Menu tab on your NINJA V)
Complete the following fields:
l Serial Number (located in the battery slot)
Enter the serial number exactly as shown, and ensure that all letters
and numbers are entered correctly. Take extra care to ensure that 0
(zero) and O (the letter O) are not confused for one another.
l Purchase Date
l Reseller (where you purchased your NINJA V)
Then tap on Submit to open the ‘My Atomos Devices’ page.

My Atomos Devices Page
The My Atomos Devices page lists all of your registered ATOMOS products.
Tap on the NINJA V image to open the device page, where you can view the information
and upgrade options for your NINJA V. The Features tab displays the codecs and other fea-
tures that can be activated for your NINJA V, as well as those that are already activated.
The Firmware Updates, Product Manuals and Connect tabs provide additional support that
is specific to your device.
Activating codecs or features on the Activation Tab
On the Features tab, click to activate your chosen codec/s or features and create an activ-
ation token. This can then be downloaded from the my.atomos.com page and will also be
emailed to your registered email address.
On the Features tab, click the Activate Now button on the codecs or features you want to
activate. Once you have selected all the codecs and features that you want to activate,
click on Download Token in the top right corner. A token containing activations for the
selected codecs and features will then be downloaded, so that you can load it onto your
device. The token will also be emailed to your registered email address.
The token will download as a .zip folder, so you will need to unzip the folder to access the
files inside. On a Mac, simply double click on the zip file to unzip it.
Place the activation.bin file on the ROOT of your media and insert the media into your
NINJA V. The token file will be detected and automatically open the activation page, allow-
ing you to install the codec/s.
This method allows you to activate both codecs and add other activation keys, which will
unlock further features on your device.
A single activation token will support all functions unlocked on your device
via my.atomos.com.
The activation token will remain in your account on my.atomos.com and

also be emailed to your registered address.
Manually registering devices and activating codecs and features

If you prefer, you can manually register products and activate codecs at my.atomos.com
instead of scanning the QR code.
Navigate to my.atomos.com. You will be prompted to register as a new user, or login if

you are an existing user to your my.atomos.com account. Then select My Atomos Devices
from the left hand navigation pane and click Register Device.
Once the Register a Device screen opens, select NINJA V from the drop-down menu under
the Product Name field.
Complete the following fields:

l Serial Number (located in the battery slot)
l Device ID (DID) (located in the Info Menu tab on your NINJA V)
l Purchase Date
l Reseller (where you purchased your NINJA V)
Navigate to the Activation menu page on your NINJA V and use the Activation ID (AID) on
that page to complete the Activation field. Tap on Submit to open the ‘My Atomos
Devices’ page.
Once on the ‘My Atomos Devices’ page, follow the steps listed above at 'Activating codecs
or features on the Activation Tab'.
AtomX Menu
The AtomX menu page indicates the attached AtomX Expansion Modules and their ver-
sions. If you have successfully upgraded your firmware and attached an AtomX Expansion
Module, you will see a screen similar to the image below. This indicates the fact that your
firmware is up to date and that the attached module(s) are ready for use.
Attaching Modules
To connect an AtomX Expansion Module to your NINJA V:
1. Line up the rear part of the expansion module with the AtomXpansion port of
NINJA V.
2. Gently slide the module into the AtomXpansion port until it clicks into place.
When a module is mounted, make sure that it clicks into place.
To remove an AtomX Expansion Module from your NINJA V:
1. Press the battery release button on the NINJA V
2. Gently slide the module upwards and away from the NINJA V.
Attaching batteries to an AtomX Expansion Module
Most AtomX Expansion Modules have a battery slot onto which you can connect a com-
patible NP-F L Series type battery or ATOMOS Battery Eliminator. The battery latch on
AtomX Expansion Modules will lock the battery or Battery Eliminator into place.
AtomX CAST does not have a battery slot and can only be powered by the 12V-3A AC
power supply that was included with yourNINJA V. For more information refer to the
"Powering the AtomX CAST" on page 267 section.
To attach a battery to an AtomX Expansion Module
l Gently slide the battery into the battery slot until it clicks into position
To remove a battery from an AtomX Expansion Module
Slide the latch away from the battery and slide the battery upwards to remove it.
Stacking Modules
Most AtomX Expansion Modules also allow for stacking on top of one another. This allows
you to take advantage of the features of multiple modules at the same time.
The AtomX menu will display the attached modules and the stacking order. Specifically,
the modules will be labeled on screen to indicate which one is the Base Module and which
is the Top Module.
To update firmware of a module, attach the module directly to the NINJA V and power it
up.
If a module is at the top of a stack, then it will not update.
When stacking AtomX modules, ensure that the AtomX SDI module is the
BASE MODULE and the AtomX SYNC module is the TOP MODULE. It is not
physically possible to stack another module on top of the SYNC module.
You cannot have an AtomX SDI Expansion Module stacked on top of another
AtomX SDI Expansion Module.
Modules cannot be attached to an Atomos CONNECT

Info Menu
NINJA V INFO
Shows the software (firmware) version and unique device ID (DID) of your NINJA V
device. This will be required to activate additional codecs and features. For more inform-
ation refer to the "Activation Menu" on page 224 section. You can also check on the
ATOMOS website to ensure you are running the latest firmware: www.atom-
os.com/support
Factory Reset
Allows you to revert your NINJA V to it’s factory condition. All user settings will be lost.
Before performing a factory reset, ensure that you have unpaired your
device from the cloud
3rd-Party license
Downloads third party licensing documents for software used on your NINJA V to the
attached disk.
The AtomRemote App
With the AtomX SYNC module attached, you can use the AtomRemote app to wirelessly
control your NINJA V over Bluetooth from a compatible iOS device or a Mac.
The AtomRemote app allows you to remotely control recording and playback, and per-
form a range of configuration tasks and operations wirelessly up to 15 meters via
Bluetooth LE. Input options include the ability to define how the device connects to the
camera, select Gamma/EOTF and adjust Gamut settings.
For monitoring, AtomRemote can be used to control playback, select monitoring modes
and apply custom 3D LUTs. On-screen tools such as focus peaking, 1:1 zoom, frame
guides and waveforms can also be activated. Output controls provide options for 4K to HD
down scaling, LUT preview and HDR output. You can also view the status of attached bat-
teries and the remaining recording time of inserted media and adjust many other set-
tings.
Remote access is ideal for situations where it is difficult or unsafe to access your camera
and NINJA V setup. For example, where the setup is mounted on the ceiling or on a crane,
as part of a crash cam setup or on a gimbal or stabilizer, you can adjust settings and start
recording from a distance without having to physically touch the unit.
To control the NINJA V via the AtomRemote app, an AtomX SYNC Module
and an Apple iOS device running iOS 12 or later, or a Mac running macOS
10.15 (Catalina) or later is required.
AirGlu Bluetooth Remote control via the Atom Remote App is currently not
supported when using ATOMOS CONNECT.
Connecting to AtomRemote
Installing the AtomRemote app

The iOS and Mac version of the app can be downloaded for free. You can either search for
AtomRemote in the App Store or download the app through this links:
apps.apple.com/app/atomremote/id1468547361
For a full list of all compatible iOS devices, refer to our FAQ article.
To control the NINJA V via the AtomRemote app, an AtomX SYNC Module
and an Apple iOS device running iOS 12 or later, or a Mac running macOS
10.15 (Catalina) or later is required.
Setting up the AtomRemote app:

Before you start, ensure that Bluetooth is enabled on your device. AtomRemote uses
Bluetooth LE to connect to the NINJA V, so there's no need to navigate through the
Bluetooth menu in iOS. The following steps will get you up and running.
You can also watch the AtomRemote setup guide on our YouTube channel.
AirGlu Bluetooth Remote control via the Atom Remote App is currently not
supported when using ATOMOS CONNECT. This feature is coming soon.
1. Attach the AtomX SYNC module to your NINJA V and attach a power source.
2. Power on your NINJA V
3. Open the AtomRemote app and choose Ninja as the device you want to control.
When you open the app for the first time, you need to grant permission
for AtomRemote to use Bluetooth to communicate with ATOMOS
devices. Tap OK in the pop-up dialog to confirm.
4. On the NINJA V, tap the top info bar and swipe across to the Sync Config menu. Tap
on Pair in the Bluetooth section to enter Pairing Mode.
5. Compare the pairing ID on both your NINJA V and the AtomRemote app. If the code
matches, tap Accept Code Above on the AtomRemote app to begin pairing.
6. After successfully pairing the devices, a white Remote icon will appear on the display.
Set the Ninja to Remote mode by tapping this icon. --
If you don't set the Ninja to Remote mode after completing the pairing
process, you may be able to pair the same iOS/macOS device multiple
times with your Ninja. This results in the app flashing back and forth to
the pairing screen.
7. The remote icon will turn blue, to indicate the fact that the NINJA V is in remote
mode. You can now control your NINJA V from the AtomRemote app. Tap this icon
again to return to touchscreen control.
If you accidentally pair your remote device multiple times with the same
Ninja, we recommend using the "Unpair All" option within the Ninja's Sync
Config menu. This will reset the Ninja's pairing to the default state and
allows you to re-pair your remote device. But please only once this time.
AtomRemote Connection Icons on the NINJA V Screen
WHITE Remote Icon
Tap the white Remote icon to enable remote mode so that you can control your NINJA V
from the AtomRemote app. Whilst Remote mode is active, you can't operate the Ninja's
touchscreen.
BLUE Remote Icon
A blue Remote icon will be displayed when your NINJA V is in remote mode. Tap this icon
again to return to touchscreen control.
Whilst Remote mode is active, you can't operate the Ninja's touchscreen.
Exit Remote mode by tapping the blue Remote button to take control of the
NINJA V Via the touchscreen again.
AtomRemote App Connection States

The following connection states will be visible
RED (solid)
No device connected
BLUE (solid)
Device connected and Remote mode active
BLUE with flashes of RED (alternating loop between red and blue)
Device connected in the background, but Remote mode isn't active. Tap on the remote
icon on screen to connect and set Remote mode to active.
Rebooting your device will default to the last mode the Ninja was in before
shutting down. If Remote mode was enabled, the Ninja boots into this mode
when you power it back on.
Some of the features and settings cannot be accessed or adjusted by the

AtomRemote app:
- Adjusting fan control settings

- Adjusting the AtomX SYNC module’s wireless Timecode functionalities
- Configuring the Time Lapse recording parameters
- In Playback mode, the Playlist function
Using the AtomRemote app
The AtomRemote app can be used to adjust the settings on your NINJA V. It contains the
usual menu options and icons from ATOMOS 10, so it will be familiar to ATOMOS users
and will be an intuitive experience for anyone using an ATOMOS product for the first time.
Menu Tabs
The icons across the top of the app screen provide information and allow you to enter
menus.
Input, Monitor and Output

The central area of the app screen provides an overview of your mode, gamma and gamut
settings.
Tap on one of the boxes to open the Input, Monitor or Output Menu.
l Input (Connected camera or other source)
l Monitor (NINJA V) and
l Output (Connected external displays)
You can then swipe left or right on the screen to move between these menu pages.
Record
The record settings indicate the recording resolution, codec and frame rate. Tap on this
box to enter the Record menu to adjust the recording settings. For more information refer
to the "AtomRemote - Record menu" on page 261 section.
Monitor Assist Tools

The standard ATOMOS monitoring tools occupy the lower region of the screen, along with
the monitor-assist settings.
These tools can be toggled on and off simply by tapping the icon on the main screen of the
app. When a tool is enabled, the icon will have a solid border around it. Tap the Monitor-
assist settings button to access the Monitor Assist Settings page, which provides options
and settings for each of the monitoring assist tools. For more information, refer to the
"AtomRemote - Monitor Assist Settings" on page 263 section.
Record, Play, Overlays

Along the bottom of the main screen are the Record, Playback and Overlays buttons. The
Record and Playback buttons operate the same way that they do on your NINJA V. Tap-
ping Record or Playback whilst in another mode, will switch NINJA V and the AtomRemote
app into the selected mode. For more information refer to the "The Main Screen - Home
Screen" on page 74 section.
You can turn off the overlays to view the image by itself, by tapping the Overlays button.
Menu Tabs
Across the top of the app screen are icons for the following:
Connection status icon
Audio menu
Power icon
Media menu
Settings menu
Connection Status icon
The connection status icon displays the status of the connection between
your NINJA V and the AtomRemote app.
Disconnected
Before connecting your device, you will see this icon.
Connected
After connecting your device, you will see this icon.
Alternating loop between connected and dis-

connected icons
Device is connected in the background, but Remote mode isn't active. To enter remote
mode, tap on the remote icon on the screen of your NINJA V.
Audio Menu
Tap the Speaker icon on the home page to open the Audio Menu.
Audio Tab
The Audio tab provides options for monitoring each channel, changing your head-
phones volume and embedding your analog channel into the HDMI signal, or
SDI signal where you have an SDI Expansion module attached.
These settings are identical to those on the Audio menu page on your NINJA V. Refer
to the "Audio Menu" on page 213 section for more information.
Mic/Line Tab
This tab provides options for the left and right channels of connected analogue audio.
These settings are identical to those on the Mic/Line menu page on your NINJA V.
Refer to the "Mic/Line Menu" on page 216 section for more information.
Power Menu
The battery icon provides status information on the connected power source.
When a battery is connected, the remaining power level

is displayed as a percentage.
When connected to mains power via a Battery Elim-

inator, 100% will be displayed.
Media Menu
Tap the SSD icon to open the Media Menu. Displayed under the icon, is the remaining
recording time, which is based on the chosen codec and the remaining capacity of the
drive. The settings on this page are identical to those on the Media menu page on your
NINJA V. Refer to "Media Menu" on page 218 for more information on these settings.
Settings Menu
Tap the Cog icon to open the Settings Menu. Tap on the Time and Date, Timecode and
Info tabs to adjust settings that relate to these elements.
Time and Date Tab
It is vital you set the correct date and time on your NINJA V to ensure that the
metadata for your files is correct. Enter the correct settings and tap on Set Time and
Date. Alternatively, tap on Set to Current Time and Date to use the current time and
date on your iOS device or Mac. For more information refer to the "Date Menu" on
page 220 section.
To set 12H or 24H time format, this setting needs to be adjusted in the Date
menu on your NINJA V.
Timecode Tab
The settings on this page are identical to those in the Timecode menu page on your
NINJA V. Refer to the "Timecode Menu" on page 197 section for more information on
these settings.
To enable/disable HDMI Out Timecode, this setting needs to be adjusted in

the Timecode menu on your NINJA V.
The AtomRemote app does not provide settings to adjust the AtomX SYNC
module’s wireless Timecode functionalities. These settings need to be adjus-
ted on your NINJA V. For more information, refer to the AtomX SYNC Expan-
sion Module section.
Info Tab
This tab provides information on the version of the AtomRemote app that is installed
and the software (firmware) version and unique device ID (DID) of your NINJA V
device. The page also provides information on attached AtomX modules.
The information and settings on this page are identical to those in the Info menu and
AtomX menu pages on your NINJA V. Refer to the "Info Menu" on page 233 and
"AtomX Menu" on page 230 sections for more information on these settings.
AtomRemote - Input, Monitor and Output
These pages provide settings for the input, monitor and output. Once you have entered
one of these menu pages, you can swipe left or right on the screen to move between the
menu pages.
-----------------------------------------------
INPUT MENU
This menu provides options for the input signal.
Some of the Input menu settings cannot be adjusted by the AtomRemote

app. Thee settings should be adjusted from the Input menu on your
NINJA V. For more information refer to the Input Menu section.
SOURCE IMAGE TYPE
Allows you to select the source image type as SDR or Log/HDR and set the camera output
settings.
For the best image processing results it is essential to match the NINJA V
settings to the camera/input settings.
The information and settings on this page are identical to those in the Camera Output sec-
tion in the Input menu on your NINJA V. Refer to the "Camera Output" on page 102 sec-
tion for more information on these settings.
Detect HDMI HDR metadata
Equivalent to the HDR Auto setting on the Input menu page. Refer to "Camera Output"
on page 102 for more information on this setting.
The Input Signal is Full Range; Convert it to Legal
Equivalent to the Legalize setting on the Input menu page. Refer to "Camera Output"
on page 102 for more information on this setting.
TRIGGER
These settings allow the NINJA V to be remotely triggered to record from your camera,
and are identical to those in the Input menu on your NINJA V. Refer to the "Trigger" on
page 95 section for more information on these settings.
-----------------------------------------------
MONITOR MENU
This menu provides settings for the monitor mode of your NINJA V, and provides settings
for LUTs and monitor adjustments.
SOURCE VIDEO
The source input Gamma and Gamut that were set in the input menu are displayed here.
MONITOR MODE
Select SDR or Log/HDR mode, depending on how you want to monitor the signal on your
NINJA V. When the input is set to Log/HDR, the input signal is displayed in it’s native
form, which is usually a flat or washed out image. You can then choose to enable a LUT,
which displays the input source with the selected user Custom 3D LUT.
LUT
Allows you to apply the selected LUT to the image. Tap to toggle between enabled and dis-
abled.
Loading a LUT
Tap on one of the numbered slots to select it. Slots that already have a LUT loaded will
have a curve next to the slot number whilst empty slots will not. Tap on the folder icon to
access your media and select a LUT to upload. For more information on loading LUTs refer
to the "LUTs tab" on page 321 section.
LUT On Record
If this option is selected, your NINJA V will bake the LUT look into the recording. When
enabled, a CUSTOM LOOK icon will flash in the top corner of the monitor and the LUT can-
not be activated during recording to avoid any potential issues with the recorded content.
Baking a LUT into your recording cannot be undone in post-production, so

we advise that you consider your workflow before the use of this option.
Baking the LUT into your recording is not supported when recording with
the ProRes RAW codec.
LUT On Output
OUTPUT LOOK – With this option, the selected LOOK is also applied to the HDMI loop out
of the NINJA V. This will allow for instant preview on a larger monitor or to be used with a
wireless sender. This function can also be combined with the down convert option that
can be found in the input menu.
LUT Preview
During color management it’s likely that you may want to review a number of LOOKs and
even compare them to the Native Video Source. Tapping the Compare option will apply a
50/50 vertical screen split that will show both the Natural Source Video and the selected
LOOK of the LUT.
MONITOR
These settings provide monitor options for your NINJA V, including Tally, Display Off and
Flip mode. These icons are identical to those in the Monitor Mode menu on your NINJA V.
Refer to the "Monitor tab" on page 327 section for information on these settings.
Remove interlaced fields
Tap this setting to remove interlaced fields when working an interlaced signal.
MONITOR ADJUSTMENTS
These settings on this page are identical to those in the Display menu on your NINJA V.
Refer to the "Display tab" on page 331 section for information on these settings.
-----------------------------------------------
OUTPUT MENU
This menu provides settings for the signal that is being output from your NINJA V over
HDMI and SDI to external displays.
VIDEO OUT
Displays the active video format being output from HDMI or SDI to an external monitor,
as well as the status of any processing options applied. When working in HDR, a signal will
be output with the correct HDR flag to activate a compatible HDR display’s settings. This
can be useful if you wish to monitor log footage in the studio.
SDI 3G Type
Set the 3G Output type for compatibility with connected equipment that expects a specific
type of 3G-SDI video. Tap to select Level A, Level B or Auto.
EXTERNAL OUTPUT
SDR/HDR
Tap SDR or HDR to select the signal output type. Selecting HDR will set a LOG to HDR
transform.
For Log outputs, select HLG and 709 for a normalized SDR image
Gamma
Select from PQ, HLG or Dolby for HDR. Select Rec.709 for SDR mode. Tap to scroll
through the options.
Gamut
Select from Rec.709, BT.2020 or DCI P3 in HDR mode. Set at Rec.709 for SDR mode. Tap
to scroll through the options. Refer to the "Output Menu" on page 107 section for more
information on these settings.
LUT Out
Allows you to loop out LUTs that are applied to your image, so that they are also applied
to the Output signal. Tap to enable/disable.
OUTPUT OPTIONS
These settings are identical to those in the Output menu on your NINJA V. Refer to the
"Output Menu" on page 107 section for more information on these settings.
AtomRemote - Record menu
This menu allows you to adjust your recording settings, including codec, compression,
pulldown. The settings on this page are identical to those on the Record menu page on
your NINJA V. Refer to "Record Menu" on page 112 for more information on these set-
tings.
Time Remaining
Displays the remaining recording time based on the chosen codec and the remaining capa-
city of the drive.
Record Format
Displays the current recording resolution and frame rate.
Pre-Roll
Tap to enable/disable the pre-roll function. For more information on pre-roll, refer to the
"Record Menu" on page 112 section.
Codec
Tap to scroll through the options to select a codec. For more information on codecs, refer
to the "Record Menu" on page 112 section.
Compression
Tap to scroll through the options to select the compression level for the currently selected
codec. For more information on compression, refer to the "Record Menu" on page 112 sec-
tion.
Pulldown Format
Tap to select a pulldown format. For more information on pulldown, refer to the "Pull-
down" on page 119 section.
AtomRemote - Monitor Assist Settings
Tapping on the Monitor-assist settings button opens the Monitor Assist Settings page,
which provides options and settings for each of the monitoring assist tools.
Tap on the arrow to the right of each tool to access it’s settings. The following screen will
appear when you tap on the arrow next to Zoom:
For more information on the options and settings for each of the monitoring assist tools,
refer to the Monitoring Features section.
Using the AtomX CAST
The AtomX CAST is a modular expansion for the NINJA V, that connects to the AtomXpan-
sion port to convert the NINJA V into a fully functional stand-alone video switcher with 4 x
1080i/p HDMI inputs, a multiview monitor and broadcast quality recorder, with graphic
overlays, picture in picture functionality and a streaming output.
Any interlaced or progressive video source up to 1080i/p60 can be connected to the HDMI
inputs on AtomX CAST. These sources will automatically be conformed in the background
to be progressive and also to match the project frame rate.
When using AtomX CAST, the Information Bar at the top of the NINJA V screen displays
information and settings for your project rate, outputs, audio settings and more. Touch-
ing any of these areas will take you to the relevant menu. For more information on these
settings, refer to the "CAST - Main Screen" on page 269 section.
To purchase an AtomX CAST visit atomos.com/accessories/atomxcast
To use AtomX CAST with your NINJA V, firmware version 10.71 or later
Attaching AtomX CAST to your NINJA V
How to attach AtomX CAST to NINJA V:
1. Place AtomX CAST on a flat surface with buttons facing upwards, and undo the 1/4-
20 screw in the center of the unit to release the top bracket. Line up the AtomXpan-
sion port of the NINJA V with the expansion module on the AtomX CAST.
2. Gently slide the AtomX CAST into the AtomXpansion port until it clicks into place.
3. Tighten the 1/4-20 screw on the top bracket to the top mounting point on NINJA V to
secure it in place.
4. To remove the AtomX CAST from your NINJA V, undo the 1/4-20 screw on the top
bracket and press the NINJA V’s battery release button. Gently slide the AtomX CAST
away from the NINJA V.
Powering the AtomX CAST
When you have an AtomX CAST connected to your NINJA V, the 12V-3A AC power supply
that was included with your NINJA V supplies power for both NINJA V and AtomX CAST.
Connect the DC connector to the DC input on the AtomX CAST to provide power to both
devices. For more information on the AtomX CAST connections, refer to
"AtomX Expansion Modules" on page 52
Connecting the AtomX CAST to your Com-
puter
The AtomX CAST connects to your computer via USB-C and appears instantly to the com-
puter as a webcam.
AtomX CAST must first be connected to your NINJA V before connecting to a

computer. For more information refer to the "Attaching AtomX CAST to your
NINJA V" on page 266 section.
How to connect AtomX CAST to your computer:

1. Connect one end of the supplied USB-C cable to the USB-C port labelled CAST USB-C
on AtomX CAST and the other end to a USB-C port on your computer. If your com-
puter only has USB Type-A connectors, a USB-C to USB-A adapter will be required.
2. Once connected to your computer, you will be able to select the AtomX CAST as a
camera and audio source within video applications like Zoom, Teams and Skype
without the need to install drivers on the computer first.
3. For setup guides on setting up your AtomX CAST to work with specific applications on
Mac and Windows, refer to the Streaming and Switching section on our support page.
CAST - Main Screen
PROJ: Displays the Project Rate, which is determined by the resolution and frame rate of
the Primary Input.
OUT: Displays the active video resolution and frame rate being output from the CAST Out
and the CAST USB-C connectors on AtomX CAST.
MON OUT: The output mode of the NINJA V HDMI Out connector. This can be selected in
the Output and Switcher menu pages, and can be set to:
l Program,
l Preview or
l Multiview
AUDIO: Displays the audio source that you selected in the Audio menu page. When HDMI
Input is selected, the chosen input will be displayed, eg. Input 1 where Mic/Line has been
selected, MIC/LIN will be displayed and AFV will be displayed where Audio Follows Video
has been selected.
TC: Displays Timecode.
MEDIA: Displays the remaining recording time on your media, based on the chosen
codec and remaining capacity of the drive.
LIVE: The Live button allows you to enable or disable the live stream output. It is import-
ant to note that the LIVE button must be pressed to allow your program feed to be output
to your streaming software and/or connected Program display via the CAST USB-C and
CAST HDMI outputs. A connected display in Program mode can be used to confirm that
you are outputting a stream to your audience, as well as what they are seeing. This out-
put will not have an image until you are live. Tapping the button will cycle between red for
enabled, and greyed out when disabled.
If a Primary Input has not been selected, the Live button cannot be
enabled.
BORDERS: The borders around the inputs indicate the status of each input. When selec-
ted as the program output, the border around that input will be red. A green border indic-
ates that the input is being previewed in Two Touch switching mode.
INPUT NUMBERS:The input numbers in the center of the screen indicate the status of
each input. They will be white when there is a valid input, and greyed out when there is no
input. When selected as the program output, the input number will be red. The input num-
ber will be green when the input is being previewed in Two Touch switching mode.
MICROPHONE ICON:Where the audio source is set to HDMI Input, a red microphone
icon will appear next to the input number in the center of the screen to indicate that the
input is the current audio source. If there is no audio coming from the input, a grey
microphone will be displayed instead. In Audio Follows Video (AFV) mode, a blue micro-
phone icon will be displayed next to the input that is the current audio source.
Where Mic/Line has been selected as the Audio Source, MIC/LIN will appear
at Audio at the top of the screen to indicate the mode. No microphone icon
is displayed over any of the inputs.
FADE IN / FADE OUT: These buttons can be used to fade in or fade out of your pro-
gram. You can set the color to fade to/from as White or Black in the Switcher menu. Hav-
ing dedicated Fade In/Out buttons gives you complete control so that you can fade out
from one input, switch to another input and fade back in. Fading In/Out also applies an
Audio fade effect.
QUAD SPLIT VIEW BUTTON: Tap to toggle between the multiview mode where you
can see all four inputs at once for switching, and the single input view which displays one
input at a time. The single input view is perfect for checking and adjusting each input full-
screen, with the aid of the monitoring tools. Tap the button again to return to the quad
split view for switching.
SETTINGS: Pressing the settings button will take you to the corresponding menu page
for the current mode: PiP, Audio, Overlays and Switcher.
RECORD: Press to begin recording the program stream.
The LIVE button must be pressed to allow your program feed to be output
to your streaming software and/or connected Program display via the CAST
USB-C and CAST HDMI outputs. The LIVE button must be enabled for either
of these outputs to be active.
PLAY: Press to enter playback mode and play back the most recently recorded clip. Tap
RECORD to return to the switching/recording mode.
When you are live, the Playback button will be greyed out and disabled. This
ensures that the stream cannot accidentally be played back during a live
session.
MONITOR: Tapping Monitor in single input view mode reveals the monitoring tools, so
that you can switch between the camera inputs and use the tools to check your shots. You
can use scopes like the Waveform to check exposure, Focus Peaking to check focus and
Frame Guides to help you frame your content for a specific aspect ratio or for social
media. For more information, refer to the Monitoring & Recording section.
CAST - Function Icons F1- F4
These icons have the same effect as the physical F1-F4 function buttons on AtomX CAST.
Tapping the F1-F4 icons or pressing the physical F1-F4 buttons will allow you to use the
four physical 1,2,3,4 pad buttons on the unit to switch between options in the selected
mode. The following refers to the icons on screen, as well as the physical buttons on the
unit.
F1 PiP (Picture in Picture)

In this mode, the 1-4 buttons act as a PiP switcher. Once F1 has been selected, you can
use the pad buttons to select an input to use as a PiP over the Program Out. The currently
selected input button on AtomX CAST will be red to indicate it is live. Pressing one of the
other input buttons will turn them yellow, and select that source to be displayed as a pic-
ture in picture over the current program output. Press one of the other pad buttons to use
that input as a picture in picture instead. Pressing the input button whilst it is yellow or
pressing the red input button, will turn off the PiP effect on the program out.
When in F1 PiP mode, pressing the settings button will open the PiP menu page. For more
settings in relation to the PiP function, refer to the "CAST - Picture in Picture (PiP) menu"
You can change the size, position and opacity of the PiP whilst it is live, by
using the PiP menu page.
F2 AUDIO
In this mode, the 1-4 pad buttons act as an audio switcher. Once F2 has been selected,
you can then use the input selection pads 1-4 to switch between the audio from the 4 x
HDMI inputs connected to AtomX CAST. The selected input button will turn red when
pressed. Pressing the pad button whilst it is red, will switch to AFV (Audio Follows Video)
mode, and the button will turn blue. Pressing on the selected input button when blue will
switch to the audio from the selected input again.
When in F2 Audio mode, pressing the settings button will open the Audio menu page. For
more settings in relation to Audio sources, refer to the "CAST - Audio menu" on page 287
F3 OVERLAYS
In this mode, the 1-4 pad buttons act as a graphics switcher. Once F3 has been selected,
pressing one of the input selection pads 1-4 will turn the selected pad button green and
apply the overlay to the Preview output of the Ninja HDMI output. This allows you to
preview each of the graphical presets over the current input. When you decide on the pre-
set to use, press and hold the green input button to turn the button red and lock that
graphical preset to the input.
The preset will appear on the Program feed and be locked to this input so that whenever
you switch to that input in switcher mode, the graphics in the selected preset will appear.
This is especially useful where you have multiple speakers, as they can all have a lower
thirds graphic with their name and details appear whenever you cut to them. You can
deactivate an overlay in both program and preview modes, by holding the button until the
red light changes to white.
When in F3 Overlays mode, pressing the settings button will open the Overlays menu
page. To create or adjust the graphical overlay presets and for more settings, refer to the
"CAST - Overlays menu" on page 279 section.
Tapping on another input via the 1-4 pad buttons or on the multiview screen in this mode,
will place a green preview border around the chosen input on screen, and the cor-
responding input selection button on the AtomX CAST will also be green. The selected
input will also be displayed on a connected display in Preview mode. If you select another
input instead, the selected input will be previewed instead. This allows you to literally pre-
view your inputs before you cut to them in the program feed.
A second tap on the same input on the display or on the input selection button whilst they
are green, will turn it red and cut to that input immediately. If you do not want to switch
to the input being previewed, tap on the currently selected input again on the NINJA V dis-
play or press the input selection button that is red. Selecting the F4 key whilst green will
return to One Touch switching mode.
When in F4 Switcher mode, pressing the settings button will open the Switcher menu
page. For more information on switching settings, refer to the "CAST - Switcher Menu" on
page 284 section.
If the F2 function is used as described above when Mic/Line is selected in

the audio menu page, the Audio Source will switch to HDMI Input mode.
If you have selected analog audio input, none of the pads will be illuminated
red.
F4 SWITCHER
In this mode, the 1-4 pad buttons preview and switch between the inputs. When F4 is ini-
tially selected, it will turn red and One Touch switching mode will be enabled. Tap-
ping/pressing the F4 key again whilst it is red, will cause the F4 button to become green
and the Two Touch switching mode will be enabled. In this mode, you can preview inputs
before actually switching to them.
CAST - Input Menu
The Input menu provides information and settings for the 4 x HDMI inputs on AtomX
Cast.
HDMI ICONS 1 > IN | 2 > IN | 3 > IN | 4 > IN

The HDMI icons for each input will be white where a valid input is detected. The icons will
be faded with an ‘x’ when no input is connected. The physical 1,2,3,4 buttons on the
AtomX Cast will also have a white light when a valid input is detected and will not be illu-
minated when there is no input.
If an input is not detected, unplug and reconnect the HDMI cable for the
input to AtomX CAST.
Name
Provides information on the names of each input.
Primary Input
A green circle with a ‘P’ will be visible below the source that is the current Primary Input.
The Primary Input will determine the project rate and provide sync for other inputs. By
default, the first connected source will be used as the Primary Input. To select another
source, tap on the white circle in the Primary Input row, below another input. Other inputs
with a different frame rate up to 1080i/p60 will be conformed in the background to match
the project rate.
Ensure that you have selected the project rate before going live, as this can-
not be changed when live. If you do change the project rate whilst being
LIVE you may lose your USB-C connection, and have to unplug it and reboot
the device.
Video Mode
Displays the resolution and frame rate for each input. No Input will be displayed where a
valid input is not detected.
Project Rate
The frame rate of the Primary Input will be used as the Project Rate by default, and all
other inputs up to 1080i/p60 will be conformed to this frame rate.
Graphics
Indicates the graphical overlay presets that are applied to each input.
Audio Pairs
Indicates how many audio pairs are associated with each input. No Input will be displayed
where a valid input is not detected.
CAST - Output menu
The Output menu allows you customize your setup, by choosing what to display on the
outputs.
Mode
Displays the mode that each of the outputs is currently set to. The icons will be faded with
an ‘x’ when not connected.
NINJA V OUT
Allows you to select the mode for the NINJA V’s HDMI Out connector, for displaying on a
secondary output. The frame rate will be the same as the project rate. Tap on the cur-
rently selected mode to cycle through the following options:
l Program: Displays the ‘program’ that you are streaming to your audience. This
mode shows you exactly what they will see.
l Preview: Allows you to preview inputs before you cut to them in the program feed,
as well as preview graphics.
l Multiview: This mode allows you to see all four inputs at once, without Graphic over-
lays, PiP, Program/Preview and audio channel status
CAST OUT / CAST USB-C
Displays the current mode for the HDMI Program Out and USB-C connectors on AtomX
CAST. These outputs are linked and will always display the program feed.
FPS Conversion
Displays conversions of resolution and frame rate. A green circle with a tick will indicate
successful FPS conversion to the project rate. A circle with an ‘X’ will be displayed in the
CAST OUT and CAST USB-C columns when FPS conversion is not activated.
CAST USB-C streaming output is limited to a maximum of 1920x1080p30. For projects

that have a frame rate of 50p or 60p, FPS conversion will be applied, and both the HDMI
and USB-C outputs from the AtomX CAST will output at a half frame rate i.e p50 as p25
and p60 as p30.
HDMI projects can be output as 1920x1080p50 or p60 without FPS conversion but the
CAST USB-C streaming output will not be available.
FPS conversion can only be activated when you are not live.
CAST - Overlays menu
The settings in this menu allow you to upload up to 8 custom graphics to the NINJA V’s
internal memory, and then assign them to the anchor positions within the four layout pre-
sets. The presets can then be set to appear on certain inputs whilst switching.
Image creation programs like Adobe Photoshop can be used to create your own custom
graphics for a logo, masthead, lower thirds graphic or even a large image that covers the
entire screen.
Graphical overlays do not appear on the multiview screen of the NINJA V, but can be pre-
viewed on a conneScted display in Preview mode before being used in the Program. You
can also set and lock a graphical preset to an input so that it appears each time that you
switch to that input. For more information refer to the "CAST - Function Icons F1- F4" on
page 272 section.
Graphics must be in PNG format, but can be any resolution up to 1920 x

1080. Graphics that contain alpha channels/ transparency are also sup-
ported.
If using an image creation program like Adobe Photoshop to create graph-

ics, ensure that you save them in .PNG format.
Graphics can be up to 1MB in file size.

Presets 1-4
Select one of the four presets along the bottom marked 1-4 to select a preset to cre-
ate/edit. When this preset is selected during switching, the graphics will appear on screen
in the position(s) you have selected.
Media Slots 1-8

Each of these numbered media slots can store a .PNG graphic in the NINJA V’s internal
memory. Tap on one of the numbered media slots to select one of the slots. If all slots are
full and you want to add a new graphic, select one of the slots and tap Browse File. You
will be prompted to overwrite the graphic that is currently saved in this slot.
Browse File
Tap on Browse File to browse the media inserted in your NINJA V for PNG media. Tap on a
.PNG file to select it and tap on it again to load it into the selected media slot. The file-
name of the selected media will be displayed below Browse File.
You can use a graphic in multiple presets, but you can only have one
instance of each graphic in each of the presets.
Anchor Points
Each of these circular positions is an anchor point, which anchors the graphic to the
chosen position. If you select the top left anchor point, the top left corner of the graphic
will be anchored to the top left corner of the frame. If you select the bottom left anchor
point, the bottom left corner of the graphic will be anchored to the bottom left corner of
the frame. For the three center anchor points, the centre of the image will be anchored to
the chosen anchor point.
After selecting one of the media slots, tap on an anchor point to add the graphic to the
chosen anchor point location on screen. A green circle with the media slot number will
appear in this position. To relocate the graphic, tap the location anchor and the green icon
will disappear, removing the graphic from the location. Tap on another anchor point to
relocate the graphic to that anchor point instead.
In order to clear graphics from assigned positions, tap on each graphic in
each preset to disable them individually.
If your graphic is not in the correct file format or within the 1MB size limit,
an error message will advise that the image is not in the correct format.
CAST - Picture in Picture (PiP) menu
This menu allows you to display an input as a scaled input overlay in the corner of the
screen over the top of any program output, so that they both appear on screen at the
same time. You can use this feature to present to the camera, whilst showing the viewer
another angle, a presentation or pre-recorded content at the same time. In order to see
the PiP appear over another input, a connected display in Program mode is required.
Picture in Picture On/Off

Enable/Disable the Picture in Picture function by tapping the On/Off switch.
Opacity
Use the slider to adjust the opacity of the PiP input.
PiP Size
Select the size of the PiP effect by tapping on the small or large preset.
Set PiP Position

Adjust the position on screen for the picture in picture effect to be displayed.
PiP Input
Select the input that will appear as a PiP over the input that is live.
The system automatically disables PiP when it is not required, such as situ-
ations where you would have a PiP image displayed over the same image.
CAST - Switcher Menu
This menu allows you to customize your settings for switching.
Switch With
Allows you to select the style of switching to use whilst in the Switcher mode. Tapping
Switch With or the F4 button, cycles between the options:
l One Touch
In this mode, a single touch on one of the inputs on the Ninja display when in mul-
tiview mode, or on one of the physical 1-4 buttons on the AtomX CAST, will switch to
the corresponding input immediately. The input on screen will have a red border
around it and the corresponding button on the CAST will turn red when selected, to
indicate that it is live. The F4 button will also be red in One Touch mode.
l Two Touch
Two touch recording, follows the traditional broadcast preview and program switching
style, which allows you to preview an input before actually switching to it.
Whilst in this mode, the program feed on the NINJA V display will have a red border
and the corresponding input selection button on the AtomX CAST will also be red. Tap-
ping on another input will place a green preview border around the chosen input on the
display, and the corresponding input selection button on the AtomX CAST will also be
green. This indicates that the input is being previewed as the next source to cut to.
The selected input will also be displayed on a connected display that is in preview
mode. A second tap on the same input on the display or on the input selection button
whilst they are green, will cut to that input immediately.
If you select another input instead, that will cause that input to be previewed instead.
If you do not wish to switch to the input being previewed, tap on the program feed
again on the NINJA V display or press the input selection button that is red.
Ninja HDMI Output

This setting allows you to select the mode for the HDMI Output connector on your
NINJA V. This will determine what is displayed on a monitor connected to this output. Tap
the setting to cycle through the options:
l Program
l Preview
l Multiview.
Fade To Color
Sets the color that your image will fade from/to when using the Fade In / Fade Out but-
tons. The color selected here is also used for dip to color transitions. Tap the setting to
cycle through the color options:
l White
l Black
Transitions
Tap to cycle through transition options:
l None
Sets no transition.
l Dip to Color
Sets Dip to Color as the transition type that is applied when you switch from one input
to another.
Transition Duration
Use the slider to set the duration of Dip to Color transitions between 100ms and 2
seconds.
Program Record
Allows you to select what is recorded onto the media inserted in the NINJA V. Tap to cycle
through the options:
l Clean:
Records a clean feed of the program output.
l CAST Program mode:
In this mode, graphical overlays, the picture in picture (PiP), Dip To transitions and
Fades In/Out of the program stream are all recorded onto the media inserted in the
NINJA V.
CAST - Audio menu
This menu allows you to select the audio sources that will be used for the program output.
Audio Source
Tap the buttons to select the audio source:
HDMI Input:
Allows you to select the audio from one of the inputs connected via HDMI as your audio
source. If you have four cameras connected to AtomX CAST, it would allow to use the
audio from one of the cameras, which could be scratch audio from the camera’s internal
microphones, or audio from a microphone connected to the camera. For other types of
inputs like pre-recorded videos, the audio could be coming directly from the source. After
selecting HDMI Input, tap on the input number to switch to the audio from that input. A
red microphone appears in the corner of the input displayed on the NINJA V when in mul-
tiview mode, to indicate the source of the audio.
Mic/Line
This option allows you to connect an external audio source to the analog 3.5 mm Mic/Line
jack on your NINJA V. In Mic mode, a dedicated high quality microphone can be con-
nected directly or via an audio mixer which can dramatically improve your audio quality.
You could also use this input in Line mode, to add music to your production from an
external source. The Mic/Line menu page allows you to adjust the settings for Mic/Line
inputs.
Audio Follow (Audio Follows Video):
When Audio Follow is selected in the Audio menu page, the audio will follow the video
switching, so the audio from the currently selected input will be used. The corresponding
physical pad button will also turn blue in this mode. Previous selected audio turns red.
Headphone icons
The program audio can be monitored by connecting headphones to the 3.5 mm head-
phone/audio out jack on your NINJA V. Whilst in CAST mode, only the program out can be
monitored. If you switch between audio sources or AFV, the headphone monitoring will
automatically switch to allow constant monitoring of the program audio. Levels for other
inputs can only be monitored on the meters visually.
Audio Meters
Displays audio levels from the embedded audio of the four HDMI inputs/cameras.
Headphone Volume Slider

This slider allows you to adjust the monitoring volume of the selected audio input.
The headphone slider volume has no impact on the actual audio levels for
each connected source, so if it is too loud you will need to adjust the audio
levels on the connected camera or source.
You can select either the audio pair coming from the analog in (Mic/Line con-
nection), OR the audio pair from the selected camera. There is no support
multi channel audio.
To ensure that analog audio is synced correctly with the audio from your
HDMI sources, connect analog audio sources to one of the HDMI cameras/
sources and select the audio from this input as your audio source. This will
ensure that the audio will always be in sync with the video.
Setting up for recording
As soon as you connect a supported signal to the NINJA V input and have inserted a
formatted drive the following will happen:
l The REC icon will be illuminated (red)
l The input source & format will be shown in the top left corner of the information bar
(in monitor mode)
l Audio input meters will be responding to the source.
Ready to Record (monitor mode/home)

Ready to Record (monitor mode/features)
No Input / No Disk / No Disk Formatted

SmartControl
SmartControl is a versatile set of functions used to control the starting and stopping of
recording by automatic or external means. This section outlines the different methods to
start and stop recording.
NINJA V Start and Stop record control can be triggered by the following methods:
1. Home Page Touch Screen
2. HDMI Rolling Timecode trigger
3. HDMI Camera trigger
4. Via LANC for Sony and Canon Cameras
5. Via LANC serial port
Some cameras perform optimally when triggering from the camera and not
the recorder.
Home page Touch Screen

NINJA V Start and Stop record control can be triggered by pressing REC (Record)
and STOP to end recording
HDMI Rolling Timecode Trigger Record

If the camera is in Record Run mode, recording can be stopped or started by a moving
Timecode via HDMI. When enabled the camera and the NINJA V will start and stop record-
ing simultaneously.
Rolling Timecode trigger is for use in older cameras with TC only and no trig-
ger. If your camera is set to FREE RUN this trigger will start recording imme-
diately. Please be aware that not all cameras have Start/Stop flags for
triggering record, especially older cameras. In such cases rolling trigger in
REC RUN will need to be used to trigger recording automatically at the same
time as the camera starts recording.
HDMI Camera Trigger Record

The HDMI Camera trigger is available for supported cameras. There is a flag within the
digital signal that lets the NINJA V know the start/stop record has been pressed on the
camera; in turn this will trigger the NINJA V to start/stop recording at the same time as
the camera.
Understanding HDR and Log
The first step in HDR is to recognize you have a HDR scene. Look for a good range of con-
trast across the brightest and darkest parts of your image and also across the color and
tonal range as each color also contains its own brightness or luminance information.
Secondly ensure you are sending a Log signal into the NINJA V so that you are recording
the HDR Log information. For more information refer to the "Camera Output" on page 102
section.
Now you are ready to capture Log and simultaneously use ATOMOS 10 image processing
to preview the final HDR result in the field, rather than dealing with the washed out look
of Log for critical exposure decisions.
The main impact of HDR is apparent in the specular highlights and bright areas. The areas
that would have previously been ‘blown out’ will now contain visible detail and information
to enhance your content. HDR provides more headroom allowing you to show more detail.
Experimentation with increased exposures is encouraged.
ATOMOS 10 HDR uses an in depth understanding of each Log curve and combines it with
the control of the panel processing and backlight in order to apply an increased brightness
to the highlight areas of the scene.
Alongside the physical light in the scene, the faster your lens the greater
the level of brightness you’ll have to play with. Choosing a Cine-style lens or
those with a de-clicked manual aperture can provide increased flexibility
over photo lenses that use an electronic control aperture.
The AtomOS 10 monitoring mode allows the processing engine of the NINJA V to display
the High Dynamic Range capabilities of a Log gamma input. HDR monitoring in ATOMOS
10 is the result of the research and development by ATOMOS that allows control of all
aspects of the monitor through image processing to deliver the unclipped beauty of spec-
ular highlights through natural, vibrant colors with a result that allows you to simply shoot
what you see. When the scene in front of you and the picture displayed on the Ninja look
similar, your exposure should be correct but use in conjunction with the waveform mon-
itor to verify.
One of the key elements to understand is that if your camera can shoot in Log then it can
already capture more dynamic range than you can display in SDR. Log preserves the high-
light information by applying a Logarithmic curve to compress the additional stops of
dynamic range to fit in to the Rec.709 standard. The image appears washed out and desat-
urated as each pixel contains more brightness information than SDR can display, if it were
to do this it would be brighter than 100% Rec709 and so be clipped. This is illustrated
below:
File Recovery
The NINJA V continuously writes to disk while in recording mode. If the power fails or the
drive is removed accidentally all but the last few seconds of the clip can be recovered.
In the event of an interrupted recording, when you restart the NINJA V, or enter playback
mode, you will be presented with a menu that gives you the option to recover imme-
diately, or recover it later.
If you select recover later, every time you put the disk in, or start up the NINJA V, the
same menu will appear to prompt you to recover the file that did not close properly.
If the drive is broken, or has become corrupted, then we will not be able to
recover the file and we recommend that you try third-party hard disk recov-
ery software.
Monitoring Features
ATOMOS 10 features a new and improved layout of monitoring tools that are displayed at
the bottom of the Monitoring screen. Tapping the yellow MON icon will display or hide the
monitoring tools. To reveal all Monitoring features, swipe the monitoring icons to the left.
They will behave in a carousel like manner, where you can swipe left and right to access
any of the features.
Some of the monitoring tools help you to assess the exposure and focus of your image.
Other tools include frame guides, safe areas, anamorphic de-squeeze, frame grab and
onion skin.
Tapping on the icons will enable/disable the feature, and in some cases will cycle through
the options. Many of the tools can be used simultaneously to assist with focus, exposure,
framing and more.
Monitoring Features do not affect your recorded file and can be turned on
and off, or adjusted whilst recording.

Monitoring Features Activation Icons
The Monitor Features will only be illuminated and available if there is an
input signal detected.
Zoom
Zoom mode enables you to punch in and check critical focus
1:1 Toggle to display 1:1 pixel mapping. The indicator box shows the loc-
ation of the screen you are viewing. 4K 1:1 shows 1/4 of the 4K UHD image.
2:1 Toggle to magnify the screen. The indicator box shows the location of
the screen you are viewing, and you can move the zoomed location by drag-
ging across the screen or selecting a portion of the indicator box. 4K 2:1
shows 1/16 of the 4K UHD image.
Waveform (WFM) and Vectorscope
These traditional scopes provide a visual representation of your image. You can cus-
tomize the settings for Waveform Monitoring in the "Waveform tab" on page 316 of the
settings menu.
Luma Waveform
The Luma or Luminance Waveform is a great way to visualize the dynamic range of your
image, allowing you to protect exposure of both your highlights and shadow detail. It’s
particularly useful when shooting with a low contrast LOG curve and works in perfect part-
nership with HDR to illustrate and highlight the clipping point to allow you to correctly
expose you image.
RGB Waveform
RGB Waveform will monitor the level of Red, Green and Blue from an input source. The
RGB channels are displayed side by side and each channel color is shown under the cor-
responding waveform. This can be used to check the white balance. Just point the camera
at something white and the Red, Green and Blue levels should match if white balance is
setup correctly on the camera.
The Waveform Monitor will remain on screen when hiding the overlays
ensuring the focus remains on calibrating your image. If the MON button is
pressed the WFM will move in to the bottom icon line up.
Vectorscope
The Vectorscope display shows color information of hue (shown as a phase vector), and
saturation (measured by outward distance from the center). This is useful for checking if
an image is under or over saturated and for calibrating multiple cameras to ensure
greater consistency between shots.
Focus Peaking, Zebra and False Color
ATOMOS 10 features monitoring tools that help with making your shot picture perfect.
Easily access Focus Peaking, Zebra, False Color and Blue Only Exposure to check image is
in focus, noise free and correctly exposed. Options for safe area/ title area markers along
with aspect ratio markers and anamorphic de-squeeze functions are also available.
Focus Peaking
The focus peaking feature provides you with visual guides that enhance the areas in your
shot that are in focus. The parts of the image that are in focus are highlighted by the selec-
ted color. You can customize the settings for focus peaking in the "Focus Peaking tab" on
page 317 of the settings menu.
Zebra
The Zebra feature overlays a diagonal pattern over the parts of the image that are
exposed +-5% of the target level set. This allows you to see at a glance, where parts of
the image have reached a certain exposure level. You can customize the settings for the
zebra function in the "Zebra tab" on page 320 of the settings menu.
False Color
The False Color feature allows you to quickly expose your image by seeing an overall rep-
resentation of brightness grouped into meaningful colors.
False Color Scale
The False Color Scale on the left-hand side of the screen is a legend that correlates bright-
ness values in the image with specific colors. The numbers in this scale represent the IRE
%. As an example, mid grey is present between 44-47 IRE (green), underexposed foot-
age is -7 to 2 IRE (purple), and overexposed footage is from 96-109 IRE (bright orange).
Blue Only Exposure

Blue only displays a greyscale image based on the blue channel of the input signal. This is
useful to observe the noise content of a video image as sensor noise is most visible in this
channel.
Frame Guides, Safe Areas & Anamorphic De-
Squeeze
ATOMOS 10 has advanced frame guides and safe areas. You can select from common
cine, social or TV frame guides or set a custom frame guide. The aspect ratio markers are
very useful with the Anamorphic De-Squeeze tool to preview crops that could be made in
post.
Cine and Social Frame Guides
Tap the Frame Guides icon to enable or disable the currently selected frame guide. You
can select the frame guide to be used or enter a custom frame guide in the "Frame Guide
tab" on page 333 of the settings menu.
Safe Area Guides
Action safe area and title safe areas are proportional to the selected frame guide based on
SMPTE standards. To turn on the safe area markers tap the Safe area icon once for the
Action area and again for the title safe area.
The Safe Area/Grid Lines will still be visible when tapping the center of the
screen to hide the overlays.
Anamorphic De-Squeeze
Allows you to de-squeeze images when monitoring content filmed with anamorphic
lenses. Tap the de-squeeze icon to cycle through the options to select the amount of de-
squeeze required, so that the image on your NINJA V is not distorted.
The options include:
l 2x (4:3),
l 2x,
l 1.8x,
l 1.5,
l 1.33x,
l 1.25x
Scopes are not available when anamorphic de-squeeze is activated.

Frame Grab and Onion Skin
Frame Grab
This feature allows you to capture lossless PNG frame grabs in the NINJA V’s native dis-
play resolution (1920 x 1080 pixels) during recording and playback.
To capture a frame grab:
1. Whilst in recording or playback mode, tap the Frame Grab icon in the Monitoring
Feature activation icons section at the bottom of the screen.
2. A tick will appear briefly inside the Frame Grab icon to indicate that a frame grab has
been captured.
3. The captured PNG file will be saved to a Frame Grab folder on your recording media,
which is automatically created when you capture your first frame grab.
Onion Skin
This feature allows you to layer frame grabs or other images on top of your video feed,
whilst in the Record and Playback modes.
To load a frame grab or image as an onion skin:
1. Tap the Onion Skin icon in the Monitoring Feature activation icons section at the bot-
tom of the screen.
2. The Onion Skin tab in the settings menu will open so that you can select the frame
grab/image to be used. For more information on selecting the frame grab/image,
refer to the "Onion Skin tab" on page 335 section.
3. The frame grab/image will appear on screen with position and transparency options.
Tap on the screen to view the onion skin overlay without the icon box, and tap again
to bring the icons back. Tap the arrow at the bottom of the icons to return to the Mon-
itoring screen.
Onion Skin position and transparency options
Tap the following icons to customize the position and transparency of the loaded frame
grab/image:
High Transparency
The loaded image will be highly transparent. The

video feed from your source will be highly visible.
Medium Transparency
A level of transparency that provides a balance

between the low and high options.
Low Transparency
The loaded image will be less transparent. The

video feed from your source will be less visible.
50/50: Left
Displays only the left half of the loaded frame

grab/image over the top of the video feed from
your source.
Full
Positions the full width of the frame grab/image

over the top of the video feed from your source.
50/50: Right
Displays only the right half of the loaded frame

grab/image over the top of the video feed from
your source.
Return
Return to the Monitoring screen.
Onion Skin Ready
When a frame grab/image is loaded, the Onion Skin icon in the Monitoring Feature icon
section will change to the icon below. Tap this icon to return to the onion skin view, which
will display the last frame grab/image you used. Tap the arrow to return to the Monitoring
screen.
To load a different frame grab/image, navigate to the "Onion Skin tab" on page 335 in the
settings menu and follow the same process as outlined above.
Settings Menu
This menu allows you to adjust the settings and behaviors of the Monitoring Tools that will
be used when each monitoring tool is enabled. It also provides settings for LUTs, the dis-
play and monitor modes.
To access these settings, tap on MON in the Information Bar across the top of the screen.
Alternatively, tap on the yellow settings icon in monitoring mode and then select the
desired tab across the bottom of the page.
Waveform tab
To access Waveform Monitoring settings simply tap on the Settings icon and select the
Waveform Tab.
To change the size of the waveform, press on the corner icon, lower screen icon or full
Screen icon. The display will update immediately.
The size settings for the Vectorscope are limited to corner and full Screen.
To toggle between Waveform Monitor sizes of 1/4, 1/3 and Full Screen dur-
ing monitoring, recording and playback, tap on the bottom left corner of the
screen. You can also adjust the brightness and opacity of the waveform dis-
play whilst recording, monitoring or during playback.
The Brightness slider directly controls the intensity of the waveform while the opacity
slider adjusts the transparency values of the waveform display on screen. Experiment
with these controls to achieve your desired monitoring setup.
Focus Peaking tab
To access the focus peaking settings, simply tap the Settings icon and select the Focus
Peaking Tab. These settings allow you to customize how peaking is displayed. There are
multiple display modes and you can select the color and width of peaking indicators.
Mode
Tap on these icons to switch between the focus peaking modes:
Focus Peaking Color
This option overlays the focus peaking indicators on top of the color video image.
Focus Peaking Mono
This option overlays the focus peaking indicators on top of a gray-scale image.
Focus Assist Outline
This option overlays the focus peaking indicators on top of an outline of the image.
Outline Color
Adjusts the color used for peaking. It can be helpful to adjust this color so that areas in
focus stand out from the color of the background.
Outline Width
Adjusts the width used focus peaking indicators on screen. Tap to select the desired
width.
Zebra tab
To access the Zebra settings, tap the Settings icon and select the Zebra Tab.
Zebra Threshold
These settings allow you to select an exposure level in your image where you want the
Zebra indicators to appear. A setting of 95-100% is commonly used to indicate areas of
the image that are close to overexposure or that are overexposed. The Zebra threshold
value can be adjusted by moving the slider left or right.
LUTs tab
To access the LUT settings, simply tap the Settings icon and select the LUTs
Tab.
A LUT or Look Up Table is a table that transforms the color response and as such adjusts
the ‘Look’ of the input. 3D LUTs have a combination of three inputs defining the com-
bination of R, G, and B values allowing for adjustment of not only color but also gamma
and gamut. LUTs can also be used to monitor the input in a specific color space or more
creatively to create a specific ‘look’ such as film stock emulation or to match cameras.
It’s worth nothing that not all LUTs are equal and the majority of LUTs are designed to
work with in the boundaries of REC.709. This means that whilst they may apply the color
adjustments you are looking for they may also effect the luminance of the image and in
which case these LUTs should only be used for delivery of content designed to be viewed
in REC.709 or SDR.
If you are working with 3D LUTs you can use color correction applications, as well as
applications like Davinci Resolve, Photoshop or dedicated applications like LUTCalc. To cre-
ate you own custom Looks that can then be imported to your ATOMOS device. They can
provide a great base or primary grade that allow you to apply an instant look to your foot-
age.
ATOMOS support 3D LUTs in the industry standard .CUBE format and provides 8 LUT
memory slots for your load your LUTs into.1D LUTs are not supported and will need to be
converted via 3rd party software to be imported.
How to import LUTs to your NINJA V:

1. Copy the .CUBE files onto your media using a computer and compatible dock.
2. Tap on MON in the Information Bar across the top of the screen to access the mon-
itoring tools settings and select the LUTs tab.
3. Tap on one of the numbered slots to select it. Slots that already have a LUT loaded
will have a curve next to the slot number whilst empty slots will not.
4. Tap on the folder icon to access your media.
If you select a slot that already has a LUT loaded, you will be asked to
confirm the fact that you want to overwrite the loaded LUT when you
tap on the folder.
5. Navigate through the disk file system to the LUT file to be uploaded, and tap on the
name of a LUT to select it. A second tap on the name will import the LUT to the selec-
ted slot.
1. A progress bar will appear on screen whilst the LUT loads.
2. The LUT has now been loaded and will be selected by default.
3. Repeat the process to store up to 8 LUTs on your NINJA V.
Once a LUT is loaded into your NINJA V, it cannot be deleted. Loading LUTs
into a slot that already has a LUT loaded, will overwrite the loaded LUT.
How to apply a LUT to your image:
1. Tap on MON in the Information Bar across the top of the screen to access the Monitor
Mode menu and select the LUTs tab.
2. Tap on one of the eight slot numbers to select a LUT to be applied to the display. Tap-
ping on slots that have LUTs loaded will preview the name of the selected LUT (above
the Menu bar).
Slots that have a LUT loaded will have a curve next to the slot number
whilst empty slots will not.
3. Tap on the Monitor tab to open the the Monitor Mode menu.
4. Tap on the LUT icon to apply the selected LUT to your image. The name of the cur-
rently selected 3D LUT will be displayed next to the LUT icon.
The selected LUT file name will display at MON in the Information bar
when applied to the image.
LUT Processing
In the LUTs tab, the settings allow you to choose how the LUT will be applied:
l During recording
l During Output
l Compare
During Record
If this option is selected, your NINJA V will bake the LUT look into the recording. When
enabled, a CUSTOM LOOK icon will flash in the top corner of the monitor and the LUT can-
not be activated during recording to avoid any potential issues with the recorded content.
Baking a LUT into your recording cannot be undone in post-production, so

we advise that you consider your workflow before the use of this option.
Baking the LUT into your recording is not supported when recording with
the ProRes RAW codec.
During Output
OUTPUT LOOK – With this option, the selected LOOK is also applied to the HDMI loop out
of the NINJA V. This will allow for instant preview on a larger monitor or to be used with a
wireless sender. This function can also be combined with the down convert option that
can be found in the input menu.
Compare
During color management it’s likely that you may want to review a number of LOOKs and
even compare them to the Native Video Source. Tapping the Compare option will apply a
50/50 vertical screen split that will show both the Natural Source Video and the selected
LOOK of the LUT.
Please note that activating the 50/50 preview will also be applied to the
Loop out and is not available when LUT is set to record.
Remember that you can remove all overlays by simply tapping in the center
of the screen. Tap again to reveal the overlays.
Monitor tab
To enter this menu, tap on MON in the Information Bar across the top of the screen. The
Monitor Mode menu will open on the bottom of the page. Alternatively, tap the yellow Set-
tings icon and select the Monitor Tab.
Before entering into the operation of HDR monitoring, it is important to

understand the background of HDR. We advise that you read the ATOMOS
HDR Guide to familiarize yourself with the key terms and differences
between the existing Rec.709 standard dynamic range (SDR) and the way
we view images in High Dynamic Range (HDR).
Using Standards - Native / Rec.709 / HLG / PQ

ATOMOS 10 uses predefined settings to display your video when viewing in HDR. On the
left side of the screen are buttons that correspond with Native, Rec.709 (SDR), HLG and
PQ (HDR) levels. For information on the LUT icon and using LUTs, refer to the "LUTs tab"
Activating these buttons will display your video according to the levels indicated below,
allowing you to adjust your exposure accordingly and take the guess work out of exposing
correctly for HDR.
Native Video Source
This option will display the video source without any processing and the NINJA V will
behave as expected for a standard broadcast monitor. When connected to a camera this
means the image you are viewing is the untouched camera output e.g.. a standard
Rec.709 image or a Log image etc. A standard Rec.709 image will look correct and a Log
image will look flat.
Rec.709
With this mode selected the NINJA V will map from the camera gamma/gamut so that
100% linear IRE maps the panel’s white (1000nits). Everything above is clipped.
HLG (Hybrid Log Gamma)
With this mode selected the NINJA V will map from the camera gamma/gamut so that
1200% linear IRE maps the panel’s white (1000nits). Highlights are slightly compressed.
PQ
With PQ mode selected the NINJA V will map from the camera gamma/gamut so that
2000% linear IRE maps the panel’s white (1000nits). Highlights have more compression
and look similar to HLG, but closer inspection will reveal more detail is visible in specular
highlights.
Your camera’s dynamic range will determine how much more detail is vis-
ible between HLG and PQ modes.
Monitor Options
On the right side of the screen, the monitor tab provides options for the NINJA V
Display Off
The Display off function allows for the screen to be turned off without affecting the oper-
ation of the unit. When enabled, the screen will turn off whenever you lock the display
screen by tapping the power on/off button on the side of the unit. For more information
refer to the "Best Practice" on page 19 section.
Tally
The Tally light on the rear of the unit will still display red for record and the idle (green)
status will be displayed on the front screen LED. If you have an
ATOMOS CONNECT accessory attached, this will enable/disable the tally light on the rear
of the CONNECT.
Flip Screen
The Flip screen option allows you to invert the screen to meet your needs of operation.
Whilst the screen is inverted, take note to respect the air flow and not to
obstruct the cooling vents of the unit.
Display tab
To enter this menu, tap on MON in the Information Bar across the top of the screen or tap
on the yellow settings icon in monitoring mode. Then select the Display tab on the bottom
of the page.
This menu gives you the option to change the screen brightness by adjusting the slider
when in Native, Rec709 and LUT mode. As you slide to the right the brightness will
increase and when at 100% the image will be using the full 1000nits of the display. As
with any electronic screen device increasing the brightness will increase the power draw
and battery life will be effected accordingly.
Adjustments can also be made to the Lift, Gamma and Gain of the display. To make an
adjustment, tap and drag the slider left and right.
Backlight
Adjust the strength of the backlight. Disabled during HDR monitoring

Lift
Increasing lift will brighten the image and lessen the shadows
Gamma
Gamma control allows you to create darker and richer shadows. This may be useful when
monitoring in bright daylight conditions.
Gain
Gain will boost the image brightness and affect the highlights
Reset
Quickly return all values to default (Apart from the Backlight setting)
Frame Guide tab
To access the frame guide settings, tap the Settings icon and select the Frame Guide tab.
Tap on one of the displayed icons to select a frame guide.
Cine frame guides include:
l 16:9
l 2.4:1
l 2.35:1
l 1.9:1
l 1.85:1
l 4:3
Social frame guides include:
l 9:16
l 1:1
l 1.91:1
l 4:5
You can also select Custom, which allows you to enter your own aspect ratio.
Setting a Custom aspect ratio:

1. Tap on Custom Ratio.
2. Use the on-screen keypad to enter your desired aspect ratio, then tap Save.
3. Tap on the Custom icon to select it as a frame guide, and close the settings menu.
4. The Frame Guides icon in the monitoring tools carousel will now display the word Cus-
tom. Tap this icon to enable or disable the custom frame guide you entered.
Invalid Ratio will be displayed where the entered ratio is not supported.
Onion Skin tab
The settings in this tab allow you to select frame grabs or other images, for use as an
onion skin layer on top of your source video feed.
To load a frame grab or image as an onion skin:
1. Tap on Last Grab to use the last frame grab taken, or Last Used to load the last frame
grab that you loaded. You can also tap on the folder icon to load an individual frame
grab or image via the file browser. With the browser open, tap on an image to select
it and tap again to load it.
Besides using frame grabs captured with the NINJA V, you can also
load custom 24-Bit PNG images (Alpha Transparency supported) in
1920 x 1080 resolution via the Onion Skin tool.
2. The frame grab/image will appear on screen with position and transparency options.
Tap on the screen to view the onion skin overlay without the icon box, and tap again
to bring the icons back. Tap the arrow at the bottom of the icons to return to the Mon-
itoring screen. For information on the transparency and position settings, refer to the
"Frame Grab and Onion Skin" on page 312 section.
Playback mode
Pressing the Play button switches the device into playback mode and the last clip recor-
ded on to the drive will instantly begin to playback. Playback allows you to instantly ana-
lyze the content. This is key for establishing if takes are correctly focused, lighting has
changed, or previewing recorded content with LUTs applied.
The first time the Play button is pressed after recording a clip, the last clip
recorded will playback. If you switch back to REC mode after doing this and
press the Play button again, the file at the top of the file list will playback.
Once within Play mode the complete Monitoring and Edit tool sets are available by tapping
the buttons. Switch from Monitor to Edit tools by toggling the MON and EDIT buttons.
Clips/Playlist can be selected by tapping the folder icon in the lower right of the screen, or
skip to the next or previous clip via the on screen controls. Additional controls allow you to
scrub through clips, set the playback speed and direction, as well as the ability to set the
play mode to Loop.
All these functions can also be used in ‘Playout’ mode, and your footage can be viewed on
a larger screen or monitor for review and appraisal. You can even apply Log curves and
LUTs to your clips as they are played back.
Playback Mode / Home

Main Controls
REC (Record):
Jump to Record Home Screen
PLAY:
Play and pause the current clip
MON (Monitor):
Reveal/hide monitoring tools. Toggle on/off
EDIT:
Reveal/hide edit tools. Toggle on/off
Settings
Touch to access Playback settings and tools.

Recorded Files
Browse recorded files
Playback Controls
These controls become available during playback.
Scrub bar
Scrub forward and back through the clip.
Speed/direction control
The percentage slider allows for you to set the playback direction and speed. This is per-
fect for previewing high frame rate at half or quarter speed such as 60p at 30p in either
forward or reverse directions.
2x/4x
Playback at 2x or 4x speeds both forward and in reverse.

Next/Previous
Jump to next or previous take.
Advance
Whilst a clip is Paused these buttons have the ability to step the clip by 1 frame either for-
ward or reverse to give you chance to analyze the clip in more detail, this is especially use-
ful when combined with the 2:1 zoom function.
Loop
Tapping this icon, you can put the clip into loop playback. In and out markers for loop can
be placed and cleared using the edit tools. For more information, refer to the Edit section.
Playback
One of the key elements of the NINJA V is the ability to utilize the monitor recorder as a
playback and playout device for the content that has been recorded whilst maintaining
the same visually lossless high quality images. NINJA V’s playout capability also allows
you to send the live and recorded footage out to a larger HDMI monitor or switcher.
Recorded Files
Pressing the filename or folder button will bring up a list of clips available on the drive.
This will show clip name (with Scene shot Take numbers) as well as resolution, codec and
duration Tap to highlight a clip, this will show a preview of the first frame in the back-
ground. To play the selected clip touch the file name again. To play specific files you can
also create a playlist. For information on creating a playlist refer to the "Playlists" on the
next page section.
When the playback content list menu is open, playback will automatically
stop.
The codec for each clip is displayed in the white circle to the left of each
clip's filename
Playlists
To increase the functionality and flexibility of the playback mode there is also the ability
to create a Playlist.
How to create a Playlist

To build a Playlist, open the Recorded Files folder, then press the Playlist button which will
turn green and reveal the options available. To return to normal playback of all recorded
materials, press the Playlist icon again to deactivate the playlist.
All clips in the Playlist must have the same codec, resolution and frame
rate.
The codec for each clip is displayed in the white circle to the left of each
clip's filename
Playlist Options
Order
This icon lets you adjust the order in which clips playback. By default the order of recor-
ded clips is based on their file names, with the last clip recorded at the top of the list. Tap
Order to toggle the order that clips will be played back in.
Tags
Tap this icon to cycle through the following options to select what will be included in the
playlist:
All
Plays all clips on the disk.

Selected
Plays only those clips selected
Favorites
Plays only the clips that are tagged as favorites.
Combined
Plays only the clips that are tagged with favorite and the selected clips
The duration of each clip in the playlist is combined together and are shown
on the scrub bar in playback controls. A white vertical line indicates the
start and end points and clips will seamlessly playback across those selec-
ted to be in the playlist.
Codec Playlist
You can select which clips are played back by toggling the available codecs. Only clips of
the same resolution, frame rate and codec are supported. The resolution and frame rate
is indicated in the bottom right corner of the screen.
Favorite Playlist
The cut tag edit points can be combined with the favorites Playlist allowing the in and out
points that have been created within the clip using the favorites flag to be used as sub
clips within a Playlist. This means that if in and out points have been marked on a clip only
those sections of the clip will play when used in a favorites or combined Playlist. Close
attention should be paid to the order icon as this also relates to the sub clips as the run
down order will play the last sub clip first in the Playlist.
Whilst a Playlist is in operation further metadata tags can not be applied to
these clips.
More information about using the In and Out points, tagging and XML Export is available
in the "Using Edit tools during recording, playback and monitoring" on page 356 section.
Video Format menu
This menu appears when you tap on VID in the Information bar across the top of the
screen. It contains information about the settings used in recording the clip.
Format:
Displays the resolution and frame rate used in recording the selected clip.
Codec:
Displays the codec of the current clip.
Compression:
Displays compression settings for selected codec.
Length:
Displays the total length of the clip.

CAMERA OUTPUT
Log/HDR (On/Off)
Tap to enable/disable HDR image processing inside the NINJA V.
Camera
Tap to scroll through to the manufacturer of the camera providing the input. Options
include: Sony, Fujifilm, Canon, Panasonic, ARRI, RED, JVC, Leica, Nikon, ZCAM, Olympus,
OMSYSTEM and Rec.2100.
Gamma
For each manufacturer there may be a number of different Log curves available and you
can scroll through to the correct selection by tapping the Gamma icon.
Gamut
Select the Color Gamut of the input. Ensure that this matches the input of the camera to
ensure accurate monitoring.
Gamut options are not applicable to all cameras
Playback Auto HDR (On/Off)
Engage this switch if you are feeding HDR images to the NINJA V from a camera or games
console that supports HLG or PQ HDR output directly, using the appropriate metadata
flags. If you are feeding Log video to the unit be sure that this setting is off. Tap to enable
or disable the setting.
Playback - Output Menu
This menu provides information and settings for the signal that is being output from your
NINJA V over HDMI and SDI. The Output menu that appears whilst in Playback mode is
identical to the Output menu that appears whilst in the Recording and Monitoring modes.
For more information on these settings refer to "Output Menu" on page 107 and "Output
via AtomX SDI Expansion Module" on page 110.
Playback - Audio menu
The Audio menu that appears whilst in Playback mode is almost identical to the one that
appears whilst in the Recording and Monitoring modes. For more information on these set-
tings refer to "Audio Menu" on page 213 section.
Some of the settings that are present in the Audio menu whilst in Recording
and Monitoring modes, will not appear in the Audio menu whilst in Playback
mode.
Edit Mode
The edit mode allows you to tag your clips during recording and playback, as well as the
ability to add in and out-points to recorded clips.
By the pressing the Favorite and Reject icons you can assign a 'good clip' or 'bad clip'.
This information can then be imported into a non-linear editing system to speed up the
edit process. You can easily see which parts of your recording you have marked to keep or
reject.
Favorite clips can easily be built into a Playlist in playback mode and these tagged sub
clips can then be played out, back to back. For more information refer to the "Playlists" on
page 341 section. ATOMOS 10 has also introduced extended tags to allow you to apply
more specific tags that can help facilitate the edit. For more information refer to the
"Using Extended Tags" on page 359 section.
SmartLog is compatible with FCP XML (.fcpxml).
Playback Mode / Edit tools

Main Controls
REC (Record):
Press record to start recording
PLAY:
Play and pause the current clip
MON (Monitor):
Reveal/hide monitoring tools. Toggle on/off
EDIT:
Reveal/hide edit tools. Toggle on/off
Settings
There are no user accessible settings available for Edit functions in the current ATOMOS
firmware.
This may change with future firmware updates.
Markers and Tagging Icons (SmartLog)
Using Markers and Tags you can quickly start the editing and review process right here on
your NINJA V, avoiding delays incurred when importing inferior and unwanted footage.
You can review and tag immediately on-set with your client or director, or work through
your takes without having to dump the recorded files to another workstation/NLE.
In-Point
Set the in-point by touching the button at desired point. Simply touch on to indicate in-
point. Press a second time to reset in-point
Out-Point
Out-point can be set by simply tapping at desired out-point. To remove, tap again
Favorite
Mark the entire take as a favorite, or you can mark the parts of the take you wish to use.
Apply multiple markers within one take if required
Reject
Mark the take/section as a reject
Talent 1
Tag talent or assign another meaning
Talent 2
Tag talent number 2, or assign another meaning, event etc.
Over Exposed
Tag clip as over exposed or out of focus
Color Correction
Tag clip as ‘color’. Use tag to indicate a problematic image or even use for another pur-
pose
Noise
Tag clip as containing background noise or interference
Cut Away
Tag clip as a cut away scene
Close Up
Tag clip as close up for use in edit and post
Wide Shot
Tag clip as wide shot
Export XML
Once your clips have been tagged you can capture all the information and utilize the XML
data to speed up edit and post production time.
RESET
Pressing the reset button will remove all tags and XML data from a clip. This is useful
when dealing with multiple takes or if a clip is tagged incorrectly. Reset will not remove or
change in-point and out-point settings. To remove markers you will need to reset the in
and out-points.
Using Edit tools during recording, playback
and monitoring
To access edit tools simply tap the Edit icon during recording, monitoring or playback.
In and Out points

Set in and out points easily during playback. Use the scrub control to accurately find the
correct moment while the footage is paused. Once markers are set, the footage will be
clipped and only the enclosed footage will play. Reset markers to resume normal play-
back.
Favorite/Reject
Press Play and when you see the section of the footage you would like to mark as good or
bad, press Favorite or Reject and then press again to stop marking that section. Multiple
tags can be applied to your clips to provide Timecode accurate meta tags that can be
exported to Apple FCP XML.
A green or red line will appear in the timeline scrubbing bar so you can
identify the region that has been selected.
Reset
Tapping the reset button will remove all tags and XML data from a clip. This is useful when
dealing with multiple takes or if a clip is tagged incorrectly. Reset will not remove or affect
in-point and out-point settings. To remove markers you will need to reset the in and out-
points
Using Extended Tags
Aside from Favorite and Reject tagging options, ATOMOS 10 includes extended tags that
will greatly assist your edit and workflow processes. Careful consideration and use of tags
during monitoring and review can be highly beneficial when you are ready to begin post
production.
Tags are useful during playback and allow you to create playlists featuring only selected
recordings from your disk. More information about playlists can be found in the Playback
& Playout section.
Reset
Tapping the reset button will remove all tags and XML data from a clip. This is useful when
dealing with multiple takes or if a clip is tagged incorrectly. Reset will not remove or affect
in-point and out-point settings. To remove markers you will need to reset the in and out-
points
Exporting Tags
Exporting Tags
1. Tap the Export icon to export the tags you have created to an FCP XML file.
2. 'Please wait' will be displayed on screen whilst an XML file is been created on your
inserted media. The length of time required to create the FCP XML file will vary
depending on your recording time and the amount of flags applied.
3. Once the XML file has been saved to your media you will be returned to the previous
screen.
Importing Tags
The FCP XML file can be instantly accessed by Final Cut Pro when the media is connected
to a computer using a compatible dock. The tags will be available upon import of the XML
file and can be used to filter and display different parts of your recordings, depending on
how you have used the tags to mark and edit the footage. More information about using
tags and XML import can be found in the Connecting & Editing section.

Connecting media
The Master Caddy Docking Station allows you to connect your media to your computer.
For information on using the Master Caddy Docking Station and the different models avail-
able, refer to the "Master Caddy Docking Station" on page 35 section.
Attaching Media to a Master Caddy Docking Station:

1. Eject the media from your NINJA V.
2. Align your AtomX SSDmini, Master Caddy II or AtomX CFast adapter so that the
SATA III connector lines up with the SATA II connector on the Docking Station. Media
can’t be inserted the wrong way round.
3. Gently slide your media all the way into the Docking Station until it stops at the end
of the drive slot. Ensure that the media is properly attached.
Never force the media into the docking station, just in case something
isn’t set up or aligned properly
The NINJA V disk slot does NOT have a release latch for media. It is a fric-
tion-fit system. To remove simply pull the media out using the top and bot-
tom tabs on the media itself.
Connecting the Master Caddy Docking Station to your computer:
1. Connect the Master Caddy Docking Station to a Mac® or Windows® editing work-
station via USB 2.0, USB 3.0 or USB-C 3.1.
2. After a short wait, your disk will be recognized by your operating system and the
recorded video will be accessible by the target computer via a standard disk (exFAT)
file system.
Once your disk is recognized by your operating system, you can edit directly from the
drive or copy the files to your own storage.
Transferring files
To copy files to your computer or other storage location:
Windows:
Open the disk in My Computer > Select all the files or just the ones you wish to transfer,
copy and paste them to your desired location. (ctrl+c to copy, ctrl+v to paste).
Mac OS:
Your NINJA V disk will show in Finder. Select the files you wish to transfer, drag the files
to your desired location or use the copy and paste commands. (COMMAND + C to copy,
COMMAND + V to paste).
ExFAT compatibility
The NINJA V formats your media as exFAT. We have chosen this file system to overcome
the 4GB file limitation of FAT32 and allow for compatibility on both Windows and MAC OS.
The Operating Systems that support exFAT are:
l Windows 10+
l Snow Leopard 10.6.5 or higher
l Lion 10.7
l Mountain Lion 10.8
l Mavericks 10.9 and above

Importing clips
Video Codecs - Supported Applications
We have chosen the Apple ProRes®, Avid DNxHD® and Avid DNxHR+ codecs as our main
video codecs since they are visually lossless, as well as being edit-ready formats. The
H.265 (HEVC) codec is also available as an optional upgrade, and provides a highly effi-
cient compressed codec option. For more information refer to the "H.265 (HEVC)" on
page 122 section.
Generally speaking, all major non linear editing applications support Apple ProRes and
Avid DNxHD/DNxHR, and most have support H.265 (HEVC). Applications need to support
these codecs inside a .MOV wrapper.
Please refer to the support documentation for your software for compatibility, especially
with 10 Bit 4:2:2 H.265.
l Final Cut Pro (version 7)
l Final Cut Pro
l Davinci Resolve 8.0 +
l Adobe CS5 (with 5.51 update or later)
l EDIUS 6
l Sony Vegas 10
l Lightworks
l Avid Media Composer 6 (version 8.3 or later for DNxHR)
l Autodesk Smoke
ProRes RAW - Supported Applications

l Apple Final Cut Pro
l Adobe Premiere Pro,
l Adobe After Effects,
l Avid Media Composer,
l GrassValley Edius,
l Assimilate Scratch,
l Baselight Film Light.

Importing NINJA V footage into Final Cut Pro
You can import NINJA V footage into Final Cut Pro (FCP) in just a few simple steps.
1. Connect the Docking Station to your Mac. For information on connecting the Docking
Station refer to the "Connecting media" on page 361 section.
2. Insert the media with your footage into the Docking Station and you will see the drive
appear in your Finder window.
3. Start Final Cut Pro and open your project (or start a new one).
The screen will look like this:
Go to the File menu and select Import > Media. Final Cut Pro will show you a 'browse' win-
dow. Look for the NINJA V drive, and click on it.
You’ll see the folders in the drive. Select the folder containing the footage you want to
import. Click on Import All or Import Selected. Individual clips can also be selected.
Choose the Event you wish to import the footage into, or create a new event. Click on
Import.
Your Scene, Shot and Take files now appear in the project window, ready for use in your
FCP project.
SmartLog with Final Cut Pro
Prior to importing the XML files into Final Cut Pro, ensure that:
l You have exported XML file whilst the drive is in your NINJA V
l You have connected your Master Caddy Docking Station and inserted your media into
the Dock
l You are using an operating system that supports ExFAT
l Your QuickTime version is up to date
l Final Cut Pro has been updated to the latest version
There are 2 ways to import the XML file:

l Directly from the docked hard drive
l Manually into Final Cut Pro
Automatic Import
1. Open the Finder
2. Select the drive (in this example it is EXCVIDEO)
3. Double-click the unitname.FCPXML file
4. This will open Final Cut Pro and import the .xml file
5. Final Cut Pro will make an event of the disk, name and reference all the footage in
that event.
You will notice that on the clips you have added Smart Tags too, with Green and Red indic-
ating Favorite and Reject. You can sort these by using the pull-down menu to show favor-
ites. This will show all the individual favorites as separate clips in the Event Viewer.
Manual
1. Open Final Cut Pro
2. Create a New Project (or you can use an existing project). In this example it is called
XML Import
3. Select File> Import> XML

4. Select the NINJA V drive under Devices
5. Choose the unitname.FCPXML, select Import
6. The XML will import
Viewing tags in Final Cut Pro

Once you have imported the XML you can expand the clip to see the Favorite, Reject and
other various tags.
You can also filter the view to only see specific tags e.g.. favorite, etc.
Adjusting ProRes RAW settings in Final Cut
Pro
Final Cut Pro allows you to view and adjust the camera settings of ProRes RAW files, like
ISO, exposure offset and color temperature in the Inspector tab. The settings that can be
adjusted will depend on the camera used with your NINJA V to record ProRes RAW clips.
For information on the cameras that record ProRes RAW and the settings that can be
adjusted, refer to the 'ProRes RAW video cameras and devices' section in the Apple Sup-
port Article.
How to adjust ProRes RAW camera settings in Final Cut Pro

1. Import your Apple ProRes RAW clips into Final Cut Pro. For more information on
importing refer to the "Importing clips" on page 364 section.
2. Select the clip(s) that you want to adjust in the browser or in the timeline.
3. Open the Inspector by clicking on Window>Show in Workspace>Inspector

4. Click on the Info button in the Inspector to show the Info Inspector
5. Click on the word Basic at the bottom of the Info Inspector tab to open the Metadata
View pop-up menu, and select Settings.
6. The Info Inspector will now display the camera settings of the ProRes RAW clip(s).
Camera ISO
Displays the ISO setting selected in camera during the recording of the selected ProRes
RAW clip(s). This is for information purposes only and is not adjustable.
ISO
This drop-down menu allows you to adjust the ISO setting for the selected clip(s).
Exposure Offset
Adjusts the ISO setting up or down by as much as one stop.
Camera Color Temperature:
Displays the color temperature setting selected in camera during the recording of the
selected ProRes RAW clip(s). This is for information purposes only and is not adjustable.
Temperature
Adjusts the color temperature setting for the selected clip(s). This slider only appears
where the camera used to record the ProRes RAW clip(s) supports color temperature
adjustments.
For more information on the cameras supported and the settings that can be adjusted,
refer to the 'Adjust ProRes RAW camera settings in Final Cut Pro' Apple Support Article.
Technical Specifications
Physical Specifications
Without bat-
360g / 12.7oz
teries & media
Dimensions (W x
151 x 91.5 x 31mm
H x D mm)
Anti-rotational 3/8-16 screw mount points with 1/4-20 screw

Mounting points
mount adapter. Top and bottom.
Environmental
Ambient oper-
ating tem- Up to 40° C
perature
Construction and Control
Body Aluminium alloy chassis with ABS Polycarbonate back plate
Heat Sink and actively controlled fan with user selectable

Cooling
modes in menu
Tally light Rear and front (Red border on the display indicates record)
Multi-function
Power / lock Screen
button
AtomXpansion
Yes
slot
Power
Touchscreen SuperAtom IPS panel (capacitive touch)
Operating power 10 - 22W
Compatible bat-
NPF /L series and supporting accessories
teries
Input voltage 5.8 - 7.2V (Battery)
Battery time 5200mAh - up to 2hrs (monitor & record 4Kp60), 7800mAh -

(based on 7.4V) up to 3hrs (monitor & record 4Kp60)
DC In Connector Via DC Jack on Battery Eliminator
Continuous
Via Optional AtomX SYNC Module
power
D-Tap Via Battery Eliminator and optional D-Tap to DC cable
Display
Touchscreen SuperAtom IPS panel (capacitive touch)
Size 5.2"
Resolution / PPI 1920 x 1080px
PPI 423
Bit Depth 10-bit (8+2 FRC)
Backlight Type Edge lit
Brightness
1000 +/- 10%
(cd/m2 / nits)
Aspect ratio 16:9 native
De-interlace
I > P and PSF > P
mode
Color Gamut Rec. 709
Calibration sup-
ATOMOS Calibrator with Calibrite i1 Display Pro / Plus (Retail)
port
Color Pipeline
AtomHDR Yes
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI

Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /
LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log,
Gamma Panasonic V-Log, JVC J-Log1, Olympus (OM System) OM-
Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED
Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI

P3 / DCI P3+ / DCI-P3 D65, Rec709, BT.2020, Nikon NLog,
Gamut Panasonic V-Gamut, Arri Alexa Wide Gamut, FujiFilm F-Gamut,
JVC LS300, RED WideGamut / RED DragonColor / DragonCo-
lor2 / RED Color2 / RED Color3 / RED Color4
3D LUT Display .Cube Format
3D LUT Down
Loop out
Stream
3DLUT 50/50 Yes
Monitoring
Native / Rec.709 / HLG / PQ / 3D LUT
Modes
HDR output Con-

Log / HDR to HLG / PQ / Dolby Vision
version
Video Input
HDMI 1 x HDMI (2.0) 4Kp60
HDMI RAW Apples ProRes RAW up to 6K
2 x 12G SDI Backward compatible via optional AtomX SDI mod-

SDI
ule, or 1 x 12G SDI via optional ATOMOS CONNECT
Optional with ATOMOS CONNECT or AtomX SDI module and

SDI RAW
SDI RAW activation
Bit Depth 8/10-bit Video / RAW up to 12-bit
Video Chroma
4:2:2
Subsampling
HDCP copy pro-

Not supported
tection
Metadata
RAW - white balance, exposure index, shutter speed/angle, iris

HDMI
F stop, ISO, gamma, gamut
File name from Arri, RED via optional AtomX SDI module or
SDI
optional ATOMOS CONNECT
Video Output (Playout)
HDMI 1 x HDMI (2.0) 4Kp60
SDI Loop Out Optional Via AtomX SDI module
2 x 12G SDI via optional AtomX SDI module - level A/B select-
SDI Play Out
able
Video Chroma 4:2:2

Subsampling
Uncompressed true 10-bit or 8-bit 422 (playback file depend-

Signal
ent)
Web Streaming
USB UVC Optional via Connect 4K or AtomX CAST
RTMP Yes via optional Atomos CONNECT
RTMP/S Yes via optional Atomos CONNECT
Video Signal Conversion
HDMI to SDI Optional Via AtomX SDI module
SDI to HDMI Optional via ATOMOS CONNECT or AtomX SDI module
Audio In/Out
Audio Quality 24-Bit / 48kHz
Audio Codec PCM
HDMI 8ch 24-bit, input dependent
SDI 12ch 24-bit, input dependent
Analog Audio in 3.5 mm 2ch.
Headphone out 3.5 mm 2ch.
Timecode / Sync
HDMI and SDI (ATOMOS CONNECT or AtomX SDI module

Embedded
required for SDI embedded timecode)
Time of day Yes, Time and Date
LTC Via 3.5 mm audio Jack input (requires post processing)
AirGlu™ SYNC Time code Network Server or Client via optional

Wireless SYNC
AtomX SYNC or Atomos CONNECT
RF Network
300m
range
RF Frequency Region dependent
Number of Chan-
12 RF Channels per Region
nels
Number of RF cli-
Region dependent
ents
Network
Ethernet 1GbE RJ45 via optional ATOMOS CONNECT
Wi-Fi Wi-Fi 6 via optional ATOMOS CONNECT
AirGlu™ SYNC Time code Network via optional ATOMOS

Wireless RF
CONNECT or AtomX SYNC module
Cellular Connect to Hot Spot over Wi-Fi via optional ATOMOS CONNECT
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAW Only up to 30p via HDMI
5K RAW Only up to 30p via HDMI
4K DCI 23.98 /24 /25 /29.9 /30 /50 /59.94 /60p
4K UHD 23.98 /24 /25/ 29.9/ 30/ 50/ 59.94/ 60p
2K DCI 2046 x
23.98 /24 /25/ 29.9/ 30/ 50/ 59.94/ 60p/
1080
Anamorphic 3.5K: RAW up to 60p (from supported cameras only)
FHD 1920 x
1080 Pro- 23.98 /24 /25 /29.9 /30 /50 /59.94 /60 /100 /120p
gressive
FHD 1920 x
Converted to P and looped out PsF
1080 PsF
FHD 1920 x
23.98 /24 /25 /29.9 /30 /50 /59.94 /60i
1080 Interlaced
1280 x 720p 50 /59.94 /60p
Recording Codec
Apple ProRes
ProRes Raw, ProRes RAW HQ (activation required)
RAW
Apple ProRes LT, 422, 422HQ
Avid DNxHD 220x, 220, 145, 36 (activation required)
Avid DNxHR LB, SQ, HQ, HQX (activation required)

H.265 LQ, MQ, HQ in 8/10Bit, 4 2 2 and 4 2 0 (activation required)
Playback
Playlist Yes, Create custom play lists from full or sub clips
Loop Yes, with user customizable in / out markers
Apple ProRes
Yes, recorded clips with linear PCM audio
RAW
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
H.265 (HEVC) Yes, recorded clips with linear PCM audio
Recording functions
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
Timelapse Yes
Multi Input / Switching
SDI A/B toggle Via optional AtomX SDI module
Switching Via optional AtomX CAST module
Supported media
Master Caddy I Not Compatible
Master Caddy II For 2.5” Drives in MasterCaddy II
For 2.5” Drives in MasterCaddy III (Required when using

Master Caddy III
Atomos CONNECT)
SSDmini Native size and fit
CFast II Supported cards via optional AtomX CFast Adapter
File Naming
Unit name - Scene, Shot, Take. File name via optional AtomX
File Naming
SDI adapter or optional ATOMOS CONNECT for Arri and RED
File System ExFAT
On Screen Tools
Waveform Yes, 3 size / position

RGB parade Yes, 3 size / position
Vector scope Yes, 2 size / position
1 x Zoom Yes. 1:1 Pixel mapping for 4K
2 x Zoom Yes
Focus peaking Color selected / threshold setting / color / mono / edges only
False color Yes, with false color scale
Zebra Yes, adjustable
Isolate color
Blue Only
channel
Cine Frame
16:9, 2.4:1, 2.35:1, 1.9:1, 1.91:1, 1.85:1, 4:3
Guides
Social Frame
9:16, 1:1, 1.91:1, 4:5
guides
Safe areas Action and Graphic
Grid markers 9 grid
Anamorphic
1.25x 1.33x , 1.5x ,1.8x ,2x, 2x 4:3
desqueeze
Display Flip 180 degree rotation
Onboard Signal Processing Options
Pulldown 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pull-
Removal down)
4K UHD Down-
Loop out - 4K UHD to FHD
scale for HD
DCI Crop Loop out - 17:9 to 16:9 Crop
Remote control
Auto HDMI Trigger, Supported Protocols - Canon, Sony,

HDMI
ATOMOS Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm
LANC control and calibration via optional USB to serial cable
Jack
Via AtomRemote app (requires optional ATOMOS CONNECT or
Bluetooth LE
AtomX SYNC module)
Wireless RF Via optional ATOMOS CONNECT or AtomX SYNC module
External Device Control
Serial 2.5mm Camera control for supported cameras via Optional USB to
Jack Serial Cable
Via optional ATOMOS CONNECT or AtomX SYNC module to

Bluetooth LE
compatible devices
Via optional ATOMOS CONNECT or AtomX SYNC module to

Wireless RF
compatible devices
Supported Applications
XML Cut tag EDL in Final Cut Pro XML
Apple Final Cut Pro, Adobe Premiere, After Effects, Avid Media
Apple ProRes
Composer, GrassValley Edius, Assimilate Scratch, Baselight
RAW
Film Light.
All NLE applications that support Apple ProRes, Avid DNx and
Video Codecs
H.265 in .MOV wrapper
What’s in the box
Accessories NINJA V, 1 x Battery eliminator, 1 x international DC power

included supply, 1 x MasterCaddy II and QuickStart Guide
5” Accessory kit, Sunhood, DC to D-Tap, Power Kit, HDMI

cables, USB to serial cable, Master Caddy Docking Station,
Optional extras
ATOMOS CONNECT, AtomX SYNC module, AtomX SDI module,
AtomX CAST module, UltraSync ONE, UltraSync Blue
Warranty
Standard 1 year. Extended to 3 years on product registration
Construction note: Your NINJA V is designed to operate in ambient temperatures up to

40°C/104°F. If you wish to extend the temperature of operation in high temperature con-
ditions, you can use the cooling options. For more information, refer to the "Power Menu"
Please note: Specifications are subject to change without notice. All information assumed
correct at time of publishing.
© ATOMOS 2022. TM ®All trademarks and registered trademarks are the property of
their respective owners.

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USERMANUAL

NINJA V User Manual

NINJA V User Manual 1

Software License Agreement 9

Registering your product 11

International Hardware Limited Warranty 12

User Manual Conventions 14

Master Caddy Docking Station 35

Standard 1/4” or 3/8” Mount/Arm 37

Choosing your power source 39

Powering On and Off 43

Inserting and Removing Media 45

Mounting disks in the Master Caddy II 47

Mounting Disks in Master Caddy III 49

AtomX Expansion Modules 52

AtomOS 10 Operating System 73

The Main Screen - Home Screen 74

The Main Screen - Information Bar 76

The Main Screen - Monitoring Features 79

Home screen and menu functions 81

The NINJA V Menu system 86

Input via AtomX SDI Expansion Module 91

Camera Output 102

Cross Conversion 105

Output Menu 107

Output via AtomX SDI Expansion Module 110

Record Menu 112

RAW over HDMI 116

SDI RAW 117

Sony Metadata Crop 118

H.265 (HEVC) 122

Wi-Fi Menu 123

Ethernet Menu 128

Connect Menu 132

Connect Menu - Atomos Cloud Studio 144

Connect Menu - Capture to Cloud 146

Connect Menu - Atomos Stream 161

Timelapse Menu 192

Timecode Menu 197

Timecode Menu - Wireless Timecode & Sync 201

Sync Config Menu 205

Sync Network Menu 209

File Menu 210

Audio Menu 213

Mic/Line Menu 216

Media Menu 218

Date Menu 220

Power Menu 221

Activation Menu 224

Info Menu 233

The AtomRemote App 235

Connecting to AtomRemote 236

Using the AtomRemote app 243

AtomRemote - Input, Monitor and Output 253

AtomRemote - Record menu 261

AtomRemote - Monitor Assist Settings 263

Using the AtomX CAST 265

Attaching AtomX CAST to your NINJA V 266

Powering the AtomX CAST 267